Male Vocals

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2751 트랙

Male Vocals 트랙

Dos Tequilas Más

Cristian Ochoa Flores의 Dos Tequilas Más 커버 아트
03:05

4일 전

by Cristian Ochoa Flores

un duelo amistoso de dos amigos borrachos, 2 different Male Vocals, Banda Mexicana, Grosera, Chistosa, estilo borracho de un bar

male vocals banda and a bright Mexican banda with bouncy brass tuba-driven swing and a rowdy drunk-bar groove; verses alternate between two male vocals in call-and-response pre-chorus tightens with snare rolls and shouted pickup lines chorus slams with full horns and gang-style doubles. Add sloppy laughter ad-libs accordion fills between lines a fake-stop before each hook punchy mix with sweaty live-room energy. male vocals

No Puede Más

Yaxon Carrasco tocto의 No Puede Más 커버 아트
01:10

4일 전

by Yaxon Carrasco tocto

(Intro) ¡Suavecito…! ¡Ya tú sabes! ¡Eso! (Coro - entra directo) Pero él no puede dar más, dar más, dar más, pero él no puede dar más, no puede más, pero él no puede dar más, dar más, dar más, una sola es la que debe cuidar. (Verso corto) Mucho floro, poco na’, pura bulla, nada más, dice “mía”, dice “ya”, pero nunca cumple na’. (Coro) Pero él no puede da

male vocals bass and handclaps reversed swells Reggaeton dembow with a perreo bounce and tight syncopated percussion; intro drops straight into the hook verse stays stripped to kick pre-chorus tightens with filtered sweeps chorus opens with stacked gang doubles and short delay throws on the anchor phrase. Male vocals close-mic and teasing in verses more forceful on the hook with rim-click fills and a glossy punchy mix.

No Puede Más

Yaxon Carrasco tocto의 No Puede Más 커버 아트
01:50

4일 전

by Yaxon Carrasco tocto

(Intro) ¡Suavecito…! ¡Ya tú sabes! ¡Eso! (Coro - entra directo) Pero él no puede dar más, dar más, dar más, pero él no puede dar más, no puede más, pero él no puede dar más, dar más, dar más, una sola es la que debe cuidar. (Verso corto) Mucho floro, poco na’, pura bulla, nada más, dice “mía”, dice “ya”, pero nunca cumple na’. (Coro) Pero él no puede da

male vocals bass and handclaps reversed swells Reggaeton dembow with a perreo bounce and tight syncopated percussion; intro drops straight into the hook verse stays stripped to kick pre-chorus tightens with filtered sweeps chorus opens with stacked gang doubles and short delay throws on the anchor phrase. Male vocals close-mic and teasing in verses more forceful on the hook with rim-click fills and a glossy punchy mix.

DJ Jerry Garcia Remix

meta hucker의 DJ Jerry Garcia Remix 커버 아트
03:02

4일 전

by meta hucker

YEAH YEAH YEAH YES MAN THIS IS D D D D DJ JERRY GARCIA REMIX TV IDOL SAYAW SA TAG INIT KAHIT MAINIT MAINIT YEAH MALIGO TAYO SA DAGAT DAHIL SUMMER NA YES MAN DJ JERRY YEAH YEAH YEAH YES MAN THIS IS D D D D DJ JERRY GARCIA REMIX TV IDOL SAYAW SA TAG INIT KAHIT MAINIT MAINIT YEAH MALIGO TAYO SA DAGAT DAHIL SUMMER NA YES MAN DJ JERRY YEAH YEAH YEAH YES MAN THIS IS D D D D DJ JERRY GARCIA REMIX TV IDOL

male vocals remix lively idol Tagalog dance-pop with bouncy four-on-the-floor kick syncopated handclaps and a playful tropical groove; verse rides clipped chanty lines pre-chorus lifts with rising synths and chopped shouts chorus hits with gang vocals and a wide synth bass bounce. Lead vocal is bright and punchy with doubles on the hook ad-lib pings in the gaps and short delay throws on the name tag. Ear candy includes whistle accents reverse swells into the drop and splashy percussion fills. Mix is glossy and festival-bright with a big singalong sheen.

DJ Jerry Garcia Remix

meta hucker의 DJ Jerry Garcia Remix 커버 아트
02:32

4일 전

by meta hucker

YEAH YEAH YEAH YES MAN THIS IS D D D D DJ JERRY GARCIA REMIX TV IDOL SAYAW SA TAG INIT KAHIT MAINIT MAINIT YEAH MALIGO TAYO SA DAGAT DAHIL SUMMER NA YES MAN DJ JERRY YEAH YEAH YEAH YES MAN THIS IS D D D D DJ JERRY GARCIA REMIX TV IDOL SAYAW SA TAG INIT KAHIT MAINIT MAINIT YEAH MALIGO TAYO SA DAGAT DAHIL SUMMER NA YES MAN DJ JERRY YEAH YEAH YEAH YES MAN THIS IS D D D D DJ JERRY GARCIA REMIX TV IDOL

male vocals remix lively idol Tagalog dance-pop with bouncy four-on-the-floor kick syncopated handclaps and a playful tropical groove; verse rides clipped chanty lines pre-chorus lifts with rising synths and chopped shouts chorus hits with gang vocals and a wide synth bass bounce. Lead vocal is bright and punchy with doubles on the hook ad-lib pings in the gaps and short delay throws on the name tag. Ear candy includes whistle accents reverse swells into the drop and splashy percussion fills. Mix is glossy and festival-bright with a big singalong sheen.

Bloco do Minecraft

Miguel Luis의 Bloco do Minecraft 커버 아트
02:45

4일 전

by Miguel Luis

Uma música de rap sobre um grupo de amigos chamado Miguel, Gabriel e Enzo jogando Minecraft

male vocals rap clean close-mic and warm with doubled hook lines Portuguese rap with male vocals bouncy mid-tempo boom-bap groove head-nod drums and rubbery bass; verse rides sparse with chopped game-like percussion and tight rhythmic flows pre-chorus strips to clap and bass chorus hits with group chants on the names and a catchy repeated hook. Vocal delivery is dry ad-lib punches and short delay throws on key words. Ear candy includes blocky wood knocks reversed swells into the hook and a tiny sparkle fill before each chorus. Mix is punchy

Bloco do Minecraft

Miguel Luis의 Bloco do Minecraft 커버 아트
02:30

4일 전

by Miguel Luis

Uma música de rap sobre um grupo de amigos chamado Miguel, Gabriel e Enzo jogando Minecraft

male vocals rap clean close-mic and warm with doubled hook lines Portuguese rap with male vocals bouncy mid-tempo boom-bap groove head-nod drums and rubbery bass; verse rides sparse with chopped game-like percussion and tight rhythmic flows pre-chorus strips to clap and bass chorus hits with group chants on the names and a catchy repeated hook. Vocal delivery is dry ad-lib punches and short delay throws on key words. Ear candy includes blocky wood knocks reversed swells into the hook and a tiny sparkle fill before each chorus. Mix is punchy

Calle Nayarit

Eduardo Miranda의 Calle Nayarit 커버 아트
02:47

4일 전

by Eduardo Miranda

Soy Amon Hidler. En cuautitlan Izcalli Echeverría calle Nayarit 532 luzco mi SS de papel; niños huyen de mi, restaurare el tercer Reich Mexicano. Tomo Kosako azul con mi gorda morena Mestly Braun cada fin de semana, Entreno Phonk cargando un sillón que me aplasta la moyera. Mi mansión de obra negra tiene baches lunares y perros, odio las piedras voladoras que me hacen sangrar la cabeza

male vocals Phonk oscuro con dembow lento golpe seco y bajo grave; verso tenso con percusión espaciada y bajos saturados pre-coro levanta con coros filtrados y risers rasposos coro entra más amplio con mantra cortante y dobles ásperos. Puentes con corte de batería susurros tratados y golpes de sala; detalles de reversa chasquidos metálicos y un sub que late. Mezcla cruda frontal y polvorienta; male vocals

Calle Nayarit

Eduardo Miranda의 Calle Nayarit 커버 아트
02:39

4일 전

by Eduardo Miranda

Soy Amon Hidler. En cuautitlan Izcalli Echeverría calle Nayarit 532 luzco mi SS de papel; niños huyen de mi, restaurare el tercer Reich Mexicano. Tomo Kosako azul con mi gorda morena Mestly Braun cada fin de semana, Entreno Phonk cargando un sillón que me aplasta la moyera. Mi mansión de obra negra tiene baches lunares y perros, odio las piedras voladoras que me hacen sangrar la cabeza

male vocals Phonk oscuro con dembow lento golpe seco y bajo grave; verso tenso con percusión espaciada y bajos saturados pre-coro levanta con coros filtrados y risers rasposos coro entra más amplio con mantra cortante y dobles ásperos. Puentes con corte de batería susurros tratados y golpes de sala; detalles de reversa chasquidos metálicos y un sub que late. Mezcla cruda frontal y polvorienta; male vocals

Roubou Meu Coração

Tito의 Roubou Meu Coração 커버 아트
03:22

5일 전

by Tito

eu era um cara que procurava um amor,e que acreditava que seria feliz com a pessoa certa. E de repente numa questão de segundos eu vi você, roubando a cena e também meu coração. não consegui me segurar,meu coração não estava preparado e cai na sua ilusão. juro que tentei me segurar mais não consegui. não sabia eu que seria a mais louca paixão que eu viveria. nossa cama hoje está vazia,já não tem m

male vocals polished Pop romântico mid-tempo with a pulsing syncopated groove and soft acoustic guitar under glossy synth pads; verse stays close and intimate pre-chorus lifts with stacked harmonies and a filtered riser chorus opens wide with doubled male vocals and chant-like backing repeats. Quick reverse swells handclap fills and delay throws on the hook. Bright emotionally upfront mix with a warm low end.

Roubou Meu Coração

Tito의 Roubou Meu Coração 커버 아트
03:45

5일 전

by Tito

eu era um cara que procurava um amor,e que acreditava que seria feliz com a pessoa certa. E de repente numa questão de segundos eu vi você, roubando a cena e também meu coração. não consegui me segurar,meu coração não estava preparado e cai na sua ilusão. juro que tentei me segurar mais não consegui. não sabia eu que seria a mais louca paixão que eu viveria. nossa cama hoje está vazia,já não tem m

male vocals polished Pop romântico mid-tempo with a pulsing syncopated groove and soft acoustic guitar under glossy synth pads; verse stays close and intimate pre-chorus lifts with stacked harmonies and a filtered riser chorus opens wide with doubled male vocals and chant-like backing repeats. Quick reverse swells handclap fills and delay throws on the hook. Bright emotionally upfront mix with a warm low end.

Olsen Naidon

Sonuy Max의 Olsen Naidon 커버 아트
02:30

5일 전

by Sonuy Max

Mi stap long house bilong mi na yu bin tok mi Olsen yu displa mangi ya bilong w, okay kabwum Naidon Nanang bye mi stop Mama, papa bilong mi you stap long distance Wa

male vocals and a bright Tok Pisin pop with a mid-tempo swaying groove hand percussion and warm guitar figures; verse stays intimate and conversational pre-chorus opens up with stacked harmonies chorus lands on a chantable call-and-response. Male vocals with close-mic lead soft doubles and short ad-lib echoes on the hook. Airy risers into the chorus a brief drum pullback before the bridge clean mix with a heartfelt open center.

Olsen Naidon

Sonuy Max의 Olsen Naidon 커버 아트
02:05

5일 전

by Sonuy Max

Mi stap long house bilong mi na yu bin tok mi Olsen yu displa mangi ya bilong w, okay kabwum Naidon Nanang bye mi stop Mama, papa bilong mi you stap long distance Wa

male vocals and a bright Tok Pisin pop with a mid-tempo swaying groove hand percussion and warm guitar figures; verse stays intimate and conversational pre-chorus opens up with stacked harmonies chorus lands on a chantable call-and-response. Male vocals with close-mic lead soft doubles and short ad-lib echoes on the hook. Airy risers into the chorus a brief drum pullback before the bridge clean mix with a heartfelt open center.

Corner Store Riddim

Johnny Tomasson의 Corner Store Riddim 커버 아트
03:23

5일 전

by Johnny Tomasson

old school reggae

male vocals reggae Dusty walking bass skanking guitar chops Old-school reggae with a laid-back one-drop groove and warm live drums; verse rides sparse with bass and rimshot pre-chorus lifts with organ bubbles and harmony swells chorus opens with gang vocals and brass hits. Lead male vocals are close-mic and relaxed with dub delay throws on key words and a few call-and-response echoes. Tape hiss spring reverb tails and a horn pickup between sections. Warm and sun-faded mix

Corner Store Riddim

Johnny Tomasson의 Corner Store Riddim 커버 아트
02:25

5일 전

by Johnny Tomasson

old school reggae

male vocals reggae Dusty walking bass skanking guitar chops Old-school reggae with a laid-back one-drop groove and warm live drums; verse rides sparse with bass and rimshot pre-chorus lifts with organ bubbles and harmony swells chorus opens with gang vocals and brass hits. Lead male vocals are close-mic and relaxed with dub delay throws on key words and a few call-and-response echoes. Tape hiss spring reverb tails and a horn pickup between sections. Warm and sun-faded mix

Princesa Shary

william garcia의 Princesa Shary 커버 아트
02:39

5일 전

by william garcia

eres hermosa princesa y aqui estoy para cuidarte eres. como una estrella mi princesa shary vales mucho sincera y carñosa

male vocals brushed drums glossy delay throws on the last word muted keys and light hand percussion Latin pop ballad with a soft reggaeton pulse mid-tempo and swaying; verse stays intimate with nylon guitar pre-chorus lifts with snare rolls and layered oohs chorus opens into warm bass and a singback chant. Lead male vocals are close-mic and tender with double-tracked hook lines and gentle harmony stacks. Heartbeat kick reversed swell into chorus and shimmering bell accents. Bright and romantic.

Princesa Shary

william garcia의 Princesa Shary 커버 아트
02:30

5일 전

by william garcia

eres hermosa princesa y aqui estoy para cuidarte eres. como una estrella mi princesa shary vales mucho sincera y carñosa

male vocals brushed drums glossy delay throws on the last word muted keys and light hand percussion Latin pop ballad with a soft reggaeton pulse mid-tempo and swaying; verse stays intimate with nylon guitar pre-chorus lifts with snare rolls and layered oohs chorus opens into warm bass and a singback chant. Lead male vocals are close-mic and tender with double-tracked hook lines and gentle harmony stacks. Heartbeat kick reversed swell into chorus and shimmering bell accents. Bright and romantic.

Pol Rata y Merluza

lparera.rov@gmail.com의 Pol Rata y Merluza 커버 아트
03:04

5일 전

by [email protected]

que sea de regeton.merluza le pone los cuernos a pol rata en el camino i en irlanda con un italiano. a la lucia le gustan los gordos como pol. i la lucia es infiel. que quede como infiel i q haga risa. i que ahora podria estar con palomino que la trata muy bien pero ya ha perdido esa opurtunidad.

male vocals bass - Brass stabs glossy ad-lib throws Reggaeton dembow-locked with punchy handclaps woody rim clicks and a round sub bass; verse rides sparse with cheeky syncopation pre-chorus strips to kick and a teasing synth riser chorus hits with gang vocals and a playful horn riff. Male vocals with tight doubles and a few teasing harmony replies; ear candy from reversed sweeps into the hook and a tape-stop before the last chorus. Bright and mischievous in the mix.

Pol Rata y Merluza

lparera.rov@gmail.com의 Pol Rata y Merluza 커버 아트
02:55

5일 전

by [email protected]

que sea de regeton.merluza le pone los cuernos a pol rata en el camino i en irlanda con un italiano. a la lucia le gustan los gordos como pol. i la lucia es infiel. que quede como infiel i q haga risa. i que ahora podria estar con palomino que la trata muy bien pero ya ha perdido esa opurtunidad.

male vocals bass - Brass stabs glossy ad-lib throws Reggaeton dembow-locked with punchy handclaps woody rim clicks and a round sub bass; verse rides sparse with cheeky syncopation pre-chorus strips to kick and a teasing synth riser chorus hits with gang vocals and a playful horn riff. Male vocals with tight doubles and a few teasing harmony replies; ear candy from reversed sweeps into the hook and a tape-stop before the last chorus. Bright and mischievous in the mix.

Не Сбивай Ритм

Андрей Андрей의 Не Сбивай Ритм 커버 아트
03:03

5일 전

by Андрей Андрей

танцевальная, энергичная

male vocals punchy rubbery bass Syncopated claps Dance-pop with a driving four-on-the-floor pulse and bright synth stabs; verse stays tight and percussive pre-chorus lifts with filtered risers and stacked chants chorus opens wider with gang vocals and a repeatable hook. Lead male vocals are close-mic in verses double-tracked on the hook with short delay throws and ad-lib lifts. Add reversed swells into each drop metallic fills and crisp sidechain bounce. Bright club-ready mix.

Не Сбивай Ритм

Андрей Андрей의 Не Сбивай Ритм 커버 아트
03:04

5일 전

by Андрей Андрей

танцевальная, энергичная

male vocals punchy rubbery bass Syncopated claps Dance-pop with a driving four-on-the-floor pulse and bright synth stabs; verse stays tight and percussive pre-chorus lifts with filtered risers and stacked chants chorus opens wider with gang vocals and a repeatable hook. Lead male vocals are close-mic in verses double-tracked on the hook with short delay throws and ad-lib lifts. Add reversed swells into each drop metallic fills and crisp sidechain bounce. Bright club-ready mix.

Pokea Sifa

bti65168@gmail.com의 Pokea Sifa 커버 아트
02:57

5일 전

by [email protected]

gospel live performance with crowd wimbo unaitwa pokea sifa. wimbo wa kucheza ulio changamka ukisifu makuu ya Mungu jima la producer ni emmavoice

male vocals Gospel handclaps short delay throws on key lines Gospel live performance upbeat dance groove with shuffling drums bass guitar bounce electric organ stabs and call-and-response crowd energy; verse starts intimate with lead male vocal and light choir pads pre-chorus opens with stacked responses and rising claps chorus bursts wide with gang vocals and repeated crowd chants. Add shouted ad-libs tambourine sparkle and a lifted final chorus. Bright full and celebratory live mix with warm room ambience and punchy low end. Male vocals.

Pokea Sifa

bti65168@gmail.com의 Pokea Sifa 커버 아트
04:00

5일 전

by [email protected]

gospel live performance with crowd wimbo unaitwa pokea sifa. wimbo wa kucheza ulio changamka ukisifu makuu ya Mungu jima la producer ni emmavoice

male vocals Gospel handclaps short delay throws on key lines Gospel live performance upbeat dance groove with shuffling drums bass guitar bounce electric organ stabs and call-and-response crowd energy; verse starts intimate with lead male vocal and light choir pads pre-chorus opens with stacked responses and rising claps chorus bursts wide with gang vocals and repeated crowd chants. Add shouted ad-libs tambourine sparkle and a lifted final chorus. Bright full and celebratory live mix with warm room ambience and punchy low end. Male vocals.

Bode na Rua

Fabiano Morais의 Bode na Rua 커버 아트
02:53

6일 전

by Fabiano Morais

bode na rua na cidade de Gurjão venha curtir vicê éno nosso convidado pode na rua é no mês de julho venha conferir e dança muito forró ao vivo em praça pública

male vocals crowd claps Forró pé-de-serra with a fast baião swing zabumba-driven pulse and accordion leads; verse steps lightly with sparse triangle and handclaps pre-chorus opens with rising backing chants chorus bursts in with full sanfona and male vocals in bright doubles on the hook. Add short accordion fills between lines a brief percussion break before the last chorus and a warm punchy mix with live praça energy.