Midnight Taxi Rank

04:00

há 3 semanas

Create a full 3-minute Amapiano instrumental track. Tempo: 112 BPM. Key: Minor, soulful, deep club vibe. Mood: Energetic, hypnotic, street/club South African vibe. Structure: - 0:00 - 0:20 → Atmospheric intro with pads and light chants - 0:20 - 0:50 → Drop with rolling log drum bass + groovy percussion - 0:50 - 1:20 → Main groove: log drum, bassline, shaker, snare, clap - 1:20 - 1:40 → Short brea

male vocals groovy light soulful funk deep bassline hypnotic congas hypnotic amapiano groove at 112 BPM in a minor key; smoky pads and filtered street ambience lead into a heavy log drum drop. Rolling percussion with shakers and crisp claps drive the club pocket; male vocal chants and ad-libs weave in during the mid-track break then everything snaps back with a thicker side-chained pad bed and subtle synth stabs for a late-night township-club feel.

De Mansinho Você Chegou

01:04

há 3 semanas

de Julia Martins

Criar música brasileira romântica e animada sobre casal que completa 3 anos. Início com 4s suaves, voz doce e instrumental leve. Evolui para samba/pagode alegre e final com funk romântico. Refrão principal: “De mansinho você chegou, nem sabia onde ia dar / Mudou meus dias, meu mundo, me ensinou a amar / Competindo em tudo, a gente topa até o fim / Até no Uno a gente briga… mas é amor mesmo assim”.

funk syncopated drums Samba Pagode Starts with soft acoustic guitar light pads and sweet male vocals; first verse almost whispered. After 4 seconds percussion slides into a lively samba/pagode groove with cavaquinho pandeiro and warm backing vocals on the chorus. Final section pivots into a smooth romantic funk vibe with round bass and playful call-and-response ad-libs while keeping the hook melodic and affectionate.

De Mansinho Você Chegou

02:40

há 3 semanas

de Julia Martins

Criar música brasileira romântica e animada sobre casal que completa 3 anos. Início com 4s suaves, voz doce e instrumental leve. Evolui para samba/pagode alegre e final com funk romântico. Refrão principal: “De mansinho você chegou, nem sabia onde ia dar / Mudou meus dias, meu mundo, me ensinou a amar / Competindo em tudo, a gente topa até o fim / Até no Uno a gente briga… mas é amor mesmo assim”.

funk syncopated drums Samba Pagode Starts with soft acoustic guitar light pads and sweet male vocals; first verse almost whispered. After 4 seconds percussion slides into a lively samba/pagode groove with cavaquinho pandeiro and warm backing vocals on the chorus. Final section pivots into a smooth romantic funk vibe with round bass and playful call-and-response ad-libs while keeping the hook melodic and affectionate.

Midnight Mirror

02:52

há 3 semanas

de Nicolas Vedovaldi

rap,pop,funk

male vocals pop rap funk claps male vocals. Tight Slick rap-pop-funk hybrid over a rubbery bass groove and crisp drums talky rap in the verses with percussive guitar chops; chorus explodes into a melodic hook with stacked harmonies and a bright synth lead doubling the vocal. Subtle horn stabs answer key lines bridge strips to bass and vocal before a final full-band hit.

Midnight Mirror

02:25

há 3 semanas

de Nicolas Vedovaldi

rap,pop,funk

male vocals pop rap funk claps male vocals. Tight Slick rap-pop-funk hybrid over a rubbery bass groove and crisp drums talky rap in the verses with percussive guitar chops; chorus explodes into a melodic hook with stacked harmonies and a bright synth lead doubling the vocal. Subtle horn stabs answer key lines bridge strips to bass and vocal before a final full-band hit.

Sintoniza Aí, Viajante

02:25

há 1 mês

de Djonatan Correia

Crie uma introdução para um set de Fullon Groove com o conceito de um rádio antigo sendo ligado. O som começa com ruídos de rádio velho, chiados, interferências e frequências sendo ajustadas. A cada mudança de estação, surgem pequenos trechos instrumentais de músicas conhecidas de Fullon Groove, como se fossem flashes rápidos: baixos marcantes, leads ácidos, grooves reconhecíveis, todos com efeito

funk rolling bass Psy full-on groove intro spoken male vocals emulating an old radio host; dusty vinyl crackle and detuned AM noise open then filter-swept full-on snippets flash in and out as if scanning stations. Each “troca de estação” hits with a short recognizable groove burst—acid leads glitchy delays—ducking under the voice. Build from sparse mono to wide stereo ending on a long riser that hands off cleanly into the first full track.

Больше чем звук

03:05

há 1 mês

de [email protected]

Фонк, мощный, современный, с претензией на супер-хит. Чёткие, качественные басы и ударные, яркие, выразительные синтезаторы, энергичный groove. Прогрессивная структура, драйв, хиты радиостанций, профессиональное звучание, насыщенные гармонии, сильная мелодическая линия, трек должен быть живым, заводным, динамичным.

funk Aggressive phonk banger with male vocals; tight sidechained low-end and sharp distorted leads riding a swung head-snapping groove. Verses are clipped and percussive; chorus explodes with wide saturated synths and stacked gang shouts. Progressive structure adds risers filter sweeps and glitch fills each hook pushing energy higher while rich harmonies underline a bold instantly memorable topline.

Больше чем звук

03:07

há 1 mês

de [email protected]

Фонк, мощный, современный, с претензией на супер-хит. Чёткие, качественные басы и ударные, яркие, выразительные синтезаторы, энергичный groove. Прогрессивная структура, драйв, хиты радиостанций, профессиональное звучание, насыщенные гармонии, сильная мелодическая линия, трек должен быть живым, заводным, динамичным.

funk Aggressive phonk banger with male vocals; tight sidechained low-end and sharp distorted leads riding a swung head-snapping groove. Verses are clipped and percussive; chorus explodes with wide saturated synths and stacked gang shouts. Progressive structure adds risers filter sweeps and glitch fills each hook pushing energy higher while rich harmonies underline a bold instantly memorable topline.

Sumbawanga Groove

02:33

há 4 semanas

de Martin Jordan

Title: Sumbawanga Groove (Amapiano Vibe) Verse 1 Sumbawanga, nyota zinawaka Mtaa mzima, kila mtu anacheka Jua linapanda, dunia inang’aa Twacheza pamoja, furaha inazidi Chorus Sumbawanga, Sumbawanga! Twacheza, twacheza, mpaka asubuhi Sumbawanga, Sumbawanga! Raha ya mtaa, moyo wangu unacheka Verse 2 Basi la rangi, lililoko barabarani Watoto wanaruka, wakiimba kwa sauti Muziki unaendelea, ngoma za ka

male vocals funk Bouncy amapiano with rolling log-drum bass bright percussive shaker patterns and warm male vocals locked to a midtempo swing; chorus blooms with stacked call-and-response hooks airy synth chords and crowd-style ad-libs bridge strips to claps and bass before a final euphoric lift

Sumbawanga Groove

02:23

há 4 semanas

de Martin Jordan

Title: Sumbawanga Groove (Amapiano Vibe) Verse 1 Sumbawanga, nyota zinawaka Mtaa mzima, kila mtu anacheka Jua linapanda, dunia inang’aa Twacheza pamoja, furaha inazidi Chorus Sumbawanga, Sumbawanga! Twacheza, twacheza, mpaka asubuhi Sumbawanga, Sumbawanga! Raha ya mtaa, moyo wangu unacheka Verse 2 Basi la rangi, lililoko barabarani Watoto wanaruka, wakiimba kwa sauti Muziki unaendelea, ngoma za ka

male vocals funk Bouncy amapiano with rolling log-drum bass bright percussive shaker patterns and warm male vocals locked to a midtempo swing; chorus blooms with stacked call-and-response hooks airy synth chords and crowd-style ad-libs bridge strips to claps and bass before a final euphoric lift

Ashes On The Apron

03:13

há 4 semanas

de [email protected]

A medium-tempo piece with a deeply emotional atmosphere, combining authentic fiddle melody with organic tribal rhythms, supported by taraf (violin, dulcimer, accordion, double bass), with a mature, elegant and nostalgic groove, addressed to an audience of 30–50 years old who are looking for tradition reinterpreted in a modern way.

emotional accordion violin female vocals nostalgic funk Medium-tempo Balkan-folk fusion with female vocals; woody tribal percussion and deep frame drum pulse under a lyrical fiddle lead. Taraf ensemble weaves in and out: cimbalom arpeggios breathy accordion swells bowed bass glides. Verses stay intimate and close-mic’d chorus widens with stacked harmonies and a subtle modern low-end graceful and nostalgic yet rhythmically grounded.

Ashes On The Apron

03:14

há 4 semanas

de [email protected]

A medium-tempo piece with a deeply emotional atmosphere, combining authentic fiddle melody with organic tribal rhythms, supported by taraf (violin, dulcimer, accordion, double bass), with a mature, elegant and nostalgic groove, addressed to an audience of 30–50 years old who are looking for tradition reinterpreted in a modern way.

emotional accordion violin female vocals nostalgic funk Medium-tempo Balkan-folk fusion with female vocals; woody tribal percussion and deep frame drum pulse under a lyrical fiddle lead. Taraf ensemble weaves in and out: cimbalom arpeggios breathy accordion swells bowed bass glides. Verses stay intimate and close-mic’d chorus widens with stacked harmonies and a subtle modern low-end graceful and nostalgic yet rhythmically grounded.

Velvet Side-Eye Showdown

03:23

há 4 semanas

de Ваня Никонов

Upbeat disco-pop track inspired by early 2000s club music, similar groove and tempo to “Murder on the Dancefloor” but fully original. 120–125 BPM, funky bassline, four-on-the-floor kick, crisp claps, disco guitar, bright synth stabs. Playful, ironic, high-energy vibe for a viral dance battle. Clean 2-second intro, strong build, beat drop at 6–7s. No vocals or short vocal chops only.

playful pop disco bright strong funk clean vocal funky bassline Glossy disco-pop banger at 123 BPM with male/female chopped vox hits. Tight four-on-the-floor kick rubbery funk bass choppy wah guitars and bright sidechained synth stabs. Clean filtered intro for 2 seconds then a quick riser and snare fill into the first drop around 6–7 seconds. Arrangement rides playful tension and release with cheeky breaks call-and-response bass/synth hooks and clap-driven build sections designed for viral dance battle routines.

Velvet Side-Eye Showdown

03:08

há 4 semanas

de Ваня Никонов

Upbeat disco-pop track inspired by early 2000s club music, similar groove and tempo to “Murder on the Dancefloor” but fully original. 120–125 BPM, funky bassline, four-on-the-floor kick, crisp claps, disco guitar, bright synth stabs. Playful, ironic, high-energy vibe for a viral dance battle. Clean 2-second intro, strong build, beat drop at 6–7s. No vocals or short vocal chops only.

playful pop disco bright strong funk clean vocal funky bassline Glossy disco-pop banger at 123 BPM with male/female chopped vox hits. Tight four-on-the-floor kick rubbery funk bass choppy wah guitars and bright sidechained synth stabs. Clean filtered intro for 2 seconds then a quick riser and snare fill into the first drop around 6–7 seconds. Arrangement rides playful tension and release with cheeky breaks call-and-response bass/synth hooks and clap-driven build sections designed for viral dance battle routines.

Favela Loop Hypnosis

02:34

há 4 semanas

de Odair Elias César Manuel Benzard

Generate a dark, aggressive funk melody inspired by Brazilian favela funk, in F minor, 120 BPM. Use a dry pluck or bell synth, short notes, and pauses for rhythm. The melody should feel hypnotic, repetitive and viral, designed to loop perfectly and leave space for vocals and heavy bass. No chords, no pads — single-note melody only, focused on groove.

male vocals funk hypnotic Dark Brazilian baile funk bounce at 120 BPM male vocals. Dry pluck and bell synth trade the lead in a single-note staccato line over a drum-heavy groove and sub bass. Melody locks into a minimal hypnotic pattern with strategic gaps for vocals; occasional pitch bends and octave jumps spike aggression. Mix stays tight and forward with close gritty room on the lead and extra bite from saturation to make it feel viral and relentless.

Favela Loop Hypnosis

01:39

há 4 semanas

de Odair Elias César Manuel Benzard

Generate a dark, aggressive funk melody inspired by Brazilian favela funk, in F minor, 120 BPM. Use a dry pluck or bell synth, short notes, and pauses for rhythm. The melody should feel hypnotic, repetitive and viral, designed to loop perfectly and leave space for vocals and heavy bass. No chords, no pads — single-note melody only, focused on groove.

male vocals funk hypnotic Dark Brazilian baile funk bounce at 120 BPM male vocals. Dry pluck and bell synth trade the lead in a single-note staccato line over a drum-heavy groove and sub bass. Melody locks into a minimal hypnotic pattern with strategic gaps for vocals; occasional pitch bends and octave jumps spike aggression. Mix stays tight and forward with close gritty room on the lead and extra bite from saturation to make it feel viral and relentless.

Feuge Votaje

04:00

há 4 semanas

de [email protected]

MAKE A FUNK SONG FOR ME THAT HAS MIXED ELEMENTS(NOT WORDS ) FROME NOCHE RUGADA MEOW REBOLA COMADA TOMADA DESPACITO . IT SHOULD BE ABBLE TO REACH ONE BILLION VIEWS ON TIKTOKNAND X , TITLE IT FEUGE VOTAJE . SOMEONE SHOULD BE SINGING

male vocals funk bright synth leads Hyper-catchy global funk-pop blend male vocals. Bouncy slap bass locks with tight syncopated drums and busy percussion; verses stay nimble with clipped Spanish/English phrases and playful vocal riffs. Chorus explodes with horn stabs and stacked gang shouts for viral energy. Brief call-and-response bridge then a final chorus double-length for dance challenges big roomy mix on the hook.

Feuge Votaje

02:38

há 4 semanas

de [email protected]

MAKE A FUNK SONG FOR ME THAT HAS MIXED ELEMENTS(NOT WORDS ) FROME NOCHE RUGADA MEOW REBOLA COMADA TOMADA DESPACITO . IT SHOULD BE ABBLE TO REACH ONE BILLION VIEWS ON TIKTOKNAND X , TITLE IT FEUGE VOTAJE . SOMEONE SHOULD BE SINGING

male vocals funk bright synth leads Hyper-catchy global funk-pop blend male vocals. Bouncy slap bass locks with tight syncopated drums and busy percussion; verses stay nimble with clipped Spanish/English phrases and playful vocal riffs. Chorus explodes with horn stabs and stacked gang shouts for viral energy. Brief call-and-response bridge then a final chorus double-length for dance challenges big roomy mix on the hook.

When Words Run Out

04:00

há 4 semanas

de Sweetie

When Words Run Out 90s 2000s R&B, sultry deep female contralto, breathy vocals, smooth neo-soul, mid-tempo groove, lush vocal harmonies, fender rhodes, rhythmic percussion, sensual atmosphere, soulful ad-libs. No clipping, crystal-clear, perfection sound.

rhythmic female vocals smooth soulful r&b funk deep sensual vocal breathy Soul airy pads rounded bass late-night feel. Silky 90s/00s neo-soul mid-tempo groove with warm Fender Rhodes chords and brushed percussion. Female contralto breathy and close to the mic gliding over lush stacked harmonies. Verses stay intimate and syncopated; chorus blooms with wider chords and sensual ad-libs. Crystal-clear mix gentle saturation on keys subtle reverb tail on the vocal for a luxurious

When Words Run Out

03:45

há 4 semanas

de Sweetie

When Words Run Out 90s 2000s R&B, sultry deep female contralto, breathy vocals, smooth neo-soul, mid-tempo groove, lush vocal harmonies, fender rhodes, rhythmic percussion, sensual atmosphere, soulful ad-libs. No clipping, crystal-clear, perfection sound.