Glow In My Bones

03:23

hace 4 meses

Song about illnes from radiation, Pop and rap, little electro

pop rap electro Moody pop-rap hybrid over pulsing electro-pop drums and buzzing synth bass male vocals. Verses half-rapped with tight rhythmic phrasing; choruses open into a soaring hooky melody with stacked harmonies and subtle vocoder doubles. Sparse keys and glitchy FX in the verses; big sidechained synth swells and punchy kicks in the hook. Final chorus adds octave vocals and filtered ad-libs for a cathartic bittersweet lift.

„Komponiere einen feierlichen, kraftvollen Introsong (60–90 Sek.) im Stil eines modernen deutschen Fest- und Spielmannszug-Marsches. Motive aus altdeutschen Märschen. Instrumente: Querflöten, Lyra, Trommeln, Pauken, Becken. Nicht mittelalterlich, nicht Pop. Gesang/Chor erlaubt. Der Name ‚SPI-MA Award‘ soll klar vorkommen, gesprochen: Schpi-Ma Awaart.“

pop Modern German brass-band style march adapted for flutes and lyra male and female choir in bold unison. Bright ceremonial energy: snappy snare patterns rolling timpani sharp cymbal crashes to mark phrases. Verses in stately half-time stride chorus widens with full-voiced harmonies and octave flutes. Final reprise accelerates slightly with extra drum accents for a triumphant cadence.

SPI-MA Award – Festmarsch

02:49

hace 4 meses

de Laura Rise-Against

„Komponiere einen feierlichen, kraftvollen Introsong (60–90 Sek.) im Stil eines modernen deutschen Fest- und Spielmannszug-Marsches. Motive aus altdeutschen Märschen. Instrumente: Querflöten, Lyra, Trommeln, Pauken, Becken. Nicht mittelalterlich, nicht Pop. Gesang/Chor erlaubt. Der Name ‚SPI-MA Award‘ soll klar vorkommen, gesprochen: Schpi-Ma Awaart.“

pop Modern German brass-band style march adapted for flutes and lyra male and female choir in bold unison. Bright ceremonial energy: snappy snare patterns rolling timpani sharp cymbal crashes to mark phrases. Verses in stately half-time stride chorus widens with full-voiced harmonies and octave flutes. Final reprise accelerates slightly with extra drum accents for a triumphant cadence.

The friend I left

03:43

hace 4 meses

de Ilyana Gaadaoui

pop Triste mélancolique nostalgique Piano guitare acoustique

Dernier Round

02:49

hace 4 meses

de tony fortin

“Musique de fin de stream Twitch, énergie nerveuse et entraînante, tempo 100-110 BPM. Couplet dynamique avec synthés et piano, pré-refrain tendu, refrain épique et percutant. Style électro-pop énergique, émotions fortes, gratitude et adrénaline collective. Fade-out pour outro, adaptée au stream.”

male vocals pop High-energy electro-pop with male vocals punchy sidechained synths and bright piano stabs driving around 108 BPM. Verses stay agile and syncopated bass pulsing tightly under clipped vocal phrasing. Pre-chorus ramps tension with rising pads tom fills and a held vocal that explodes into an epic wide-open chorus with stacked harmonies and a festival-style lead line. Outro rides a looping hook with filtered drums and fading arps for a smooth stream-ready fade-out.

Dernier Round

02:47

hace 4 meses

de tony fortin

“Musique de fin de stream Twitch, énergie nerveuse et entraînante, tempo 100-110 BPM. Couplet dynamique avec synthés et piano, pré-refrain tendu, refrain épique et percutant. Style électro-pop énergique, émotions fortes, gratitude et adrénaline collective. Fade-out pour outro, adaptée au stream.”

male vocals pop High-energy electro-pop with male vocals punchy sidechained synths and bright piano stabs driving around 108 BPM. Verses stay agile and syncopated bass pulsing tightly under clipped vocal phrasing. Pre-chorus ramps tension with rising pads tom fills and a held vocal that explodes into an epic wide-open chorus with stacked harmonies and a festival-style lead line. Outro rides a looping hook with filtered drums and fading arps for a smooth stream-ready fade-out.

Para minha mãe

02:57

hace 4 meses

de Paulo Henrique

pop

Para minha mãe

03:42

hace 4 meses

de Paulo Henrique

pop

Spazio Tra Le Righe

04:00

hace 4 meses

de Carla Sophia Iovino

voglio una base mista tra pop e elettronica, perfetta per scriverci del testo sopra

male vocals pop Mid-tempo pop-electronic blend around 110 BPM glossy synth pads with a warm sidechain swell tight electronic kick and snappy clap subtle arpeggiated keys for motion. Male vocals imagined but track stays instrumental-ready; leave wide frequency space in the midrange for future lyrics. Pre-chorus lift from filtered drums and rising synth riser chorus drops into a fuller brighter hook with a simple sticky top-line synth. Occasional vocal chop textures and a short atmospheric bridge with reverb-drenched plucks before the final chorus hit.

Spazio Tra Le Righe

04:00

hace 4 meses

de Carla Sophia Iovino

voglio una base mista tra pop e elettronica, perfetta per scriverci del testo sopra

male vocals pop Mid-tempo pop-electronic blend around 110 BPM glossy synth pads with a warm sidechain swell tight electronic kick and snappy clap subtle arpeggiated keys for motion. Male vocals imagined but track stays instrumental-ready; leave wide frequency space in the midrange for future lyrics. Pre-chorus lift from filtered drums and rising synth riser chorus drops into a fuller brighter hook with a simple sticky top-line synth. Occasional vocal chop textures and a short atmospheric bridge with reverb-drenched plucks before the final chorus hit.

Eze Ebube

03:50

hace 4 meses

de Uwa CHUKWUebuka

Create a worship song titled “Eze Ebube”, celebrating God as the King of Glory. Use a strong Nigerian worship voice, blending Igbo and English. The song should sound powerful, joyful, and indigenous, suitable for praise sessions, with catchy call-and-response lines and deep reverence.

male vocals pop joyful strong deep worship congas praise Big live Nigerian praise groove with talking drums and bright shakers driving a mid–up-tempo feel; male vocals lead with a strong church-call tone choir answering in rich harmonies. Brass stabs and highlife guitars weave around the vocal energy rising in the chorus with crowd-style ad-libs and handclaps. Final section modulates up for a triumphant finish leaving space for spontaneous worship lines and extended vamps.

Eze Ebube

03:34

hace 4 meses

de Uwa CHUKWUebuka

Create a worship song titled “Eze Ebube”, celebrating God as the King of Glory. Use a strong Nigerian worship voice, blending Igbo and English. The song should sound powerful, joyful, and indigenous, suitable for praise sessions, with catchy call-and-response lines and deep reverence.

male vocals pop joyful strong deep worship congas praise Big live Nigerian praise groove with talking drums and bright shakers driving a mid–up-tempo feel; male vocals lead with a strong church-call tone choir answering in rich harmonies. Brass stabs and highlife guitars weave around the vocal energy rising in the chorus with crowd-style ad-libs and handclaps. Final section modulates up for a triumphant finish leaving space for spontaneous worship lines and extended vamps.

aquiles

02:33

hace 4 meses

de Joselyne Sesme

pop

aquiles

03:13

hace 4 meses

de Joselyne Sesme

pop

Spill the Tea (Podcast Intro)

01:21

hace 4 meses

de [email protected]

Energetic beat with Darbuka and composed catchy fluet, to be a catchy sound for comedy podcast intro

male vocals pop comedy Playful Middle Eastern pop bounce built on bright darbuka patterns and plucky bass with a super-memorable lead flute hook doubled by synth. Male vocals in a tight group-chant style lots of call-and-response ad-libs and stacked harmonies on the title line. Quick 20–25 second energy blast ending on a punchy stop and a held vocal tag.

Spill the Tea (Podcast Intro)

03:22

hace 4 meses

de [email protected]

Energetic beat with Darbuka and composed catchy fluet, to be a catchy sound for comedy podcast intro

male vocals pop comedy Playful Middle Eastern pop bounce built on bright darbuka patterns and plucky bass with a super-memorable lead flute hook doubled by synth. Male vocals in a tight group-chant style lots of call-and-response ad-libs and stacked harmonies on the title line. Quick 20–25 second energy blast ending on a punchy stop and a held vocal tag.

Stone Quiet