Hard-hitting Corrido Tumbado Bélico With Male Vocals: Bajo Sexto And Bright Requinto Over A Swung Trap Groove

KI-Generierte Musik

2 Tracks

Hard-hitting Corrido Tumbado Bélico With Male Vocals: Bajo Sexto And Bright Requinto Over A Swung Trap Groove Tracks

Loquerón, Mami, Loquerón

Cover-Art für Loquerón, Mami, Loquerón von patriciamenacho759@gmail.com
02:24

vor 3 Wochen

von [email protected]

crea corrido tumbado bélico. Mami, la noche es nuestra Tú eres la reina, y yo el rey del juego La mercancía es fina, y el dinero es real Tú y yo, en la fiesta, somos intocables 😈 Loquerón, mami, loquerón La noche es de nosotros, y no hay quien nos pare Loquerón, mami, loquerón La adrenalina nos lleva, y no podemos parar Tú eres la diabla, yo soy el que te protege Juntos en la fiesta, somos una l

male vocals octave doubles Hard-hitting corrido tumbado bélico with male vocals: bajo sexto and bright requinto over a swung trap groove sub-heavy bass and sharp snare cracks. Verses stay intimate and close-mic’d vocal almost whispered with sly ad-libs; chorus widens with stacked gang vocals and edgy delay throws. Brief instrumental hook after each chorus with aggressive tuba line and muted brass stabs to lift the energy and underline the swagger.

Loquerón, Mami, Loquerón

Cover-Art für Loquerón, Mami, Loquerón von patriciamenacho759@gmail.com
02:58

vor 3 Wochen

von [email protected]

crea corrido tumbado bélico. Mami, la noche es nuestra Tú eres la reina, y yo el rey del juego La mercancía es fina, y el dinero es real Tú y yo, en la fiesta, somos intocables 😈 Loquerón, mami, loquerón La noche es de nosotros, y no hay quien nos pare Loquerón, mami, loquerón La adrenalina nos lleva, y no podemos parar Tú eres la diabla, yo soy el que te protege Juntos en la fiesta, somos una l

male vocals octave doubles Hard-hitting corrido tumbado bélico with male vocals: bajo sexto and bright requinto over a swung trap groove sub-heavy bass and sharp snare cracks. Verses stay intimate and close-mic’d vocal almost whispered with sly ad-libs; chorus widens with stacked gang vocals and edgy delay throws. Brief instrumental hook after each chorus with aggressive tuba line and muted brass stabs to lift the energy and underline the swagger.