Sirene Și Girofar

04:00

1 month ago

Ritm puternic vocal masculin Manea politie Sirene PE Fundal

male vocals vocal shout-along chorus. Romanian manea-pop banger with hard-hitting Balkan percussion tuba-style bass and piercing synth leads. Male vocals up-front and gritty with crowd-response backing shouts on the hook. Police siren FX woven into the intro and drops rising sweeps into a big then a short breakdown before a final explosive repeat.

Sirene Și Girofar

03:15

1 month ago

by Stefan Arva

Ritm puternic vocal masculin Manea politie Sirene PE Fundal

male vocals vocal shout-along chorus. Romanian manea-pop banger with hard-hitting Balkan percussion tuba-style bass and piercing synth leads. Male vocals up-front and gritty with crowd-response backing shouts on the hook. Police siren FX woven into the intro and drops rising sweeps into a big then a short breakdown before a final explosive repeat.

Una canción alegre, juvenil, una alabanza cristiana en base a un campamento con un lema hermoso que es "Transformados por su gracia", quiero como una base de bateria para una cancion juvenil tipo rock pop, y una guitarra acustica que siga las notas C, Em, Dm, F G en el coro, con un corte al final del coro que diga "transformados por su gracia"

male vocals pop rock then slams back into a final shout-along chorus. Upbeat Spanish pop-rock worship male vocals. Bright acoustic guitar drives C–Em–Dm–F–G progression in the chorus over tight energetic drums and steady bass. Verses stay lighter with palm-muted strums and simple tom grooves; chorus explodes with open chords crowd-style gang vocals on the title line and a punchy stop-time cut on the last phrase. Bridge drops to half-time with airy pads and reverb-drenched guitar swells

Transformados Por Su Gracia

03:14

2 months ago

by Jesus Lopez T

Una canción alegre, juvenil, una alabanza cristiana en base a un campamento con un lema hermoso que es "Transformados por su gracia", quiero como una base de bateria para una cancion juvenil tipo rock pop, y una guitarra acustica que siga las notas C, Em, Dm, F G en el coro, con un corte al final del coro que diga "transformados por su gracia"

male vocals pop rock then slams back into a final shout-along chorus. Upbeat Spanish pop-rock worship male vocals. Bright acoustic guitar drives C–Em–Dm–F–G progression in the chorus over tight energetic drums and steady bass. Verses stay lighter with palm-muted strums and simple tom grooves; chorus explodes with open chords crowd-style gang vocals on the title line and a punchy stop-time cut on the last phrase. Bridge drops to half-time with airy pads and reverb-drenched guitar swells

Manea cu Suncar din Galați

03:32

2 months ago

by Razvan Marius

O manea despre închirieri auto Suncar, din Galați, care oferă mașini ieftine și fără garantie

synth leads shout-along chorus. Up-tempo Balkan manea groove with bright brass hits and a bouncy club kick; male vocals playful energy building from tight verses into a wide with short call-and-response ad-libs and accordion flourishes to hype the crowd

Manea cu Suncar din Galați

03:14

2 months ago

by Razvan Marius

O manea despre închirieri auto Suncar, din Galați, care oferă mașini ieftine și fără garantie

synth leads shout-along chorus. Up-tempo Balkan manea groove with bright brass hits and a bouncy club kick; male vocals playful energy building from tight verses into a wide with short call-and-response ad-libs and accordion flourishes to hype the crowd

Where’s My Dame Bag

🎵

03:04

3 months ago

by Boones Wife

Help I've lost my dame bag of drugs

male vocals claps Grimy UK garage meets indie rock attitude male vocals half-sung half-spoken. Skittery shuffled percussion rubbery sub-bass and a detuned organ riff under the verses; chorus explodes with distorted guitars doubling the topline and gang vocals on the hook. Bridge strips to bass and vocal chops before a final shout-along chorus.

Where’s My Dame Bag

03:09

3 months ago

by Boones Wife

Help I've lost my dame bag of drugs

male vocals claps Grimy UK garage meets indie rock attitude male vocals half-sung half-spoken. Skittery shuffled percussion rubbery sub-bass and a detuned organ riff under the verses; chorus explodes with distorted guitars doubling the topline and gang vocals on the hook. Bridge strips to bass and vocal chops before a final shout-along chorus.

Shout-along Chorus.