And Arpeggiated Accordion Riffs; Male Vocals With Call-and-response Backing Shouts. Verses Keep A Storytelling Vibe Over A Rolling Groove

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And Arpeggiated Accordion Riffs; Male Vocals With Call-and-response Backing Shouts. Verses Keep A Storytelling Vibe Over A Rolling Groove Tracks

O Corajoso da Pedra Redonda

Cover art for O Corajoso da Pedra Redonda by Ivan Lima Fonseca
04:00

1 week ago

by Ivan Lima Fonseca

Cria um forro arrastape animado sobre o dia que lidio viu um cavalo e pensou era um lobisomem. pulou da moto do seu cumpadi vevei e partiu pra cima do cavalo dizendo que era um lobisomem. Lidio dizia quem tem coragem sou eu. caiu no lajedo e na areia e contava repetindo o corajoso da Pedra Redonda sou eu. Mordi a vaca e agora to enfrentando o lobisomem. abusiva deve ter mais de 3 minutos

fast Forró party-ready forró arrastapé with zabumba driving hard bright triangle and arpeggiated accordion riffs; male vocals with call-and-response backing shouts. Verses keep a storytelling vibe over a rolling groove chorus explodes into shouted gang vocals and claps. Mid-song breakdown strips to percussion and bass before a big last-chorus push with octave harmonies and frantic accordion fills.

O Corajoso da Pedra Redonda

Cover art for O Corajoso da Pedra Redonda by Ivan Lima Fonseca
04:00

1 week ago

by Ivan Lima Fonseca

Cria um forro arrastape animado sobre o dia que lidio viu um cavalo e pensou era um lobisomem. pulou da moto do seu cumpadi vevei e partiu pra cima do cavalo dizendo que era um lobisomem. Lidio dizia quem tem coragem sou eu. caiu no lajedo e na areia e contava repetindo o corajoso da Pedra Redonda sou eu. Mordi a vaca e agora to enfrentando o lobisomem. abusiva deve ter mais de 3 minutos

fast Forró party-ready forró arrastapé with zabumba driving hard bright triangle and arpeggiated accordion riffs; male vocals with call-and-response backing shouts. Verses keep a storytelling vibe over a rolling groove chorus explodes into shouted gang vocals and claps. Mid-song breakdown strips to percussion and bass before a big last-chorus push with octave harmonies and frantic accordion fills.