Sub-bass Swells

AI生成音楽

8 トラック

Sub-bass Swells トラック

J'roule dans la nuit

Othmane MOULKIのJ'roule dans la nuitのカバーアート
03:38

1週間前

by Othmane MOULKI

J’roule dans la nuit, Paris sous néons Le cœur en silencieux, la voix dans le béton J’ai gardé les messages que t’effaces à moitié Des “reviens” dans les yeux mais la fierté verrouillée On faisait des promesses sur des parkings vides Maintenant ton prénom sonne comme une ville humide J’fais semblant d’aller bien dans les stories que je poste Mais même entouré de monde, y’a ton absence au poste Pré

sub-bass swells French trap-pop with a slow half-time bounce clipped snares and glassy keys; verse rides sparse drums and distant pad haze pre-chorus strips to filtered chords and breathy doubles chorus opens with stacked lead vocals and a short chant hook. Add reversed swells into each lift tape-stop flicks before the hook and tiny vocal echoes on the last word. Intimate close-mic mix dark and polished.

J'roule dans la nuit

Othmane MOULKIのJ'roule dans la nuitのカバーアート
03:27

1週間前

by Othmane MOULKI

J’roule dans la nuit, Paris sous néons Le cœur en silencieux, la voix dans le béton J’ai gardé les messages que t’effaces à moitié Des “reviens” dans les yeux mais la fierté verrouillée On faisait des promesses sur des parkings vides Maintenant ton prénom sonne comme une ville humide J’fais semblant d’aller bien dans les stories que je poste Mais même entouré de monde, y’a ton absence au poste Pré

sub-bass swells French trap-pop with a slow half-time bounce clipped snares and glassy keys; verse rides sparse drums and distant pad haze pre-chorus strips to filtered chords and breathy doubles chorus opens with stacked lead vocals and a short chant hook. Add reversed swells into each lift tape-stop flicks before the hook and tiny vocal echoes on the last word. Intimate close-mic mix dark and polished.

Brought This On

Ikhlas SanのBrought This Onのカバーアート
03:55

1ヶ月前

by Ikhlas San

You've been distancing yourself from me for a while now. You don't focus on me or care about me at all. I thought you loved me and that I'd given up everything for you. No, my dear, you brought this on yourself, and now you'll regret it. I gave you my trust.

female vocals sub-bass swells Dark pop with mid-tempo four-on-the-floor pulse tight syncopated kick-snare and glassy synth plucks; verse stays close and minimal pre-chorus strips to tense handclaps and filtered pads chorus opens with stacked female vocal doubles and sharp gang ad-libs. Reverse swells breathy pickup vocals and a final riser into the last hook. Bright punchy mix with intimate close-mic lead and glossy top-end.

Brought This On

Ikhlas SanのBrought This Onのカバーアート
03:01

1ヶ月前

by Ikhlas San

You've been distancing yourself from me for a while now. You don't focus on me or care about me at all. I thought you loved me and that I'd given up everything for you. No, my dear, you brought this on yourself, and now you'll regret it. I gave you my trust.

female vocals sub-bass swells Dark pop with mid-tempo four-on-the-floor pulse tight syncopated kick-snare and glassy synth plucks; verse stays close and minimal pre-chorus strips to tense handclaps and filtered pads chorus opens with stacked female vocal doubles and sharp gang ad-libs. Reverse swells breathy pickup vocals and a final riser into the last hook. Bright punchy mix with intimate close-mic lead and glossy top-end.

Lullaby of the Last Light

Love WernerのLullaby of the Last Lightのカバーアート
04:00

2ヶ月前

by Love Werner

45-second cinematic main theme for a dark survival game TV series. Slow tempo (around 80–90 BPM). Begins with a mysterious ambient intro, followed by a simple but haunting melody played on music box or toy piano. Gradually add deep bass, distant drums, and atmospheric synths to build tension.

male vocals simple slow theme ambient deep sub-bass swells Slow-bloom cinematic score with male vocals: start in near-silence with distant wind ambience and a fragile music-box motif. First lines almost whispered close-mic. Each 4 bars deepen the palette: low evolving synth pad then far-off toms and taiko-style hits drenched in reverb. Final third adds a subtle choir pad doubling the hook. End on a hanging minor chord letting the music box echo alone.

Lullaby of the Last Light

Love WernerのLullaby of the Last Lightのカバーアート
03:27

2ヶ月前

by Love Werner

45-second cinematic main theme for a dark survival game TV series. Slow tempo (around 80–90 BPM). Begins with a mysterious ambient intro, followed by a simple but haunting melody played on music box or toy piano. Gradually add deep bass, distant drums, and atmospheric synths to build tension.

male vocals simple slow theme ambient deep sub-bass swells Slow-bloom cinematic score with male vocals: start in near-silence with distant wind ambience and a fragile music-box motif. First lines almost whispered close-mic. Each 4 bars deepen the palette: low evolving synth pad then far-off toms and taiko-style hits drenched in reverb. Final third adds a subtle choir pad doubling the hook. End on a hanging minor chord letting the music box echo alone.

Trap-poet iz sinevy

VladimirのTrap-poet iz sinevyのカバーアート
02:50

3ヶ月前

by Vladimir

Привет тебе, фонтан БахчисарАя! Привет тебе из дальней синевы! Здесь, как в Крыму, татарка молодая Проходит выше суетной молвы. И пусть вокруг не высохшие степи И серп Луны не светится в ночи, А лишь грохочут якорные цепи, Да волны море чередою мчит. Как непривычен вид, когда по трапу Ее ступает смуглая нога, А за кормою пройденным этапом В седом тумане тонут берега! Матрос суровый, тот, что у

male vocals hip hop rap Moody Russian hip-hop / trap with male vocals half-whispered delivery over detuned bells and a sparse swung 808 groove. First verse floats in a roomy reverb-heavy space; chorus snaps in with tighter drums sub-bass swells and layered ad-lib doubles. Second verse adds eerie choir pads and distant vinyl crackle then the track rides out on a looping hook gradually filtering the beat until only vocal and bass remain.

Trap-poet iz sinevy

VladimirのTrap-poet iz sinevyのカバーアート
04:00

3ヶ月前

by Vladimir

Привет тебе, фонтан БахчисарАя! Привет тебе из дальней синевы! Здесь, как в Крыму, татарка молодая Проходит выше суетной молвы. И пусть вокруг не высохшие степи И серп Луны не светится в ночи, А лишь грохочут якорные цепи, Да волны море чередою мчит. Как непривычен вид, когда по трапу Ее ступает смуглая нога, А за кормою пройденным этапом В седом тумане тонут берега! Матрос суровый, тот, что у

male vocals hip hop rap Moody Russian hip-hop / trap with male vocals half-whispered delivery over detuned bells and a sparse swung 808 groove. First verse floats in a roomy reverb-heavy space; chorus snaps in with tighter drums sub-bass swells and layered ad-lib doubles. Second verse adds eerie choir pads and distant vinyl crackle then the track rides out on a looping hook gradually filtering the beat until only vocal and bass remain.