Hard-hitting Corrido Tumbado Bélico With Male Vocals: Bajo Sexto And Bright Requinto Over A Swung Trap Groove

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Hard-hitting Corrido Tumbado Bélico With Male Vocals: Bajo Sexto And Bright Requinto Over A Swung Trap Groove Треки

Loquerón, Mami, Loquerón

Обложка Loquerón, Mami, Loquerón от patriciamenacho759@gmail.com
02:24

3 недели назад

от [email protected]

crea corrido tumbado bélico. Mami, la noche es nuestra Tú eres la reina, y yo el rey del juego La mercancía es fina, y el dinero es real Tú y yo, en la fiesta, somos intocables 😈 Loquerón, mami, loquerón La noche es de nosotros, y no hay quien nos pare Loquerón, mami, loquerón La adrenalina nos lleva, y no podemos parar Tú eres la diabla, yo soy el que te protege Juntos en la fiesta, somos una l

male vocals octave doubles Hard-hitting corrido tumbado bélico with male vocals: bajo sexto and bright requinto over a swung trap groove sub-heavy bass and sharp snare cracks. Verses stay intimate and close-mic’d vocal almost whispered with sly ad-libs; chorus widens with stacked gang vocals and edgy delay throws. Brief instrumental hook after each chorus with aggressive tuba line and muted brass stabs to lift the energy and underline the swagger.

Loquerón, Mami, Loquerón

Обложка Loquerón, Mami, Loquerón от patriciamenacho759@gmail.com
02:58

3 недели назад

от [email protected]

crea corrido tumbado bélico. Mami, la noche es nuestra Tú eres la reina, y yo el rey del juego La mercancía es fina, y el dinero es real Tú y yo, en la fiesta, somos intocables 😈 Loquerón, mami, loquerón La noche es de nosotros, y no hay quien nos pare Loquerón, mami, loquerón La adrenalina nos lleva, y no podemos parar Tú eres la diabla, yo soy el que te protege Juntos en la fiesta, somos una l

male vocals octave doubles Hard-hitting corrido tumbado bélico with male vocals: bajo sexto and bright requinto over a swung trap groove sub-heavy bass and sharp snare cracks. Verses stay intimate and close-mic’d vocal almost whispered with sly ad-libs; chorus widens with stacked gang vocals and edgy delay throws. Brief instrumental hook after each chorus with aggressive tuba line and muted brass stabs to lift the energy and underline the swagger.