Slow-burning Downtempo Electronica With Female Vocals; Deep Raspy Lead Riding A Roomy

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2 Faixas

Slow-burning Downtempo Electronica With Female Vocals; Deep Raspy Lead Riding A Roomy Faixas

Storm Rites

Capa de Storm Rites por Uwe Uhlmann
04:00

há 1 semana

de Uwe Uhlmann

Starts with a Worldbeat,And Electric Guitar Riff Future , Erotik female Voice raspi base drums dramly indianer chant , monk Chor chant , church Sound , Steak Sound And Stormy Riff New-Age, Downtempo Electronica Ambient Experimental Ethnic Chants Hook Long Outro Bagpie And Drums Traditionell , Gregorian Chants, Religious Overtones With Atmospheric Synths, French-Like Whispers And Somewhat Erotic

female vocals electric ambient experimental electronica downtempo Slow-burning downtempo electronica with female vocals; deep raspy lead riding a roomy swung kick and tactile bass. Opens with distant world percussion storm FX and a distorted guitar motif then folds in Indian-inspired and Gregorian-style chants as layered textures. Mid-song a moody New Age pad swell and subtle church-organ colors create religious overtones while breathy French-like whispers circle the stereo field. Long hypnotic outro evolves into bagpipe and tom-driven folk cadence chants and atmospherics rising in a ritualistic crescendo before dissolving into reverb.

Storm Rites

Capa de Storm Rites por Uwe Uhlmann
02:52

há 1 semana

de Uwe Uhlmann

Starts with a Worldbeat,And Electric Guitar Riff Future , Erotik female Voice raspi base drums dramly indianer chant , monk Chor chant , church Sound , Steak Sound And Stormy Riff New-Age, Downtempo Electronica Ambient Experimental Ethnic Chants Hook Long Outro Bagpie And Drums Traditionell , Gregorian Chants, Religious Overtones With Atmospheric Synths, French-Like Whispers And Somewhat Erotic

female vocals electric ambient experimental electronica downtempo Slow-burning downtempo electronica with female vocals; deep raspy lead riding a roomy swung kick and tactile bass. Opens with distant world percussion storm FX and a distorted guitar motif then folds in Indian-inspired and Gregorian-style chants as layered textures. Mid-song a moody New Age pad swell and subtle church-organ colors create religious overtones while breathy French-like whispers circle the stereo field. Long hypnotic outro evolves into bagpipe and tom-driven folk cadence chants and atmospherics rising in a ritualistic crescendo before dissolving into reverb.