Snappy Fills

Música Generada por IA

2 Pistas

Snappy Fills Pistas

Fractal Pulse Corridor

Portada de Fractal Pulse Corridor por Sulav Basnet
04:00

hace 5 días

de Sulav Basnet

Create a 10-minute instrumental psytrance track with no vocals. The tempo should be 145–148 BPM, featuring a deep rolling bassline, tight punchy kick, and hypnotic rhythmic patterns. Include evolving psychedelic synths, acid leads, spacey effects, and atmospheric pads to build a trippy, immersive journey. The track should have a gradual intro, multiple energy peaks and breakdowns, and a smooth out

male vocals rhythmic smooth deep Percussion bassline hypnotic gradual Peak-time psytrance at 146 BPM: tight clicky kick with a deep rubbery rolling bassline locked in a tight groove. First 90 seconds slowly layer shuffling hats glitchy percs and evolving atmospheric pads; then phased formant-twisted leads and morphing FM/acid synths enter with gated delays and ping-pong reverbs. Three main energy peaks with filtered risers snappy fills and syncopated stab patterns; breakdowns dive into spacious pads granular FX and reversed textures before slamming back with denser arps and psychedelic squelches. Final two minutes thin out to bass and distant echoes for a smooth hypnotic fade. Male vocals appear as distant heavily processed mantra-like phrases and chopped textures treated as rhythmic sound design rather than lead singing.

Fractal Pulse Corridor

Portada de Fractal Pulse Corridor por Sulav Basnet
03:59

hace 5 días

de Sulav Basnet

Create a 10-minute instrumental psytrance track with no vocals. The tempo should be 145–148 BPM, featuring a deep rolling bassline, tight punchy kick, and hypnotic rhythmic patterns. Include evolving psychedelic synths, acid leads, spacey effects, and atmospheric pads to build a trippy, immersive journey. The track should have a gradual intro, multiple energy peaks and breakdowns, and a smooth out

male vocals rhythmic smooth deep Percussion bassline hypnotic gradual Peak-time psytrance at 146 BPM: tight clicky kick with a deep rubbery rolling bassline locked in a tight groove. First 90 seconds slowly layer shuffling hats glitchy percs and evolving atmospheric pads; then phased formant-twisted leads and morphing FM/acid synths enter with gated delays and ping-pong reverbs. Three main energy peaks with filtered risers snappy fills and syncopated stab patterns; breakdowns dive into spacious pads granular FX and reversed textures before slamming back with denser arps and psychedelic squelches. Final two minutes thin out to bass and distant echoes for a smooth hypnotic fade. Male vocals appear as distant heavily processed mantra-like phrases and chopped textures treated as rhythmic sound design rather than lead singing.