Sad Frank (It’s Okay to Be Sad)

03:34

4ヶ月前

Sad Frank (It’s Okay to Be Sad) Verse 1 It’s a sad day in the quiet hall Neon lights, but they don’t shine at all Frank’s in the corner with his head hung low Everyone runs, but they don’t even know He’s not a monster, not a thing to fear He’s been waiting all night, year after year Once had dreams, once had plans Now he’s just Sad Frank, doing what he can Pre-Chorus Metal heart, but it still brea

metal low sad Indie alt-pop ballad with male vocals gentle drums and warm bass. Verse sits over mellow electric piano and soft guitar swells; pre-chorus adds rising pads and subtle toms; chorus blooms with stacked harmonies and a lifting synth hook. Final pass strips back to mostly vocal and keys for a tender landing.

Sad Frank (It’s Okay to Be Sad)

03:15

4ヶ月前

by Me_Jos7e

Sad Frank (It’s Okay to Be Sad) Verse 1 It’s a sad day in the quiet hall Neon lights, but they don’t shine at all Frank’s in the corner with his head hung low Everyone runs, but they don’t even know He’s not a monster, not a thing to fear He’s been waiting all night, year after year Once had dreams, once had plans Now he’s just Sad Frank, doing what he can Pre-Chorus Metal heart, but it still brea

metal low sad Indie alt-pop ballad with male vocals gentle drums and warm bass. Verse sits over mellow electric piano and soft guitar swells; pre-chorus adds rising pads and subtle toms; chorus blooms with stacked harmonies and a lifting synth hook. Final pass strips back to mostly vocal and keys for a tender landing.

Skirl of the Storm

03:28

4ヶ月前

by Dion Boyle

Wrestling entrance needs bagpipes all throughout the song and the vocals to be rock/metal preferably singing in a scottish accent we can have a little guitar and drums plus violin but they should be background instruments and bagpipes should be loud and heard at all timea also need to have some background singers

violin female vocals rock metal loud Bagpipes lead at full blast from the first bar droning and cutting melodies weaving a warlike theme. Male lead with thick Scottish accent gritty rock/metal delivery backed by fierce female gang vocals on the hook. Guitars stay low and chuggy drums heavy on toms and crashes for an arena feel violin slicing in for dramatic lifts. Chorus explodes with stacked harmonies and crowd-chant moments perfect for a dominant entrance walk. wrestling

Skirl of the Storm

03:23

4ヶ月前

by Dion Boyle

Wrestling entrance needs bagpipes all throughout the song and the vocals to be rock/metal preferably singing in a scottish accent we can have a little guitar and drums plus violin but they should be background instruments and bagpipes should be loud and heard at all timea also need to have some background singers

violin female vocals rock metal loud Bagpipes lead at full blast from the first bar droning and cutting melodies weaving a warlike theme. Male lead with thick Scottish accent gritty rock/metal delivery backed by fierce female gang vocals on the hook. Guitars stay low and chuggy drums heavy on toms and crashes for an arena feel violin slicing in for dramatic lifts. Chorus explodes with stacked harmonies and crowd-chant moments perfect for a dominant entrance walk. wrestling

Crown of Ember

03:40

4ヶ月前

by Yann Berger

Epic melodic metal with long guitar solo

male vocals metal Epic melodic metal with galloping double-kick wide rhythm guitars and soaring male vocals. Verses start in a tense half-time stomp then surge into a heroic chant-ready chorus. Long emotional guitar solo builds from lyrical bends to rapid-fire runs over modulating chords then returns to a towering final hook with gang shouts and cymbal showers.

Crown of Ember

04:00

4ヶ月前

by Yann Berger

Epic melodic metal with long guitar solo

male vocals metal Epic melodic metal with galloping double-kick wide rhythm guitars and soaring male vocals. Verses start in a tense half-time stomp then surge into a heroic chant-ready chorus. Long emotional guitar solo builds from lyrical bends to rapid-fire runs over modulating chords then returns to a towering final hook with gang shouts and cymbal showers.

Siren in My Chest

03:09

4ヶ月前

by Wissal Khelloufi

Got you. 🖤 vibe is: dark-pop, minimal, breathy, emotional, a little broken but powerful. Short lines. Space to breathe. Almost whispered pain. Here’s a song script / lyrics you can paste directly into an AI music generator and sing over a siren-like beat. ⸻ Title: “Siren in My Chest” Intro (soft, breathy) Mm… Yeah I hear it again Verse 1 I don’t scream, I just fade ou

emotional pop metal Soft breathy minimal Dark-pop minimal ballad over a pulsing siren-like synth lead and subby bass. Sparse drums with roomy kick and delicate hi-hats; verses almost whispered close-mic female vocals with lots of breath and reverb. Chorus swells with layered harmonies and a haunting high pad then drops back into stark intimacy. Occasional reverse effects and swells for tension leaving ample negative space.

Siren in My Chest

02:58

4ヶ月前

by Wissal Khelloufi

Got you. 🖤 vibe is: dark-pop, minimal, breathy, emotional, a little broken but powerful. Short lines. Space to breathe. Almost whispered pain. Here’s a song script / lyrics you can paste directly into an AI music generator and sing over a siren-like beat. ⸻ Title: “Siren in My Chest” Intro (soft, breathy) Mm… Yeah I hear it again Verse 1 I don’t scream, I just fade ou

emotional pop metal Soft breathy minimal Dark-pop minimal ballad over a pulsing siren-like synth lead and subby bass. Sparse drums with roomy kick and delicate hi-hats; verses almost whispered close-mic female vocals with lots of breath and reverb. Chorus swells with layered harmonies and a haunting high pad then drops back into stark intimacy. Occasional reverse effects and swells for tension leaving ample negative space.

Rusted Halo in the Acid Rain

03:08

4ヶ月前

by walt cusak

death metal

metal death metal Ultra-aggressive death metal with downtuned chug-heavy guitars blast beats and guttural male vocals. Verses stay tight and fast with palm-muted riffs and dissonant tremolo lines; chorus opens into half-time stomps and a wide chantable hook. Brief grinding breakdown in the bridge with divebombs and layered growls before a final all-out chorus.

Rusted Halo in the Acid Rain

03:12

4ヶ月前

by walt cusak

death metal

metal death metal Ultra-aggressive death metal with downtuned chug-heavy guitars blast beats and guttural male vocals. Verses stay tight and fast with palm-muted riffs and dissonant tremolo lines; chorus opens into half-time stomps and a wide chantable hook. Brief grinding breakdown in the bridge with divebombs and layered growls before a final all-out chorus.

Will of the Storm

03:02

4ヶ月前

by József Tóth

Create an original Naruto-inspired battle track. Gradually build from despair to determination, as a warrior rises through willpower. Start with Eastern bamboo flute/shakuhachi, tense and minimal, then add heavier drums. Evolve into rock-metal with distorted guitars, ending in an epic fusion climax. Goosebumps, perseverance, inner strength. No copying existing Naruto music.

male vocals rock metal minimal choir pads Hybrid score-rock with male vocals: shakuhachi and soft taiko pulse in a sparse intro low strings holding drones. First verse sits over tense minimal percussion; heavy drums and tom runs creep in. Chorus explodes into modern metal—drop-tuned guitars tight chugs and soaring lead lines. Second half introduces double-time drums and koto arpeggios under the riff. Final climax fuses all elements wide gang vocals on the hook long held notes and a blazing guitar solo riding over stacked harmonies.

Will of the Storm

02:05

4ヶ月前

by József Tóth

Create an original Naruto-inspired battle track. Gradually build from despair to determination, as a warrior rises through willpower. Start with Eastern bamboo flute/shakuhachi, tense and minimal, then add heavier drums. Evolve into rock-metal with distorted guitars, ending in an epic fusion climax. Goosebumps, perseverance, inner strength. No copying existing Naruto music.

male vocals rock metal minimal choir pads Hybrid score-rock with male vocals: shakuhachi and soft taiko pulse in a sparse intro low strings holding drones. First verse sits over tense minimal percussion; heavy drums and tom runs creep in. Chorus explodes into modern metal—drop-tuned guitars tight chugs and soaring lead lines. Second half introduces double-time drums and koto arpeggios under the riff. Final climax fuses all elements wide gang vocals on the hook long held notes and a blazing guitar solo riding over stacked harmonies.

kalhmera hlie

03:53

4ヶ月前

by AK ak

metal similar to the song "psychosocial"

kalhmera hlie

03:18

4ヶ月前

by AK ak

metal similar to the song "psychosocial"

Analog Tides Suite

02:27

4ヶ月前

by Diego Fernando Martinez Guido

Instrumental backing track, 54 minutes long. No guitars, no vocals. Instruments: 5-string bass, fusion drums, vintage analog synths (70s–80s, Air style). Intro: smooth jazz-fusion groove inspired Every 8 bars the style changes in this order: Funk groove inspired Classic rock feel inspired by Neo-classical heavy metal energy 4 min no guitars

rock metal funk classical Classic Rock Smooth Jazz 54-minute evolving fusion soundscape built around 5-string bass fusion kit and warm vintage synths. Start with a smooth jazz-fusion pocket soft electric keys and airy pads. Every 8 bars the drummer pivots feel: first into a syncopated funk pocket with snappy ghost notes then a driving big-swing classic rock pulse then into high-intensity virtuosic neoclassical-style lines voiced on synths. Four-minute intro holds a relaxed groove before the shifts begin. Throughout the bass moves from mellow legato support to aggressive melodic lead with tasteful overdrive toward the end. Wide immersive mix long tape-style delays and plate reverbs everything glued together with gentle bus compression.

Analog Tides Suite

01:27

4ヶ月前

by Diego Fernando Martinez Guido

Instrumental backing track, 54 minutes long. No guitars, no vocals. Instruments: 5-string bass, fusion drums, vintage analog synths (70s–80s, Air style). Intro: smooth jazz-fusion groove inspired Every 8 bars the style changes in this order: Funk groove inspired Classic rock feel inspired by Neo-classical heavy metal energy 4 min no guitars

rock metal funk classical Classic Rock Smooth Jazz 54-minute evolving fusion soundscape built around 5-string bass fusion kit and warm vintage synths. Start with a smooth jazz-fusion pocket soft electric keys and airy pads. Every 8 bars the drummer pivots feel: first into a syncopated funk pocket with snappy ghost notes then a driving big-swing classic rock pulse then into high-intensity virtuosic neoclassical-style lines voiced on synths. Four-minute intro holds a relaxed groove before the shifts begin. Throughout the bass moves from mellow legato support to aggressive melodic lead with tasteful overdrive toward the end. Wide immersive mix long tape-style delays and plate reverbs everything glued together with gentle bus compression.

ZENLAY in the Deep Desert

04:00

4ヶ月前

by Andreas Knappe

power metal The Yutani Federation has industries across the galaxy, its Arrakis division recruits agents on-world to collaborate on conducting Deep Desert operations for spice refinement and rare materials. conducting spice-runs with carriers & sandcrawlers to the Deep Desert and i want some one to scream ZENLAY because shai hulud is coming to eat us

metal deep world power metal Blazing power metal at 190 BPM twin guitars galloping in harmony over thunderous double-kick. Male vocals jump between soaring cleans and piercing high screams; gang shouts on the hook. Big anthemic chorus with stacked harmonies then a half-time chug-heavy bridge before a shreddy guitar solo explodes back into the final chorus.

ZENLAY in the Deep Desert

03:53

4ヶ月前

by Andreas Knappe

power metal The Yutani Federation has industries across the galaxy, its Arrakis division recruits agents on-world to collaborate on conducting Deep Desert operations for spice refinement and rare materials. conducting spice-runs with carriers & sandcrawlers to the Deep Desert and i want some one to scream ZENLAY because shai hulud is coming to eat us

metal deep world power metal Blazing power metal at 190 BPM twin guitars galloping in harmony over thunderous double-kick. Male vocals jump between soaring cleans and piercing high screams; gang shouts on the hook. Big anthemic chorus with stacked harmonies then a half-time chug-heavy bridge before a shreddy guitar solo explodes back into the final chorus.

Pengkhianatan Total

04:00

4ヶ月前

by Memphis Origins

lagu heavy metal tentang pengkhianatan total

metal Modern heavy metal with drop-tuned chugs tight double-kick and snarling male vocals. Verses stay tense and palm-muted drums locked to a marching stomp; chorus explodes with open chords gang shouts and dissonant harmonies. Bridge dives into a half-time breakdown with pinched squeals and a rising tom build into a final screamed hook.

Pengkhianatan Total

04:00

4ヶ月前

by Memphis Origins

lagu heavy metal tentang pengkhianatan total

metal Modern heavy metal with drop-tuned chugs tight double-kick and snarling male vocals. Verses stay tense and palm-muted drums locked to a marching stomp; chorus explodes with open chords gang shouts and dissonant harmonies. Bridge dives into a half-time breakdown with pinched squeals and a rising tom build into a final screamed hook.

Punah Dalam Api

04:00

4ヶ月前

by Memphis Origins

lagu heavy metal tentang pengkhianatan

metal Aggressive modern heavy metal double-kick barrage and palm-muted low-tuned guitars. Verses are tight and chugging vocal sits in a harsh mid scream with occasional spoken snarls; chorus opens with gang shouts wide power chords and a rising lead line. Bridge drops to half-time with dissonant riffs then climaxes in a layered scream-and-sing finale. Male vocals.

Punah Dalam Api

03:13

4ヶ月前

by Memphis Origins

lagu heavy metal tentang pengkhianatan

metal Aggressive modern heavy metal double-kick barrage and palm-muted low-tuned guitars. Verses are tight and chugging vocal sits in a harsh mid scream with occasional spoken snarls; chorus opens with gang shouts wide power chords and a rising lead line. Bridge drops to half-time with dissonant riffs then climaxes in a layered scream-and-sing finale. Male vocals.

Error en la Toma

02:30

4ヶ月前

by Mariam Ruiz Bravo

Guitarra eléctrica estilo nu‑metal de 20 segundos. Empieza con un error: un rasgueo desafinado que se detiene, seguido de un riff pesado y limpio, sonido natural como si se grabara en una habitación, sin efectos de estudio. Formato: WAV o MP3.

male vocals metal Dry nu‑metal room recording: single overdriven guitar tight palm mutes and pick scrapes right up on the mic. Starts with an ugly off-key strum that cuts dead then the main riff slams in. Male vocals come in raw and close half-shouted with quick hooky phrases that fit inside 20 seconds. No studio sheen—just amp air and attitude. natural

Error en la Toma

02:42

4ヶ月前

by Mariam Ruiz Bravo

Guitarra eléctrica estilo nu‑metal de 20 segundos. Empieza con un error: un rasgueo desafinado que se detiene, seguido de un riff pesado y limpio, sonido natural como si se grabara en una habitación, sin efectos de estudio. Formato: WAV o MP3.

male vocals metal Dry nu‑metal room recording: single overdriven guitar tight palm mutes and pick scrapes right up on the mic. Starts with an ugly off-key strum that cuts dead then the main riff slams in. Male vocals come in raw and close half-shouted with quick hooky phrases that fit inside 20 seconds. No studio sheen—just amp air and attitude. natural

Metal

Metal トラック

Sad Frank (It’s Okay to Be Sad)

Sad Frank (It’s Okay to Be Sad)

Skirl of the Storm

Skirl of the Storm

Crown of Ember

Crown of Ember

Siren in My Chest

Siren in My Chest

Rusted Halo in the Acid Rain

Rusted Halo in the Acid Rain

Will of the Storm

Will of the Storm

kalhmera hlie

kalhmera hlie

Analog Tides Suite

Analog Tides Suite

ZENLAY in the Deep Desert

ZENLAY in the Deep Desert

Pengkhianatan Total

Pengkhianatan Total

Punah Dalam Api

Punah Dalam Api

Error en la Toma

Error en la Toma

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