Please See me

04:05

2 недели назад

от [email protected]

sad longing and pleading

Please See me

04:15

2 недели назад

от [email protected]

sad longing and pleading

Lovegesi

03:50

3 недели назад

от ASSISTING FOR EMPLOYMENT

romantic sad male vocal Backing vocals love tropical reggae reggae snare intro tight rims wah wah guitar wah wah chops reggae bass

Lovegesi

03:35

3 недели назад

от ASSISTING FOR EMPLOYMENT

romantic sad male vocal Backing vocals love tropical reggae reggae snare intro tight rims wah wah guitar wah wah chops reggae bass

snta

01:05

3 недели назад

от Mike Scofield

emotional sad Sad Rap slow rap

snta

01:07

3 недели назад

от Mike Scofield

emotional sad Sad Rap slow rap

Priya the Werewolf

03:10

1 месяц назад

от Valentino Bracalentti

emotional [EDM FEMALE VOCAL sad catchy melancholy harmonic vocals clean audio harmonic music

Priya the Werewolf

04:35

1 месяц назад

от Valentino Bracalentti

emotional [EDM FEMALE VOCAL sad catchy melancholy harmonic vocals clean audio harmonic music

Tears At The Altar

03:35

1 месяц назад

от Nick

Gospel God Jesus sad rap emotional

male vocals emotional rap sad Gospel emotional delivery handclaps reverent intimate mix Gospel rap with a slow half-time bounce warm organ chords and sparse kick-snare pockets; verse rides close-mic male vocals with dry pre-chorus opens into stacked choir responses chorus hits with shouted doubles and ad-libbed amens. Transition with organ swells reverse cymbal breaths and a soft tambourine lift. Wide

Tears At The Altar

03:27

1 месяц назад

от Nick

Gospel God Jesus sad rap emotional

male vocals emotional rap sad Gospel emotional delivery handclaps reverent intimate mix Gospel rap with a slow half-time bounce warm organ chords and sparse kick-snare pockets; verse rides close-mic male vocals with dry pre-chorus opens into stacked choir responses chorus hits with shouted doubles and ad-libbed amens. Transition with organ swells reverse cymbal breaths and a soft tambourine lift. Wide

Bent Wood

03:09

1 месяц назад

от Quilline Ochieng

Solo acoustic guitar, raw fingerstyle, finger plucked, B minor, 100bpm. Features a steady, staccato alternating Travis-picking. No reverb, dry production, sad and touching

acoustic raw steady sad staccato fingerstyle Acoustic folk fingerstyle in B minor at 100 bpm with steady Travis-picking and crisp staccato alternation; verse-like opening stays close and sparse then a gentle lift in the middle adds wider bass movement before settling back to a final bare-picked outro. Dry intimate solo performance with close-mic string noise subtle fret buzz and a tactile woody mix.

Bent Wood

03:05

1 месяц назад

от Quilline Ochieng

Solo acoustic guitar, raw fingerstyle, finger plucked, B minor, 100bpm. Features a steady, staccato alternating Travis-picking. No reverb, dry production, sad and touching

acoustic raw steady sad staccato fingerstyle Acoustic folk fingerstyle in B minor at 100 bpm with steady Travis-picking and crisp staccato alternation; verse-like opening stays close and sparse then a gentle lift in the middle adds wider bass movement before settling back to a final bare-picked outro. Dry intimate solo performance with close-mic string noise subtle fret buzz and a tactile woody mix.

Empty Hallway

03:15

1 месяц назад

от Sarah

about dad being there when i was small and picking me up when i was sad and had no where to go and now that hes gone I miss him

female vocals sad Country-pop ballad with a soft 92 BPM sway brushed drums and clean acoustic guitar in the verses strings and piano blooming in the pre-chorus and a bigger chorus with warm stacked harmonies; female vocals close-mic’d and intimate with breathy doubles gentle delay throws on the hook a pedal-steel cry in the turnaround and a final chorus lifted by handclaps and wide harmony pads bright and emotional mix

Empty Hallway

02:57

1 месяц назад

от Sarah

about dad being there when i was small and picking me up when i was sad and had no where to go and now that hes gone I miss him

female vocals sad Country-pop ballad with a soft 92 BPM sway brushed drums and clean acoustic guitar in the verses strings and piano blooming in the pre-chorus and a bigger chorus with warm stacked harmonies; female vocals close-mic’d and intimate with breathy doubles gentle delay throws on the hook a pedal-steel cry in the turnaround and a final chorus lifted by handclaps and wide harmony pads bright and emotional mix

Dad you are my hero & P; J bwoe compose

02:40

1 месяц назад

от vigil easter

bass drums Female Voice male voice Afrobeat sad Soprano emotional beat

Dad you are my hero & P; J bwoe compose

02:55

1 месяц назад

от vigil easter

bass drums Female Voice male voice Afrobeat sad Soprano emotional beat

Strangers Now

03:11

1 месяц назад

от Megara Lukàcs

sad missing crying

Strangers Now

03:17

1 месяц назад

от Megara Lukàcs

sad missing crying

Saanu kise naal milan da shoq nai, Asi apne raah de raja aa… Na kise di soch ch phasde aa, Asi khud de likhe irada aa… Jithe duniya saath chad jandi, Othe asi khud hi khad jande aa… Dhokhe vekh ke hassde aa, Dil ch dard vi sad jande aa… (Hook) Saanu kise di load nai, Asi akele hi kaafi aa… Duniya jhooti lagdi ae, Par asi sach de saathi aa… Saanu kise di load nai, Na kise da sahara chahida… Maa baa

bass sad and a bright Punjabi hip-hop with a steady mid-tempo bounce and crisp handclap swing; verse rides sparse kick and dry snare then pre-chorus opens with filtered synth lift and snare rolls; chorus hits with layered gang doubles and a chanty reply. Add reverse swells into each hook vocal delay throws on the last word punchy mix with intimate lead vocal.

Apne Raah De Raja

02:07

2 месяца назад

от Arslan Khan

Saanu kise naal milan da shoq nai, Asi apne raah de raja aa… Na kise di soch ch phasde aa, Asi khud de likhe irada aa… Jithe duniya saath chad jandi, Othe asi khud hi khad jande aa… Dhokhe vekh ke hassde aa, Dil ch dard vi sad jande aa… (Hook) Saanu kise di load nai, Asi akele hi kaafi aa… Duniya jhooti lagdi ae, Par asi sach de saathi aa… Saanu kise di load nai, Na kise da sahara chahida… Maa baa

bass sad and a bright Punjabi hip-hop with a steady mid-tempo bounce and crisp handclap swing; verse rides sparse kick and dry snare then pre-chorus opens with filtered synth lift and snare rolls; chorus hits with layered gang doubles and a chanty reply. Add reverse swells into each hook vocal delay throws on the last word punchy mix with intimate lead vocal.