Barbed Wire Halo

02:50

1 month ago

female country singer, heavy metal

country metal roomy drums Hybrid country-metal crossover with female vocals: twangy clean intro guitar over distant toms then slamming double-kick and detuned riffs. Verses ride a half-time stomp with gritty picked bass; choruses explode with stacked harmonies and squealing lead fills. Middle-eight drops to a lone tremolo-picked guitar and hushed vocal before a final full-throttle outro. Big saturated amps and a vocal that shifts from tender drawl to full-throated roar.

Barbed Wire Halo

02:45

1 month ago

by Brian “TheBrainiac”

female country singer, heavy metal

country metal roomy drums Hybrid country-metal crossover with female vocals: twangy clean intro guitar over distant toms then slamming double-kick and detuned riffs. Verses ride a half-time stomp with gritty picked bass; choruses explode with stacked harmonies and squealing lead fills. Middle-eight drops to a lone tremolo-picked guitar and hushed vocal before a final full-throttle outro. Big saturated amps and a vocal that shifts from tender drawl to full-throated roar.

Creeping rhythm of Tool band mixed with Nine Inch Nails/Depeche Mode industraial effects and heavy black metal guitar riffs of "modern" Satyricon as in "king" or "fuel for hatred" songs. Overall tool style singing but with occasional death/black metal growling.

metal Black-Metal Brooding hybrid of Tool-like polymetric drums and droning bass layered with Nine Inch Nails / Depeche Mode industrial textures and modern Satyricon-style tremolo riffs. Male vocals: verses in tense hypnotic baritone; choruses swell into stacked harmonies and distorted shouts; select lines drop into deep blackened growls. Guitars shift from palm-muted chugging syncopation to open dissonant chords; synths pulse like machinery. Slow burn intro crushing mid-song peak then a cold mechanical outro.

Fuel For The King Of Ash

02:53

1 month ago

by [email protected]

Creeping rhythm of Tool band mixed with Nine Inch Nails/Depeche Mode industraial effects and heavy black metal guitar riffs of "modern" Satyricon as in "king" or "fuel for hatred" songs. Overall tool style singing but with occasional death/black metal growling.

metal Black-Metal Brooding hybrid of Tool-like polymetric drums and droning bass layered with Nine Inch Nails / Depeche Mode industrial textures and modern Satyricon-style tremolo riffs. Male vocals: verses in tense hypnotic baritone; choruses swell into stacked harmonies and distorted shouts; select lines drop into deep blackened growls. Guitars shift from palm-muted chugging syncopation to open dissonant chords; synths pulse like machinery. Slow burn intro crushing mid-song peak then a cold mechanical outro.

roc jazz kalissic rap hip hop

03:34

1 month ago

by Shohruh Qurbonov

energetic pop electronic hip hop folk r&b rock metal chill jazz reggae classical

roc jazz kalissic rap hip hop

03:30

1 month ago

by Shohruh Qurbonov

energetic pop electronic hip hop folk r&b rock metal chill jazz reggae classical

Warhead Driver

03:38

1 month ago

by [email protected]

A heavy metal song like motorhead's bomber.

metal Old-school speed metal assault in the vein of early UK steel—buzzsaw guitars downpicked gallop and snarling male vocals. Verses are tight and riffy drums hammer a relentless double-time stomp. Chorus opens wider with gang shouts and sliding power chords. Brief mid-song breakdown drops to a chugging half-time before ripping back into full-tilt chaos bass grinding loud in the mix.

Warhead Driver

04:00

1 month ago

by [email protected]

A heavy metal song like motorhead's bomber.

metal Old-school speed metal assault in the vein of early UK steel—buzzsaw guitars downpicked gallop and snarling male vocals. Verses are tight and riffy drums hammer a relentless double-time stomp. Chorus opens wider with gang shouts and sliding power chords. Brief mid-song breakdown drops to a chugging half-time before ripping back into full-tilt chaos bass grinding loud in the mix.

Hwoarang