Male Vocals

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2088 Faixas

Male Vocals Faixas

MIDNIGHT DRIFT

Capa de MIDNIGHT DRIFT por I'm Muslim
03:07

há 6 dias

de I'm Muslim

Aggressive Phonk, House Phonk

male vocals half-rapped Aggressive house phonk with distorted cowbells warped Memphis chops and a relentless four-on-the-floor kick. Male vocals half-chanted soaked in slapback. Verses stay tight and menacing; chorus explodes with gang-style shouts and wide stereo synth stabs. Sub rattles hard with abrupt stop-start mutes for crowd-jumping moments.

MIDNIGHT DRIFT

Capa de MIDNIGHT DRIFT por I'm Muslim
02:03

há 6 dias

de I'm Muslim

Aggressive Phonk, House Phonk

male vocals half-rapped Aggressive house phonk with distorted cowbells warped Memphis chops and a relentless four-on-the-floor kick. Male vocals half-chanted soaked in slapback. Verses stay tight and menacing; chorus explodes with gang-style shouts and wide stereo synth stabs. Sub rattles hard with abrupt stop-start mutes for crowd-jumping moments.

Strawberry Elephant

Capa de Strawberry Elephant por Heitor Lopes
02:44

há 6 dias

de Heitor Lopes

strawberry 🐘

male vocals Playful indie-pop bounce with male vocals bright clean guitars and a rubbery bassline. Light hand percussion and claps in the verses; chorus opens with wide backing “oh-oh” stacks and a sticky kid-core hook. Short bridge with half-time drums and a toy-synth lead before a final big singalong outro.

Strawberry Elephant

Capa de Strawberry Elephant por Heitor Lopes
02:45

há 6 dias

de Heitor Lopes

strawberry 🐘

male vocals Playful indie-pop bounce with male vocals bright clean guitars and a rubbery bassline. Light hand percussion and claps in the verses; chorus opens with wide backing “oh-oh” stacks and a sticky kid-core hook. Short bridge with half-time drums and a toy-synth lead before a final big singalong outro.

Jantung Di Ujung Lidah

Capa de Jantung Di Ujung Lidah por vuqhlymakm@rommiui.com
03:10

há 6 dias

de [email protected]

Lagu rock tentang cinta

male vocals rock bigger chorus. octave leads High-energy modern rock crunchy overdriven guitars and tight live drums. Male vocals with a gritty edge verses sit in a tense palm-muted groove; chorus explodes wide with open chords and stacked gang shouts on the hook. Short reverb on the snare bass locked to the kick for a driving low end bridge drops dynamics before a final

Jantung Di Ujung Lidah

Capa de Jantung Di Ujung Lidah por vuqhlymakm@rommiui.com
03:08

há 6 dias

de [email protected]

Lagu rock tentang cinta

male vocals rock bigger chorus. octave leads High-energy modern rock crunchy overdriven guitars and tight live drums. Male vocals with a gritty edge verses sit in a tense palm-muted groove; chorus explodes wide with open chords and stacked gang shouts on the hook. Short reverb on the snare bass locked to the kick for a driving low end bridge drops dynamics before a final

Metade de Mim Em Você

Capa de Metade de Mim Em Você por Abel Pucusso
04:00

há 6 dias

de Abel Pucusso

Romântico

male vocals Soft acoustic pop ballad male vocals up close and breathy. Fingerpicked nylon guitar subtle piano swells brushed snare entering on the second chorus. Intimate verses that sit low then a warm open hook with stacked harmonies and a gentle bass lift. Final chorus strips to voice and guitar for a tender outro.

Metade de Mim Em Você

Capa de Metade de Mim Em Você por Abel Pucusso
02:46

há 6 dias

de Abel Pucusso

Romântico

male vocals Soft acoustic pop ballad male vocals up close and breathy. Fingerpicked nylon guitar subtle piano swells brushed snare entering on the second chorus. Intimate verses that sit low then a warm open hook with stacked harmonies and a gentle bass lift. Final chorus strips to voice and guitar for a tender outro.

Neon Mind

Capa de Neon Mind por Margarita Biteniece
03:15

há 1 semana

de Margarita Biteniece

Woke up in a city made of circuits and dreams, Late-night thoughts glow electric on the screen, Heartbeats sync with a digital sound, Lost in the noise, but I’m feeling found. Pre-Chorus Every doubt fades when the lights come alive, I’m more than the data, I’m learning to fly. Chorus I got a neon mind, shining overtime, Built from the future, coded to shine, If the world rewinds, I’ll still rise,

male vocals electric world noise cinematic outro. Shimmering cyber-pop with male vocals; tight four-on-the-floor pulse under glossy synth arps and a rubbery bass. Verses stay intimate with filtered keys and subtle vocoder doubles then pre-chorus lifts through rising pads and tom builds. Chorus hits bright and anthemic with stacked harmonies sidechained synths and a soaring lead. Final hook adds ad-libs and a brief half-time feel for a modern

Waldos El Más Fuerte

Capa de Waldos El Más Fuerte por Diego Valdez Ledesma
01:59

há 1 semana

de Diego Valdez Ledesma

Haz una cancion ruda sobre mi amigo Waldos, es muy musculoso y fuerte, levanta mucho peso en el gimnasio y tiene unos brazos grandes

male vocals Aggressive trap-metal hybrid distorted guitars locked to a heavy halftime beat 808s slamming under snarling rap verses. Hook explodes with gang vocals and octave doubles brief breakdown with chugs and vocal growls then final chorus bigger and shoutier.

Waldos El Más Fuerte

Capa de Waldos El Más Fuerte por Diego Valdez Ledesma
02:14

há 1 semana

de Diego Valdez Ledesma

Haz una cancion ruda sobre mi amigo Waldos, es muy musculoso y fuerte, levanta mucho peso en el gimnasio y tiene unos brazos grandes

male vocals Aggressive trap-metal hybrid distorted guitars locked to a heavy halftime beat 808s slamming under snarling rap verses. Hook explodes with gang vocals and octave doubles brief breakdown with chugs and vocal growls then final chorus bigger and shoutier.

Nome Na Luz

Capa de Nome Na Luz por Cabral Clausen
04:00

há 1 semana

de Cabral Clausen

sou Arthur batista de Souza

male vocals airy pads Smooth Brazilian R&B with male vocals soft Rhodes and round bass under a lazy backbeat. Intimate close-mic verse then the chorus blooms with doubled vocals and subtle percussion. Gentle build through a short bridge ending on a lingering hook that invites a fade-out ad-lib.

Nome Na Luz

Capa de Nome Na Luz por Cabral Clausen
04:00

há 1 semana

de Cabral Clausen

sou Arthur batista de Souza

male vocals airy pads Smooth Brazilian R&B with male vocals soft Rhodes and round bass under a lazy backbeat. Intimate close-mic verse then the chorus blooms with doubled vocals and subtle percussion. Gentle build through a short bridge ending on a lingering hook that invites a fade-out ad-lib.

Mond über stillem Meer

Capa de Mond über stillem Meer por Manuel Mankus
02:35

há 1 semana

de Manuel Mankus

Sanfte und beruhigende Einschlafmusik mit normalem, ruhigem Tempo (ca. 65 BPM). Nur instrumental, kein Gesang. Leises Klavier, weiche Ambient-Flächen, zarte Harfenklänge und ganz sanftes Meeresrauschen im Hintergrund. Nachtstimmung mit Mondlicht-Atmosphäre, ruhiges Meer bei Nacht. Sehr entspannend, warm und geborgen wirkend. Gleichmäßige Lautstärke, keine plötzlichen Veränderungen, 3 Minuten

male vocals ambient Warm slow-blooming ambient piece at ~65 BPM gentle male vocal hums and ahhs treated as soft pads. Intimate piano motifs drift in the midrange wrapped in lush slow-moving synth beds and delicate harp arpeggios. Constant low-level ocean surf and distant airy reverb create a moonlit shoreline feel. Dynamics stay smooth and even; arrangement evolves through subtle layering and subtractive shifts rather than big swells sustaining a safe cocoon-like nighttime atmosphere for a full three minutes.

Mond über stillem Meer

Capa de Mond über stillem Meer por Manuel Mankus
04:00

há 1 semana

de Manuel Mankus

Sanfte und beruhigende Einschlafmusik mit normalem, ruhigem Tempo (ca. 65 BPM). Nur instrumental, kein Gesang. Leises Klavier, weiche Ambient-Flächen, zarte Harfenklänge und ganz sanftes Meeresrauschen im Hintergrund. Nachtstimmung mit Mondlicht-Atmosphäre, ruhiges Meer bei Nacht. Sehr entspannend, warm und geborgen wirkend. Gleichmäßige Lautstärke, keine plötzlichen Veränderungen, 3 Minuten

male vocals ambient Warm slow-blooming ambient piece at ~65 BPM gentle male vocal hums and ahhs treated as soft pads. Intimate piano motifs drift in the midrange wrapped in lush slow-moving synth beds and delicate harp arpeggios. Constant low-level ocean surf and distant airy reverb create a moonlit shoreline feel. Dynamics stay smooth and even; arrangement evolves through subtle layering and subtractive shifts rather than big swells sustaining a safe cocoon-like nighttime atmosphere for a full three minutes.

Heir to the Grave

Capa de Heir to the Grave por junior Ramirez
03:37

há 1 semana

de junior Ramirez

Heir to the Grave 🥀🤡 ​INTRO: Chucky laugh + Creepy Halloween Harp HEART (0:00-2:00): Sad Jazz & Soul vocals. For the funerals, cousins & nephews. SPACE FOR NAMES ​SWITCH: Silence Dark laugh ​VIOLENCE (2:10-5:00): Sax Violence + AK-47 Machine Gun Drums. High-speed Rap (Eng/Esp). Bottom of the chain to the Throne Legacy > Money. [SPACE FOR BARS

male vocals rap jazz sad Soul brushed drums harp Cinematic horror intro into moody jazz-soul then explosive drill-leaning rap; male vocals. Start with sparse eerie harp and distant childlike laugh then upright bass and smoky Rhodes under mournful soul melodies. Wide reverb on vocal close-mic tremble on key words. Hard stop into dry evil chuckle then brutal switch: distorted sax stabs and rapid-fire trap percussion with machine-gun hi-hats and kicks. Vocals push from low ominous confessional to double-time bilingual snarls; hook punctuated by layered gang shouts and siren-like sax wails. halloween

Heir to the Grave

Capa de Heir to the Grave por junior Ramirez
03:30

há 1 semana

de junior Ramirez

Heir to the Grave 🥀🤡 ​INTRO: Chucky laugh + Creepy Halloween Harp HEART (0:00-2:00): Sad Jazz & Soul vocals. For the funerals, cousins & nephews. SPACE FOR NAMES ​SWITCH: Silence Dark laugh ​VIOLENCE (2:10-5:00): Sax Violence + AK-47 Machine Gun Drums. High-speed Rap (Eng/Esp). Bottom of the chain to the Throne Legacy > Money. [SPACE FOR BARS

male vocals rap jazz sad Soul brushed drums harp Cinematic horror intro into moody jazz-soul then explosive drill-leaning rap; male vocals. Start with sparse eerie harp and distant childlike laugh then upright bass and smoky Rhodes under mournful soul melodies. Wide reverb on vocal close-mic tremble on key words. Hard stop into dry evil chuckle then brutal switch: distorted sax stabs and rapid-fire trap percussion with machine-gun hi-hats and kicks. Vocals push from low ominous confessional to double-time bilingual snarls; hook punctuated by layered gang shouts and siren-like sax wails. halloween

Se Joga no Bloco

Capa de Se Joga no Bloco por Juranda Santiago
04:00

há 1 semana

de Juranda Santiago

Crie uma música 100% original no estilo funk brasileiro moderno, com foco em viralização no Spotify e potencial para trend em Reels e TikTok. Não copiar melodias ou letras existentes. Criar composição inédita. 🎵 Identidade Sonora • BPM: 138–145 • Beat de funk paulista com grave 808 profundo e pulsante • Kick seco e repetitivo • Caixa estalada com groove marcante • Elementos minimalistas

male vocals funk 140 BPM Modern Brazilian funk deep and punchy 808s with a dry insistent kick and crisp snare groove. Minimal percussive chops and short synth stabs leave space for upfront male vocals. Verses stay tight and rhythmic near the chest voice chorus opens with catchy gang vocals and layered doubles for TikTok-ready hooks. Sub-heavy mix tailored for club systems and viral short-form clips.

Se Joga no Bloco

Capa de Se Joga no Bloco por Juranda Santiago
03:48

há 1 semana

de Juranda Santiago

Crie uma música 100% original no estilo funk brasileiro moderno, com foco em viralização no Spotify e potencial para trend em Reels e TikTok. Não copiar melodias ou letras existentes. Criar composição inédita. 🎵 Identidade Sonora • BPM: 138–145 • Beat de funk paulista com grave 808 profundo e pulsante • Kick seco e repetitivo • Caixa estalada com groove marcante • Elementos minimalistas

male vocals funk 140 BPM Modern Brazilian funk deep and punchy 808s with a dry insistent kick and crisp snare groove. Minimal percussive chops and short synth stabs leave space for upfront male vocals. Verses stay tight and rhythmic near the chest voice chorus opens with catchy gang vocals and layered doubles for TikTok-ready hooks. Sub-heavy mix tailored for club systems and viral short-form clips.

Материално отговорен

Capa de Материално отговорен por Stoian Lepoev
04:00

há 1 semana

de Stoian Lepoev

Intro – spoken] Ей… Материално отговорен… ама животът не чака отчет… [Verse 1] Влизам в Мола – лампите светят, стъпките кънтят, всички ме гледат. Черна риза, поглед студен, парите миришат на нов парфюмен ден. Пишат ме в списък – отговорно лице, но щом видя марка – губя сърце. Картата свети, терминалът пее, животът е скъп… ама кой да жалеe? [Pre-Chorus] Етикетът пада, пулсът гори, казвам си “спри”…

male vocals Dark trap club beat swung hi-hats and moody keys; male vocals half-spoken half-melodic. Intro almost acapella building with sub-bass swells. Pre-chorus strips to kick and distant pads chorus hits wider with stacked hooks and ad-lib echoes occasional pitched-down doubles for attitude.

Материално отговорен

Capa de Материално отговорен por Stoian Lepoev
03:20

há 1 semana

de Stoian Lepoev

Intro – spoken] Ей… Материално отговорен… ама животът не чака отчет… [Verse 1] Влизам в Мола – лампите светят, стъпките кънтят, всички ме гледат. Черна риза, поглед студен, парите миришат на нов парфюмен ден. Пишат ме в списък – отговорно лице, но щом видя марка – губя сърце. Картата свети, терминалът пее, животът е скъп… ама кой да жалеe? [Pre-Chorus] Етикетът пада, пулсът гори, казвам си “спри”…

male vocals Dark trap club beat swung hi-hats and moody keys; male vocals half-spoken half-melodic. Intro almost acapella building with sub-bass swells. Pre-chorus strips to kick and distant pads chorus hits wider with stacked hooks and ad-lib echoes occasional pitched-down doubles for attitude.

Billetes Sobre La Mesa

Capa de Billetes Sobre La Mesa por JuanPablo Rodriguez Flores
04:00

há 1 semana

de JuanPablo Rodriguez Flores

quiero que sea um corrido tumbado que hable de dinero y excsesos

male vocals Dark corrido tumbado with male vocals: detuned requinto riffs deep sub bass doubling the tuba crisp rimshot snare. Verses ride a swung lazy pocket; vocal almost spoken then opens into a shouted anthemic hook with stacked gang responses. Guitar slides and short trumpet stabs accent flex lines brief halftime drop before final chorus for extra impact.

Billetes Sobre La Mesa

Capa de Billetes Sobre La Mesa por JuanPablo Rodriguez Flores
02:18

há 1 semana

de JuanPablo Rodriguez Flores

quiero que sea um corrido tumbado que hable de dinero y excsesos

male vocals Dark corrido tumbado with male vocals: detuned requinto riffs deep sub bass doubling the tuba crisp rimshot snare. Verses ride a swung lazy pocket; vocal almost spoken then opens into a shouted anthemic hook with stacked gang responses. Guitar slides and short trumpet stabs accent flex lines brief halftime drop before final chorus for extra impact.

Midnight Circuit Rite

Capa de Midnight Circuit Rite por Devon Wolfgang
04:00

há 1 semana

de Devon Wolfgang

1980s 1990's heavy hypnotic repetitive beat, industrial hip hop, early Meat Beat Manifesto, darkly occult goth club, electronic dance, My Life with the Thrill Kill Kult

male vocals electronic hip hop rap hypnotic industrial metallic percussion Male vocals over a snarling industrial hip hop groove: distorted breakbeats and a trunk-rattling looped synth bass. Verse 1 rides a muttered close-mic delivery; chorus explodes with chanted gang vocals and eerie choir pads. Layers of grimy sampled hits reversed sweeps and whispered backing lines build a grinding hypnotic club atmosphere.