Vocal

de [email protected]

Emotional and sad hip-hop tribute song at 97 BPM. Deep, reflective, heartfelt tone. Natural male vocal with authentic South African Afrikaans pronunciation. Vulnerable and emotional delivery. Warm piano chords, soft strings, ambient pads. Strong but slow kick and snare. Subtle deep male backing harmonies on “My pa.” Heavy emotional atmosphere. Tribute to a father who is still alive but honoring st

de [email protected]

Emotional and sad hip-hop tribute song at 97 BPM. Deep, reflective, heartfelt tone. Natural male vocal with authentic South African Afrikaans pronunciation. Vulnerable and emotional delivery. Warm piano chords, soft strings, ambient pads. Strong but slow kick and snare. Subtle deep male backing harmonies on “My pa.” Heavy emotional atmosphere. Tribute to a father who is still alive but honoring st

de Tatiana Zanoaga

Trap/reggaeton Brazilian Portuguese, male or female vocal, deep or raspy tone, catchy short hook (15–20 sec), repetitive chorus, 120–140 BPM, heavy 808 bass, punchy trap/reggaeton drums, minimal melodic embellishments, layered vocals on hook, adlibs (“yeah”, “vamos”, “woo”), modern synths and percussion, emotional and relatable lyrics, urban street vibe, TikTok and social media-friendly structure,

de Tatiana Zanoaga

Trap/reggaeton Brazilian Portuguese, male or female vocal, deep or raspy tone, catchy short hook (15–20 sec), repetitive chorus, 120–140 BPM, heavy 808 bass, punchy trap/reggaeton drums, minimal melodic embellishments, layered vocals on hook, adlibs (“yeah”, “vamos”, “woo”), modern synths and percussion, emotional and relatable lyrics, urban street vibe, TikTok and social media-friendly structure,

de Costel

Brazilian Portuguese trap/reggaeton, male or female raspy vocal, catchy 15‑20 sec hook, repetitive chorus, 120‑140 BPM, heavy 808 bass, punchy drums, minimal melody, adlibs (“yeah”, “vamos”), urban street vibe, TikTok/shorts-friendly.

de Costel

Brazilian Portuguese trap/reggaeton, male or female raspy vocal, catchy 15‑20 sec hook, repetitive chorus, 120‑140 BPM, heavy 808 bass, punchy drums, minimal melody, adlibs (“yeah”, “vamos”), urban street vibe, TikTok/shorts-friendly.

de 角南凜

Psychedelic rock with dreamy vocals, heavy reverb, warm analog synths, groovy bassline, vintage drum sound, 1970s inspired but modern production, emotional and slightly nostalgic atmosphere Modern psychedelic pop with thick bass, smooth synth layers, falsetto male vocal style (instrumental if needed), lush reverb, hypnotic groove, slightly funky rhythm

de 角南凜

Psychedelic rock with dreamy vocals, heavy reverb, warm analog synths, groovy bassline, vintage drum sound, 1970s inspired but modern production, emotional and slightly nostalgic atmosphere Modern psychedelic pop with thick bass, smooth synth layers, falsetto male vocal style (instrumental if needed), lush reverb, hypnotic groove, slightly funky rhythm

de Tahir

Traditional Anatolian folk, bağlama instrument, deep emotional male vocal, long hava style

de Tahir

Traditional Anatolian folk, bağlama instrument, deep emotional male vocal, long hava style

de Cross Ice

Create an aggressive heavy metal song with a shocking high-pitched scream intro, followed by a tight palm-muted thrash metal guitar riff around 110 BPM. Add fast double-kick drums and intense energy. After the first heavy section, transition into a rhythmic nu-metal breakdown with deep bass groove and percussive vocal sounds similar to “boom-da-da” style rhythm (original sounds, not sampled).

de Cross Ice

Create an aggressive heavy metal song with a shocking high-pitched scream intro, followed by a tight palm-muted thrash metal guitar riff around 110 BPM. Add fast double-kick drums and intense energy. After the first heavy section, transition into a rhythmic nu-metal breakdown with deep bass groove and percussive vocal sounds similar to “boom-da-da” style rhythm (original sounds, not sampled).

de Jorge Sebastião

Emotional trap love song, 2 minutes. Male vocal, deep, emotional and vulnerable. Language: Portuguese with Angolan slang. Theme: regret, heartbreak, late-night phone calls, longing, mistakes in love, hope for return. Mood: sad, romantic, reflective, nostalgic. Tempo: slow to mid-tempo (120–135 BPM). Instrumental: soft piano, ambient pads, subtle guitar, emotional melodies, deep 808 bass, smooth tr

de Jorge Sebastião

Emotional trap love song, 2 minutes. Male vocal, deep, emotional and vulnerable. Language: Portuguese with Angolan slang. Theme: regret, heartbreak, late-night phone calls, longing, mistakes in love, hope for return. Mood: sad, romantic, reflective, nostalgic. Tempo: slow to mid-tempo (120–135 BPM). Instrumental: soft piano, ambient pads, subtle guitar, emotional melodies, deep 808 bass, smooth tr

de Chidubem Sunday

A street hustle rap song , artist name (Obele), afro beat, nijia flavour,male vocal, 10 verses , language: English & Igbo version, bridges, verse, verse, verse, bridge, 10 verses. souns: bass, drums

de Chidubem Sunday

A street hustle rap song , artist name (Obele), afro beat, nijia flavour,male vocal, 10 verses , language: English & Igbo version, bridges, verse, verse, verse, bridge, 10 verses. souns: bass, drums

de Mac Billions002

A PRAISE SONG FOR ODOGWU MY BOSS (MR ONYEBUCHI)"A.K.A ( ORUSI EGO NA SOUTH AFRICA), HE IS FROM "AMICHI" IN NNEWI SOUTH LOCAL GOVERNMENT', 10 VERSES AND CHORUSES MIXED UP TOGETHER,, MALE VOCAL, ARTIST NAME NAH MAC-BILLIONS, TITLE : ARUSI EGO NA SOUTH' YOUR GRACE TOO MUCH, TEMPO 1.1

de Mac Billions002

A PRAISE SONG FOR ODOGWU MY BOSS (MR ONYEBUCHI)"A.K.A ( ORUSI EGO NA SOUTH AFRICA), HE IS FROM "AMICHI" IN NNEWI SOUTH LOCAL GOVERNMENT', 10 VERSES AND CHORUSES MIXED UP TOGETHER,, MALE VOCAL, ARTIST NAME NAH MAC-BILLIONS, TITLE : ARUSI EGO NA SOUTH' YOUR GRACE TOO MUCH, TEMPO 1.1

de Houston 831 (YOUNG RECRUIT)

Cumbia song in Spanish that hit deep but it motivation inspirational dancy with colombiano and porto rico and mexicana style that talk about tio salomón and make it funny joking around uplifting and talk say para riba vamos or something relatable, Soulful, Joyous, Aggressive, Passionate, Violin, Bass, Cello, Guitar, Trumpet, Trombone, Saxophone, Drums, Male Vocal, Male And Female Vocal

de Houston 831 (YOUNG RECRUIT)

Cumbia song in Spanish that hit deep but it motivation inspirational dancy with colombiano and porto rico and mexicana style that talk about tio salomón and make it funny joking around uplifting and talk say para riba vamos or something relatable, Soulful, Joyous, Aggressive, Passionate, Violin, Bass, Cello, Guitar, Trumpet, Trombone, Saxophone, Drums, Male Vocal, Male And Female Vocal

de Ramiro Pacheco

Produce LA sesión continua de Deep House para bar, duración 1 hora, con energía progresiva y groove contagioso. BPM ideal 122–124 para mantener ritmo bailable sin saturar el ambiente. Bajo profundo y envolvente, kicks definidos, hi-hats brillantes, acordes cálidos y pads atmosféricos. Incorpora vocal chops sutiles y drops suaves, transiciones fluidas, mezcla profesional, vibra nocturna sofisticad0

de Ramiro Pacheco

Produce LA sesión continua de Deep House para bar, duración 1 hora, con energía progresiva y groove contagioso. BPM ideal 122–124 para mantener ritmo bailable sin saturar el ambiente. Bajo profundo y envolvente, kicks definidos, hi-hats brillantes, acordes cálidos y pads atmosféricos. Incorpora vocal chops sutiles y drops suaves, transiciones fluidas, mezcla profesional, vibra nocturna sofisticad0

de Halysson De souza

Brazilian Capoeira – São Bento Grande – Fast tempo – Male vocal – Traditional instruments (berimbau, atabaque, pandeiro) – Energetic and aggressive – Call and response – No pop, no electronic. Iêêê! Toca o gunga que eu vou jogar! Eu sou Buiuzinho pelo mundo a rodar, Capoeira é minha vida, é sem cessar. Sou jogador, sou mandingueiro, Se vier na maldade, vai se complicar. Sou aluno do mestre Buiu, A

de Halysson De souza

Brazilian Capoeira – São Bento Grande – Fast tempo – Male vocal – Traditional instruments (berimbau, atabaque, pandeiro) – Energetic and aggressive – Call and response – No pop, no electronic. Iêêê! Toca o gunga que eu vou jogar! Eu sou Buiuzinho pelo mundo a rodar, Capoeira é minha vida, é sem cessar. Sou jogador, sou mandingueiro, Se vier na maldade, vai se complicar. Sou aluno do mestre Buiu, A