Male Vocals

AI生成音楽

3310 トラック

Male Vocals トラック

Skip All Conditions

Radio MusicのSkip All Conditionsのカバーアート
02:50

4ヶ月前

by Radio Music

make rap song about no condition no arguments we skip so many parts a hearts will never be dent or damaged again

male vocals rap Minimalist trap beat with swung hi-hats and deep 808 glide male vocals in a confident conversational pocket. Verses tight and percussive; chorus anthemic with stacked ad-libs and subtle pitch-shifted doubles. Sparse keys and airy pads bloom slightly in the hook to lift the emotion while keeping it club-ready.

Drugs again

Thomas MorinoのDrugs againのカバーアート
03:46

4ヶ月前

by Thomas Morino

male vocals dark fast death metal evil

Drugs again

Thomas MorinoのDrugs againのカバーアート
03:38

4ヶ月前

by Thomas Morino

male vocals dark fast death metal evil

Sommerfest in Leipzig

WIEL Filmproduktion LeipzigのSommerfest in Leipzigのカバーアート
02:42

4ヶ月前

by WIEL Filmproduktion Leipzig

cheerful, upbeat song about summer festival in Leipzig Genre: Eco-party music – electronic beats Mood: Festive, lively, positive, danceable. About 2–3 minutes., rock, reggae, punk, electronic, electronic dance, rock anthem

male vocals electronic beats rock drums reggae Punk bridge strips to bass Male vocals over bouncey eco-electro groove; skanking reggae guitar on the offbeat fuzzy punk bass and bright four-on-the-floor kick. Verses stay tight and rhythmic with half-spoken melodies; chorus explodes into a shout-along rock anthem with stacked gang vocals and claps. Synth leads add playful hooks and crowd noise before a final big chorus.

Sommerfest in Leipzig

WIEL Filmproduktion LeipzigのSommerfest in Leipzigのカバーアート
02:41

4ヶ月前

by WIEL Filmproduktion Leipzig

cheerful, upbeat song about summer festival in Leipzig Genre: Eco-party music – electronic beats Mood: Festive, lively, positive, danceable. About 2–3 minutes., rock, reggae, punk, electronic, electronic dance, rock anthem

male vocals electronic beats rock drums reggae Punk bridge strips to bass Male vocals over bouncey eco-electro groove; skanking reggae guitar on the offbeat fuzzy punk bass and bright four-on-the-floor kick. Verses stay tight and rhythmic with half-spoken melodies; chorus explodes into a shout-along rock anthem with stacked gang vocals and claps. Synth leads add playful hooks and crowd noise before a final big chorus.

Mitad de Luz

Alexander Acosta UrのMitad de Luzのカバーアート
03:06

4ヶ月前

by Alexander Acosta Ur

keipop dance electric alegre suave significativa triste y alegre media romántica

male vocals dance electric octave lead Glossy keipop dance track with bouncy side‑chain bass glassy synth plucks and tight four-on-the-floor kick. Male vocals airy and romantic start intimate over sparse chords; chorus blooms with bright pads and stacked harmonies. Second half adds filtered arps and a subtle vocoder hook for a bittersweet uplifting finish.

Mitad de Luz

Alexander Acosta UrのMitad de Luzのカバーアート
03:15

4ヶ月前

by Alexander Acosta Ur

keipop dance electric alegre suave significativa triste y alegre media romántica

male vocals dance electric octave lead Glossy keipop dance track with bouncy side‑chain bass glassy synth plucks and tight four-on-the-floor kick. Male vocals airy and romantic start intimate over sparse chords; chorus blooms with bright pads and stacked harmonies. Second half adds filtered arps and a subtle vocoder hook for a bittersweet uplifting finish.

La Túnica

Leonardo De leon rabeloのLa Túnicaのカバーアート
02:41

4ヶ月前

by Leonardo De leon rabelo

Camine por el decierto pero el me puso La Túnica , preciosa única y de mejor calidad Me Dijo toma par camino por qué hay mucha alversidad la armadura de guerrero te la tengo prepara Tamo en una nueva era dónde Reyna la marda prepárate pal terreno donde Te boy a lleva , mucho fuego y balacera , malavibra dónde quiera , la maldad que predomina no se puede compara , pero te puse una túnica

male vocals Dark Latin trap with male vocals half-whispered verses over sparse sub-bass and eerie pads; hook opens wider with chanted doubles and distant choirs. Beat starts minimal then adds crisp hi-hats and deep kicks by the second chorus. Occasional pitched-down ad-libs and riser swells to accent the “nueva era / fuego y balacera” lines ending on a filtered echoing hook line.

La Túnica

Leonardo De leon rabeloのLa Túnicaのカバーアート
03:01

4ヶ月前

by Leonardo De leon rabelo

Camine por el decierto pero el me puso La Túnica , preciosa única y de mejor calidad Me Dijo toma par camino por qué hay mucha alversidad la armadura de guerrero te la tengo prepara Tamo en una nueva era dónde Reyna la marda prepárate pal terreno donde Te boy a lleva , mucho fuego y balacera , malavibra dónde quiera , la maldad que predomina no se puede compara , pero te puse una túnica

male vocals Dark Latin trap with male vocals half-whispered verses over sparse sub-bass and eerie pads; hook opens wider with chanted doubles and distant choirs. Beat starts minimal then adds crisp hi-hats and deep kicks by the second chorus. Occasional pitched-down ad-libs and riser swells to accent the “nueva era / fuego y balacera” lines ending on a filtered echoing hook line.

Grease Trap Royal Rumble

Desilino DarcaktのGrease Trap Royal Rumbleのカバーアート
03:35

4ヶ月前

by Desilino Darcakt

make a swearing filled electronic, cinematic, trap, fast food rap battle between burger king wendys mcdonalds and KFC

male vocals electronic rap glitchy risers distorted 808s Aggressive cinematic trap banger with male vocals; heavy brass stabs and machine-gun hi-hats. Each verse switches vocal tone and ad-libs for a different “character ” with choir hits and sub drops in the hook. Choruses explode with layered gang vocals; verses stay tight and punchy over minimal drums and ominous synth drones.

Grease Trap Royal Rumble

Desilino DarcaktのGrease Trap Royal Rumbleのカバーアート
03:34

4ヶ月前

by Desilino Darcakt

make a swearing filled electronic, cinematic, trap, fast food rap battle between burger king wendys mcdonalds and KFC

male vocals electronic rap glitchy risers distorted 808s Aggressive cinematic trap banger with male vocals; heavy brass stabs and machine-gun hi-hats. Each verse switches vocal tone and ad-libs for a different “character ” with choir hits and sub drops in the hook. Choruses explode with layered gang vocals; verses stay tight and punchy over minimal drums and ominous synth drones.

Город между нами

Андрей КалиновскийのГород между намиのカバーアート
03:40

4ヶ月前

by Андрей Калиновский

песня про любовь к девушке про проблемы и обиды в. реп стиле с ноткой грусти атмосферная в сопровождении хора

male vocals Moody Russian rap ballad with male vocals over sparse minor-key piano and deep airy drums; distant mixed choir pads swelling in the hook for a cinematic sacred feel. Verses stay intimate and close-miked confessional storytelling with subtle reverb; chorus opens wide with layered choral harmonies and a lifted topline. Slow build across the track last hook slightly higher energy with more ad-libs and background vocals for emotional release.

Город между нами

Андрей КалиновскийのГород между намиのカバーアート
03:24

4ヶ月前

by Андрей Калиновский

песня про любовь к девушке про проблемы и обиды в. реп стиле с ноткой грусти атмосферная в сопровождении хора

male vocals Moody Russian rap ballad with male vocals over sparse minor-key piano and deep airy drums; distant mixed choir pads swelling in the hook for a cinematic sacred feel. Verses stay intimate and close-miked confessional storytelling with subtle reverb; chorus opens wide with layered choral harmonies and a lifted topline. Slow build across the track last hook slightly higher energy with more ad-libs and background vocals for emotional release.

Газ до край

Soko SokobのГаз до крайのカバーアート
01:53

4ヶ月前

by Soko Sokob

давам газ не мисля да спирам изпреварвам яко шофирам наляво надясно това съм аз

male vocals Balkan trap banger with aggressive 808s and sharp hi-hats male vocals pushed upfront. Verse rides a tight syncopated groove with percussive Bulgarian flow; hook explodes with gang chants and octave-doubled leads. Dark synth bass and brass stabs in the low end ad-libs drenched in slapback final chorus adds crowd-style backing for maximum chant-along energy.

Газ до край

Soko SokobのГаз до крайのカバーアート
01:56

4ヶ月前

by Soko Sokob

давам газ не мисля да спирам изпреварвам яко шофирам наляво надясно това съм аз

male vocals Balkan trap banger with aggressive 808s and sharp hi-hats male vocals pushed upfront. Verse rides a tight syncopated groove with percussive Bulgarian flow; hook explodes with gang chants and octave-doubled leads. Dark synth bass and brass stabs in the low end ad-libs drenched in slapback final chorus adds crowd-style backing for maximum chant-along energy.

Къде си ти, къде съм

Kale KalieのКъде си ти, къде съмのカバーアート
02:44

4ヶ月前

by Kale Kalie

Запали всички наши спомени запали щом ме няма вътре във сърцето ти но запомни светът се върти ще дойде ден и теб ще те боли вътре болката прави плюс теб като те няма живота няма вкус къде си ти къде съм последни те думи помния ги на изуст

male vocals more emotional hook repeat. Moody Bulgarian pop-rap ballad over sparse trap drums and warm sub-bass; male vocals up-close and confessional with occasional falsetto lifts on the hook. Verses sit on melancholic piano and airy pads chorus blooms with wide harmonies filtered vocal chops and a slightly bigger drum groove then drops back for an intimate bridge before a final

Къде си ти, къде съм

Kale KalieのКъде си ти, къде съмのカバーアート
02:51

4ヶ月前

by Kale Kalie

Запали всички наши спомени запали щом ме няма вътре във сърцето ти но запомни светът се върти ще дойде ден и теб ще те боли вътре болката прави плюс теб като те няма живота няма вкус къде си ти къде съм последни те думи помния ги на изуст

male vocals more emotional hook repeat. Moody Bulgarian pop-rap ballad over sparse trap drums and warm sub-bass; male vocals up-close and confessional with occasional falsetto lifts on the hook. Verses sit on melancholic piano and airy pads chorus blooms with wide harmonies filtered vocal chops and a slightly bigger drum groove then drops back for an intimate bridge before a final

Stellar Timelines Suite

sample instaのStellar Timelines Suiteのカバーアート
02:47

4ヶ月前

by sample insta

Create a high-quality cinematic instrumental background music (no vocals) designed for a professional corporate brand video. The composition should be divided into three distinct tracks, each with a unique mood but maintaining a consistent cinematic and emotional theme inspired by deep space, time, and futuristic exploration. Track 1 should be an emotional and atmospheric intro. Use soft piano me

male vocals emotional theme deep Soft Lush cinematic score in three continuous movements; evolving from intimate felt-piano and soft pads into wider orchestral swells airy male vocal textures and subtle synth pulses. Warm low-end supports clear midrange for corporate narration; each track shifts mood—wonder momentum triumph—while sharing recurring piano motifs and spacious futuristic ambience. distinct

Stellar Timelines Suite

sample instaのStellar Timelines Suiteのカバーアート
04:00

4ヶ月前

by sample insta

Create a high-quality cinematic instrumental background music (no vocals) designed for a professional corporate brand video. The composition should be divided into three distinct tracks, each with a unique mood but maintaining a consistent cinematic and emotional theme inspired by deep space, time, and futuristic exploration. Track 1 should be an emotional and atmospheric intro. Use soft piano me

male vocals emotional theme deep Soft Lush cinematic score in three continuous movements; evolving from intimate felt-piano and soft pads into wider orchestral swells airy male vocal textures and subtle synth pulses. Warm low-end supports clear midrange for corporate narration; each track shifts mood—wonder momentum triumph—while sharing recurring piano motifs and spacious futuristic ambience. distinct

Émeric a 10 ans

emmanonhouereggie@gmail.comのÉmeric a 10 ansのカバーアート
01:50

4ヶ月前

by [email protected]

Un joyeux anniversaire à Émeric MEDAGBE qui a ses 10 ans ce 22 Mars

male vocals Bright acoustic pop with male vocals; bouncy nylon guitar and handclaps light shaker and warm bass. Verses stay intimate and playful; chorus explodes with gang-style child backing vocals and simple stomps. Short bridge pulls the energy back for a singalong final hook and big held last note.

Émeric a 10 ans

emmanonhouereggie@gmail.comのÉmeric a 10 ansのカバーアート
02:10

4ヶ月前

by [email protected]

Un joyeux anniversaire à Émeric MEDAGBE qui a ses 10 ans ce 22 Mars

male vocals Bright acoustic pop with male vocals; bouncy nylon guitar and handclaps light shaker and warm bass. Verses stay intimate and playful; chorus explodes with gang-style child backing vocals and simple stomps. Short bridge pulls the energy back for a singalong final hook and big held last note.

Един на трилион

Dance DanceのЕдин на трилионのカバーアート
02:27

4ヶ月前

by Dance Dance

На ляво бе на дясно бе аз съм един на милион един на трилион това в моят тон това е копидона аре дай дай му аре играй му

male vocals Aggressive Balkan trap banger male vocals in a cocky playful flow. Dark pluck lead and heavy distorted bass hit on the downbeat with sharp snare rolls before each hook. Verses stay tight and rhythmic focusing on attitude and punchlines; chorus explodes with gang-style shouts and layered ad-libs. Occasional half-time switch in the second hook for extra weight.

Един на трилион

Dance DanceのЕдин на трилионのカバーアート
02:36

4ヶ月前

by Dance Dance

На ляво бе на дясно бе аз съм един на милион един на трилион това в моят тон това е копидона аре дай дай му аре играй му

male vocals Aggressive Balkan trap banger male vocals in a cocky playful flow. Dark pluck lead and heavy distorted bass hit on the downbeat with sharp snare rolls before each hook. Verses stay tight and rhythmic focusing on attitude and punchlines; chorus explodes with gang-style shouts and layered ad-libs. Occasional half-time switch in the second hook for extra weight.

Vavina Taubar

FREIZER PINIAのVavina Taubarのカバーアート
03:16

4ヶ月前

by FREIZER PINIA

marit life blo ume e beian orit tasol lo eya time marit problem e kamup yu beian tok bagarapim me lo eye blo ol tambu line blo me lo eya lo ples p-n-t-v eya manam paina balieya mara kaina ena balieya ka mara boina eyau raika bul k-doy eyau bata k+doy maski yu tok bagarapim me lo ol kainkain toktok but bai me still lukautim yu raika vavina taubar na love blo me bai still stap yet wantem yu

male vocals warm bass Mid‑tempo PNG island pop with male vocals; clean reverb-soaked guitars gentle kick and rim-click groove. Verses stay intimate and conversational; chorus blooms with stacked harmonies and airy pads. Subtle log-drum–style percussion in the bridge last chorus pushes the emotion with ad‑lib runs and a brighter mix.