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187 Tracks

Dark Tracks

До онзи кретен

Cover art for До онзи кретен by Fydu Fadilov
01:49

1 month ago

by Fydu Fadilov

Щастлив съм аз че не си до мен а че си до онзи кретен на теб не ти ли е ясно обичам всичко да ти влезе тясно

dark sarcastic Balkan pop-rap; midtempo trap groove with deep sub-bass and crisp hats. Male vocals half-sung half-spit with sly teasing delivery. Verses stay minimal with plucky synth and distant pads; chorus widens with stacked slightly detuned harmonies and a dirty lead line. Occasional pitched-down ad-libs and short filtered drops before each hook to make the punchlines land.

До онзи кретен

Cover art for До онзи кретен by Fydu Fadilov
02:26

1 month ago

by Fydu Fadilov

Щастлив съм аз че не си до мен а че си до онзи кретен на теб не ти ли е ясно обичам всичко да ти влезе тясно

dark sarcastic Balkan pop-rap; midtempo trap groove with deep sub-bass and crisp hats. Male vocals half-sung half-spit with sly teasing delivery. Verses stay minimal with plucky synth and distant pads; chorus widens with stacked slightly detuned harmonies and a dirty lead line. Occasional pitched-down ad-libs and short filtered drops before each hook to make the punchlines land.

Отивай на майната ти

Cover art for Отивай на майната ти by Anilekosova
02:56

1 month ago

by Anilekosova

Щастлив съм мила че до - мен не си ти и се махна от живота ми завинаги искам да ти кажа и че ти за мен си била магия но ти ми се подигра ще съжалява за всичко ще ме гледаш от страни как върви във живота ми отивай на майната ти. .

male vocals dark moody trap ballad with male vocals; sparse piano and distant pads in the verses heavy 808s and sharp hats dropping in the hook. Vocal starts almost spoken then grows into a raw shouted chorus with stacked harmonies. Occasional filtered delays on key lines to underline the bitterness final chorus opens widest then cuts to a dry a cappella last line.

Отивай на майната ти

Cover art for Отивай на майната ти by Anilekosova
03:02

1 month ago

by Anilekosova

Щастлив съм мила че до - мен не си ти и се махна от живота ми завинаги искам да ти кажа и че ти за мен си била магия но ти ми се подигра ще съжалява за всичко ще ме гледаш от страни как върви във живота ми отивай на майната ти. .

male vocals dark moody trap ballad with male vocals; sparse piano and distant pads in the verses heavy 808s and sharp hats dropping in the hook. Vocal starts almost spoken then grows into a raw shouted chorus with stacked harmonies. Occasional filtered delays on key lines to underline the bitterness final chorus opens widest then cuts to a dry a cappella last line.

lsd psycho

Cover art for lsd psycho by Kamil Barzyc
03:12

1 month ago

by Kamil Barzyc

dark synth sad very psychodelic rock with some effects hammond organs and some guitar solos flanger progresive long lenght

lsd psycho

Cover art for lsd psycho by Kamil Barzyc
02:03

1 month ago

by Kamil Barzyc

dark synth sad very psychodelic rock with some effects hammond organs and some guitar solos flanger progresive long lenght

Marry Gomez

Cover art for Marry Gomez by francescomorelli2000@gmail.com
03:08

1 month ago

by [email protected]

pop Party dark Berlin vibes

Marry Gomez

Cover art for Marry Gomez by francescomorelli2000@gmail.com
03:01

1 month ago

by [email protected]

pop Party dark Berlin vibes

Beat Callejón Bogotá

Cover art for Beat Callejón Bogotá by Jatsul Ayari
04:00

1 month ago

by Jatsul Ayari

Hazme un beat de hip hop, estilo calle colombiana, Sencilla y con sonidos duros, algo de violin suave y estilo callejero pesado como en bogota colombia, un beat sencillo

hip hop rap violin dark mid-tempo deep sub-bass head-nod Colombian street hip hop beat with heavy clipped kick and snappy snare and a melancholic reverb-soaked violin motif weaving in and out. Verses ride a gritty close-mic male vocal; hook widens with octave doubles and subtle gang shouts. Occasional vinyl crackle and distant city ambience between sections keeping the loop simple yet menacing and hypnotic.

Beat Callejón Bogotá

Cover art for Beat Callejón Bogotá by Jatsul Ayari
02:09

1 month ago

by Jatsul Ayari

Hazme un beat de hip hop, estilo calle colombiana, Sencilla y con sonidos duros, algo de violin suave y estilo callejero pesado como en bogota colombia, un beat sencillo

hip hop rap violin dark mid-tempo deep sub-bass head-nod Colombian street hip hop beat with heavy clipped kick and snappy snare and a melancholic reverb-soaked violin motif weaving in and out. Verses ride a gritty close-mic male vocal; hook widens with octave doubles and subtle gang shouts. Occasional vinyl crackle and distant city ambience between sections keeping the loop simple yet menacing and hypnotic.

İki Yüzüm Aynı Surat

Cover art for İki Yüzüm Aynı Surat by kadelo5184@pazuric.com
04:00

2 months ago

by [email protected]

Tema: İçimde iki farklı karakter var. Biri sakin ve mantıklı, diğeri hırslı ve karanlık. Geceyle barışık, gündüzle mesafeli bir ruh hali. Başarı hırsı, yalnızlık, ihanet ve güç isteği. Flow: Sert giriş, nakaratta melodik ama karanlık, ikinci verse’te double flow. Yazım tarzı: Modern Türkçe rap, kısa ve vurucu cümleler, metaforlar, tekrar eden güçlü nakarat

rap dark distorted bass lingering finish. cinematic Turkish trap beat at mid-tempo male vocals. Cold piano line over deep tight hi-hats and sharp snare. First verse comes in dry and aggressive minimal reverb; chorus blooms with moody melodic topline and layered harmonies. Second verse ramps energy with double-time flow and subtle synth pads underneath. Final chorus hits hardest ad-libs tucked wide in the stereo field then beat cuts suddenly for a stark

İki Yüzüm Aynı Surat

Cover art for İki Yüzüm Aynı Surat by kadelo5184@pazuric.com
02:56

2 months ago

by [email protected]

Tema: İçimde iki farklı karakter var. Biri sakin ve mantıklı, diğeri hırslı ve karanlık. Geceyle barışık, gündüzle mesafeli bir ruh hali. Başarı hırsı, yalnızlık, ihanet ve güç isteği. Flow: Sert giriş, nakaratta melodik ama karanlık, ikinci verse’te double flow. Yazım tarzı: Modern Türkçe rap, kısa ve vurucu cümleler, metaforlar, tekrar eden güçlü nakarat

rap dark distorted bass lingering finish. cinematic Turkish trap beat at mid-tempo male vocals. Cold piano line over deep tight hi-hats and sharp snare. First verse comes in dry and aggressive minimal reverb; chorus blooms with moody melodic topline and layered harmonies. Second verse ramps energy with double-time flow and subtle synth pads underneath. Final chorus hits hardest ad-libs tucked wide in the stereo field then beat cuts suddenly for a stark

Uzak Kaldın İçimden

Cover art for Uzak Kaldın İçimden by jemeka3593@ostahie.com
03:22

2 months ago

by [email protected]

Duygusal ve karanlık atmosferli Türkçe trap şarkı üret. Minimal ama güçlü 808 bass kullan. Arka planda melankolik piyano veya ambient synth olsun. 140 BPM civarında modern trap davulları ve ritmik hi-hat ekle. Vokal autotune’lu, hem melodik hem akışkan olsun. Konu: gurur, kırgınlık, mesafe ve içsel çatışma. Boşluklu, dramatik ve sinematik bir hava ver.

pop rap ambient dark minimal cinematic TR/German pop-trap; minimal 808 low-end in a wide stereo field melancholic piano arpeggios blending with airy ambient pads. 140 BPM modern drums with sharp hats and bouncy snares; verses half-sung autotuned male vocals in a fluid TR/DE switch. Hooks open up with stacked harmonies and long reverb tails leaving dramatic pauses and negative space.

Uzak Kaldın İçimden

Cover art for Uzak Kaldın İçimden by jemeka3593@ostahie.com
03:29

2 months ago

by [email protected]

Duygusal ve karanlık atmosferli Türkçe trap şarkı üret. Minimal ama güçlü 808 bass kullan. Arka planda melankolik piyano veya ambient synth olsun. 140 BPM civarında modern trap davulları ve ritmik hi-hat ekle. Vokal autotune’lu, hem melodik hem akışkan olsun. Konu: gurur, kırgınlık, mesafe ve içsel çatışma. Boşluklu, dramatik ve sinematik bir hava ver.

pop rap ambient dark minimal cinematic TR/German pop-trap; minimal 808 low-end in a wide stereo field melancholic piano arpeggios blending with airy ambient pads. 140 BPM modern drums with sharp hats and bouncy snares; verses half-sung autotuned male vocals in a fluid TR/DE switch. Hooks open up with stacked harmonies and long reverb tails leaving dramatic pauses and negative space.

obsession

Cover art for obsession by Romina Dekavelli
02:49

2 months ago

by Romina Dekavelli

slow r&b dark sensual romance song

obsession

Cover art for obsession by Romina Dekavelli
03:15

2 months ago

by Romina Dekavelli

slow r&b dark sensual romance song

Sah, Mourad

Cover art for Sah, Mourad by Maevin Rodrigo
02:57

2 months ago

by Maevin Rodrigo

dark melodic and atmospheric R&B/Soul

Sah, Mourad

Cover art for Sah, Mourad by Maevin Rodrigo
03:42

2 months ago

by Maevin Rodrigo

dark melodic and atmospheric R&B/Soul

Bajo la lluvia nadie escucha mi voz

Cover art for Bajo la lluvia nadie escucha mi voz by alexander cedeño
03:35

2 months ago

by alexander cedeño

Bajo la lluvia nadie escucha mi voz… camino solo aunque el mundo sea tan grande… Tengo cicatrices que no se ven en la piel, son recuerdos que queman más que el ayer, prometí ser fuerte, pero vuelvo a caer, mi reflejo en el vidrio ya no quiere creer. Luces apagadas, cuarto frío y silencio, mi corazón late lento, lleno de arrepentimiento, dijeron “todo pasa”, pero esto no se ha ido, sigo

male vocals dark and a slow intimate Latin pop/trap ballad with male vocals close-mic confessional tone over a sparse minor-key piano pattern and deep sub bass; verses stay low and almost whispered pre-chorus adds airy pads and distant vocal chops chorus swells with layered harmonies filtered percussion heavy groove that breathes around the vocal

Bajo la lluvia nadie escucha mi voz

Cover art for Bajo la lluvia nadie escucha mi voz by alexander cedeño
03:11

2 months ago

by alexander cedeño

Bajo la lluvia nadie escucha mi voz… camino solo aunque el mundo sea tan grande… Tengo cicatrices que no se ven en la piel, son recuerdos que queman más que el ayer, prometí ser fuerte, pero vuelvo a caer, mi reflejo en el vidrio ya no quiere creer. Luces apagadas, cuarto frío y silencio, mi corazón late lento, lleno de arrepentimiento, dijeron “todo pasa”, pero esto no se ha ido, sigo

male vocals dark and a slow intimate Latin pop/trap ballad with male vocals close-mic confessional tone over a sparse minor-key piano pattern and deep sub bass; verses stay low and almost whispered pre-chorus adds airy pads and distant vocal chops chorus swells with layered harmonies filtered percussion heavy groove that breathes around the vocal

OBELE – Bilie n’Ọkụ

Cover art for OBELE – Bilie n’Ọkụ by Patricia Miglioranza
04:00

2 months ago

by Patricia Miglioranza

Title: “OBELE – Bilie n’Ọkụ” 140 BPM – Dark Drill – ~3 Minutes – Aggressive Motivational Street Hustle --- [INTRO – 0:00] (Heavy 808s… dark melody…) Obeleeeee! Oh-beh-leh! Aha m bu OBELE! Nwa okporo ámá! Hustle anaghị ehi ụra! Ala Igbo, bilie!

male vocals dark drill motivational menacing drill at 140 BPM heavy 808s and snarling bass icy bell lead and distant choir stabs. Male vocals with a raw urgent bark; verses tight and percussive ad-libs echoing deep in the stereo field. Chorus widens with stacked shouts and call‑and‑response subtle rise in backing textures for a hyped street‑anthem feel.

OBELE – Bilie n’Ọkụ

Cover art for OBELE – Bilie n’Ọkụ by Patricia Miglioranza
04:00

2 months ago

by Patricia Miglioranza

Title: “OBELE – Bilie n’Ọkụ” 140 BPM – Dark Drill – ~3 Minutes – Aggressive Motivational Street Hustle --- [INTRO – 0:00] (Heavy 808s… dark melody…) Obeleeeee! Oh-beh-leh! Aha m bu OBELE! Nwa okporo ámá! Hustle anaghị ehi ụra! Ala Igbo, bilie!

male vocals dark drill motivational menacing drill at 140 BPM heavy 808s and snarling bass icy bell lead and distant choir stabs. Male vocals with a raw urgent bark; verses tight and percussive ad-libs echoing deep in the stereo field. Chorus widens with stacked shouts and call‑and‑response subtle rise in backing textures for a hyped street‑anthem feel.

Obele N’Akwa Na-Aga

Cover art for Obele N’Akwa Na-Aga by Kelvin Onoriedo Steven
04:00

2 months ago

by Kelvin Onoriedo Steven

Create a hardcore street Igbo drill rap performed by an artist named Obele. The rapper proudly shouts his name “Obele” (pronounced Oh-beh-leh) in the intro and hook. Use correct Central Igbo grammar and authentic Southeast Nigerian street slang. Theme: hustle, survival, respect, dominance. Aggressive energy. Dark drill instrumental. 140 BPM.

male vocals rap theme dark drill hardcore menacing Igbo drill at 140 BPM male vocals. Heavy detuned 808s and sliding bass sharp stuttering hi-hats and sparse ominous piano stabs. Intro is just vocal and riser then beat drops hard. Verses stay rhythmically dense and aggressive with ad-lib shouts and call-and-response doubles. Hook widens with layered chants of “Obele ” low male choir stabs and extra percussion fills. Bridge strips to bass and vocal for tension then final hook hits with maximal energy and longer tail reverb on the last name shout.

dont touch him

Cover art for dont touch him by Faith
04:00

2 months ago

by Faith

k pop dark Soft haunting Cold villsn i inteas wispering