Doi copii pe 12 august

03:59

2 ore în urmă

Despre un băiat și o fată care s-au întâlnit ziua pe 12 august 2020 în centrul Chișinăului și de 5 ani sunt împreună, care au trecut prin multe greutăți, probleme financiare, morale și sentimentale dar au depășit totul. Eram doi copii care au crescut împreună și au învățat cu adevărat ce înseamnă dragostea. Care nu pot acum unul fără celălalt și se iubesc foarte mult.

female vocals Warm acoustic pop ballad female vocals; intimate fingerpicked guitar and soft pads in the verses kick and deep but gentle bass joining the chorus. Gradual build with airy piano doubles and subtle string swells in the last hook; close breathy lead light harmonies on the title line for a tender uplifting arc.

Doi copii pe 12 august

04:00

2 ore în urmă

de Ciobanu Crina

Despre un băiat și o fată care s-au întâlnit ziua pe 12 august 2020 în centrul Chișinăului și de 5 ani sunt împreună, care au trecut prin multe greutăți, probleme financiare, morale și sentimentale dar au depășit totul. Eram doi copii care au crescut împreună și au învățat cu adevărat ce înseamnă dragostea. Care nu pot acum unul fără celălalt și se iubesc foarte mult.

female vocals Warm acoustic pop ballad female vocals; intimate fingerpicked guitar and soft pads in the verses kick and deep but gentle bass joining the chorus. Gradual build with airy piano doubles and subtle string swells in the last hook; close breathy lead light harmonies on the title line for a tender uplifting arc.

Варвара, с днём рождения

02:35

3 ore în urmă

de лида алексахина

хочу поздравить Варвару с девятнадцатилетием

female vocals light percussion then a wider Bright acoustic pop with female vocals; fingerpicked guitar and soft piano on the verses shimmery chorus with warm pads and stacked harmonies on the hook. Energy grows from intimate and tender to joyful sing-along with a brief dynamic dip before the final chorus for an emotional lift.

Варвара, с днём рождения

03:25

3 ore în urmă

de лида алексахина

хочу поздравить Варвару с девятнадцатилетием

female vocals light percussion then a wider Bright acoustic pop with female vocals; fingerpicked guitar and soft piano on the verses shimmery chorus with warm pads and stacked harmonies on the hook. Energy grows from intimate and tender to joyful sing-along with a brief dynamic dip before the final chorus for an emotional lift.

Stay Where the Light Is

03:17

9 ore în urmă

de Wangila Kny

Piano

female vocals Intimate piano ballad with female vocals; close-mic’d upright piano and soft pedal throughout. First verse starts sparse and hushed then chorus blooms with warm reverb and doubling harmonies. Subtle string pad sneaks in under second chorus with a gentle swell into the bridge. Final chorus pulls instruments back for a near–a cappella tag lingering on the last chord.

Stay Where the Light Is

03:47

9 ore în urmă

de Wangila Kny

Piano

female vocals Intimate piano ballad with female vocals; close-mic’d upright piano and soft pedal throughout. First verse starts sparse and hushed then chorus blooms with warm reverb and doubling harmonies. Subtle string pad sneaks in under second chorus with a gentle swell into the bridge. Final chorus pulls instruments back for a near–a cappella tag lingering on the last chord.

Forró do Bastião

03:37

11 ore în urmă

de Milena

forro do bastião, ele toma muita cachaça, tem boca de cururu e ele é barrigudo, morava com paizinha mais ele bebeu tanta Cachaça que paizinha deixou ele, ai bastião

female vocals fast Forró call-and-response shouts playful forró with zabumba triângulo and bright sanfona; female vocals with cheeky storytelling and a shout-along chorus. Groove stays brisk for dancing with short instrumental fills between lines and a final breakdown clapping on the offbeat.

Forró do Bastião

02:10

11 ore în urmă

de Milena

forro do bastião, ele toma muita cachaça, tem boca de cururu e ele é barrigudo, morava com paizinha mais ele bebeu tanta Cachaça que paizinha deixou ele, ai bastião

female vocals fast Forró call-and-response shouts playful forró with zabumba triângulo and bright sanfona; female vocals with cheeky storytelling and a shout-along chorus. Groove stays brisk for dancing with short instrumental fills between lines and a final breakdown clapping on the offbeat.

Кому нужен старый дед

05:01

14 ore în urmă

de Denis Lupasco

Я копаюсь на помойках, как червяк С детства жизнь моя наперекосяк Канализационный люк — моя дверь Но я счастлив по-своему, поверь Двадцать лет назад сгорел родной мой дом Документы, деньги, всё сгорело в нём И теперь я побираюсь двадцать лет Кому нужен старый никудышный дед? Я бычок подниму — горький дым затяну Покурю и полезу домой Не жалейте меня, я прекрасно живу Только кушать охота порой

female vocals Dusty acoustic ballad with female vocals close-miked and intimate. Fingerpicked guitar and subtle upright bass set a slow sway; soft brushed snare and distant harmonica color the verses. Chorus blooms with stacked harmonies and a gentle organ pad then drops back to near a cappella for the final lines. Keep the vocal raw cracked in places letting breaths and tiny imperfections carry the story.

Кому нужен старый дед

04:05

14 ore în urmă

de Denis Lupasco

Я копаюсь на помойках, как червяк С детства жизнь моя наперекосяк Канализационный люк — моя дверь Но я счастлив по-своему, поверь Двадцать лет назад сгорел родной мой дом Документы, деньги, всё сгорело в нём И теперь я побираюсь двадцать лет Кому нужен старый никудышный дед? Я бычок подниму — горький дым затяну Покурю и полезу домой Не жалейте меня, я прекрасно живу Только кушать охота порой

female vocals Dusty acoustic ballad with female vocals close-miked and intimate. Fingerpicked guitar and subtle upright bass set a slow sway; soft brushed snare and distant harmonica color the verses. Chorus blooms with stacked harmonies and a gentle organ pad then drops back to near a cappella for the final lines. Keep the vocal raw cracked in places letting breaths and tiny imperfections carry the story.

Клин

03:33

17 ore în urmă

de Элир (Элир, Защитник Дарнаса)

В тот вечер лавка ждала зари, Алхимик — труд, герой — покой. Но тень крылатая с высоты Осквернила труд земной. Не меч — терпенье первым пал, Не кровь — очистка шла рекой. Но гнев, что в сердце Хвана встал, Сравним лишь с бурей штормовой. О-о-о, взлетел он выше облаков, Где ветер рвёт саму судьбу, И череп древних ящеров-богов Узнал геройскую стопу. Он не молил, он не дрожал — Он стал клин

female vocals Epic dark folk with female vocals low drum pulse and bowed strings. Verses stay intimate over sparse drones; chorus explodes with layered harmonies and warlike toms. Ancient-ritual mood distant choir doubles key lines final lift adds metallic percussion and a rising string cluster.

Клин

03:25

17 ore în urmă

de Элир (Элир, Защитник Дарнаса)

В тот вечер лавка ждала зари, Алхимик — труд, герой — покой. Но тень крылатая с высоты Осквернила труд земной. Не меч — терпенье первым пал, Не кровь — очистка шла рекой. Но гнев, что в сердце Хвана встал, Сравним лишь с бурей штормовой. О-о-о, взлетел он выше облаков, Где ветер рвёт саму судьбу, И череп древних ящеров-богов Узнал геройскую стопу. Он не молил, он не дрожал — Он стал клин

female vocals Epic dark folk with female vocals low drum pulse and bowed strings. Verses stay intimate over sparse drones; chorus explodes with layered harmonies and warlike toms. Ancient-ritual mood distant choir doubles key lines final lift adds metallic percussion and a rising string cluster.

Jungle of the Falling Sky

02:52

1 zi în urmă

de Joshua Astle

Epic world drama with traditional percussion, panpipes, rattles, and high-energy cinematic beats. Feels like running through a ancient mayan jungle temple with imminent collapse. It can start slow, but needs to pick up quickly and stay high tempo. Perhaps some deeper drum beats. The pan pipes could just be at the beginning. With high tempo deeper toned chanting. Give it a metal undertone.

beats slow female vocals metal jungle world драма Hybrid cinematic world-metal; female vocals. Opens with sparse panpipe motif and distant low chants over deep frame drum and rattles then kicks into relentless high-BPM percussion toms and taiko-style hits. Gritty distorted guitars double the drum accents for a metal undercurrent; choir-style low female chanting becomes a driving rhythm. Big echoing impacts between sections; chorus explodes with stacked warrior vocals and soaring lead tempo stays urgent to the end.

Jungle of the Falling Sky

02:51

1 zi în urmă

de Joshua Astle

Epic world drama with traditional percussion, panpipes, rattles, and high-energy cinematic beats. Feels like running through a ancient mayan jungle temple with imminent collapse. It can start slow, but needs to pick up quickly and stay high tempo. Perhaps some deeper drum beats. The pan pipes could just be at the beginning. With high tempo deeper toned chanting. Give it a metal undertone.

beats slow female vocals metal jungle world драма Hybrid cinematic world-metal; female vocals. Opens with sparse panpipe motif and distant low chants over deep frame drum and rattles then kicks into relentless high-BPM percussion toms and taiko-style hits. Gritty distorted guitars double the drum accents for a metal undercurrent; choir-style low female chanting becomes a driving rhythm. Big echoing impacts between sections; chorus explodes with stacked warrior vocals and soaring lead tempo stays urgent to the end.

Turbo Love Highway

03:19

1 zi în urmă

de Nadeko HNT

Bass bossted music that uses both male and female voice, i want to be easy to learn and extremely hard to forget, i want to be something like xanadu or hideho or maybe something about love and cars

female vocals High-energy EDM-pop with bass-boosted low end and bright top synths. Call-and-response male and female vocals; tight simple topline designed for instant recall. Verses sit over sparse pulsing bass and claps; chorus explodes with wide supersaws sub drops and gang shouts on the hook word. Short bridge pullback with filtered beat then final chorus hits hardest.

Turbo Love Highway

03:06

1 zi în urmă

de Nadeko HNT

Bass bossted music that uses both male and female voice, i want to be easy to learn and extremely hard to forget, i want to be something like xanadu or hideho or maybe something about love and cars

female vocals High-energy EDM-pop with bass-boosted low end and bright top synths. Call-and-response male and female vocals; tight simple topline designed for instant recall. Verses sit over sparse pulsing bass and claps; chorus explodes with wide supersaws sub drops and gang shouts on the hook word. Short bridge pullback with filtered beat then final chorus hits hardest.

Gabibug em Paris

02:50

1 zi în urmă

de Dm Niel

Uma menina chamada Gabi, quando os vilões aparecem em Paris ela usa as palavras "tikki hora de lacrar" para se transforma em uma heroína chamada Gabibug, ela luta com seu parceiro galo campino noar.

female vocals Bright cartoon-pop track with female vocals bouncy acoustic guitars clap-heavy drums and playful synth stabs. Verses stay tight and narrative; pre-chorus adds rising strings and tom fills; chorus explodes with stacked gang vocals and childlike chants. Brief bridge strips to vocal + snaps before a final high-energy chorus.

Midnight Crow

03:31

1 zi în urmă

de bokosborbala

Create a badass girl boss song in pop rock style, male or female vocals, the topic should be about a girl who uses magic and transforms into a crow, urban style, use the attached picture as inspiration.

female vocals rock Pop Rock stacked harmonies anthemic chorus. Crunchy pop-rock guitars over tight drums and buzzy bass mid-tempo swagger. Verses ride a gritty low-key groove with dry intimate vocals; choruses explode with wide distorted power chords and a soaring lead. Short syncopated guitar riffs answer vocal lines with a roomy bridge that drops to drum-and-bass pulse before the final

Midnight Crow

03:42

1 zi în urmă

de bokosborbala

Create a badass girl boss song in pop rock style, male or female vocals, the topic should be about a girl who uses magic and transforms into a crow, urban style, use the attached picture as inspiration.

female vocals rock Pop Rock stacked harmonies anthemic chorus. Crunchy pop-rock guitars over tight drums and buzzy bass mid-tempo swagger. Verses ride a gritty low-key groove with dry intimate vocals; choruses explode with wide distorted power chords and a soaring lead. Short syncopated guitar riffs answer vocal lines with a roomy bridge that drops to drum-and-bass pulse before the final

Sala de Altas Habilidades

03:07

1 zi în urmă

de [email protected]

Seja bem-vindo, pode entrar, Na Sala de Altas Habilidades, vem sonhar,Aqui há tantas Possibilidades,Onde brilham talentos e singularidades. Cada ideia é luz a brilhar, Seu jeito é lindo de pensar. Tem quem cria, tem quem inventa, Tem quem pergunta, experimenta, Mente curiosa, coração valente, Aqui todo mundo é diferente. Bem-vindos, bem-vindos, venham aprender,O mundo é grande pra gente cresceR

female vocals Warm upbeat MPB-infused pop with female vocals nylon-string guitar and light percussion leading the groove. Verses stay intimate with close-mic vocal and soft bass pre-chorus lifts with claps and subtle piano. Chorus blooms with stacked harmonies and a brighter drum feel then a short bridge strips back to guitar and voice before a final anthemic hook repeat.

Sala de Altas Habilidades

03:15

1 zi în urmă

de [email protected]

Seja bem-vindo, pode entrar, Na Sala de Altas Habilidades, vem sonhar,Aqui há tantas Possibilidades,Onde brilham talentos e singularidades. Cada ideia é luz a brilhar, Seu jeito é lindo de pensar. Tem quem cria, tem quem inventa, Tem quem pergunta, experimenta, Mente curiosa, coração valente, Aqui todo mundo é diferente. Bem-vindos, bem-vindos, venham aprender,O mundo é grande pra gente cresceR

female vocals Warm upbeat MPB-infused pop with female vocals nylon-string guitar and light percussion leading the groove. Verses stay intimate with close-mic vocal and soft bass pre-chorus lifts with claps and subtle piano. Chorus blooms with stacked harmonies and a brighter drum feel then a short bridge strips back to guitar and voice before a final anthemic hook repeat.