Female Vocals

AI生成音楽

783 トラック

Female Vocals トラック

Straubing Ost Forever

Jan paul LaszczakのStraubing Ost Foreverのカバーアート
02:45

1週間前

by Jan paul Laszczak

willkommen meine Damen und Herren zum Yo Janeks reps repress Center straubings Ost love forever

female vocals crisp claps and a short Bouncy Euro-club groove with bright synth stabs and a rubbery bass line. Female vocals up front with a playful host-like delivery on the verses; chorus blossoms into stacked harmonies and a wide stereo pad. Four-on-the-floor kick filtered pre-chorus that pulls the energy down before each hook explodes back in.

Bunico, tu ești casa noastră

Braniste EcaterinaのBunico, tu ești casa noastrăのカバーアート
04:00

1週間前

by Braniste Ecaterina

Noi am fost două fete și doi băieți, Copii desculți, cu vise mărețe-n piept, Lăsați în lume fără prea mult sprijin, Dar bunica ne-a fost adăpost și destin. Cu mâinile ei calde ne-a legănat, Cu vorba blândă ne-a învățat, Ne-a dat din puținul ce-l avea, Și tinerețea ei pentru noi o pierdea. Refren: Bunico, tu ești casa noastră, Lumina aprinsă-n noaptea albastră, Ne-ai crescut din lacrimi și dor, Ne

female vocals Warm acoustic pop ballad female vocals; intimate nylon-string guitar and soft piano subtle brushed snare entering on the first chorus airy pads in the background. Verses stay close and storytelling-focused; chorus blooms with stacked harmonies and a lifted melody. Bridge strips down to almost solo voice and light piano then final chorus returns fuller with a gentle tambourine shimmer and a long emotional vocal ad-lib on the last hook.

Bunico, tu ești casa noastră

Braniste EcaterinaのBunico, tu ești casa noastrăのカバーアート
04:00

1週間前

by Braniste Ecaterina

Noi am fost două fete și doi băieți, Copii desculți, cu vise mărețe-n piept, Lăsați în lume fără prea mult sprijin, Dar bunica ne-a fost adăpost și destin. Cu mâinile ei calde ne-a legănat, Cu vorba blândă ne-a învățat, Ne-a dat din puținul ce-l avea, Și tinerețea ei pentru noi o pierdea. Refren: Bunico, tu ești casa noastră, Lumina aprinsă-n noaptea albastră, Ne-ai crescut din lacrimi și dor, Ne

female vocals Warm acoustic pop ballad female vocals; intimate nylon-string guitar and soft piano subtle brushed snare entering on the first chorus airy pads in the background. Verses stay close and storytelling-focused; chorus blooms with stacked harmonies and a lifted melody. Bridge strips down to almost solo voice and light piano then final chorus returns fuller with a gentle tambourine shimmer and a long emotional vocal ad-lib on the last hook.

Hazlo Brillar

Carlos Miguel Díaz NeyraのHazlo Brillarのカバーアート
03:10

1週間前

by Carlos Miguel Díaz Neyra

una canción kpop inspirado en do the dance de ILLIT que tenga un ritmo parecido pero letra diferente

dance female vocals Brisk K-pop track bright synth plucks over bouncy drums and muted guitar; verses stay tight and rhythmic pre-chorus lifts with airy pads and stacked female vocals chorus explodes with chanty hooks and crowd-shout ad-libs; short middle-eight with filtered beat then final chorus with extra harmonies and octave-doubled lead

Hazlo Brillar

Carlos Miguel Díaz NeyraのHazlo Brillarのカバーアート
03:03

1週間前

by Carlos Miguel Díaz Neyra

una canción kpop inspirado en do the dance de ILLIT que tenga un ritmo parecido pero letra diferente

dance female vocals Brisk K-pop track bright synth plucks over bouncy drums and muted guitar; verses stay tight and rhythmic pre-chorus lifts with airy pads and stacked female vocals chorus explodes with chanty hooks and crowd-shout ad-libs; short middle-eight with filtered beat then final chorus with extra harmonies and octave-doubled lead

Cristiano Trong Mắt Con

Huy ĐoànのCristiano Trong Mắt Conのカバーアート
02:39

1週間前

by Huy Đoàn

Singing about Cristiano Ronaldo Jr (in Vietnamese)

female vocals soft piano Bright pop ballad with gentle acoustic guitar and subtle modern drums. Female vocals up front warm and tender with airy doubles in the chorus. Verses stay intimate and close-mic; choruses lift with light strings and stacked harmonies on the name “Cristiano.” Simple catchy topline designed for easy sing-along final chorus held a bit longer with ad-libbed fills.

Cristiano Trong Mắt Con

Huy ĐoànのCristiano Trong Mắt Conのカバーアート
02:59

1週間前

by Huy Đoàn

Singing about Cristiano Ronaldo Jr (in Vietnamese)

female vocals soft piano Bright pop ballad with gentle acoustic guitar and subtle modern drums. Female vocals up front warm and tender with airy doubles in the chorus. Verses stay intimate and close-mic; choruses lift with light strings and stacked harmonies on the name “Cristiano.” Simple catchy topline designed for easy sing-along final chorus held a bit longer with ad-libbed fills.

Ma Réincarnation Version Anime

yoona MinのMa Réincarnation Version Animeのカバーアート
02:45

1週間前

by yoona Min

ma réincarnation version anime

female vocals anime High-energy J-pop / anime opening style female vocals. Bright distorted guitars locked with punchy drums shimmering synth arps and side-chained pads. Tight driving verses that leap into a big anthemic hook with stacked harmonies and octave doubles. Brief half-time bridge with airy reverb then a final key-lift chorus that pushes maximum emotion and sparkle.

Ma Réincarnation Version Anime

yoona MinのMa Réincarnation Version Animeのカバーアート
03:33

1週間前

by yoona Min

ma réincarnation version anime

female vocals anime High-energy J-pop / anime opening style female vocals. Bright distorted guitars locked with punchy drums shimmering synth arps and side-chained pads. Tight driving verses that leap into a big anthemic hook with stacked harmonies and octave doubles. Brief half-time bridge with airy reverb then a final key-lift chorus that pushes maximum emotion and sparkle.

Chrome Lipstick & Leather Dreams

Madisyn EppersonのChrome Lipstick & Leather Dreamsのカバーアート
03:37

1週間前

by Madisyn Epperson

1981 demo glam heavy metal with high raspy female vocals with the song sounding like a recorded tape that's kindof muffled

female vocals metal Raw 1981 glam-metal demo vibe muffled tape saturation and gentle pitch warble drums slightly boxy and pushed back crunchy double-tracked guitars panned wide throaty bass up the middle. High raspy female vocals riding the edge of breakup stacked call-and-response gang shouts on the hook. Occasional squealy lead fills between lines short reverb tails smeared like a worn cassette. Energy: mid-tempo strut in the verses big fist-pump lift on the chorus.

Chrome Lipstick & Leather Dreams

Madisyn EppersonのChrome Lipstick & Leather Dreamsのカバーアート
03:30

1週間前

by Madisyn Epperson

1981 demo glam heavy metal with high raspy female vocals with the song sounding like a recorded tape that's kindof muffled

female vocals metal Raw 1981 glam-metal demo vibe muffled tape saturation and gentle pitch warble drums slightly boxy and pushed back crunchy double-tracked guitars panned wide throaty bass up the middle. High raspy female vocals riding the edge of breakup stacked call-and-response gang shouts on the hook. Occasional squealy lead fills between lines short reverb tails smeared like a worn cassette. Energy: mid-tempo strut in the verses big fist-pump lift on the chorus.

Late Night at 118

Candy crazeのLate Night at 118のカバーアート
03:01

1週間前

by Candy craze

Make a south african house with piano chords must be 118

female vocals and a warm Smooth South African house groove at 118 BPM bouncing log-drum-style bass and bright piano chords carrying the topline. Female vocals up close and airy; verses minimal with shuffling percussion and soft pads. Chorus widens with stacked harmonies subtle chant responses rolling groove that keeps dancers in a hypnotic pocket.

Late Night at 118

Candy crazeのLate Night at 118のカバーアート
03:27

1週間前

by Candy craze

Make a south african house with piano chords must be 118

female vocals and a warm Smooth South African house groove at 118 BPM bouncing log-drum-style bass and bright piano chords carrying the topline. Female vocals up close and airy; verses minimal with shuffling percussion and soft pads. Chorus widens with stacked harmonies subtle chant responses rolling groove that keeps dancers in a hypnotic pocket.

Ahora Soy Libre

Andrea GazquezのAhora Soy Libreのカバーアート
02:58

1週間前

by Andrea Gazquez

ahora soy libre ahora puedo ser yo mismo

female vocals euphoric hook. Bright Latin pop with female vocals crisp acoustic guitars over a tight drum groove warm electric bass and subtle synth pads. Verses stay intimate and close-mic’d; pre-chorus adds claps and rising backing harmonies; chorus bursts wide with stacked vocals and a catchy top-line. Short bridge strips to guitar and vocal then slams back into a final

Ahora Soy Libre

Andrea GazquezのAhora Soy Libreのカバーアート
03:03

1週間前

by Andrea Gazquez

ahora soy libre ahora puedo ser yo mismo

female vocals euphoric hook. Bright Latin pop with female vocals crisp acoustic guitars over a tight drum groove warm electric bass and subtle synth pads. Verses stay intimate and close-mic’d; pre-chorus adds claps and rising backing harmonies; chorus bursts wide with stacked vocals and a catchy top-line. Short bridge strips to guitar and vocal then slams back into a final

Storm Rites

Uwe UhlmannのStorm Ritesのカバーアート
04:00

1週間前

by Uwe Uhlmann

Starts with a Worldbeat,And Electric Guitar Riff Future , Erotik female Voice raspi base drums dramly indianer chant , monk Chor chant , church Sound , Steak Sound And Stormy Riff New-Age, Downtempo Electronica Ambient Experimental Ethnic Chants Hook Long Outro Bagpie And Drums Traditionell , Gregorian Chants, Religious Overtones With Atmospheric Synths, French-Like Whispers And Somewhat Erotic

female vocals electric ambient experimental electronica downtempo Slow-burning downtempo electronica with female vocals; deep raspy lead riding a roomy swung kick and tactile bass. Opens with distant world percussion storm FX and a distorted guitar motif then folds in Indian-inspired and Gregorian-style chants as layered textures. Mid-song a moody New Age pad swell and subtle church-organ colors create religious overtones while breathy French-like whispers circle the stereo field. Long hypnotic outro evolves into bagpipe and tom-driven folk cadence chants and atmospherics rising in a ritualistic crescendo before dissolving into reverb.

Storm Rites

Uwe UhlmannのStorm Ritesのカバーアート
02:52

1週間前

by Uwe Uhlmann

Starts with a Worldbeat,And Electric Guitar Riff Future , Erotik female Voice raspi base drums dramly indianer chant , monk Chor chant , church Sound , Steak Sound And Stormy Riff New-Age, Downtempo Electronica Ambient Experimental Ethnic Chants Hook Long Outro Bagpie And Drums Traditionell , Gregorian Chants, Religious Overtones With Atmospheric Synths, French-Like Whispers And Somewhat Erotic

female vocals electric ambient experimental electronica downtempo Slow-burning downtempo electronica with female vocals; deep raspy lead riding a roomy swung kick and tactile bass. Opens with distant world percussion storm FX and a distorted guitar motif then folds in Indian-inspired and Gregorian-style chants as layered textures. Mid-song a moody New Age pad swell and subtle church-organ colors create religious overtones while breathy French-like whispers circle the stereo field. Long hypnotic outro evolves into bagpipe and tom-driven folk cadence chants and atmospherics rising in a ritualistic crescendo before dissolving into reverb.

Les Géants de Belfast

Gaetan DrouartのLes Géants de Belfastのカバーアート
04:00

1週間前

by Gaetan Drouart

Titre : Les Géants de Belfast Couplet 1 – Belfast, 1908 Sur les quais d’acier, au cœur de Belfast, Trois rêves naissaient, forgés par la main de l’audace. Là, Olympic grandit, robuste et fier, Puis Titanic, étoile brillante dans l’air. Couplet 2 – Titanic Sous les projecteurs, il fut l’apogée du temps, Le plus grand, le plus luxueux, rêvant l’infini vent. Mais l’histoire prit fin quand l’iceberg l

female vocals Orchestral folk-pop ballad with female vocals gentle piano and fingerpicked guitar leading the verses; strings swell on the choruses with bodhrán-style percussion entering to echo shipyard rhythm. Energy arcs from intimate storytelling to a soaring bittersweet refrain adding distant choir harmonies on the final chorus and a subtle low brass bed for grandeur.

Les Géants de Belfast

Gaetan DrouartのLes Géants de Belfastのカバーアート
02:59

1週間前

by Gaetan Drouart

Titre : Les Géants de Belfast Couplet 1 – Belfast, 1908 Sur les quais d’acier, au cœur de Belfast, Trois rêves naissaient, forgés par la main de l’audace. Là, Olympic grandit, robuste et fier, Puis Titanic, étoile brillante dans l’air. Couplet 2 – Titanic Sous les projecteurs, il fut l’apogée du temps, Le plus grand, le plus luxueux, rêvant l’infini vent. Mais l’histoire prit fin quand l’iceberg l

female vocals Orchestral folk-pop ballad with female vocals gentle piano and fingerpicked guitar leading the verses; strings swell on the choruses with bodhrán-style percussion entering to echo shipyard rhythm. Energy arcs from intimate storytelling to a soaring bittersweet refrain adding distant choir harmonies on the final chorus and a subtle low brass bed for grandeur.

Не сравнивай меня

CaйkoのНе сравнивай меняのカバーアート
03:05

1週間前

by Caйko

НЕ СРАВНИВАЙ МЕНЯ С ДРУГИМИ. Эй слыш, это не она я за тобой не бегаю ни туда и ни сюда ты уже весь красный мальчик ахахаха мальчик с пальчик Эй слыш ты не мой Малыш так бывает котик, когда по ночам не спишь

female vocals Dark Russian pop-rap swaggering groove with sparse trap drums deep sub and icy keys; verses half-rapped in a tight pocket chorus sung with catchy melodic lift and stacked female harmonies; drops hit with filtered drums and chopped ad-libs leaving plenty of space for confident attitude-heavy female vocals

Не сравнивай меня

CaйkoのНе сравнивай меняのカバーアート
02:44

1週間前

by Caйko

НЕ СРАВНИВАЙ МЕНЯ С ДРУГИМИ. Эй слыш, это не она я за тобой не бегаю ни туда и ни сюда ты уже весь красный мальчик ахахаха мальчик с пальчик Эй слыш ты не мой Малыш так бывает котик, когда по ночам не спишь

female vocals Dark Russian pop-rap swaggering groove with sparse trap drums deep sub and icy keys; verses half-rapped in a tight pocket chorus sung with catchy melodic lift and stacked female harmonies; drops hit with filtered drums and chopped ad-libs leaving plenty of space for confident attitude-heavy female vocals

Te iubesc

Constanta TimbaliucのTe iubescのカバーアート
02:50

1週間前

by Constanta Timbaliuc

Te iubesc

female vocals Warm acoustic-pop ballad with intimate female vocals close-mic’d and breathy. Fingerpicked guitar and soft piano build from sparse verses into a wide singalong chorus with subtle pads and low percussion. Second chorus adds gentle harmonies and a simple melodic hook that lingers after the last chord.

Te iubesc

Constanta TimbaliucのTe iubescのカバーアート
03:28

1週間前

by Constanta Timbaliuc

Te iubesc

female vocals Warm acoustic-pop ballad with intimate female vocals close-mic’d and breathy. Fingerpicked guitar and soft piano build from sparse verses into a wide singalong chorus with subtle pads and low percussion. Second chorus adds gentle harmonies and a simple melodic hook that lingers after the last chord.

Pelan-Pelan Ku Lepas

Intan NursyahilaのPelan-Pelan Ku Lepasのカバーアート
04:00

1週間前

by Intan Nursyahila

aku menerima mu lagi hanya karna aku masih mencintai mu dan menginginkan diri mu tapi mengapa kini kita tak seperti dulu lagi andai kau tak ingin kan ku lagi katakan pada ku perlahan lahan aku cuba terima kenyataan nya maafkan aku kerena memaksa diri mu untuk terus seperti dulu. buat kan lagu bahasa melayu lagu jiwang galau sedih

female vocals then a final Moody Indonesian pop ballad female vocals; gentle piano and soft pads lead the verses close-mic intimate tone. Chorus blooms with airy strings subtle sub-bass and tight stacked harmonies on the hook. Second chorus lifts with light drum pulses and reverb-washed guitars. Bridge drops to near-acapella tension stripped-down chorus that lets the vocal crack and linger.