Silent Compass

02:36

1週間前

Create something chill, instrumental and inspiring.

male vocals inspiring warm Rhodes chords Chill inspiring instrumental bed with male vocal textures hand-played percussion soft sub pulse wide ambient guitar swells and a slow lift into a hopeful final refrain; intimate close-mic phrasing airy choir-like pads and a polished cinematic glow

Laisse les gens courir après ce qu’ils n'ont pas, Moi je pose mon sac, je ne compte plus mes pas. La paix c'est pas le compte en banque ou les dossiers, C'est juste savoir que Dieu est là, sans forcer. Faut rester humble quand le vent tourne en ta faveur, Et garder le cap quand le ciel perd ses couleurs. Djalo... Pas de boucan, juste du vrai, 🤫 La vérité se chuchote pas

male vocals French spoken-word gospel-rap with male vocals sparse handclaps warm organ swells subby kick patterns and a slow-burn lift into a choir-backed refrain; intimate front-of-mic verses then a bigger resilient hook with room for breath and testimony

Djalo, pas de boucan

03:35

1週間前

by Félix Mdjalo

Laisse les gens courir après ce qu’ils n'ont pas, Moi je pose mon sac, je ne compte plus mes pas. La paix c'est pas le compte en banque ou les dossiers, C'est juste savoir que Dieu est là, sans forcer. Faut rester humble quand le vent tourne en ta faveur, Et garder le cap quand le ciel perd ses couleurs. Djalo... Pas de boucan, juste du vrai, 🤫 La vérité se chuchote pas

male vocals Smoky Francophone boom-bap with male vocals; dry upfront rap verses over warm Rhodes and dusty drums subtle bass glide. Hook blooms with airy vocal stacks and soft pads tempo cruising mid-speed. Energy rises on each turnaround with crisp rimshots and muted guitar then drops back to an intimate almost whispered delivery on the last hook.

FC Maghreb, On Écrit Notre Histoire

02:30

1週間前

by Ilyas Tabia

yeah yeah fc maghreb sur le terrain on arrive chaud le public crie on joue pour l’espoir les couleurs brillent comme la lumière on donne tous on vise le haut nael contrôle il fait la diff ayoube accélère est décisif ilyas frappe,ca par en lucarne nahil défend personne le passe Fc Maghreb on joue pour la victoire on écrit notre histoire

male vocals High-energy stadium anthem with male vocals bouncing afro-trap groove and tight drums crowd chants doubled by gang vocals on the hook bright brass stabs and plucky synths on the verses big tom fills into the chorus claps and call-and-response sections to make it easy for supporters to sing along maghreb

FC Maghreb, On Écrit Notre Histoire

02:41

1週間前

by Ilyas Tabia

yeah yeah fc maghreb sur le terrain on arrive chaud le public crie on joue pour l’espoir les couleurs brillent comme la lumière on donne tous on vise le haut nael contrôle il fait la diff ayoube accélère est décisif ilyas frappe,ca par en lucarne nahil défend personne le passe Fc Maghreb on joue pour la victoire on écrit notre histoire

male vocals High-energy stadium anthem with male vocals bouncing afro-trap groove and tight drums crowd chants doubled by gang vocals on the hook bright brass stabs and plucky synths on the verses big tom fills into the chorus claps and call-and-response sections to make it easy for supporters to sing along maghreb

Stuck Back In Time

03:18

1週間前

by Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Stuck Back In Time

03:17

1週間前

by Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Рақам Не

02:50

1週間前

by Imron Imronov

Эййй!!! 🔥 Гӯш кунед ҳама — ин овози мост! Себи Сур!!! 89 — ба саҳна мебарояд!!! Бадурӯф — ту шер мардӣ, ба пеш ҳаракат кун! 🦁 Гуруҳро бардор, бародар, ҳеҷ гоҳ ақиб нанигар кун! Ин роҳ — роҳи мост, бо қуввату номус, Мо сисолагием — дар дил дорем оташ ва ор! Аз Себи Сур баромадем бо нияти калон, Имрӯз истодаем — мисли кӯҳ, мисли замон! 89 — ин рақам не

male vocals Hard-hitting Tajik rap banger male vocals; skittering hi-hats and heavy kick under a dark trap bass. Hook explodes with gang vocals and crowd chants verses ride a swaggering mid-tempo pocket. Occasional riser sweeps and chopped vocal shouts to hype transitions ending on a bold a cappella group chant.

Рақам Не

02:35

1週間前

by Imron Imronov

Эййй!!! 🔥 Гӯш кунед ҳама — ин овози мост! Себи Сур!!! 89 — ба саҳна мебарояд!!! Бадурӯф — ту шер мардӣ, ба пеш ҳаракат кун! 🦁 Гуруҳро бардор, бародар, ҳеҷ гоҳ ақиб нанигар кун! Ин роҳ — роҳи мост, бо қуввату номус, Мо сисолагием — дар дил дорем оташ ва ор! Аз Себи Сур баромадем бо нияти калон, Имрӯз истодаем — мисли кӯҳ, мисли замон! 89 — ин рақам не

male vocals Hard-hitting Tajik rap banger male vocals; skittering hi-hats and heavy kick under a dark trap bass. Hook explodes with gang vocals and crowd chants verses ride a swaggering mid-tempo pocket. Occasional riser sweeps and chopped vocal shouts to hype transitions ending on a bold a cappella group chant.

Eliboss_Memories

03:25

1週間前

by Elias Banda

🎵 Title: Memories By Eliboss ft. Xaga Boss10 [Intro – Eliboss] Yeah… Rest easy my brother… Nshimba Peter Mambwe… This one is for you… [Verse 1 – Eliboss] I still remember those days at the farm, Sun going down but we pushing so hard, One to two years, side by side we stood, Through the pain and the struggle, yeah we understood. You told me “bro, one day we gon’ shine,” Now I’m here alone still hea

male vocals emotional chorus Warm Afro-fusion ballad with male vocals; gentle guitar and keys over a soft steady groove. Intimate close-mic verse then chorus blooms with stacked harmonies and airy pads. Subtle bass and percussion lift the hook; bridge strips back to vocal and guitar before a final

Maman Georgette Asmaritha

02:50

1週間前

by Peter Baziota

MAMAN GEORGETTE ASMARITHA, AUJOURD'HUI NOUS RÉUNIS NOUS TES ENFANTS POUR VOUS MERCI INFINIMENT NOTRE AMOUR POUR TOI ET ÉTERNELLE, NDOMBA MWADI ASMARITHA SI AUJOURD'HUI LES MONDE ET À REFAIRE ON CHOISIREZ TOUJOURS QUE TU SOIT NOTRE MAMAN, GEORGETTE ASMARITHA NDOMBA MWADI TA FAMILLE BAZIOTA T'AIME NOUS SOMMES RECONNAISSANT, NOUS TES ENFANTS, PETER ET MICHELINE, MIRIAM ET LE JUMELLES, JASON ET DONAT

male vocals Warm acoustic ballad with male vocals gentle nylon guitar and soft piano chords; verses intimate and spoken-like chorus opens with wider harmonies from a small family choir subtle bass and brushed percussion entering on second chorus for a tender lift ending on an a cappella tag of the title line

Maman Georgette Asmaritha

03:29

1週間前

by Peter Baziota

MAMAN GEORGETTE ASMARITHA, AUJOURD'HUI NOUS RÉUNIS NOUS TES ENFANTS POUR VOUS MERCI INFINIMENT NOTRE AMOUR POUR TOI ET ÉTERNELLE, NDOMBA MWADI ASMARITHA SI AUJOURD'HUI LES MONDE ET À REFAIRE ON CHOISIREZ TOUJOURS QUE TU SOIT NOTRE MAMAN, GEORGETTE ASMARITHA NDOMBA MWADI TA FAMILLE BAZIOTA T'AIME NOUS SOMMES RECONNAISSANT, NOUS TES ENFANTS, PETER ET MICHELINE, MIRIAM ET LE JUMELLES, JASON ET DONAT

male vocals Warm acoustic ballad with male vocals gentle nylon guitar and soft piano chords; verses intimate and spoken-like chorus opens with wider harmonies from a small family choir subtle bass and brushed percussion entering on second chorus for a tender lift ending on an a cappella tag of the title line

Lindemans Red at Three

04:20

1週間前

by [email protected]

mom usually drinks at Peggy’s Corral and also drinks at Roy Roger’s saloon and the famous song and mom’s favourite song is ride a cowboy save a horse Harley’s to cowboys euchre to bridge is the card game and happy hour starts at 3 and the drink is lindemans red

male vocals happy brighter acoustic strums Laid-back country-rock barroom jam twangy Telecaster riffs over a steady mid-tempo groove. Verses keep it close and conversational with brushed snare and warm bass; chorus opens with stacked singalong harmonies and a simple shout-along hook. Subtle organ pads in the background guitar fill answering the vocal between lines big final chorus with ad-libbed barroom energy.

Lindemans Red at Three

03:49

1週間前

by [email protected]

mom usually drinks at Peggy’s Corral and also drinks at Roy Roger’s saloon and the famous song and mom’s favourite song is ride a cowboy save a horse Harley’s to cowboys euchre to bridge is the card game and happy hour starts at 3 and the drink is lindemans red

male vocals happy brighter acoustic strums Laid-back country-rock barroom jam twangy Telecaster riffs over a steady mid-tempo groove. Verses keep it close and conversational with brushed snare and warm bass; chorus opens with stacked singalong harmonies and a simple shout-along hook. Subtle organ pads in the background guitar fill answering the vocal between lines big final chorus with ad-libbed barroom energy.

Merci, Papa Donatien Baziota

03:17

1週間前

by BAZIOTA DONATIEN

PAPA DONATIEN BAZIOTA AUJOURD'HUI NOUS TES ENFANTS NOUS SOMMES RÉUNIS À L'OCCASION DE CETTE JOURNÉE POUR TE DIRE MERCI, PAPA DONATIEN BAZIOTA POUR NOUS VOUS ÊTES UN HÉRO, TU TE CASSER LA TÊTE CHAQUE MATIN QUE TU SOIT MALADE OU PAS JUSTE POUR NOTRE BONHEUR, PAPA DONATIEN BAZIOTA AUJOURD'HUI NOUS TES ENFANTS NOUS SOMMES RÉUNIS JUSTE POUR VOUS MERCI PAPA DONATIEN BAZIOTA, TA FAMILLE BAZIOTA T'AIME

male vocals Warm Afro-pop ballad with male vocals gentle guitar arpeggios and soft percussion light congas and shaker texture; verses stay intimate with close-mic vocal chorus blooms with layered harmonies from a small family choir bass entering to lift the groove. Bridge pulls instruments back to near a cappella focus on the lead then band swells for a final heartfelt chorus and long vocal ad-libs on the title line.

Merci, Papa Donatien Baziota

03:20

1週間前

by BAZIOTA DONATIEN

PAPA DONATIEN BAZIOTA AUJOURD'HUI NOUS TES ENFANTS NOUS SOMMES RÉUNIS À L'OCCASION DE CETTE JOURNÉE POUR TE DIRE MERCI, PAPA DONATIEN BAZIOTA POUR NOUS VOUS ÊTES UN HÉRO, TU TE CASSER LA TÊTE CHAQUE MATIN QUE TU SOIT MALADE OU PAS JUSTE POUR NOTRE BONHEUR, PAPA DONATIEN BAZIOTA AUJOURD'HUI NOUS TES ENFANTS NOUS SOMMES RÉUNIS JUSTE POUR VOUS MERCI PAPA DONATIEN BAZIOTA, TA FAMILLE BAZIOTA T'AIME

male vocals Warm Afro-pop ballad with male vocals gentle guitar arpeggios and soft percussion light congas and shaker texture; verses stay intimate with close-mic vocal chorus blooms with layered harmonies from a small family choir bass entering to lift the groove. Bridge pulls instruments back to near a cappella focus on the lead then band swells for a final heartfelt chorus and long vocal ad-libs on the title line.

Saudade de Goiânia

02:00

1週間前

by Job Andre

saudades de Goiânia

male vocals Warm sertanejo-pop ballad with male vocals nylon guitar leading the harmony soft accordion fills and subtle brush drums. Verses stay intimate and close-mic’d chorus lifts with stacked backing vocals and a steady groove bass rounding the low end. Late-chorus ad-libs and a brief guitar hook between sections deepen the nostalgia and invite sing-alongs.

Saudade de Goiânia

02:23

1週間前

by Job Andre

saudades de Goiânia

male vocals Warm sertanejo-pop ballad with male vocals nylon guitar leading the harmony soft accordion fills and subtle brush drums. Verses stay intimate and close-mic’d chorus lifts with stacked backing vocals and a steady groove bass rounding the low end. Late-chorus ad-libs and a brief guitar hook between sections deepen the nostalgia and invite sing-alongs.

Filho de Angola

03:11

1週間前

by Nelson Pleya

isso é Nelson Angola, terra de sonho, de savanas até ao mar Quatorze províncias, cada uma um lugar especial Do Namibe ao Lunda, do mar até ao planalto Sol que queima forte, povo de sorriso alto Refrão: Eu sou Nelson, filho de Angola! Cazenga, Luanda, raiz de Angola! Ai ai ai ai ai… isso é Angola! Ai ai ai ai… terra negra, terra minha! Estrofe 2: Luanda brilha à noite, Benguela dança com o mar Hua

male vocals Afro-pop angolano com groove quente male vocals; batida dançante em tempo médio baixo elástico e guitarra com toques de semba e kizomba; versos mais contidos com congas suaves refrão explode em coro de vozes sopros discretos e linhas de resposta; ponte com quebra de bateria e palmas final em coro coletivo em fade

Filho de Angola

03:00

1週間前

by Nelson Pleya

isso é Nelson Angola, terra de sonho, de savanas até ao mar Quatorze províncias, cada uma um lugar especial Do Namibe ao Lunda, do mar até ao planalto Sol que queima forte, povo de sorriso alto Refrão: Eu sou Nelson, filho de Angola! Cazenga, Luanda, raiz de Angola! Ai ai ai ai ai… isso é Angola! Ai ai ai ai… terra negra, terra minha! Estrofe 2: Luanda brilha à noite, Benguela dança com o mar Hua

male vocals Afro-pop angolano com groove quente male vocals; batida dançante em tempo médio baixo elástico e guitarra com toques de semba e kizomba; versos mais contidos com congas suaves refrão explode em coro de vozes sopros discretos e linhas de resposta; ponte com quebra de bateria e palmas final em coro coletivo em fade

Macomia é Onde Me Nasceram

02:36

1週間前

by Nelito Eusebio Costa Nangade Costa

Chamu_me putu inácio sou de licanganohoo macomia é onde me nasceram nangu ni muana munumbala vanumbala ni ricola rianguhuu eu amo a minha família Nelito Luís Natália Ana Paula mano bobobo lack tissa wa mapepa mãe carmenia mãe Esmiralda bernardina 2pack meus amigos Bogotá Isack Xico assake OG uniku Macondizzy bacharel

male vocals claps soft bass mid-tempo bounce Afro-pop vibe with warm guitars and male vocals upfront. Verses ride a relaxed syncopated groove with light percussion and gentle keys. Choruses open wider with gang vocals and bright melodic hooks. Small ad-libs and call-and-response lines highlight the many names building to a celebratory final chorus with stacked harmonies and a subtle outro vamp.

Plus Bas, Plus Fort

02:26

1週間前

by Claude Obame

ah la puissance avec des transitions de voix d'homme lui voix d'homme une voix grave et une voix plus douce plus bas plus bas les transitions de voix avec des punch de deux gars qui parlent de comment ils sont arrivés là où ils en sont ils étaient d'abord pauvres maintenir son riche ils vont gratter les sous

male vocals French melodic trap with male vocals dark 808 pulse half-sung streetwise verses sudden dual-voice switches between a gravelly low baritone and a smoother lower harmony airy minor-key synth pads clipped handclaps and a hook that hits like a locked handshake

De Rien à Trop

03:01

1週間前

by Claude Obame

ah la puissance avec des transitions de voix d'homme lui voix d'homme une voix grave et une voix plus douce plus bas plus bas les transitions de voix avec des punch de deux gars qui parlent de comment ils sont arrivés là où ils en sont ils étaient d'abord pauvres maintenir son riche ils vont gratter les sous

male vocals Dark French trap beat male vocals; couplets alternent voix grave et voix douce façon dialogue ad-libs ponctuent les punchlines. Couplets serrés kick sec et 808 profond nappes sombres en arrière-plan. Refrain plus ouvert avec harmonies doublées quelques backs pitchés pour rappeler le passé fauché. Bridge en demi-teinte batterie filtrée puis retour plein volume sur le dernier hook.

All Night On Me

02:26

1週間前

by HnGsSUB

Generate me a song like all eyez on me (Like that) but wiht a deep house beat. Needs to a very nice 110-125bpm Party song. American rap vocals, hard rap with house music beat

male vocals rap dark deep house driving deep house at 122 BPM: rubbery sub-bass shuffled hi-hats and a looping piano stab under hard American male rap vocals. Verses sit tight and aggressive with sparse synth swells; chorus widens with stacked chants and a filtered vocal hook. Occasional risers and snare builds lift into drops keeping the party energy peaking through each section.

Male Vocals

Male Vocals トラック

Silent Compass

Djalo

Djalo, pas de boucan

FC Maghreb, On Écrit Notre Histoire

FC Maghreb, On Écrit Notre Histoire

Stuck Back In Time

Stuck Back In Time

Рақам Не

Рақам Не

Eliboss_Memories

Maman Georgette Asmaritha

Maman Georgette Asmaritha

Lindemans Red at Three

Lindemans Red at Three

Merci, Papa Donatien Baziota

Merci, Papa Donatien Baziota

Saudade de Goiânia

Saudade de Goiânia

Filho de Angola

Filho de Angola

Macomia é Onde Me Nasceram

Plus Bas, Plus Fort

De Rien à Trop

All Night On Me

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