Distant Piano Stabs Over A Low Violin Drone And Soft Rhythmic Glitches At 100 BPM. Phase 2: Tempo Ramps To 120 With Busier

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Distant Piano Stabs Over A Low Violin Drone And Soft Rhythmic Glitches At 100 BPM. Phase 2: Tempo Ramps To 120 With Busier Pistas

Endless Corridor

Portada de Endless Corridor por yegorikovich@inbox.ru
02:40

hace 6 días

de [email protected]

Dark electronic horror chase music, 3 phases loop. Phase 1: distant piano notes, slow violin drone, soft glitches, 100 BPM. Phase 2: faster piano, scratching violin, electronic beat builds, 120 BPM. Phase 3: full cacophony, screeching violin, pounding piano chords, glitched choir, distorted bass, 140 BPM, chaotic panic. Loop seamless — final beat leads back to Phase 1. No silence. No resolution.

electronic slow violin Soft drone Three-phase dark electronic horror cue in 4-bar loops. Phase 1: sparse distant piano stabs over a low violin drone and soft rhythmic glitches at 100 BPM. Phase 2: tempo ramps to 120 with busier uneasy piano ostinatos and aggressive violin scratches; electronic percussion layers in waves. Phase 3: 140 BPM frenzy—pounding clustered piano chords screeching violin swarms glitched choral stabs and distorted bass clusters. Seamless looping: final clustered hit spills straight back into Phase 1’s first piano note maintaining continuous tension and never resolving the harmony.

Endless Corridor

Portada de Endless Corridor por yegorikovich@inbox.ru
02:35

hace 6 días

de [email protected]

Dark electronic horror chase music, 3 phases loop. Phase 1: distant piano notes, slow violin drone, soft glitches, 100 BPM. Phase 2: faster piano, scratching violin, electronic beat builds, 120 BPM. Phase 3: full cacophony, screeching violin, pounding piano chords, glitched choir, distorted bass, 140 BPM, chaotic panic. Loop seamless — final beat leads back to Phase 1. No silence. No resolution.

electronic slow violin Soft drone Three-phase dark electronic horror cue in 4-bar loops. Phase 1: sparse distant piano stabs over a low violin drone and soft rhythmic glitches at 100 BPM. Phase 2: tempo ramps to 120 with busier uneasy piano ostinatos and aggressive violin scratches; electronic percussion layers in waves. Phase 3: 140 BPM frenzy—pounding clustered piano chords screeching violin swarms glitched choral stabs and distorted bass clusters. Seamless looping: final clustered hit spills straight back into Phase 1’s first piano note maintaining continuous tension and never resolving the harmony.