Midnight in My Mirror

02:54

há 3 semanas

rap

rap female vocals Moody boom-bap with deep dusty kick and crisp snare woozy jazz sample loop and warm sub filling the low end. Female vocals: cool self-assured verses with tight internal rhymes; hook opens into melodic-rap chants and stacked harmonies. Subtle vinyl crackle and filtered intro; last chorus adds ad-lib layer and widened delays for a hypnotic head-nod finish.

ABC Adventure

02:13

há 3 semanas

de Venus Virgo

A rhyme about ABC for kids

female vocals Bright acoustic pop with female vocals; bouncy ukulele and hand percussion set a playful groove. Simple claps on the 2 and 4 glockenspiel doubling the main melody. Choruses open with airy stacked harmonies bridge strips back to voice and snaps before a final full-ensemble singalong ending on a held group note.

ABC Adventure

02:08

há 3 semanas

de Venus Virgo

A rhyme about ABC for kids

female vocals Bright acoustic pop with female vocals; bouncy ukulele and hand percussion set a playful groove. Simple claps on the 2 and 4 glockenspiel doubling the main melody. Choruses open with airy stacked harmonies bridge strips back to voice and snaps before a final full-ensemble singalong ending on a held group note.

Ni Una Más

03:44

há 3 semanas

de Larenny Alfonso Reinoso

Verso 1) Caminaba sola bajo el cielo gris, con sueños guardados que quería vivir, nadie imaginaba lo que iba a pasar, otra historia rota que no quieren contar. Su voz era fuerte, llena de verdad, pero el mundo injusto la quiso callar, calles que murmuran, sombras sin perdón, y un silencio frío que duele un montón. (Coro) Ni una más, grita el viento al pasar, ni una vida menos que olvidar, no son c

female vocals Moody Latin pop ballad with female vocals; intimate piano and soft pads under the verse brushed drums and warm bass entering at the chorus. Hook opens with stacked harmonies and a subtle echo tail on the title phrase. Second half lifts with airy strings and a distant choir pad then drops to near a cappella for the final line.

Ni Una Más

03:11

há 3 semanas

de Larenny Alfonso Reinoso

Verso 1) Caminaba sola bajo el cielo gris, con sueños guardados que quería vivir, nadie imaginaba lo que iba a pasar, otra historia rota que no quieren contar. Su voz era fuerte, llena de verdad, pero el mundo injusto la quiso callar, calles que murmuran, sombras sin perdón, y un silencio frío que duele un montón. (Coro) Ni una más, grita el viento al pasar, ni una vida menos que olvidar, no son c

female vocals Moody Latin pop ballad with female vocals; intimate piano and soft pads under the verse brushed drums and warm bass entering at the chorus. Hook opens with stacked harmonies and a subtle echo tail on the title phrase. Second half lifts with airy strings and a distant choir pad then drops to near a cappella for the final line.

Raiz No Peito

01:58

há 3 semanas

de Pamela ventura ferreira Ventura

🎶Raiz no peito 🎵 (Verso ) 1 no terreiro da saudade eu plantei recordação Reguei com minhas lágrimas brotou solidão seu sorriso ainda mora perdido em mim mas você foi embora...e não volto mais pra mim (verso2) no rádio toca moda antiga viola chorar cada Verso parece que vem me contar que o amor quando é forte não sabe esquecer e mesmo machucado....insister em você (Refão)é raiz no peito é dor.

female vocals Sertanejo de viola chorosa andamento médio sanfona suave e violão de aço em destaque; female vocals emotivas com vibrato discreto backing sussurrado no refrão. Estrofes mais contidas foco na voz e na letra; refrão abre com percussão de chão batido linhas de viola respondendo à melodia. Final em fade-out com vocal alongando a frase-título.

Raiz No Peito

01:50

há 3 semanas

de Pamela ventura ferreira Ventura

🎶Raiz no peito 🎵 (Verso ) 1 no terreiro da saudade eu plantei recordação Reguei com minhas lágrimas brotou solidão seu sorriso ainda mora perdido em mim mas você foi embora...e não volto mais pra mim (verso2) no rádio toca moda antiga viola chorar cada Verso parece que vem me contar que o amor quando é forte não sabe esquecer e mesmo machucado....insister em você (Refão)é raiz no peito é dor.

female vocals Sertanejo de viola chorosa andamento médio sanfona suave e violão de aço em destaque; female vocals emotivas com vibrato discreto backing sussurrado no refrão. Estrofes mais contidas foco na voz e na letra; refrão abre com percussão de chão batido linhas de viola respondendo à melodia. Final em fade-out com vocal alongando a frase-título.

Diecisiete Velitas

02:32

há 3 semanas

de Laura Coronado

feliz cumpleaños de tu 17 hermanita

female vocals Warm acoustic pop ballad with female vocals; gentle nylon guitar and soft piano under intimate verses subtle pads and light percussion rising into a heartfelt catchy chorus; background harmonies on the hook and a tender bridge that pulls back to just voice and guitar before a final cozy chorus lift.

Diecisiete Velitas

03:11

há 3 semanas

de Laura Coronado

feliz cumpleaños de tu 17 hermanita

female vocals Warm acoustic pop ballad with female vocals; gentle nylon guitar and soft piano under intimate verses subtle pads and light percussion rising into a heartfelt catchy chorus; background harmonies on the hook and a tender bridge that pulls back to just voice and guitar before a final cozy chorus lift.

Standing In The Rain

03:15

há 3 semanas

de Crystal Estes

techno upbeat synthesizer SL4 female vocals she left me standing in the rain

female vocals Techno Driving techno groove with bright hypnotic synth stabs and a pulsing sidechained bass. Four-on-the-floor kick anchors an upbeat club-ready rhythm; crisp hi-hats and snappy claps keep it urgent. Female vocals: cool but emotional light reverb for a spacious feel. Hooky topline with stacked harmonies on the chorus and a brief stripped-back break before the final drop.

Standing In The Rain

03:48

há 3 semanas

de Crystal Estes

techno upbeat synthesizer SL4 female vocals she left me standing in the rain

female vocals Techno Driving techno groove with bright hypnotic synth stabs and a pulsing sidechained bass. Four-on-the-floor kick anchors an upbeat club-ready rhythm; crisp hi-hats and snappy claps keep it urgent. Female vocals: cool but emotional light reverb for a spacious feel. Hooky topline with stacked harmonies on the chorus and a brief stripped-back break before the final drop.

Show Your Mercy

03:15

há 3 semanas

de Mercy Glory

we can not run o,no where to run to and no strength to run.we can not fight no weapon to fight,no strength to fight.we can not sleep o fear in the morning afternoon and night oo,all hope has gone.( chrus i am calling you Jehovah God of Elijah please show your mercy, you are the only one we have now no shoulder to lean on please show your mercy. i want it in a ragge solemn stye with a female voice

slow female vocals sleep solemn roots reggae groove with deep warm bass and soft skanking guitar on the offbeat; rimshot snare and gentle percussion keep a meditative sway. Female vocals tender but powerful lead the melody with airy harmonies lifting the chorus; subtle organ pads and distant echo on key phrases give it a prayerful spacious feel. Energy builds gently into each chorus then settles back into a reflective almost hymn-like calm.

Show Your Mercy

03:32

há 3 semanas

de Mercy Glory

we can not run o,no where to run to and no strength to run.we can not fight no weapon to fight,no strength to fight.we can not sleep o fear in the morning afternoon and night oo,all hope has gone.( chrus i am calling you Jehovah God of Elijah please show your mercy, you are the only one we have now no shoulder to lean on please show your mercy. i want it in a ragge solemn stye with a female voice

slow female vocals sleep solemn roots reggae groove with deep warm bass and soft skanking guitar on the offbeat; rimshot snare and gentle percussion keep a meditative sway. Female vocals tender but powerful lead the melody with airy harmonies lifting the chorus; subtle organ pads and distant echo on key phrases give it a prayerful spacious feel. Energy builds gently into each chorus then settles back into a reflective almost hymn-like calm.

Me Sem Buti

01:49

há 3 semanas

de Tifani Pongo

Verse 1: Chororo phuv, phirav sas o shero, Ruzh thaj leske, dzanes man o pherdo, Dilo mange, kerdyo than, Aven, shukar them, na dikhles kado van! Pre-Chorus: T’ave jekh rat, amaro shoro thaj amari rromni, Hasen amaro, na kerdyol dikhel. Chorus: Me sem buti, me sem baro, thaj tu dikhas, O them phirav, sar me phenav, Amaro dilo lavel anglal, nach o raklo, Rat amaro, na rovel, dzanes, avas man! Verse

female vocals claps and stacked harmonies Upbeat Balkan-pop groove with bright brass stabs rolling tapan-style percussion and warm bass. Verses stay nimble and rhythmic with playful call-and-response between male and female vocals; pre-chorus leans into suspended chords and hand percussion. Chorus explodes with gang shouts lifting the hook. Energetic party feel slightly raw very danceable.

Me Sem Buti

02:23

há 3 semanas

de Tifani Pongo

Verse 1: Chororo phuv, phirav sas o shero, Ruzh thaj leske, dzanes man o pherdo, Dilo mange, kerdyo than, Aven, shukar them, na dikhles kado van! Pre-Chorus: T’ave jekh rat, amaro shoro thaj amari rromni, Hasen amaro, na kerdyol dikhel. Chorus: Me sem buti, me sem baro, thaj tu dikhas, O them phirav, sar me phenav, Amaro dilo lavel anglal, nach o raklo, Rat amaro, na rovel, dzanes, avas man! Verse

female vocals claps and stacked harmonies Upbeat Balkan-pop groove with bright brass stabs rolling tapan-style percussion and warm bass. Verses stay nimble and rhythmic with playful call-and-response between male and female vocals; pre-chorus leans into suspended chords and hand percussion. Chorus explodes with gang shouts lifting the hook. Energetic party feel slightly raw very danceable.

Umbigo Que Não Cortei

04:02

há 3 semanas

de Carol Lisboa

infância difícil e poucos amigos,meus pais nao tinha condição na época,me espelho na minha irmã mais velha,casamos minha irmã teve 2 filhos e eu também casei no papel assinei com caneta de ouro meu casamento,trabalho na Alemanha mais vivo com saudades do Brasil, cheiro da minha mãe que mesmo que cortou o umbigo umbilical eu não cortei me faz falta. sinto saudades de aniversário que não posso estar

female vocals Warm light backing harmonies] lingering on the last line. nostalgic MPB ballad with female vocals over nylon-string guitar and soft upright bass; verses intimate and close-mic sparse percussion with brushes and subtle shaker. Chorus blooms with airy pads and a gentle tom build evoking homesick ache and quiet strength. Final outro strips back to just voice and guitar

Umbigo Que Não Cortei

03:58

há 3 semanas

de Carol Lisboa

infância difícil e poucos amigos,meus pais nao tinha condição na época,me espelho na minha irmã mais velha,casamos minha irmã teve 2 filhos e eu também casei no papel assinei com caneta de ouro meu casamento,trabalho na Alemanha mais vivo com saudades do Brasil, cheiro da minha mãe que mesmo que cortou o umbigo umbilical eu não cortei me faz falta. sinto saudades de aniversário que não posso estar

female vocals Warm light backing harmonies] lingering on the last line. nostalgic MPB ballad with female vocals over nylon-string guitar and soft upright bass; verses intimate and close-mic sparse percussion with brushes and subtle shaker. Chorus blooms with airy pads and a gentle tom build evoking homesick ache and quiet strength. Final outro strips back to just voice and guitar

Tayeri N Tesmin (My Path in the Fog)

02:37

há 4 semanas

de Tigheri Lounes

ger id d wass ageris degi isagheras thardad ghef felli thaduli achebouv d dhav samas Allan ttizagzawth igani fellas a win attidyawin asahkugh tayeri

female vocals lingering close. Minimal desert-folk ballad with female vocals; close-mic’d lead over soft nylon guitar and frame drum pulse airy flutes answering vocal phrases. Song starts hushed and intimate blooms in the chorus with stacked harmonies and gentle hand percussion then pulls back to a single guitar and voice on the final line for an intimate

Tayeri N Tesmin (My Path in the Fog)

02:42

há 4 semanas

de Tigheri Lounes

ger id d wass ageris degi isagheras thardad ghef felli thaduli achebouv d dhav samas Allan ttizagzawth igani fellas a win attidyawin asahkugh tayeri

female vocals lingering close. Minimal desert-folk ballad with female vocals; close-mic’d lead over soft nylon guitar and frame drum pulse airy flutes answering vocal phrases. Song starts hushed and intimate blooms in the chorus with stacked harmonies and gentle hand percussion then pulls back to a single guitar and voice on the final line for an intimate

Все деньги текут ко мне

03:07

há 4 semanas

de Miy

Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас.

female vocals bright pads Glossy club pop with female vocals; steady mid-tempo pulse warm sub-bass and glassy synth plucks. Verses stay intimate and hypnotic close-mic whisper tone; chorus blooms with stacked harmonies and crisp clap groove. Short reverb tail on lead creates a mantra-like trance with subtle risers lifting into each hook and a late-song drop that strips to vocal and bass before the final chorus.

Все деньги текут ко мне

02:36

há 4 semanas

de Miy

Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас. Все деньги текут ко мне здесь и сейчас.

female vocals bright pads Glossy club pop with female vocals; steady mid-tempo pulse warm sub-bass and glassy synth plucks. Verses stay intimate and hypnotic close-mic whisper tone; chorus blooms with stacked harmonies and crisp clap groove. Short reverb tail on lead creates a mantra-like trance with subtle risers lifting into each hook and a late-song drop that strips to vocal and bass before the final chorus.