Then The Beat Thickens In The Verse. Chorus Opens With Brighter Synth Pads And Stacked Harmonies

AI-Generated Music

2 Tracks

Then The Beat Thickens In The Verse. Chorus Opens With Brighter Synth Pads And Stacked Harmonies Tracks

I Don’t Love Anymore

Cover art for I Don’t Love Anymore by omerchukwuinfluence@gmail.com
02:44

1 week ago

by [email protected]

I Don’t Love Anymore (Afrobeat Vibe) Intro (soft Afro rhythm) Ahhh… Rosemary say… Love don dey pain me oh… Love don tire me ohhhh… Verse 1 I gave you heart, you gave me pain Like rain falling in dry season Every night I dey pray for rain But you no come, you just bring thunder Love I know na sweet sugar But your love turn to bitter fire My heart dey burn, e dey tire Now I no fit love again…

male vocals Soft Afrobeat Gentle mid-tempo afrobeat groove with warm guitars soft log drums and subtle horn stabs; male vocals sit upfront almost conversational with call-and-response ad-libs. Intro is sparse with shakers and soft percussion then the beat thickens in the verse. Chorus opens with brighter synth pads and stacked harmonies then drops back to a leaner bounce on the outro.

I Don’t Love Anymore

Cover art for I Don’t Love Anymore by omerchukwuinfluence@gmail.com
04:00

1 week ago

by [email protected]

I Don’t Love Anymore (Afrobeat Vibe) Intro (soft Afro rhythm) Ahhh… Rosemary say… Love don dey pain me oh… Love don tire me ohhhh… Verse 1 I gave you heart, you gave me pain Like rain falling in dry season Every night I dey pray for rain But you no come, you just bring thunder Love I know na sweet sugar But your love turn to bitter fire My heart dey burn, e dey tire Now I no fit love again…

male vocals Soft Afrobeat Gentle mid-tempo afrobeat groove with warm guitars soft log drums and subtle horn stabs; male vocals sit upfront almost conversational with call-and-response ad-libs. Intro is sparse with shakers and soft percussion then the beat thickens in the verse. Chorus opens with brighter synth pads and stacked harmonies then drops back to a leaner bounce on the outro.