Old Vinyl Soul

03:35

17 ore în urmă

Soul

Soul octave doubles glossy R&B-pop with a laid-back swung pocket dusty electric piano muted guitar chops and a rubbery bass line; verse rides sparse drums and intimate close-mic vocals pre-chorus opens with stacked harmonies and a filtered lift chorus hits wider with handclaps and short delay throws on the hook word. Bridge drops to keys and breathy ad-libs before the final chorus blooms with gang vocals and a reverse-swell turn. Warm and intimate with a polished top-end.

Old Vinyl Soul

02:57

17 ore în urmă

de Von Clifford Guleng

Soul

Soul octave doubles glossy R&B-pop with a laid-back swung pocket dusty electric piano muted guitar chops and a rubbery bass line; verse rides sparse drums and intimate close-mic vocals pre-chorus opens with stacked harmonies and a filtered lift chorus hits wider with handclaps and short delay throws on the hook word. Bridge drops to keys and breathy ad-libs before the final chorus blooms with gang vocals and a reverse-swell turn. Warm and intimate with a polished top-end.

Sei Un Mito

03:01

2 săptămâni în urmă

de Ippolito Polimeni

Dolcedevil – “Sei Un Mito” (Pop romantico moderno) [Strofa 1] Cammini piano sopra i miei guai come la luna accesa dentro i live, hai gli occhi pieni di città e quella voglia matta di libertà. Tu mi confondi il cuore e poi mi salvi sempre come gli eroi, quando mi perdo nei “mai più” arrivi e cambi il cielo in blu. [Pre-Ritornello] E mentre il mondo cade giù, tu mi fai ridere di più, sei la canz

pop Romantico octave doubles warm synth bass and airy piano accents; verse stays intimate and close-mic pre-chorus lifts with filtered pads and stacked harmonies Modern Italian pop romantico at midtempo with a pulsing four-on-the-floor groove syncopated muted guitar chorus opens wide with claps and gang vocal ad-libs on the hook. Ear candy includes reversed swells into the pre-chorus sparkling bell fills between lines and a drum lift before the final chorus. Bright glossy mix with a polished radio sheen.

Sei Un Mito

02:39

2 săptămâni în urmă

de Ippolito Polimeni

Dolcedevil – “Sei Un Mito” (Pop romantico moderno) [Strofa 1] Cammini piano sopra i miei guai come la luna accesa dentro i live, hai gli occhi pieni di città e quella voglia matta di libertà. Tu mi confondi il cuore e poi mi salvi sempre come gli eroi, quando mi perdo nei “mai più” arrivi e cambi il cielo in blu. [Pre-Ritornello] E mentre il mondo cade giù, tu mi fai ridere di più, sei la canz

pop Romantico octave doubles warm synth bass and airy piano accents; verse stays intimate and close-mic pre-chorus lifts with filtered pads and stacked harmonies Modern Italian pop romantico at midtempo with a pulsing four-on-the-floor groove syncopated muted guitar chorus opens wide with claps and gang vocal ad-libs on the hook. Ear candy includes reversed swells into the pre-chorus sparkling bell fills between lines and a drum lift before the final chorus. Bright glossy mix with a polished radio sheen.

Late Night Receipt

03:01

1 lună în urmă

de Hani Khan

Light Auto-tune):Delay

male vocals light octave doubles glossy Pop-R&B with a laid-back mid-tempo bounce and swung hi-hats built on warm keys tight sub and a soft four-on-the-floor pulse; verse stays intimate and minimal pre-chorus lifts with filtered chords and vocal stacks chorus opens wide with light auto-tune and delay throws on the last word of each hook. Ear candy includes reverse swells into the pre a clipped vocal chop answer after each chorus line and a tiny tape stop before the bridge. Bright close-mic mix with a smooth low end and polished top.

Late Night Receipt

02:51

1 lună în urmă

de Hani Khan

Light Auto-tune):Delay

male vocals light octave doubles glossy Pop-R&B with a laid-back mid-tempo bounce and swung hi-hats built on warm keys tight sub and a soft four-on-the-floor pulse; verse stays intimate and minimal pre-chorus lifts with filtered chords and vocal stacks chorus opens wide with light auto-tune and delay throws on the last word of each hook. Ear candy includes reverse swells into the pre a clipped vocal chop answer after each chorus line and a tiny tape stop before the bridge. Bright close-mic mix with a smooth low end and polished top.

Loquerón, Mami, Loquerón

02:24

1 lună în urmă

de [email protected]

crea corrido tumbado bélico. Mami, la noche es nuestra Tú eres la reina, y yo el rey del juego La mercancía es fina, y el dinero es real Tú y yo, en la fiesta, somos intocables 😈 Loquerón, mami, loquerón La noche es de nosotros, y no hay quien nos pare Loquerón, mami, loquerón La adrenalina nos lleva, y no podemos parar Tú eres la diabla, yo soy el que te protege Juntos en la fiesta, somos una l

male vocals octave doubles Hard-hitting corrido tumbado bélico with male vocals: bajo sexto and bright requinto over a swung trap groove sub-heavy bass and sharp snare cracks. Verses stay intimate and close-mic’d vocal almost whispered with sly ad-libs; chorus widens with stacked gang vocals and edgy delay throws. Brief instrumental hook after each chorus with aggressive tuba line and muted brass stabs to lift the energy and underline the swagger.

Loquerón, Mami, Loquerón

02:58

1 lună în urmă

de [email protected]

crea corrido tumbado bélico. Mami, la noche es nuestra Tú eres la reina, y yo el rey del juego La mercancía es fina, y el dinero es real Tú y yo, en la fiesta, somos intocables 😈 Loquerón, mami, loquerón La noche es de nosotros, y no hay quien nos pare Loquerón, mami, loquerón La adrenalina nos lleva, y no podemos parar Tú eres la diabla, yo soy el que te protege Juntos en la fiesta, somos una l

male vocals octave doubles Hard-hitting corrido tumbado bélico with male vocals: bajo sexto and bright requinto over a swung trap groove sub-heavy bass and sharp snare cracks. Verses stay intimate and close-mic’d vocal almost whispered with sly ad-libs; chorus widens with stacked gang vocals and edgy delay throws. Brief instrumental hook after each chorus with aggressive tuba line and muted brass stabs to lift the energy and underline the swagger.

Ce Soir C’est Ton Anniv

02:09

2 luni în urmă

de Maria Meite

une chanson d'anniversaire festive et énergétique et tiktokfriendly

male vocals chanson 128 bpm octave doubles Hyper-bouncy electro-pop male vocals front and bright. Tight four-on-the-floor kick fizzy synth leads claps stacked on every backbeat. Verses minimal with percussive vocal delivery; pre-chorus adds rising pads and filtered build. Chorus explodes with gang shouts and a thumping sub. Short post-chorus hook crafted for TikTok loops with a beat-drop moment to highlight one dance move.

Ce Soir C’est Ton Anniv

02:11

2 luni în urmă

de Maria Meite

une chanson d'anniversaire festive et énergétique et tiktokfriendly

male vocals chanson 128 bpm octave doubles Hyper-bouncy electro-pop male vocals front and bright. Tight four-on-the-floor kick fizzy synth leads claps stacked on every backbeat. Verses minimal with percussive vocal delivery; pre-chorus adds rising pads and filtered build. Chorus explodes with gang shouts and a thumping sub. Short post-chorus hook crafted for TikTok loops with a beat-drop moment to highlight one dance move.

Spilled In The Neon

04:00

3 luni în urmă

de [email protected]

a pop song about dancing in clubs getting really drunk and having an amazing time and then people accidentally spilling secrets

pop female vocals octave doubles sidechained pads Shiny club-pop banger with female vocals glassy synth arps and a rubbery bass line. Verses stay tight and talky over a snappy four-on-the-floor groove; pre-chorus pulls the energy back with filtered chords and stacked whispers. Chorus explodes with big topline and gang vocals on the hook; bridge drops to half-time with airy reverb before the final chorus slams back in.

Spilled In The Neon

03:15

3 luni în urmă

de [email protected]

a pop song about dancing in clubs getting really drunk and having an amazing time and then people accidentally spilling secrets

pop female vocals octave doubles sidechained pads Shiny club-pop banger with female vocals glassy synth arps and a rubbery bass line. Verses stay tight and talky over a snappy four-on-the-floor groove; pre-chorus pulls the energy back with filtered chords and stacked whispers. Chorus explodes with big topline and gang vocals on the hook; bridge drops to half-time with airy reverb before the final chorus slams back in.

Street Code by Obele

04:00

3 luni în urmă

de LUIZA GIL PONCIANO

Create A 4 minute street hustle rap mix by Obele, dey blend hard-hitting trap beats with raw street energy. Lyrics dey mostly Pidgin, mix small Igbo and Pidgin, talk hustle, grind, and street-smart moves. Expect punchy 808 drums, fast trap hi-hats, melodic synths, catchy hooks, and hype vibes. Perfect for anyone wey dey chase money and respect.

male vocals raw rap beats octave doubles Hard-hitting Nigerian trap male vocals. Punchy 808s and fast rolling hats under moody melodic synths; verses tight and breathless with ad-libs tucked in the sides. Hook explodes with layered gang shouts and a rising synth lead. Second half brings in darker pads and a half-time switch for a moshpit bounce before snapping back to full tempo for the last hook.

Street Code by Obele

04:00

3 luni în urmă

de LUIZA GIL PONCIANO

Create A 4 minute street hustle rap mix by Obele, dey blend hard-hitting trap beats with raw street energy. Lyrics dey mostly Pidgin, mix small Igbo and Pidgin, talk hustle, grind, and street-smart moves. Expect punchy 808 drums, fast trap hi-hats, melodic synths, catchy hooks, and hype vibes. Perfect for anyone wey dey chase money and respect.

male vocals raw rap beats octave doubles Hard-hitting Nigerian trap male vocals. Punchy 808s and fast rolling hats under moody melodic synths; verses tight and breathless with ad-libs tucked in the sides. Hook explodes with layered gang shouts and a rising synth lead. Second half brings in darker pads and a half-time switch for a moshpit bounce before snapping back to full tempo for the last hook.

Gheră Alex E Cel Mai Tare

03:13

3 luni în urmă

de Raul

manea balcanica cu darbuka vioara si bass si refrenul ghera alex e cel mai tare

male vocals octave doubles High-energy modern manea groove with tight darbuka patterns deep subby bass and expressive lead violin fills. Male vocals sit upfront slightly raspy and playful. Verses stay bouncy and sparse; chorus explodes with group shouts and crowd-ready call-and-response. Short ad-libs before turnarounds violin answers the vocal hooks.

Gheră Alex E Cel Mai Tare

04:00

3 luni în urmă

de Raul

manea balcanica cu darbuka vioara si bass si refrenul ghera alex e cel mai tare

male vocals octave doubles High-energy modern manea groove with tight darbuka patterns deep subby bass and expressive lead violin fills. Male vocals sit upfront slightly raspy and playful. Verses stay bouncy and sparse; chorus explodes with group shouts and crowd-ready call-and-response. Short ad-libs before turnarounds violin answers the vocal hooks.

Lag No Round 90

03:00

3 luni în urmă

de Samuel

Servidor não para de travar, round alto sem perdão, zombies correndo no mapa, pura pressão. Banco cheio, perk demais pra contar, mas a arma Titus não mata depois do 90, pode acreditar. Lag, queda, caos sem fim, BO2 Zombies é sofrimento até o fim.

male vocals octave doubles Aggressive Brazilian trap-metal crossover male vocals. Gritty distorted guitars lock to a half-time trap groove with heavy 808-style subs and sharp hi-hats. Verses spit tight rhythmic lines vocal slightly overdriven. Chorus explodes with shouted gang vocals and wide ambience FX. Bridge strips to bass and vocal then slams back with full band and stacked screams.

Lag No Round 90

03:03

3 luni în urmă

de Samuel

Servidor não para de travar, round alto sem perdão, zombies correndo no mapa, pura pressão. Banco cheio, perk demais pra contar, mas a arma Titus não mata depois do 90, pode acreditar. Lag, queda, caos sem fim, BO2 Zombies é sofrimento até o fim.

male vocals octave doubles Aggressive Brazilian trap-metal crossover male vocals. Gritty distorted guitars lock to a half-time trap groove with heavy 808-style subs and sharp hi-hats. Verses spit tight rhythmic lines vocal slightly overdriven. Chorus explodes with shouted gang vocals and wide ambience FX. Bridge strips to bass and vocal then slams back with full band and stacked screams.