Bass Swells

Música Generada por IA

6 Pistas

Bass Swells Pistas

Caminhos Que Levam Pra Morte

Portada de Caminhos Que Levam Pra Morte por Valdeci Vieira
03:45

hace 1 semana

de Valdeci Vieira

tantos caminhos que eu andei aos meus olhos parecia ser tão bom eram caminhos que levavam a morte eu estava caminhando para lá quando eu saia do meu lar não tinha hora pra retornar o meu dinheiro eu gastava com amigos e não trazia o alimento pra casa

male vocals bass swells Acoustic gospel vibe with male vocals; warm nylon guitar and soft pad beds under a confessional verse. Chorus lifts with subtle floor toms and stacked harmonies on the hook. Final section brings a gentle dynamic rise tambourine and higher backing ad-libs then resolves back to intimate voice-and-guitar.

Caminhos Que Levam Pra Morte

Portada de Caminhos Que Levam Pra Morte por Valdeci Vieira
03:52

hace 1 semana

de Valdeci Vieira

tantos caminhos que eu andei aos meus olhos parecia ser tão bom eram caminhos que levavam a morte eu estava caminhando para lá quando eu saia do meu lar não tinha hora pra retornar o meu dinheiro eu gastava com amigos e não trazia o alimento pra casa

male vocals bass swells Acoustic gospel vibe with male vocals; warm nylon guitar and soft pad beds under a confessional verse. Chorus lifts with subtle floor toms and stacked harmonies on the hook. Final section brings a gentle dynamic rise tambourine and higher backing ad-libs then resolves back to intimate voice-and-guitar.

Saudades da Infância

Portada de Saudades da Infância por henriquesjosecarlos397@gmail.com
03:27

hace 2 meses

de [email protected]

Cria uma música com o título saudades da infância, retrata sobre momentos bons e ruins da infância.

male vocals bass swells Warm acoustic pop with male vocals nylon-string guitar and subtle brushed drums. Verses stay intimate and close-mic’d light piano doubling key phrases; chorus widens with stacked harmonies and tambourine. Gentle build into a final more emotional chorus then a soft guitar outro letting the last line hang in the air.

Saudades da Infância

Portada de Saudades da Infância por henriquesjosecarlos397@gmail.com
04:00

hace 2 meses

de [email protected]

Cria uma música com o título saudades da infância, retrata sobre momentos bons e ruins da infância.

male vocals bass swells Warm acoustic pop with male vocals nylon-string guitar and subtle brushed drums. Verses stay intimate and close-mic’d light piano doubling key phrases; chorus widens with stacked harmonies and tambourine. Gentle build into a final more emotional chorus then a soft guitar outro letting the last line hang in the air.

Apám, még egyszer kérni

Portada de Apám, még egyszer kérni por Jenő Burai
03:49

hace 3 meses

de Jenő Burai

Verze 1 Reggel van, de nincs kinek szólnom, A neved bennem ébred fel. Minden nap kereslek reflexből, Aztán rájövök: már nem felelsz. A szobában ott maradt a csend, A helyed üres, de túl hangos. Apám, mióta elmentél, Ez a világ idegen és fáradt most. Elő-refrén Mondják, az idő segít majd, De csak megtanít nélküled élni. Én nem akarlak elengedni, Csak még egyszer szeretnélek kérni…

bass swells Warm organic pop ballad Hungarian male vocals. Intimate piano and soft fingerpicked guitar in the verses sparse and close-mic’d. Pre-chorus adds subtle pads and toms building into a wide emotional chorus with big drums and stacked harmonies. Bridge strips back to near-silence before a final soaring chorus and gentle piano outro.

Apám, még egyszer kérni

Portada de Apám, még egyszer kérni por Jenő Burai
04:00

hace 3 meses

de Jenő Burai

Verze 1 Reggel van, de nincs kinek szólnom, A neved bennem ébred fel. Minden nap kereslek reflexből, Aztán rájövök: már nem felelsz. A szobában ott maradt a csend, A helyed üres, de túl hangos. Apám, mióta elmentél, Ez a világ idegen és fáradt most. Elő-refrén Mondják, az idő segít majd, De csak megtanít nélküled élni. Én nem akarlak elengedni, Csak még egyszer szeretnélek kérni…

bass swells Warm organic pop ballad Hungarian male vocals. Intimate piano and soft fingerpicked guitar in the verses sparse and close-mic’d. Pre-chorus adds subtle pads and toms building into a wide emotional chorus with big drums and stacked harmonies. Bridge strips back to near-silence before a final soaring chorus and gentle piano outro.