13th Boyz

02:30

5日前

need a 13th boyz in my life

female vocals Glossy K-pop R&B blend with female vocals; airy keys and bright synth plucks over a tight bouncing drum groove. Verses stay playful and minimal with close-mic vocal pre-chorus lifts using stacked harmonies and a rising synth pad. Chorus hits big with layered hooks rhythmic vocal chops and a punchy bass line then a brief middle-8 breakdown with claps and filtered beat before final explosive hook.

13th Boyz

02:57

5日前

by Young Easywe

need a 13th boyz in my life

female vocals Glossy K-pop R&B blend with female vocals; airy keys and bright synth plucks over a tight bouncing drum groove. Verses stay playful and minimal with close-mic vocal pre-chorus lifts using stacked harmonies and a rising synth pad. Chorus hits big with layered hooks rhythmic vocal chops and a punchy bass line then a brief middle-8 breakdown with claps and filtered beat before final explosive hook.

Water and the War Is Won

03:29

6日前

by Catherene Vergara

create a song evangelic with god redeem he is victory band baptism female vocalist

female vocals driving toms gang vocals Modern worship anthem with uplifting arena rock energy; bright electric guitars and warm bass under soaring female vocals. Verses start restrained with gentle piano and subtle pads; chorus explodes with full band and cymbal swells. Bridge strips back to kick-and-clap pulse and reverb-kissed vocal stack then rises into a final triumphant double chorus.

Water and the War Is Won

03:25

6日前

by Catherene Vergara

create a song evangelic with god redeem he is victory band baptism female vocalist

female vocals driving toms gang vocals Modern worship anthem with uplifting arena rock energy; bright electric guitars and warm bass under soaring female vocals. Verses start restrained with gentle piano and subtle pads; chorus explodes with full band and cymbal swells. Bridge strips back to kick-and-clap pulse and reverb-kissed vocal stack then rises into a final triumphant double chorus.

Verso 1 Hay algo en la forma en que te acercas, que baja el ruido y me deja en calma. No hacen falta tantas palabras, si en tu mirada ya me dices que me amas… oso. Pienso en el pasado y miro el futuro, y si estás conmigo… todo se siente seguro. Verso 2 Fuimos lento, lento y sin prisa, me hablaron de todo… y yo hablé de tu sonrisa. En un segundo cambiaste mi vida, y ahora no entiendo cómo antes no

female vocals ending on a delicate Warm Latin pop ballad over nylon guitar and soft percussion female vocals up front; verses stay intimate and close-mic’d then chorus blooms with lush pads simple bass groove and airy backing harmonies. Energy builds gently from verse 1 to final chorus held note and a fading guitar arpeggio.

Lento y Sin Prisa

03:31

1週間前

by Marnie Alvarez

Verso 1 Hay algo en la forma en que te acercas, que baja el ruido y me deja en calma. No hacen falta tantas palabras, si en tu mirada ya me dices que me amas… oso. Pienso en el pasado y miro el futuro, y si estás conmigo… todo se siente seguro. Verso 2 Fuimos lento, lento y sin prisa, me hablaron de todo… y yo hablé de tu sonrisa. En un segundo cambiaste mi vida, y ahora no entiendo cómo antes no

female vocals ending on a delicate Warm Latin pop ballad over nylon guitar and soft percussion female vocals up front; verses stay intimate and close-mic’d then chorus blooms with lush pads simple bass groove and airy backing harmonies. Energy builds gently from verse 1 to final chorus held note and a fading guitar arpeggio.

No Limits, No Fear

03:17

1週間前

by Osya

Bassline rising, feel the heat, Moving faster with the beat. No more silence, no more doubt, Turn it up, don’t fade it out. Lights are flashing in my eyes, Neon colors in the skies. Every second pulling me, Deeper into energy. No limits, no fear, The sound is all I hear. No limits, no fear, We disappear. Body moving, no control, Feel the rhythm in my soul. Nothing matters, only now

female vocals bassline Soul High-energy electro-pop with female vocals; bright sidechain synths pumping over a tight four-on-the-floor kick and pulsing bass. Verses stay lean with filtered chords and intimate close-mic vocal; chorus explodes wide with stacked harmonies riser sweeps and a soaring lead. Short breakdown before the final hook with chopped vocal echoes then a final lift for a big satisfying outro hit.

No Limits, No Fear

03:24

1週間前

by Osya

Bassline rising, feel the heat, Moving faster with the beat. No more silence, no more doubt, Turn it up, don’t fade it out. Lights are flashing in my eyes, Neon colors in the skies. Every second pulling me, Deeper into energy. No limits, no fear, The sound is all I hear. No limits, no fear, We disappear. Body moving, no control, Feel the rhythm in my soul. Nothing matters, only now

female vocals bassline Soul High-energy electro-pop with female vocals; bright sidechain synths pumping over a tight four-on-the-floor kick and pulsing bass. Verses stay lean with filtered chords and intimate close-mic vocal; chorus explodes wide with stacked harmonies riser sweeps and a soaring lead. Short breakdown before the final hook with chopped vocal echoes then a final lift for a big satisfying outro hit.

Dans Met De Dood

04:05

1週間前

by [email protected]

ik wil dqt je een nummer maakt over een meisje die de keuze gaat maken leven of dood omdat ze het niet meer ziet zittrn en ik wil dat de dood als persoon wordt geschreven bijv ik kijk de dood recht aan hij ziet mij staan

female vocals then a soaring Dark piano ballad that swells into cinematic rock; close fragile female vocals in the verses with intimate reverb gritty chorus over big drums distorted guitars and deep bass swells; subtle strings shadow the melody bridge drops back to almost a whisper before the final explosive hook

Dans Met De Dood

03:41

1週間前

by [email protected]

ik wil dqt je een nummer maakt over een meisje die de keuze gaat maken leven of dood omdat ze het niet meer ziet zittrn en ik wil dat de dood als persoon wordt geschreven bijv ik kijk de dood recht aan hij ziet mij staan

female vocals then a soaring Dark piano ballad that swells into cinematic rock; close fragile female vocals in the verses with intimate reverb gritty chorus over big drums distorted guitars and deep bass swells; subtle strings shadow the melody bridge drops back to almost a whisper before the final explosive hook

Te Vi Llegar Tarde

03:57

1週間前

by Zyndi Zyndi

Estilo banda/Mariachi romántico con mucho sentimiento

female vocals mariachi banda Romantic banda/mariachi ballad female vocals. Warm nylon-string guitars and bajo sexto set an intimate intro then full brass band swells in the choruses with soaring trumpets and close-voiced horn harmonies. Verses stay close and conversational with light percussion and upright bass; choruses bloom with rich string pads stacked female harmonies and dramatic cymbal swells. Final chorus modulates up for extra emotion holding the last note with echoing ad-lib runs.

Te Vi Llegar Tarde

03:48

1週間前

by Zyndi Zyndi

Estilo banda/Mariachi romántico con mucho sentimiento

female vocals mariachi banda Romantic banda/mariachi ballad female vocals. Warm nylon-string guitars and bajo sexto set an intimate intro then full brass band swells in the choruses with soaring trumpets and close-voiced horn harmonies. Verses stay close and conversational with light percussion and upright bass; choruses bloom with rich string pads stacked female harmonies and dramatic cymbal swells. Final chorus modulates up for extra emotion holding the last note with echoing ad-lib runs.

Муси-пуси

01:26

1週間前

by Юля‐Экстрим

Саня а ты знал что ты не моём вкусе я не люблю эти муси пуси

female vocals Crunchy hyperpop beat with distorted synth leads and elastic sub female vocals half-sung half-rapped attitude front and center. Verses tight and percussive with chopped doubles; chorus explodes with stacked slightly detuned harmonies and a bright top-line. Occasional glitch cuts and reverse swells between lines to keep it twitchy and addictive.

Муси-пуси

01:28

1週間前

by Юля‐Экстрим

Саня а ты знал что ты не моём вкусе я не люблю эти муси пуси

female vocals Crunchy hyperpop beat with distorted synth leads and elastic sub female vocals half-sung half-rapped attitude front and center. Verses tight and percussive with chopped doubles; chorus explodes with stacked slightly detuned harmonies and a bright top-line. Occasional glitch cuts and reverse swells between lines to keep it twitchy and addictive.

Саня, ты не в моём вкусе

02:16

1週間前

by Юля Игнатова

Саня а ты знал что ты не моём вкусе я не люблю эти муси пуси

female vocals Dark club-ready Russian pop female vocals; cold synth bass and tight trap drums under half-spoken half-sung verses hook opens with brighter plucks and stacked harmonies subtle pitch-shift ad-libs and chopped vocal tails to make the chorus addictive and sharp

Саня, ты не в моём вкусе

02:39

1週間前

by Юля Игнатова

Саня а ты знал что ты не моём вкусе я не люблю эти муси пуси

female vocals Dark club-ready Russian pop female vocals; cold synth bass and tight trap drums under half-spoken half-sung verses hook opens with brighter plucks and stacked harmonies subtle pitch-shift ad-libs and chopped vocal tails to make the chorus addictive and sharp

Corrido de Lorena Orona

03:57

1週間前

by Karen Trujillo

Quiero un corrido con voz de mujer que diga que un nueve de enero llegó Lorena Orona la mejor amiga y la mejor mamá siempre bien trabajadora primero en maquila y luego en un asilo siempre nos ah dado lo mejor nos ah alimentado siempre con su buen sazón por sus hijas da la vida Ruby la primera la que la enseño a ser mamá, ah Tania la de en medio la enseño a cocinar y Karen la que más guerra da

female vocals Acústic Mexican corrido with female vocals bright requinto intro and steady bajo sexto strums; verses stay narrative and intimate bass and snare lock in for a mid-tempo sway. Accordion lines answer the vocal phrases chorus lifts with stacked harmonies and a slightly wider reverb then a short instrumental turnaround between sections to keep it under three minutes.

Corrido de Lorena Orona

03:59

1週間前

by Karen Trujillo

Quiero un corrido con voz de mujer que diga que un nueve de enero llegó Lorena Orona la mejor amiga y la mejor mamá siempre bien trabajadora primero en maquila y luego en un asilo siempre nos ah dado lo mejor nos ah alimentado siempre con su buen sazón por sus hijas da la vida Ruby la primera la que la enseño a ser mamá, ah Tania la de en medio la enseño a cocinar y Karen la que más guerra da

female vocals Acústic Mexican corrido with female vocals bright requinto intro and steady bajo sexto strums; verses stay narrative and intimate bass and snare lock in for a mid-tempo sway. Accordion lines answer the vocal phrases chorus lifts with stacked harmonies and a slightly wider reverb then a short instrumental turnaround between sections to keep it under three minutes.

Omo Yoguna

02:30

1週間前

by MahnRubbzz

(Verse 1) Moon e kirap na sun e go down Antap long fego mountain Cool win blong yanuro blow isi come Long wara heguguto If you wish sing (CHORUS) Kehafo bade abaday Uta haiguna fego eye Hairlota kerikeri yamo rita Kro rota Omo yoguna Omo yoguna Omo yoguna Omo yoguna Kerikeri Yamo Rita Kro rota Omo yoguna (Verse 2) Work about slowly along Yanuro range with cool breeze Were foam drew it's last line

female vocals then drops back to a tender soft pads airy reverb fading outro. Dreamy Pacific island groove with gentle acoustic guitar and steady toms; female vocals laid close and intimate. Verses stay hushed over rolling percussion; chorus widens with stacked harmonies and a subtle melodic bass. Bridge lifts with wordless vocal hooks and claps

Teresa y Juan Saverio

03:10

1週間前

by abril gayo

esta es la historia de mi abuela Teresa y de mi abuelo Juan saverio

female vocals then returns to a tender Warm acoustic ballad with female vocals; nylon-string guitar and soft upright bass carry a gentle 6/8 sway. Verses stay intimate and close-mic with subtle piano voicings; chorus blooms with airy harmonies and brushed percussion. Bridge lifts energy slightly with melodic ad-libs nostalgic close.

Teresa y Juan Saverio

03:02

1週間前

by abril gayo

esta es la historia de mi abuela Teresa y de mi abuelo Juan saverio

female vocals then returns to a tender Warm acoustic ballad with female vocals; nylon-string guitar and soft upright bass carry a gentle 6/8 sway. Verses stay intimate and close-mic with subtle piano voicings; chorus blooms with airy harmonies and brushed percussion. Bridge lifts energy slightly with melodic ad-libs nostalgic close.

Мама Вика, папа Андрей

03:40

1週間前

by [email protected]

Вика мама- свет души Андрей -папа наш герой В этот день в судьбе большой Стали парой золотой Мама Вика папа Андрей Будьте счастливы скорей Мы Диана Артём Ангелина Вам желаем без причины Любви удачи долгих лет В сердце -солнечный рассвет Помним как нас растили вы Дарили ласку теплоты А сегодня ваш черёд Пусть удача к вам придёт Мама Вика папа Андрей Будьте счастливы скорей Мы Диана Артём Ангелин

female vocals Уютная праздничная эстрадная баллада с женским вокалом мягкое фортепиано и тёплые струнные. Куплеты камерные с близким к микрофону голосом; в припеве подключаются лёгкие ударные бас и бэк-вокалы детей создавая ощущение семейного хора. К концу песни — подъём динамики и краткая инструментальная пауза перед финальной строкой а капелла.

Мама Вика, папа Андрей

03:08

1週間前

by [email protected]

Вика мама- свет души Андрей -папа наш герой В этот день в судьбе большой Стали парой золотой Мама Вика папа Андрей Будьте счастливы скорей Мы Диана Артём Ангелина Вам желаем без причины Любви удачи долгих лет В сердце -солнечный рассвет Помним как нас растили вы Дарили ласку теплоты А сегодня ваш черёд Пусть удача к вам придёт Мама Вика папа Андрей Будьте счастливы скорей Мы Диана Артём Ангелин

female vocals Уютная праздничная эстрадная баллада с женским вокалом мягкое фортепиано и тёплые струнные. Куплеты камерные с близким к микрофону голосом; в припеве подключаются лёгкие ударные бас и бэк-вокалы детей создавая ощущение семейного хора. К концу песни — подъём динамики и краткая инструментальная пауза перед финальной строкой а капелла.

Sugar Rush Emergency

02:33

1週間前

by [email protected]

GIVE ME A SONG FOR 2 MINUTES IN ALIGNMENT WITH EACH ORDER USING K- POP STYLE

pop female vocals tight drum groove High-energy K-pop with female vocals: bright synth stabs percussive bass. Verses stay clipped and rhythmic with talk-singing attitude; pre-chorus floats on airy pads then chorus explodes with stacked harmonies and crowd-chant hooks. Brief middle drop with filtered vocal chop before final chorus.

Female Vocals

Female Vocals トラック

13th Boyz

13th Boyz

Water and the War Is Won

Water and the War Is Won

Lento y Sin Prisa

Lento y Sin Prisa

No Limits, No Fear

No Limits, No Fear

Dans Met De Dood

Dans Met De Dood

Te Vi Llegar Tarde

Te Vi Llegar Tarde

Муси-пуси

Муси-пуси

Саня, ты не в моём вкусе

Саня, ты не в моём вкусе

Corrido de Lorena Orona

Corrido de Lorena Orona

Omo Yoguna

Teresa y Juan Saverio

Teresa y Juan Saverio

Мама Вика, папа Андрей

Мама Вика, папа Андрей

Sugar Rush Emergency

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