Swung Drums. Verses Sit Close And Conversational With Tight Three-part Harmonies On Key Phrases; Pre-chorus Lifts With Climbing Chords And Stacked Backgrounds; Chorus Opens Wide With Lush

AI-Generated Music

2 Tracks

Swung Drums. Verses Sit Close And Conversational With Tight Three-part Harmonies On Key Phrases; Pre-chorus Lifts With Climbing Chords And Stacked Backgrounds; Chorus Opens Wide With Lush Tracks

I Don't Want You Anymore

Cover art for I Don't Want You Anymore by Souheil Benhadji
04:13

1 day ago

by Souheil Benhadji

“Compose a neo-soul/R&B track inspired by Lalah Hathaway with rich jazz chords, smooth groove, layered vocal harmonies, emotional delivery, and dynamic structure including intro, verses, pre-chorus, chorus, bridge, and outro. Focus on warmth, depth, and expressive vocal phrasing.”rnb soul funk tempo 75 titled I don't want you anymore

male vocals emotional smooth r&b funk dynamic rich jazz vocal Soul Slow-burning neo-soul at 75 BPM with male vocals; warm Rhodes and velvet jazz guitar over a deep pocket bass and brushed swung drums. Verses sit close and conversational with tight three-part harmonies on key phrases; pre-chorus lifts with climbing chords and stacked backgrounds; chorus opens wide with lush church-inflected harmonies and tasteful ad-libs. Bridge modulates slightly adding organ swells and call-and-response vocals before a hushed harmony-rich outro that lets the lead linger over lingering chords.

I Don't Want You Anymore

Cover art for I Don't Want You Anymore by Souheil Benhadji
04:23

1 day ago

by Souheil Benhadji

“Compose a neo-soul/R&B track inspired by Lalah Hathaway with rich jazz chords, smooth groove, layered vocal harmonies, emotional delivery, and dynamic structure including intro, verses, pre-chorus, chorus, bridge, and outro. Focus on warmth, depth, and expressive vocal phrasing.”rnb soul funk tempo 75 titled I don't want you anymore

male vocals emotional smooth r&b funk dynamic rich jazz vocal Soul Slow-burning neo-soul at 75 BPM with male vocals; warm Rhodes and velvet jazz guitar over a deep pocket bass and brushed swung drums. Verses sit close and conversational with tight three-part harmonies on key phrases; pre-chorus lifts with climbing chords and stacked backgrounds; chorus opens wide with lush church-inflected harmonies and tasteful ad-libs. Bridge modulates slightly adding organ swells and call-and-response vocals before a hushed harmony-rich outro that lets the lead linger over lingering chords.