Stuck Back In Time

03:18

hace 5 días

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Stuck Back In Time

03:17

hace 5 días

de Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Vavina Taubar

03:16

hace 3 semanas

de FREIZER PINIA

marit life blo ume e beian orit tasol lo eya time marit problem e kamup yu beian tok bagarapim me lo eye blo ol tambu line blo me lo eya lo ples p-n-t-v eya manam paina balieya mara kaina ena balieya ka mara boina eyau raika bul k-doy eyau bata k+doy maski yu tok bagarapim me lo ol kainkain toktok but bai me still lukautim yu raika vavina taubar na love blo me bai still stap yet wantem yu

male vocals warm bass Mid‑tempo PNG island pop with male vocals; clean reverb-soaked guitars gentle kick and rim-click groove. Verses stay intimate and conversational; chorus blooms with stacked harmonies and airy pads. Subtle log-drum–style percussion in the bridge last chorus pushes the emotion with ad‑lib runs and a brighter mix.

Vavina Taubar

03:27

hace 3 semanas

de FREIZER PINIA

marit life blo ume e beian orit tasol lo eya time marit problem e kamup yu beian tok bagarapim me lo eye blo ol tambu line blo me lo eya lo ples p-n-t-v eya manam paina balieya mara kaina ena balieya ka mara boina eyau raika bul k-doy eyau bata k+doy maski yu tok bagarapim me lo ol kainkain toktok but bai me still lukautim yu raika vavina taubar na love blo me bai still stap yet wantem yu

male vocals warm bass Mid‑tempo PNG island pop with male vocals; clean reverb-soaked guitars gentle kick and rim-click groove. Verses stay intimate and conversational; chorus blooms with stacked harmonies and airy pads. Subtle log-drum–style percussion in the bridge last chorus pushes the emotion with ad‑lib runs and a brighter mix.

Ce Que Jésus Pense de Moi

03:33

hace 1 mes

de salinace

je ne suis pas ce que ce Monde pense de moi, Mais, moi je suis un fils de Dieu, j'ai bâti ma vie sur trois fondements anh, anh, ô l'amour de Dieu en Moi aha Ah, anh anh, la prière et l'observation de toute la paroooleeuh, ce que le monde dit, cela m'importe peu, ce que le monde pense de moi, cela m'importe peu euh euh, mais mon soucis est de savoir, ce que Jésus pense de moi yeh yeh yeh yeh,

male vocals warm bass Afro-gospel groove with bright guitars and mid‑tempo drums; male vocals in a call-and-response style with a catchy congregational hook. Verses stay rhythmic and spoken-sung chorus explodes with stacked harmonies and claps; subtle synth pads lift the bridge for a final powerful refrain.

Ce Que Jésus Pense de Moi

03:15

hace 1 mes

de salinace

je ne suis pas ce que ce Monde pense de moi, Mais, moi je suis un fils de Dieu, j'ai bâti ma vie sur trois fondements anh, anh, ô l'amour de Dieu en Moi aha Ah, anh anh, la prière et l'observation de toute la paroooleeuh, ce que le monde dit, cela m'importe peu, ce que le monde pense de moi, cela m'importe peu euh euh, mais mon soucis est de savoir, ce que Jésus pense de moi yeh yeh yeh yeh,

male vocals warm bass Afro-gospel groove with bright guitars and mid‑tempo drums; male vocals in a call-and-response style with a catchy congregational hook. Verses stay rhythmic and spoken-sung chorus explodes with stacked harmonies and claps; subtle synth pads lift the bridge for a final powerful refrain.

Paper Cups & Quiet Streets

03:46

hace 1 mes

de Pandu Thota

a 21 year old guy and 21 year old girl, they both want to go out and spend a day together. They are simple. they go to very simple places and have simple conversations. There is no physical touch. but lot of love hidden in their hearts. Give me a melody which suits their love

simple warm bass Gentle acoustic pop ballad with male and female vocals trading lines; fingerpicked guitar and soft brushed drums. Verses stay intimate and close-mic’d subtle piano doubling key phrases. Chorus blooms with light vocal harmonies and a soft tambourine lift. Final chorus strips back to guitar and voices for a tender unfinished-ending feel.

Paper Cups & Quiet Streets

03:10

hace 1 mes

de Pandu Thota

a 21 year old guy and 21 year old girl, they both want to go out and spend a day together. They are simple. they go to very simple places and have simple conversations. There is no physical touch. but lot of love hidden in their hearts. Give me a melody which suits their love

simple warm bass Gentle acoustic pop ballad with male and female vocals trading lines; fingerpicked guitar and soft brushed drums. Verses stay intimate and close-mic’d subtle piano doubling key phrases. Chorus blooms with light vocal harmonies and a soft tambourine lift. Final chorus strips back to guitar and voices for a tender unfinished-ending feel.

Playground Girl

03:29

hace 1 mes

de Mason Mocke

it was somewhere there was born girl on the playground

male vocals warm bass doubled topline ending on a sparse Indie pop ballad with male vocals clean electric guitar arpeggios and soft rimshot groove. Verses stay intimate and close-mic’d; chorus blooms with airy pads and light tambourine. Subtle backing ooohs in the bridge ringing chord that lets the last vocal hang.

Playground Girl

02:33

hace 1 mes

de Mason Mocke

it was somewhere there was born girl on the playground

male vocals warm bass doubled topline ending on a sparse Indie pop ballad with male vocals clean electric guitar arpeggios and soft rimshot groove. Verses stay intimate and close-mic’d; chorus blooms with airy pads and light tambourine. Subtle backing ooohs in the bridge ringing chord that lets the last vocal hang.

DJ Poe-Ma op de Zaterdagavond

03:09

hace 1 mes

de Tim Van der hoek

het liedje moet gaan over dj die heet poe-ma en draait op de zaterdagavond bij piratencombi en woont in hoogeveen en hij draait nederlands, engels en duitstalige plaatjes en graag hollandse en rustige achtergrondmuziek niet te druk

warm bass Easygoing Dutch party-pop midtempo four-on-the-floor with soft percussion and gentle pads; verses stay intimate over sparse keys chorus opens with bright acoustic guitar strums and subtle crowd ad-libs male vocals laid-back and smiley background harmonies lifting the hook each time.

DJ Poe-Ma op de Zaterdagavond

03:05

hace 1 mes

de Tim Van der hoek

het liedje moet gaan over dj die heet poe-ma en draait op de zaterdagavond bij piratencombi en woont in hoogeveen en hij draait nederlands, engels en duitstalige plaatjes en graag hollandse en rustige achtergrondmuziek niet te druk

warm bass Easygoing Dutch party-pop midtempo four-on-the-floor with soft percussion and gentle pads; verses stay intimate over sparse keys chorus opens with bright acoustic guitar strums and subtle crowd ad-libs male vocals laid-back and smiley background harmonies lifting the hook each time.

ანანო, ნათია და სალომე

03:59

hace 1 mes

de Dato Mdivnishvili

ქუჩაში როცა მზე ამოდის ნელა, დღე იწყება ახალი ფერებით, სიცილი ისმის ყველგან შორიდან, სიხარული მოდის გულებით. მისამღერი: ანანო — როგორც დილა ნათელი, ნათია — როგორც ცა ლურჯი და მშვიდი, სალომე — როგორც ვარსკვლავი ღამეში, სამივე ერთად — ბედნიერების სითბო. მეორე კუპლეტი: ოცნებები აქვთ დიდი და ლამაზი, წინ მიდიან საკუთარი გზით, რაც არ უნდა მოხდეს ცხოვრებაში, ერთმანეთს აძლევენ ძალას და შუქს. მისამღერი: ან

male vocals warm bass light percussion Bright upbeat Georgian pop midtempo groove with acoustic guitar and shimmering synth pads; male vocals up front soft female backing harmonies in the hook verses gentle and narrative then chorus opening wider and anthemic with a short instrumental lift between sections

ანანო, ნათია და სალომე

02:30

hace 1 mes

de Dato Mdivnishvili

ქუჩაში როცა მზე ამოდის ნელა, დღე იწყება ახალი ფერებით, სიცილი ისმის ყველგან შორიდან, სიხარული მოდის გულებით. მისამღერი: ანანო — როგორც დილა ნათელი, ნათია — როგორც ცა ლურჯი და მშვიდი, სალომე — როგორც ვარსკვლავი ღამეში, სამივე ერთად — ბედნიერების სითბო. მეორე კუპლეტი: ოცნებები აქვთ დიდი და ლამაზი, წინ მიდიან საკუთარი გზით, რაც არ უნდა მოხდეს ცხოვრებაში, ერთმანეთს აძლევენ ძალას და შუქს. მისამღერი: ან

male vocals warm bass light percussion Bright upbeat Georgian pop midtempo groove with acoustic guitar and shimmering synth pads; male vocals up front soft female backing harmonies in the hook verses gentle and narrative then chorus opening wider and anthemic with a short instrumental lift between sections

Gela

04:00

hace 2 meses

de Jonas Caino

smooth warm bass keys gentle guitar romantic R&B/soul song inspired by the warm vintage feel of R&B soul’s “Leave the Door Open.” Slow-tempo (around 75–85 BPM) 70s-style soul with soft drums

Gela

04:00

hace 2 meses

de Jonas Caino

smooth warm bass keys gentle guitar romantic R&B/soul song inspired by the warm vintage feel of R&B soul’s “Leave the Door Open.” Slow-tempo (around 75–85 BPM) 70s-style soul with soft drums

Kenbe Rèv Ou

03:23

hace 2 meses

de Muscadin Jean Carlinx

1 Nan lari lavi a, mwen mache san bri, Anpil moun ri m, yo di m mwen pa rive lwen, non… Men nan kè mwen, gen yon flanm k ap boule, Se rèv mwen, se lavi mwen, pèsonn pa ka vòlè l. Mwen tonbe, mwen leve, Mwen kriye, mwen souri, Chak jou se yon batay, Men mwen toujou di : m ap kontinye. Refrèn Kenbe rèv ou, pa lage l non, Menm lè lavi frape w fò, Bondye konnen chemen w, Li wè dlo nan je w. Kenbe rèv

warm bass then wide Afro-kreyol pop groove with nylon guitar chops and mid-tempo drums; intimate male vocals up close in the verse layered harmonies in the chorus. Subtle synth pads bloom on the hook with a dynamic lift on the last refrain for a crowd-sing moment.

Kenbe Rèv Ou

03:28

hace 2 meses

de Muscadin Jean Carlinx

1 Nan lari lavi a, mwen mache san bri, Anpil moun ri m, yo di m mwen pa rive lwen, non… Men nan kè mwen, gen yon flanm k ap boule, Se rèv mwen, se lavi mwen, pèsonn pa ka vòlè l. Mwen tonbe, mwen leve, Mwen kriye, mwen souri, Chak jou se yon batay, Men mwen toujou di : m ap kontinye. Refrèn Kenbe rèv ou, pa lage l non, Menm lè lavi frape w fò, Bondye konnen chemen w, Li wè dlo nan je w. Kenbe rèv

warm bass then wide Afro-kreyol pop groove with nylon guitar chops and mid-tempo drums; intimate male vocals up close in the verse layered harmonies in the chorus. Subtle synth pads bloom on the hook with a dynamic lift on the last refrain for a crowd-sing moment.

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