En fin

02:17

8 months ago

by Pau

hip hop rap Reggea beat

En fin

04:00

8 months ago

by Pau

hip hop rap Reggea beat

I’m on my way

02:48

8 months ago

by Peter Eneji

upbeat hip hop rap Afrobeat

I’m on my way

04:00

8 months ago

by Peter Eneji

upbeat hip hop rap Afrobeat

hip hop

02:29

8 months ago

by mailleux allan

hip hop

02:48

8 months ago

by mailleux allan

hip hop

Night Shift Mayhem

02:57

8 months ago

by Wandrille Robin

hip hop, hard bass, big drop, mo bamba, fein , project X, drill, dark 808

hip hop rap drill Aggressive drill-rap banger hard-swinging 808s and distorted bass that ducks out for a tension build then slams into a massive drop. Male vocals locked to the pocket ad-libs panning wide. Sparse bells in the verses eerie pads in the hook with stuttered mutes and stop-start moments to hype a live crowd.

Night Shift Mayhem

04:00

8 months ago

by Wandrille Robin

hip hop, hard bass, big drop, mo bamba, fein , project X, drill, dark 808

hip hop rap drill Aggressive drill-rap banger hard-swinging 808s and distorted bass that ducks out for a tension build then slams into a massive drop. Male vocals locked to the pocket ad-libs panning wide. Sparse bells in the verses eerie pads in the hook with stuttered mutes and stop-start moments to hype a live crowd.

Love Me For Me

03:21

8 months ago

by Neatup Anthony

Hip hop R&B love me for me

hip hop rap female vocals r&b deep bass Warm hip hop/R&B blend around 90 BPM female vocals up front with intimate close-mic tone; swung drums and soft Rhodes keys under airy guitar plucks. Verses stay minimal and confessional then chorus blossoms with stacked harmonies and a brighter pad bed. Subtle ad-libs and call-and-response lines give it a live late-night feel; final hook rides out with a gentle repeat and a mellow fade.

Love Me For Me

03:45

8 months ago

by Neatup Anthony

Hip hop R&B love me for me

hip hop rap female vocals r&b deep bass Warm hip hop/R&B blend around 90 BPM female vocals up front with intimate close-mic tone; swung drums and soft Rhodes keys under airy guitar plucks. Verses stay minimal and confessional then chorus blossoms with stacked harmonies and a brighter pad bed. Subtle ad-libs and call-and-response lines give it a live late-night feel; final hook rides out with a gentle repeat and a mellow fade.

Nathalia 2.0

03:23

8 months ago

by Jonathan Capozi

hip hop rap Romantico Amanhecer BK'

Nathalia 2.0

03:02

8 months ago

by Jonathan Capozi

hip hop rap Romantico Amanhecer BK'

Nathalia

03:18

8 months ago

by Jonny Olok

hip hop rap Romantico

Nathalia

02:59

8 months ago

by Jonny Olok

hip hop rap Romantico

Sombras en el Asfalto

03:54

8 months ago

by cesar Olmedo sanchez

Breakbeat , tempo rápido 135 BPM, original de 4:30–5:00 minutos, estructura completa (intro larga, drop, desarrollo, break, segundo drop y outro), bajo potente, batería breakbeat agresiva, atmósfera urbana oscura, vibe hip-hop noventero / underground, estilo callejero, sonido crudo, sin copiar canciones existentes.

hip hop rap breakbeat then a second Dark 90s underground hip-hop at 135 BPM over snarling breakbeats and a growling sub bass. Long DJ-style intro with filtered drums and vinyl grit first drop slams into aggressive male vocals and chopped stabs. Mid-section opens the space with moody pads and distant sirens harder drop layers extra percussion and gang-style ad-libs. Outro strips back to bass and echoes fading like a train into a tunnel.

Sombras en el Asfalto

04:00

8 months ago

by cesar Olmedo sanchez

Breakbeat , tempo rápido 135 BPM, original de 4:30–5:00 minutos, estructura completa (intro larga, drop, desarrollo, break, segundo drop y outro), bajo potente, batería breakbeat agresiva, atmósfera urbana oscura, vibe hip-hop noventero / underground, estilo callejero, sonido crudo, sin copiar canciones existentes.

hip hop rap breakbeat then a second Dark 90s underground hip-hop at 135 BPM over snarling breakbeats and a growling sub bass. Long DJ-style intro with filtered drums and vinyl grit first drop slams into aggressive male vocals and chopped stabs. Mid-section opens the space with moody pads and distant sirens harder drop layers extra percussion and gang-style ad-libs. Outro strips back to bass and echoes fading like a train into a tunnel.