Then A Driving

AI生成音楽

2 トラック

Then A Driving トラック

Analog Tides Suite

Diego Fernando Martinez GuidoのAnalog Tides Suiteのカバーアート
02:27

2日前

by Diego Fernando Martinez Guido

Instrumental backing track, 54 minutes long. No guitars, no vocals. Instruments: 5-string bass, fusion drums, vintage analog synths (70s–80s, Air style). Intro: smooth jazz-fusion groove inspired Every 8 bars the style changes in this order: Funk groove inspired Classic rock feel inspired by Neo-classical heavy metal energy 4 min no guitars

rock metal funk classical Classic Rock Smooth Jazz 54-minute evolving fusion soundscape built around 5-string bass fusion kit and warm vintage synths. Start with a smooth jazz-fusion pocket soft electric keys and airy pads. Every 8 bars the drummer pivots feel: first into a syncopated funk pocket with snappy ghost notes then a driving big-swing classic rock pulse then into high-intensity virtuosic neoclassical-style lines voiced on synths. Four-minute intro holds a relaxed groove before the shifts begin. Throughout the bass moves from mellow legato support to aggressive melodic lead with tasteful overdrive toward the end. Wide immersive mix long tape-style delays and plate reverbs everything glued together with gentle bus compression.

Analog Tides Suite

Diego Fernando Martinez GuidoのAnalog Tides Suiteのカバーアート
01:27

2日前

by Diego Fernando Martinez Guido

Instrumental backing track, 54 minutes long. No guitars, no vocals. Instruments: 5-string bass, fusion drums, vintage analog synths (70s–80s, Air style). Intro: smooth jazz-fusion groove inspired Every 8 bars the style changes in this order: Funk groove inspired Classic rock feel inspired by Neo-classical heavy metal energy 4 min no guitars

rock metal funk classical Classic Rock Smooth Jazz 54-minute evolving fusion soundscape built around 5-string bass fusion kit and warm vintage synths. Start with a smooth jazz-fusion pocket soft electric keys and airy pads. Every 8 bars the drummer pivots feel: first into a syncopated funk pocket with snappy ghost notes then a driving big-swing classic rock pulse then into high-intensity virtuosic neoclassical-style lines voiced on synths. Four-minute intro holds a relaxed groove before the shifts begin. Throughout the bass moves from mellow legato support to aggressive melodic lead with tasteful overdrive toward the end. Wide immersive mix long tape-style delays and plate reverbs everything glued together with gentle bus compression.