And Upfront.

AI生成音楽

4 トラック

And Upfront. トラック

Névoa na Madrugada

Si SilvaのNévoa na Madrugadaのカバーアート
02:12

1週間前

by Si Silva

Quando eu a cordo pela madrugada, sempre vai estar chamando para dar uma mijada, ele é muito legal, sempre está aqui, mas se irritar o chute na sua canela ali vai dar vou uma névoa, uma névoa uma né muito atencioso, vou manevo, uma névoa uma né cuidado se ele ficar nervoso. É alguma névo uma névoa uma neve ali é muito legal sempre estar aqui nessa cadeira ele é sensacional pooooopooooooooooooooooo

punchy rubbery bass and upfront. dembow-leaning percussion Brazilian funk-pop with a bouncy syncopated groove and sparse verse instrumentation that opens into a chanty chorus. Verse rides clipped drums and a playful synth riff; pre-chorus strips to hand percussion and bass stops; chorus hits with stacked gang vocals and a bright hook. Lead vocal is close-mic and cheeky with doubled lines on the hook and ad-lib responses in parentheses. Ear candy includes reversed swells into the chorus short stop-time breaks and a final crowd-style chant. Mix is glossy

Névoa na Madrugada

Si SilvaのNévoa na Madrugadaのカバーアート
02:40

1週間前

by Si Silva

Quando eu a cordo pela madrugada, sempre vai estar chamando para dar uma mijada, ele é muito legal, sempre está aqui, mas se irritar o chute na sua canela ali vai dar vou uma névoa, uma névoa uma né muito atencioso, vou manevo, uma névoa uma né cuidado se ele ficar nervoso. É alguma névo uma névoa uma neve ali é muito legal sempre estar aqui nessa cadeira ele é sensacional pooooopooooooooooooooooo

punchy rubbery bass and upfront. dembow-leaning percussion Brazilian funk-pop with a bouncy syncopated groove and sparse verse instrumentation that opens into a chanty chorus. Verse rides clipped drums and a playful synth riff; pre-chorus strips to hand percussion and bass stops; chorus hits with stacked gang vocals and a bright hook. Lead vocal is close-mic and cheeky with doubled lines on the hook and ad-lib responses in parentheses. Ear candy includes reversed swells into the chorus short stop-time breaks and a final crowd-style chant. Mix is glossy

Mute City

Bartek MadejのMute Cityのカバーアート
03:00

1ヶ月前

by Bartek Madej

Intro] Yeah... Late night ride You know how it goes [Zwrotka 1] I’ve been driving through the city with my thoughts on mute, too much noise around me, so I cut it loose. People talk a lot, but they don’t say truth, they only come around when they need some use. I remember cold nights, no one by my side, now they see me moving and they ask for time. Funny how it changes when the tables turn, when y

noise sliding 808s glossy Melodic rap with moody trap drums and a half-time bounce; verse stays sparse with clipped hats and a dark piano motif pre-chorus opens with layered harmony and rising synth air chorus hits with stacked doubles and a chantable top line. Vocal is close-mic and intimate in verses wider on hooks with ad-lib echoes and short delay throws. Ear candy includes reversed swells tape-stop fills and a filtered bass drop into the chorus. Mix is dark and upfront.

Mute City

Bartek MadejのMute Cityのカバーアート
02:54

1ヶ月前

by Bartek Madej

Intro] Yeah... Late night ride You know how it goes [Zwrotka 1] I’ve been driving through the city with my thoughts on mute, too much noise around me, so I cut it loose. People talk a lot, but they don’t say truth, they only come around when they need some use. I remember cold nights, no one by my side, now they see me moving and they ask for time. Funny how it changes when the tables turn, when y

noise sliding 808s glossy Melodic rap with moody trap drums and a half-time bounce; verse stays sparse with clipped hats and a dark piano motif pre-chorus opens with layered harmony and rising synth air chorus hits with stacked doubles and a chantable top line. Vocal is close-mic and intimate in verses wider on hooks with ad-lib echoes and short delay throws. Ear candy includes reversed swells tape-stop fills and a filtered bass drop into the chorus. Mix is dark and upfront.