Gracia Que Me Alcanzó

01:50

há 2 semanas

Género: Worship cristiano evangélico contemporáneo Estilo musical: Inspirado en el sonido congregacional latino moderno similar a Miel San Marcos y Marcos Witt Tempo: 74 BPM Tonalidad: Re Mayor D Compás: 4/4 Voz: Masculina, cálida y expresiva. Timbre profundo, emocional, con intensidad progresiva. Inicio íntimo y suave, creciendo hasta un clímax poderoso con coros de fondo masculinos. Instrumental

drums Warm Gospel contemporary worship musical expressive male vocals in a deep emotional timbre over spacious Latin-congregational worship band; soft piano and airy electric guitar pick-ups in D major 4/4 at 74 bpm. Intimate hushed opening with light pads and subtle percussion slowly adding bass and acoustic guitar. Pre-chorus blooms with rhythmic toms and delay-soaked guitar swells; chorus hits with full kit open chords and stacked male backing choir on the hook. Final climax lifts a step in intensity through wider harmonies and sustained organ bed then gently resolves on a lingering vocal ad-lib and reverb-drenched piano tag. latin christian

Gracia Que Me Alcanzó

03:30

há 2 semanas

de Fredy Galyano

Género: Worship cristiano evangélico contemporáneo Estilo musical: Inspirado en el sonido congregacional latino moderno similar a Miel San Marcos y Marcos Witt Tempo: 74 BPM Tonalidad: Re Mayor D Compás: 4/4 Voz: Masculina, cálida y expresiva. Timbre profundo, emocional, con intensidad progresiva. Inicio íntimo y suave, creciendo hasta un clímax poderoso con coros de fondo masculinos. Instrumental

drums Warm Gospel contemporary worship musical expressive male vocals in a deep emotional timbre over spacious Latin-congregational worship band; soft piano and airy electric guitar pick-ups in D major 4/4 at 74 bpm. Intimate hushed opening with light pads and subtle percussion slowly adding bass and acoustic guitar. Pre-chorus blooms with rhythmic toms and delay-soaked guitar swells; chorus hits with full kit open chords and stacked male backing choir on the hook. Final climax lifts a step in intensity through wider harmonies and sustained organ bed then gently resolves on a lingering vocal ad-lib and reverb-drenched piano tag. latin christian

Hurricane In My Chest

02:08

há 2 semanas

de Luka Jankov

make song The One from Jorja Smith to soud like Adele sing it, its 83BPM and its in Cminor keep the idea of original instrumental bridge and make something like that

female vocals r&b contemporary Soul toms Smoky neo-soul ballad at 83 BPM in C minor female vocals. Start sparse: close mic piano and soft electric bass brushed kit barely whispering. Pre-chorus swells with warm Rhodes and subtle guitar swells chorus blooms with stacked harmonies and airy pads. Bridge leans into a dramatic key lift–style tension using strings and reverb-soaked backing vocals then drops back to intimate vocal-and-piano for the final hook. Big emotive Adele-style belting in the choruses tasteful melisma and cracks in the voice on the bridge.

Hurricane In My Chest

02:14

há 2 semanas

de Luka Jankov

make song The One from Jorja Smith to soud like Adele sing it, its 83BPM and its in Cminor keep the idea of original instrumental bridge and make something like that

female vocals r&b contemporary Soul toms Smoky neo-soul ballad at 83 BPM in C minor female vocals. Start sparse: close mic piano and soft electric bass brushed kit barely whispering. Pre-chorus swells with warm Rhodes and subtle guitar swells chorus blooms with stacked harmonies and airy pads. Bridge leans into a dramatic key lift–style tension using strings and reverb-soaked backing vocals then drops back to intimate vocal-and-piano for the final hook. Big emotive Adele-style belting in the choruses tasteful melisma and cracks in the voice on the bridge.

Enfin Toi

01:46

há 2 semanas

de Icare Djiki Gnenzeko

Create song lyrics for the C-section of CeCe Peniston – “Finally”, from minute 3:12 to 3:29. The lyrics should be in French, performed as modern club rap with a 2025 sound — fresh, contemporary, and forward-thinking (not 90s-style). Male voice. Hip-hop influenced. Happy, upbeat, warm, rhythmic, and melodic.

male vocals rhythmic happy hip hop rap fresh Warm contemporary swung trap drums Bouncy club rap with glossy synth stabs and a rubbery sub-bass. Male vocals ride a melodic rap pocket playful and rhythmic. Hooks stack with airy tuned backups and bright claps; short format like a lifted C-section that DJs can loop. Clean wide mix to feel huge on modern systems.

Enfin Toi

02:02

há 2 semanas

de Icare Djiki Gnenzeko

Create song lyrics for the C-section of CeCe Peniston – “Finally”, from minute 3:12 to 3:29. The lyrics should be in French, performed as modern club rap with a 2025 sound — fresh, contemporary, and forward-thinking (not 90s-style). Male voice. Hip-hop influenced. Happy, upbeat, warm, rhythmic, and melodic.

male vocals rhythmic happy hip hop rap fresh Warm contemporary swung trap drums Bouncy club rap with glossy synth stabs and a rubbery sub-bass. Male vocals ride a melodic rap pocket playful and rhythmic. Hooks stack with airy tuned backups and bright claps; short format like a lifted C-section that DJs can loop. Clean wide mix to feel huge on modern systems.

Podcast Harpsichord Stinger

01:41

há 3 semanas

de Anelya Aizharikova

Short instrumental podcast jingle, duration 5–7 seconds. Main and dominant instrument: HARPSICHORD, modern baroque-pop sound, inspired by Golden Brown by The Stranglers. A simple, catchy, repeating harpsichord motif that starts immediately, no intro, no build-up. Mid-tempo, slight waltz-like feel, hypnotic and elegant. Minimal modern support: warm bass hit and very light contemporary drum accen

male vocals pop simple light Warm harpsichord contemporary hypnotic minimal Bright harpsichord front and center playing a looping baroque-pop riff immediate entry on beat one. Mid-tempo 3/4 with a gentle lilt warm subby bass hit on the downbeat of each bar feather-light modern drum accent on beat three. One-word male vocal tag on the first hit tight plate reverb then the motif repeats once and cuts clean at 5–7 seconds. baroque

Podcast Harpsichord Stinger

00:59

há 3 semanas

de Anelya Aizharikova

Short instrumental podcast jingle, duration 5–7 seconds. Main and dominant instrument: HARPSICHORD, modern baroque-pop sound, inspired by Golden Brown by The Stranglers. A simple, catchy, repeating harpsichord motif that starts immediately, no intro, no build-up. Mid-tempo, slight waltz-like feel, hypnotic and elegant. Minimal modern support: warm bass hit and very light contemporary drum accen

male vocals pop simple light Warm harpsichord contemporary hypnotic minimal Bright harpsichord front and center playing a looping baroque-pop riff immediate entry on beat one. Mid-tempo 3/4 with a gentle lilt warm subby bass hit on the downbeat of each bar feather-light modern drum accent on beat three. One-word male vocal tag on the first hit tight plate reverb then the motif repeats once and cuts clean at 5–7 seconds. baroque

Derby Blues Intro

04:00

há 1 mês

de Juliette Delarue

Instrumental intro for a podcast called “Derby Blues”. Modern hip hop, minimal and serious. Start with a few isolated notes or textures, then a short drop into a clean rhythmic beat with a simple melodic motif. Subtle melancholy, calm confidence. Medium tempo. No vintage groove, no psych rock. Contemporary sound design. 8–10 seconds, clean cut.

male vocals rhythmic hip hop simple rap rock blues clean contemporary melancholy minimal Modern hip hop podcast bumper male vocals only for subtle tonal hums and textures no lyrics. Sparse single-note plucks and filtered pads open in isolation then a tight medium-tempo beat drops in with a clean simple two-note motif. Subtle sidechain movement and tasteful reverb tails create melancholy depth while keeping the low end controlled for voiceover clarity; abrupt noise-gated cutoff at 8–10 seconds for a crisp professional transition.

Derby Blues Intro

04:00

há 1 mês

de Juliette Delarue

Instrumental intro for a podcast called “Derby Blues”. Modern hip hop, minimal and serious. Start with a few isolated notes or textures, then a short drop into a clean rhythmic beat with a simple melodic motif. Subtle melancholy, calm confidence. Medium tempo. No vintage groove, no psych rock. Contemporary sound design. 8–10 seconds, clean cut.

male vocals rhythmic hip hop simple rap rock blues clean contemporary melancholy minimal Modern hip hop podcast bumper male vocals only for subtle tonal hums and textures no lyrics. Sparse single-note plucks and filtered pads open in isolation then a tight medium-tempo beat drops in with a clean simple two-note motif. Subtle sidechain movement and tasteful reverb tails create melancholy depth while keeping the low end controlled for voiceover clarity; abrupt noise-gated cutoff at 8–10 seconds for a crisp professional transition.

Lift My Eyes

04:00

há 1 mês

de World Famous Abraham

uplifting Christian pop-contemporary, bright piano, driving electronic beat, gospel choir crowd vocals on chorus, tenor male lead with soprano and alto harmonies, deep male call and response, 115 bpm, G Major

pop electronic bright uplifting deep Gospel contemporary Bright modern worship-pop at 115 BPM in G major: crisp piano drives the verses with tight electronic drums and warm bass. Tenor male lead up front stacked soprano/alto harmonies answering key phrases. Chorus explodes with full gospel-style crowd vocals and deep male call-and-response. Subtle synth pads widen the pre-chorus; bridge strips down to piano and claps then builds into a huge final chorus.

Lift My Eyes

04:00

há 1 mês

de World Famous Abraham

uplifting Christian pop-contemporary, bright piano, driving electronic beat, gospel choir crowd vocals on chorus, tenor male lead with soprano and alto harmonies, deep male call and response, 115 bpm, G Major

pop electronic bright uplifting deep Gospel contemporary Bright modern worship-pop at 115 BPM in G major: crisp piano drives the verses with tight electronic drums and warm bass. Tenor male lead up front stacked soprano/alto harmonies answering key phrases. Chorus explodes with full gospel-style crowd vocals and deep male call-and-response. Subtle synth pads widen the pre-chorus; bridge strips down to piano and claps then builds into a huge final chorus.

Desert Mirage

02:10

há 2 meses

de Parapharcie et Consommable médicale M.H.C

Create a 4/4 instrumental background track with a medium tempo, in a contemporary fusion jazz style mixed with oriental ‘pharaonic’ vibes. Use groovy bass, light oriental percussion, warm pads and modern jazz chords. No piano. Make it rhythmic and danceable so I can play a piano solo on top.

male vocals rhythmic groovy light Warm jazz contemporary light oriental percussion featuring groovy bass contemporary fusion jazz with oriental flair and modern jazz chords; no piano; male vocals optional warm pads

Desert Mirage

01:53

há 2 meses

de Parapharcie et Consommable médicale M.H.C

Create a 4/4 instrumental background track with a medium tempo, in a contemporary fusion jazz style mixed with oriental ‘pharaonic’ vibes. Use groovy bass, light oriental percussion, warm pads and modern jazz chords. No piano. Make it rhythmic and danceable so I can play a piano solo on top.