Melvin, du gjorde det

04:00

há 3 dias

en sång till min son Melvin som tar studenten. han har haft en tung skolgång och svårt att komma upp, många samtal för att väcka honom. gick el och energiprogrammet som han inte tyckt om särkilt mycket, skolan har inte uppskattat och tänkt att han ska bli rik ändå. men stolt är jag att han trots detta motstånd tagit examen.

Ska then a wide Warm acoustic pop with piano and male vocals; intimate verses over fingerpicked guitar and soft pads proud chorus with big drums choir-style backing and swelling strings. Energy starts tender builds to a joyful cathartic lift on each chorus then drops back to a heartfelt hushed outro.

Melvin, du gjorde det

04:00

há 3 dias

de [email protected]

en sång till min son Melvin som tar studenten. han har haft en tung skolgång och svårt att komma upp, många samtal för att väcka honom. gick el och energiprogrammet som han inte tyckt om särkilt mycket, skolan har inte uppskattat och tänkt att han ska bli rik ändå. men stolt är jag att han trots detta motstånd tagit examen.

Ska then a wide Warm acoustic pop with piano and male vocals; intimate verses over fingerpicked guitar and soft pads proud chorus with big drums choir-style backing and swelling strings. Energy starts tender builds to a joyful cathartic lift on each chorus then drops back to a heartfelt hushed outro.

Reaching Out

03:34

há 1 semana

de Oluebube Emmanuel

Lyrics idea: Verse: I whisper your name in the dark Every night I fall apart Pre-Chorus: I try to let you go But my heart still knows Chorus: I’m still reaching out Through the silence and doubt Even when you’re not around I’m still reaching out Bridge: If you can hear me now I never stopped loving you

male vocals then a wide powerful chorus Moody pop ballad with male vocals; intimate piano and subtle pads in the verse heartbeat kick and airy percussion joining at the pre-chorus anthemic chorus with stacked harmonies and a soaring lead. Bridge strips back to vocal and piano before a final gentle echo tails on key phrases.

Reaching Out

03:20

há 1 semana

de Oluebube Emmanuel

Lyrics idea: Verse: I whisper your name in the dark Every night I fall apart Pre-Chorus: I try to let you go But my heart still knows Chorus: I’m still reaching out Through the silence and doubt Even when you’re not around I’m still reaching out Bridge: If you can hear me now I never stopped loving you

male vocals then a wide powerful chorus Moody pop ballad with male vocals; intimate piano and subtle pads in the verse heartbeat kick and airy percussion joining at the pre-chorus anthemic chorus with stacked harmonies and a soaring lead. Bridge strips back to vocal and piano before a final gentle echo tails on key phrases.

Denis, fratele meu

03:07

há 2 semanas

de Maria Stirbu

melodie pentru prietenul meu cel mai bun Denis

female vocals then a wide lifted chorus. Bright acoustic pop with female vocals fingerpicked guitar and soft cajon groove. Intimate first verse that feels like a late-night kitchen talk hooky chorus with stacked harmonies and wordless “oh-oh”s. Second verse brings subtle piano and warm bass bridge strips back to voice and guitar before a final

Denis, fratele meu

03:20

há 2 semanas

de Maria Stirbu

melodie pentru prietenul meu cel mai bun Denis

female vocals then a wide lifted chorus. Bright acoustic pop with female vocals fingerpicked guitar and soft cajon groove. Intimate first verse that feels like a late-night kitchen talk hooky chorus with stacked harmonies and wordless “oh-oh”s. Second verse brings subtle piano and warm bass bridge strips back to voice and guitar before a final

Непослушная Вера

02:50

há 3 semanas

de Моисей Безлюдский

Сделай Песню про Веру Что она не послужная Сделай песню с позором под стиль Pop

pop then a wide Dark pop with sharp electronic drums cold synth pads and male vocals. Tight syncopated verses that sit low and tense anthemic chorus with stacked gang-style shouts on key phrases. Sub-bass growls under the hook short distorted guitar stabs answer vocal lines. Final chorus hits harder with extra harmonies and a pitched-down ad-lib layer.

Непослушная Вера

04:00

há 3 semanas

de Моисей Безлюдский

Сделай Песню про Веру Что она не послужная Сделай песню с позором под стиль Pop

pop then a wide Dark pop with sharp electronic drums cold synth pads and male vocals. Tight syncopated verses that sit low and tense anthemic chorus with stacked gang-style shouts on key phrases. Sub-bass growls under the hook short distorted guitar stabs answer vocal lines. Final chorus hits harder with extra harmonies and a pitched-down ad-lib layer.

Я выбираю себя

02:55

há 3 semanas

de Елена Хижняк

Сколько можно брать в долг у тишины, Прятать злость за вежливым «прости»? Мне твердили: «Будь поменьше, не мешай, Не мечтай, не чувствуй, не кричи». Каждый взгляд как приговор без суда: «Ты не так, не то, не там, всегда». В зеркале чужие голоса, Но сегодня в нём увижу только «я». **Припев** Я выбираю себя, Больше не жить по чужим правилам. Хватит шептать — я буду громче гря

female vocals warm bass then a wide Emotional Russian pop-rock with female vocals; intimate piano and airy pads in the verses anthemic chorus with driving drums and stacked harmonies. Start fragile and close-mic’d rising into a cathartic shout-along hook; add subtle guitar swells and a final half-time reverb-drenched chorus tag for maximum impact.

Я выбираю себя

03:56

há 3 semanas

de Елена Хижняк

Сколько можно брать в долг у тишины, Прятать злость за вежливым «прости»? Мне твердили: «Будь поменьше, не мешай, Не мечтай, не чувствуй, не кричи». Каждый взгляд как приговор без суда: «Ты не так, не то, не там, всегда». В зеркале чужие голоса, Но сегодня в нём увижу только «я». **Припев** Я выбираю себя, Больше не жить по чужим правилам. Хватит шептать — я буду громче гря

female vocals warm bass then a wide Emotional Russian pop-rock with female vocals; intimate piano and airy pads in the verses anthemic chorus with driving drums and stacked harmonies. Start fragile and close-mic’d rising into a cathartic shout-along hook; add subtle guitar swells and a final half-time reverb-drenched chorus tag for maximum impact.

Bahorning Nafasi

03:59

há 1 mês

de Asal Turdiyeva

Menga ingliz tilida sevgi va bahor haqida qoʻshiq yozib ber qoʻshiqni erkak kishi aytdim qo'shiqning davomiyligi 3-4 daqiqa bo'lsin qoʻshiq professional darajada yaratilsin uni hisobdalari har xil chorg'i asboblaridan foydalansin

tambourine then a wide Warm acoustic-pop ballad with male vocals; fingerpicked guitar and mellow piano in the verses subtle string pad under the pre-chorus uplifting chorus with full band and stacked harmonies. Gentle build over 3–4 minutes with a dynamic middle-8 bridge that drops to intimate vocal and keys before the final soaring chorus.

Bahorning Nafasi

03:59

há 1 mês

de Asal Turdiyeva

Menga ingliz tilida sevgi va bahor haqida qoʻshiq yozib ber qoʻshiqni erkak kishi aytdim qo'shiqning davomiyligi 3-4 daqiqa bo'lsin qoʻshiq professional darajada yaratilsin uni hisobdalari har xil chorg'i asboblaridan foydalansin

tambourine then a wide Warm acoustic-pop ballad with male vocals; fingerpicked guitar and mellow piano in the verses subtle string pad under the pre-chorus uplifting chorus with full band and stacked harmonies. Gentle build over 3–4 minutes with a dynamic middle-8 bridge that drops to intimate vocal and keys before the final soaring chorus.

Numéro sur le papier

03:17

há 1 mês

de Boubacar Barry

On ne te vole pas ton identité d’un coup. On te l’enlève lentement. Dès l’école, on commence par te définir à ta place. Tu deviens un numéro, une moyenne, un classement. On t’habitue à répondre quand on t’appelle et à te taire quand tu sais. On te fait croire que ta valeur dépend de la note que quelqu’un te donne. Petit à petit, tu arrêtes de te demander qui tu es et tu te concentres sur ce qu’on

reverb-soaked guitars then a wide Moody French indie-pop female vocals; close-mic whispery verses over sparse piano and soft bass pulses anthemic chorus with roomy drums and stacked gang-style harmonies. Gradual build from intimate confession to cathartic shout with a brief breakdown bridge dropping back to piano and voice before the final explosive hook.

Numéro sur le papier

02:55

há 1 mês

de Boubacar Barry

On ne te vole pas ton identité d’un coup. On te l’enlève lentement. Dès l’école, on commence par te définir à ta place. Tu deviens un numéro, une moyenne, un classement. On t’habitue à répondre quand on t’appelle et à te taire quand tu sais. On te fait croire que ta valeur dépend de la note que quelqu’un te donne. Petit à petit, tu arrêtes de te demander qui tu es et tu te concentres sur ce qu’on

reverb-soaked guitars then a wide Moody French indie-pop female vocals; close-mic whispery verses over sparse piano and soft bass pulses anthemic chorus with roomy drums and stacked gang-style harmonies. Gradual build from intimate confession to cathartic shout with a brief breakdown bridge dropping back to piano and voice before the final explosive hook.