And Emotional.

KI-Generierte Musik

11 Tracks

And Emotional. Tracks

Не похоже на конец

Cover-Art für Не похоже на конец von Анна Нико
03:36

vor 4 Tagen

von Анна Нико

Не похоже, что это конец. Знаешь говорят, чтобы забыть человека нужно отдалится от него, не видеть каждый день и тому подобное.  Я вижу тебя ежедневно и кажется с каждой секундой проведённой рядом, я всё дальше и дальше. Все твои колкие слова в мой адрес, ты ведь знаешь, что я не обижаюсь, потому что понимаю, этим ты лишь хочешь меня задеть, да посильнее, а я ведь не дура, я не реагирую на эти про

female vocals polished doubled hook lines and emotional. pre-chorus opens with rising strings and breathy doubles Russian pop ballad with female vocals mid-tempo pulse and gentle swung drums; verse stays intimate with sparse piano and muted bass chorus lands on wide harmony stacks and a short chantable refrain. Vocal treatment is close-mic and vulnerable in verses with airy ad-libs and delay throws on key words. Ear candy includes reversed piano swells soft cymbal lifts and a final chorus lift with fuller percussion. Mix is warm

Не похоже на конец

Cover-Art für Не похоже на конец von Анна Нико
03:25

vor 4 Tagen

von Анна Нико

Не похоже, что это конец. Знаешь говорят, чтобы забыть человека нужно отдалится от него, не видеть каждый день и тому подобное.  Я вижу тебя ежедневно и кажется с каждой секундой проведённой рядом, я всё дальше и дальше. Все твои колкие слова в мой адрес, ты ведь знаешь, что я не обижаюсь, потому что понимаю, этим ты лишь хочешь меня задеть, да посильнее, а я ведь не дура, я не реагирую на эти про

female vocals polished doubled hook lines and emotional. pre-chorus opens with rising strings and breathy doubles Russian pop ballad with female vocals mid-tempo pulse and gentle swung drums; verse stays intimate with sparse piano and muted bass chorus lands on wide harmony stacks and a short chantable refrain. Vocal treatment is close-mic and vulnerable in verses with airy ad-libs and delay throws on key words. Ear candy includes reversed piano swells soft cymbal lifts and a final chorus lift with fuller percussion. Mix is warm

Melodia Negra

Cover-Art für Melodia Negra von Nailson Rafaga
02:34

vor 1 Woche

von Nailson Rafaga

ouço a canção negra A melodia negra segue no tom tocando sentimentos puros e bom sisquiva de furacões raios e trovões vendavais de cento e vinte quilómetros por horas. sou melodia negra o choro dos negros sou melodia negra aí no ranni sou melodia negra a flor a flor afro sou melodia negra a primeira cor. quando o céu si parte eu não caio eu viro fogo eu viro abraço sou memória viva sou

male vocals choro reversed breath swells and emotional. Afro-pop ballad with a slow swaying groove and soft hand percussion; verse stays intimate with acoustic guitar and sparse bass pre-chorus opens into stacked harmonies and rising claps chorus blooms with male vocals in unison and call-and-response backing lines. Use subtle risers and a warm room reverb tail into each hook. Mix is wide organic with a polished low end and glowing mids.

Melodia Negra

Cover-Art für Melodia Negra von Nailson Rafaga
02:25

vor 1 Woche

von Nailson Rafaga

ouço a canção negra A melodia negra segue no tom tocando sentimentos puros e bom sisquiva de furacões raios e trovões vendavais de cento e vinte quilómetros por horas. sou melodia negra o choro dos negros sou melodia negra aí no ranni sou melodia negra a flor a flor afro sou melodia negra a primeira cor. quando o céu si parte eu não caio eu viro fogo eu viro abraço sou memória viva sou

male vocals choro reversed breath swells and emotional. Afro-pop ballad with a slow swaying groove and soft hand percussion; verse stays intimate with acoustic guitar and sparse bass pre-chorus opens into stacked harmonies and rising claps chorus blooms with male vocals in unison and call-and-response backing lines. Use subtle risers and a warm room reverb tail into each hook. Mix is wide organic with a polished low end and glowing mids.

La Mesa Fría

Cover-Art für La Mesa Fría von Mario Alberto Pastrana
03:25

vor 2 Wochen

von Mario Alberto Pastrana

Que hable de lo que alguna vez quise con ella y ella me traicionó y los recuerdos

male vocals clean doubled on key lines and emotional. Latin pop ballad with male vocals mid-tempo pulse and steady handclaps; verse rides sparse guitar and soft kick pre-chorus opens with rising strings and tense silence chorus lands wider with stacked harmonies and a sung top-line. Vocal is intimate and cracked in verses with short delay throws on the hook word. Ear candy: reversed swell into chorus pencil-tap percussion fills final chorus with airy ad-libs. Mix is warm with a glossy low end

La Mesa Fría

Cover-Art für La Mesa Fría von Mario Alberto Pastrana
03:23

vor 2 Wochen

von Mario Alberto Pastrana

Que hable de lo que alguna vez quise con ella y ella me traicionó y los recuerdos

male vocals clean doubled on key lines and emotional. Latin pop ballad with male vocals mid-tempo pulse and steady handclaps; verse rides sparse guitar and soft kick pre-chorus opens with rising strings and tense silence chorus lands wider with stacked harmonies and a sung top-line. Vocal is intimate and cracked in verses with short delay throws on the hook word. Ear candy: reversed swell into chorus pencil-tap percussion fills final chorus with airy ad-libs. Mix is warm with a glossy low end

Manhã de Sol

Cover-Art für Manhã de Sol von gabrieldacosta gaby
03:07

vor 2 Wochen

von gabrieldacosta gaby

Essa Música e para Querida Mulher Winela da Costa. Hum Manha de Sol. um dia tão perfeito para mim tiver. ao teu lado quero está bem perto de você. como dois Anjinhos eu quero te Amar. manhã de sol. eu quero acorda e te fazer feliz. eu quero viver o amor que Deus me Deu. eu quero te Amar do jeito que eu sonhei. sem te eu não sei. o que seria de mim.

male vocals polished doubled on key lines and emotional. Portuguese pop ballad with a gentle 74 BPM swaying groove soft acoustic guitar and warm electric piano; verse stays intimate with fingerpicked chords and light percussion pre-chorus lifts with subtle string pad and tom builds chorus opens wider with layered harmonies and a steady kick. Male vocals close-mic’d and tender in verses with airy ad-libs and a short delay throw on the hook. Add a brushed cymbal swell reversed piano lift and a final chorus glow. Warm

Virginia Montoya mi amor

Cover-Art für Virginia Montoya mi amor von Juliomartin Marqueztabanico
02:42

vor 3 Wochen

von Juliomartin Marqueztabanico

el primer día que te vi sentí algo por ti yo de legos admiraba tu belleza de pies a cabeza nunca pensé que al pasar los años tu estarías aquí si aquí en mis brazos no se si fue obra del destino o obra de dios pero agradesco a los dos tu llevas por nombre Virginia y por apellido llevas montoya te dedico esta canción en prueba de mi amor nunca te vallas de mi tu llegaste en el mejor momento amor

glossy and emotional. Latin pop ballad with gentle reggaeton pulse soft kick-snare groove and acoustic guitar verses; verse stays intimate with piano and bass pre-chorus lifts with rising strings and breathy harmony stacks chorus opens wide with handclaps and a memorable chant. Lead vocal is close-mic and tender with doubled chorus lines subtle delay throws on the name and warm gang harmonies on the hook. Ear candy includes a reverse swell into each chorus shimmering top-line chimes and a final key-change lift. Mix is warm

Virginia Montoya mi amor

Cover-Art für Virginia Montoya mi amor von Juliomartin Marqueztabanico
03:00

vor 3 Wochen

von Juliomartin Marqueztabanico

el primer día que te vi sentí algo por ti yo de legos admiraba tu belleza de pies a cabeza nunca pensé que al pasar los años tu estarías aquí si aquí en mis brazos no se si fue obra del destino o obra de dios pero agradesco a los dos tu llevas por nombre Virginia y por apellido llevas montoya te dedico esta canción en prueba de mi amor nunca te vallas de mi tu llegaste en el mejor momento amor

glossy and emotional. Latin pop ballad with gentle reggaeton pulse soft kick-snare groove and acoustic guitar verses; verse stays intimate with piano and bass pre-chorus lifts with rising strings and breathy harmony stacks chorus opens wide with handclaps and a memorable chant. Lead vocal is close-mic and tender with doubled chorus lines subtle delay throws on the name and warm gang harmonies on the hook. Ear candy includes a reverse swell into each chorus shimmering top-line chimes and a final key-change lift. Mix is warm

ضوّ الصبح

Cover-Art für ضوّ الصبح von jawad ajami
02:50

vor 3 Wochen

von jawad ajami

فَرَح إجت متل ضَوّ الصبح بالدار وعِصام قلبه نضيف وبيحمل الأسرار لما التقوا عيونن صاروا يحكوا كلام وصار الدرب بينهم مِشّي عالهيام فَرَح بتضحك والدني بتصير ربيع وبقربها بتنسى الروح كل المنيع وعِصام إجا وقال: إنتِ الأمان وإنتِ الحلم الحلو بهالزمن التعبان هي قالتله: إنت السند بهالدنيا وبقربك بيهون الوجع والقضية هو قالها: إنتِ عمري والسنين وبحبك بيحلى حتى الحنين مش حب عابر ولا كلمة وبتروح حبّ نضي

polished Arabic pop ballad with warm dabke-tinged rhythm gentle mid-tempo pulse and swaying hand percussion; verse 1 stays intimate with oud phrases and light keys pre-chorus lifts with stacked harmonies and a rising drum swell chorus opens wide with claps and a singback hook. Lead vocal is close-mic and tender with doubled lines on the refrain and soft ad-libs in the gaps. Ear candy includes reversed cymbal swells brief qanun flourishes and delay throws on the key names. Mix is bright and emotional.

ضوّ الصبح

Cover-Art für ضوّ الصبح von jawad ajami
03:05

vor 3 Wochen

von jawad ajami

فَرَح إجت متل ضَوّ الصبح بالدار وعِصام قلبه نضيف وبيحمل الأسرار لما التقوا عيونن صاروا يحكوا كلام وصار الدرب بينهم مِشّي عالهيام فَرَح بتضحك والدني بتصير ربيع وبقربها بتنسى الروح كل المنيع وعِصام إجا وقال: إنتِ الأمان وإنتِ الحلم الحلو بهالزمن التعبان هي قالتله: إنت السند بهالدنيا وبقربك بيهون الوجع والقضية هو قالها: إنتِ عمري والسنين وبحبك بيحلى حتى الحنين مش حب عابر ولا كلمة وبتروح حبّ نضي

polished Arabic pop ballad with warm dabke-tinged rhythm gentle mid-tempo pulse and swaying hand percussion; verse 1 stays intimate with oud phrases and light keys pre-chorus lifts with stacked harmonies and a rising drum swell chorus opens wide with claps and a singback hook. Lead vocal is close-mic and tender with doubled lines on the refrain and soft ad-libs in the gaps. Ear candy includes reversed cymbal swells brief qanun flourishes and delay throws on the key names. Mix is bright and emotional.