Vanesa de Buena Actitud

02:32

há 4 meses

Vanesa es de buena actitud proteje asu familia y es muy valiente errmosa y tiene una risa errmosa y la vos errmosa corrido que sea corrido

male vocals Regional Mexican corrido with male vocals over tight requinto and bajo sexto midtempo groove. Bass and snare push the story forward; accordion lines answer vocal phrases. Verses stay close and intimate chorus lifts with gang-style backing shouts and octave harmonies. Warm slightly gritty vocal tone; end with a stripped-back final hook and guitar flourish.

Artículo 637. En la imposición de las sanciones a que se refiere el artículo anterior se observarán las normas siguientes: I. El Presidente de la Junta practicará una investigación con audiencia del interesado e impondrá la sanción que corresponda a los actuarios, secretarios, auxiliares y funcionarios conciliadores; y II. Cuando se trate de los secretarios generales, secretarios auxiliares y Pr

male vocals distant vocal chops perfect for a short Moody Latin trap with male vocals mid-tempo bounce and deep sub bass under sparse detuned synths. Verses sit close and conversational almost whispered; pre-chorus adds echoing ad-libs and rising pads. Chorus hits wide with layered hooks and a tighter punchier kick. Subtle guitar plucks and filtered claps keep it eerie yet catchy looping banger.

Artículo 637

03:08

há 4 meses

de Ricardo Cruz

Artículo 637. En la imposición de las sanciones a que se refiere el artículo anterior se observarán las normas siguientes: I. El Presidente de la Junta practicará una investigación con audiencia del interesado e impondrá la sanción que corresponda a los actuarios, secretarios, auxiliares y funcionarios conciliadores; y II. Cuando se trate de los secretarios generales, secretarios auxiliares y Pr

male vocals distant vocal chops perfect for a short Moody Latin trap with male vocals mid-tempo bounce and deep sub bass under sparse detuned synths. Verses sit close and conversational almost whispered; pre-chorus adds echoing ad-libs and rising pads. Chorus hits wide with layered hooks and a tighter punchier kick. Subtle guitar plucks and filtered claps keep it eerie yet catchy looping banger.

Graça No Deserto

04:00

há 4 meses

de jose manuel

GOSPEL AMERICANO/ BPM 67,5/ PROGRESSAO DE ACORDES G#, B, G#, C#,/ PIANO,/ EMOCIONAL

male vocals Gospel then rise into a soaring Slow emotional gospel ballad at 67.5 BPM with warm grand piano leading subtle organ pads and soft live-sounding drums that ease in on the second section. Male vocals start intimate and close-mic’d church-choir–style chorus with stacked harmonies. Gentle bass underpins the chords with a tasteful gospel-style piano fill between phrases to lift the emotion.

Graça No Deserto

03:13

há 4 meses

de jose manuel

GOSPEL AMERICANO/ BPM 67,5/ PROGRESSAO DE ACORDES G#, B, G#, C#,/ PIANO,/ EMOCIONAL

male vocals Gospel then rise into a soaring Slow emotional gospel ballad at 67.5 BPM with warm grand piano leading subtle organ pads and soft live-sounding drums that ease in on the second section. Male vocals start intimate and close-mic’d church-choir–style chorus with stacked harmonies. Gentle bass underpins the chords with a tasteful gospel-style piano fill between phrases to lift the emotion.

Kila banana

02:35

há 4 meses

de Laura Štimac

Zasto si se napio Mojim parama pivo platio Moje srce ukrao i u podne ustao U strofama mi seres i pile sto sam ja ispekla jedes Jadne su ti fore da ti nije mene ne bi vidio more Treses se ko veš mašina stalno pitaš šta danas za ručak ima Malo mi je muke moje pa da trpim brige tvoje Ladis jaja majko mila a ono ti ispod košulje kila, kila, kila -BANANA

male vocals Sarcastic Bouncy turbo-folk club track with playful female vocals; busy acoustic guitars over snappy drum groove tuba-style bass and cheeky brass hits. Verses are half-spoken with tight rhythmic phrasing; chorus explodes with stacked chant harmonies and crowd-call responses. Short synth fills and claps drive the hook keeping it light and dancefloor-ready.

Kila banana

02:04

há 4 meses

de Laura Štimac

Zasto si se napio Mojim parama pivo platio Moje srce ukrao i u podne ustao U strofama mi seres i pile sto sam ja ispekla jedes Jadne su ti fore da ti nije mene ne bi vidio more Treses se ko veš mašina stalno pitaš šta danas za ručak ima Malo mi je muke moje pa da trpim brige tvoje Ladis jaja majko mila a ono ti ispod košulje kila, kila, kila -BANANA

male vocals Sarcastic Bouncy turbo-folk club track with playful female vocals; busy acoustic guitars over snappy drum groove tuba-style bass and cheeky brass hits. Verses are half-spoken with tight rhythmic phrasing; chorus explodes with stacked chant harmonies and crowd-call responses. Short synth fills and claps drive the hook keeping it light and dancefloor-ready.

Street kings

03:23

há 4 meses

de Stephen Swart

male vocals high-energy rap-rock heavy guitars heavy 808 bass Dark Rap aggressive hip-hop deep gritty male vocals raspy growling delivery intense emotional rap flow hard trap drums

Street kings

03:25

há 4 meses

de Stephen Swart

male vocals high-energy rap-rock heavy guitars heavy 808 bass Dark Rap aggressive hip-hop deep gritty male vocals raspy growling delivery intense emotional rap flow hard trap drums

Mi Hermano Kiko

03:08

há 4 meses

de Alba Martínez Casas

Hazme una cancion estilo trap, música Urbana Global que salta entre el rap, el reggaetón y el pop para mi hermano mayor Kiko, nacio el 15 de Febrero de 2001, le quiero mucho, me gusta dormir con el y con blanki, y que va a ser un trabajador genial en el Taco Bell

male vocals pop rap stacked harmonies Global urbano trap-reggaetón-pop crossover with male vocals; warm keys and airy pads over a bouncy halftime trap groove 808 glides under crisp dembow perc. Verses stay intimate and rhythmic with close-mic vocal pre-chorus adds melodic autotuned lines chorus explodes with bright synth plucks and subtle crowd chants. Mid-song drop strips to bass and claps for a chantable hook then final chorus returns fuller with ad-libs and wide stereo delays.

Mi Hermano Kiko

02:52

há 4 meses

de Alba Martínez Casas

Hazme una cancion estilo trap, música Urbana Global que salta entre el rap, el reggaetón y el pop para mi hermano mayor Kiko, nacio el 15 de Febrero de 2001, le quiero mucho, me gusta dormir con el y con blanki, y que va a ser un trabajador genial en el Taco Bell

male vocals pop rap stacked harmonies Global urbano trap-reggaetón-pop crossover with male vocals; warm keys and airy pads over a bouncy halftime trap groove 808 glides under crisp dembow perc. Verses stay intimate and rhythmic with close-mic vocal pre-chorus adds melodic autotuned lines chorus explodes with bright synth plucks and subtle crowd chants. Mid-song drop strips to bass and claps for a chantable hook then final chorus returns fuller with ad-libs and wide stereo delays.

Bandolero de la Calle

02:12

há 4 meses

de Cesar Damian

Vida callejera bandolero

male vocals pitched vocal chops Hard Latin trap beat with gritty reggaeton swing male vocals upfront and slightly distorted 808s hitting under dark brass stabs and eerie synth pads. Verses stay tight and percussive with ad-libs tucked deep; chorus widens with gang vocals and a subtle guitar loop. Hook hits like a chant in a packed street corner energy rising into the last chorus with drops and risers.

Bandolero de la Calle

02:29

há 4 meses

de Cesar Damian

Vida callejera bandolero

male vocals pitched vocal chops Hard Latin trap beat with gritty reggaeton swing male vocals upfront and slightly distorted 808s hitting under dark brass stabs and eerie synth pads. Verses stay tight and percussive with ad-libs tucked deep; chorus widens with gang vocals and a subtle guitar loop. Hook hits like a chant in a packed street corner energy rising into the last chorus with drops and risers.

Desde San Marcos Hasta México

03:04

há 4 meses

de Jose Lopez

desde niño quise ser Rapero inprovice Rimas que llegan al alma con inspiración cada letra de nostalgia escuchando lefty hasta México una estrella voló alto desde mí san marcos choluteca sur de honduras le canto soy Caleb un niño que cada erida lo formo aunque sea muy joven suelto rrimas que llegan al corazón mano arriba mí Honduras hoy canto inspiración a ese gran hartista lefty

male vocals Boom-bap cálido con bombo profundo y caja crujiente sample vocal soul de fondo. Versos rapeados con male vocals en primera línea flow firme pero emotivo pequeños doubles y ad-libs en frases clave. Estribillo melódico rapeado-cantado con armonías discretas. Surco que empieza íntimo y crece a un cierre épico con coros tipo barra de barrio.

Desde San Marcos Hasta México

03:10

há 4 meses

de Jose Lopez

desde niño quise ser Rapero inprovice Rimas que llegan al alma con inspiración cada letra de nostalgia escuchando lefty hasta México una estrella voló alto desde mí san marcos choluteca sur de honduras le canto soy Caleb un niño que cada erida lo formo aunque sea muy joven suelto rrimas que llegan al corazón mano arriba mí Honduras hoy canto inspiración a ese gran hartista lefty

male vocals Boom-bap cálido con bombo profundo y caja crujiente sample vocal soul de fondo. Versos rapeados con male vocals en primera línea flow firme pero emotivo pequeños doubles y ad-libs en frases clave. Estribillo melódico rapeado-cantado con armonías discretas. Surco que empieza íntimo y crece a un cierre épico con coros tipo barra de barrio.

Cante Um Hino

03:22

há 4 meses

de Cleber Artes

Estrofe 01-Há momentos na vida da gente que é difícil um hino cantar. as tribulações vem nos sufocam e fazem calar nossa voz. mais são nestes momentos que temos maior necessidade de louvarmos a Deus.então porque ficarmos calados se devemos cantar.mas são nestes momentos que temos maior necessidade de louvarmos a Deus.então porque ficarmos calados se devemos cantar. REFRÃO :cante um hino

male vocals Warm congregational worship with male vocals; gentle electric piano and acoustic guitar in the verses soft bass and brushed drums entering on the chorus. Build from intimate almost spoken delivery into a soaring sing-along refrain with stacked harmonies and a subtle organ pad lifting the final repeat.

Cante Um Hino

02:37

há 4 meses

de Cleber Artes

Estrofe 01-Há momentos na vida da gente que é difícil um hino cantar. as tribulações vem nos sufocam e fazem calar nossa voz. mais são nestes momentos que temos maior necessidade de louvarmos a Deus.então porque ficarmos calados se devemos cantar.mas são nestes momentos que temos maior necessidade de louvarmos a Deus.então porque ficarmos calados se devemos cantar. REFRÃO :cante um hino

male vocals Warm congregational worship with male vocals; gentle electric piano and acoustic guitar in the verses soft bass and brushed drums entering on the chorus. Build from intimate almost spoken delivery into a soaring sing-along refrain with stacked harmonies and a subtle organ pad lifting the final repeat.

Тихий дом

02:33

há 4 meses

de Артëм Михайлов

Музыка спокойная, тихая. Спокойный голос

male vocals almost whispered in the verses Soft indie-folk ballad with male vocals; fingerpicked acoustic guitar and subtle upright bass brushed snare entering on the first chorus. Gentle piano doubles the topline in the second half with airy pad swells under long vowels. Keep dynamics intimate then bloom slightly in the chorus with stacked low harmonies and a warm close-mic’d room sound.

Тихий дом

02:55

há 4 meses

de Артëм Михайлов

Музыка спокойная, тихая. Спокойный голос

male vocals almost whispered in the verses Soft indie-folk ballad with male vocals; fingerpicked acoustic guitar and subtle upright bass brushed snare entering on the first chorus. Gentle piano doubles the topline in the second half with airy pad swells under long vowels. Keep dynamics intimate then bloom slightly in the chorus with stacked low harmonies and a warm close-mic’d room sound.

የዲኤንኤ መቀየር

03:00

há 4 meses

de Amn Amn

dnaየሚቀይርሙዚቅ

male vocals Dark futuristic trap-tinged Afro-fusion male vocals. Sub-bass and sparse kick create a stalking pulse with glitchy arps and chopped choir stabs circling the topline. Verse stays tight and close-mic’d then chorus widens with stacked harmonies and a distorted vocoder shadow. Occasional stutter FX on key words to feel like genes flipping on and off.

የዲኤንኤ መቀየር

02:50

há 4 meses

de Amn Amn

dnaየሚቀይርሙዚቅ

male vocals Dark futuristic trap-tinged Afro-fusion male vocals. Sub-bass and sparse kick create a stalking pulse with glitchy arps and chopped choir stabs circling the topline. Verse stays tight and close-mic’d then chorus widens with stacked harmonies and a distorted vocoder shadow. Occasional stutter FX on key words to feel like genes flipping on and off.

Perimeter Breach

05:39

há 4 meses

de The Moon knight

dark ambient horror soundtrack, intense tension, deep bass drones, unsettling atmosphere, similar mood to survival horror games when the player is in danger, no melody, mostly atmospheric sound design use violin only

male vocals violin deep soundtrack dark ambient Slow-building dark ambient score with male vocals as distant ritual chants. Deep pressurized bass swells and detuned drones underpin scraped and bowed violin textures processed into a shifting cavernous soundscape. Tension rises in long arcs: sparse whispered verses buried in reverb then surges of distorted low-end and clustered violin harmonics. Mix keeps vocals ghostlike and submerged as if coming through walls creating a suffocating survival-horror dread.

Perimeter Breach

05:04

há 4 meses

de The Moon knight

dark ambient horror soundtrack, intense tension, deep bass drones, unsettling atmosphere, similar mood to survival horror games when the player is in danger, no melody, mostly atmospheric sound design use violin only

male vocals violin deep soundtrack dark ambient Slow-building dark ambient score with male vocals as distant ritual chants. Deep pressurized bass swells and detuned drones underpin scraped and bowed violin textures processed into a shifting cavernous soundscape. Tension rises in long arcs: sparse whispered verses buried in reverb then surges of distorted low-end and clustered violin harmonics. Mix keeps vocals ghostlike and submerged as if coming through walls creating a suffocating survival-horror dread.

Devils in the Rearview

02:28

há 4 meses

de Jonathan Fewtrell

pop demon hunters rap

male vocals pop rap snaps Dark pop-rap banger with male vocals; moody synth plucks and airy pads over a hard mid-tempo trap groove. Verses ride tight triplet flows with subtle choir stabs; chorus explodes into an anthemic hook with stacked gang vocals and distorted bass. Bridge strips to 808 and reverb-drenched ad-libs then slams back into the final hook for a stadium-ready finish.

Male Vocals

Male Vocals Faixas

Vanesa de Buena Actitud

Artículo 637

Artículo 637

Graça No Deserto

Graça No Deserto

Kila banana

Kila banana

Street kings

Street kings

Mi Hermano Kiko

Mi Hermano Kiko

Bandolero de la Calle

Bandolero de la Calle

Desde San Marcos Hasta México

Desde San Marcos Hasta México

Cante Um Hino

Cante Um Hino

Тихий дом

Тихий дом

የዲኤንኤ መቀየር

የዲኤንኤ መቀየር

Perimeter Breach

Perimeter Breach

Devils in the Rearview

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