Male Vocals

AI生成音楽

3310 トラック

Male Vocals トラック

Mukamurenzi Wee

RURANGWA J BのMukamurenzi Weeのカバーアート
03:00

2ヶ月前

by RURANGWA J B

MUKAMUREENZI WEE. ALIINE WEEE. URURUKUNDO oo (NDAGUKUNDAA) URII. URUKUUNDO NDAGUKUNDA. NAGUTOYE MUKIBAYAA. NI WOWE EE. NAHISEMO. MUKAMUREENZI WEE. ALIINE WEEE. URURUKUNDO oo (NDAGUKUNDAA) URUWANJYE. USA NINYENYERII. YOU ARE MY HEART, OO. YOU ARE MY LOVE, OOO (I LOVE YOU ,UU I LOVE YOU UU, I LOVE YOU.) MUKAMUREENZI WEE. ALIINE WEEE. URURUKUNDO oo (NDAGUKUNDAA). M

male vocals rolling bass Afrobeats love song with a mid-tempo syncopated drum groove warm guitar flicks and soft shakers; verse stays intimate and rhythmic pre-chorus opens with stacked harmonies and a lifted bass line chorus lands on a chanty repeated hook with male vocals and doubled ad-libs bridge drops to bare percussion and close-mic voice before the final lift. Delay throws on key phrases light handclaps reversed swell into the chorus bright and glossy mix with a tender radio-ready shine.

Paso a Paso

VideosoのPaso a Pasoのカバーアート
02:22

2ヶ月前

by Videoso

Crear una música suave pero motivadora de una duración de 2 minutos para usar como fondo de un video de un curso y que no tenga final brusco para que pueda repetirse sim sobresaltos

male vocals warm bass soft piano polished light acoustic guitar Soft motivational pop ballad with gentle mid-tempo pulse and restrained hand percussion; verse stays intimate and airy pre-chorus lifts with rising harmonies chorus opens wider with stacked male vocals and a memorable chantable hook. Add subtle reverse swells into the pre-chorus bright bell accents on transitions and a soft trailing reverb tail on the final line for seamless looping. Mix is warm and close-mic with an uplifting but calm feel.

Paso a Paso

VideosoのPaso a Pasoのカバーアート
02:12

2ヶ月前

by Videoso

Crear una música suave pero motivadora de una duración de 2 minutos para usar como fondo de un video de un curso y que no tenga final brusco para que pueda repetirse sim sobresaltos

male vocals warm bass soft piano polished light acoustic guitar Soft motivational pop ballad with gentle mid-tempo pulse and restrained hand percussion; verse stays intimate and airy pre-chorus lifts with rising harmonies chorus opens wider with stacked male vocals and a memorable chantable hook. Add subtle reverse swells into the pre-chorus bright bell accents on transitions and a soft trailing reverb tail on the final line for seamless looping. Mix is warm and close-mic with an uplifting but calm feel.

Backseat Barcode

Darkavenger12のBackseat Barcodeのカバーアート
02:40

2ヶ月前

by Darkavenger12

Hip hop

male vocals hip hop punchy elastic sub bass Hip hop with male vocals mid-tempo swung drums crunchy kick-snare pocket and crisp hi-hat rolls; verse rides sparse with close-mic dry lead and tight doubles pre-chorus strips to bass and snapped claps chorus opens with stacked unison hook and ad-lib shouts; tape-stop fills vinyl crackle swells and reversed vocal lifts thread transitions; bright and modern with a hard-edged low end

Backseat Barcode

Darkavenger12のBackseat Barcodeのカバーアート
02:50

2ヶ月前

by Darkavenger12

Hip hop

male vocals hip hop punchy elastic sub bass Hip hop with male vocals mid-tempo swung drums crunchy kick-snare pocket and crisp hi-hat rolls; verse rides sparse with close-mic dry lead and tight doubles pre-chorus strips to bass and snapped claps chorus opens with stacked unison hook and ad-lib shouts; tape-stop fills vinyl crackle swells and reversed vocal lifts thread transitions; bright and modern with a hard-edged low end

Unaweza Yesu

enmamr19@gmail.comのUnaweza Yesuのカバーアート
04:43

2ヶ月前

by [email protected]

swahili gospel song of worship. nyimbo nzuri ya kuabudu inaita unaweza yesu. ya kuabudu lakini baadae inabadilika na kuwa ya kuchangamka na kuchezeka ila mwanzo inaanza kwa kuabudu na katikati ya wimbo anatokea mtu anafanya maombi anaombea watu. maombi ya kumsifu mungu na kuombea watu wenye shida mbali mbali

male vocals bass Gospel claps worship guitar chops chorus blooms with full drums Swahili gospel worship that starts reverent and prayerful then opens into joyful praise and dancing; slow-to-mid tempo with soft keys and pad in verse pre-chorus strips to vocal call and hand percussion and choir shouts; middle section shifts to a spoken-sung prayer over a gentle groove then final chorus gets brighter with call-and-response and praise breaks; male vocals close-mic lead with warm doubles on hooks choir responses short delay throws on key phrases rising swell into every lift crisp and uplifting mix

Anak Kasdi

Muhammad TirtaのAnak Kasdiのカバーアート
03:08

2ヶ月前

by Muhammad Tirta

anak Kasdi koyok hitam

male vocals playful ad-libs. glossy Pop dangdut with bouncy dembow groove midtempo and danceable; verse stays light with handclaps and bass skanks pre-chorus pulls down to a thin percussion loop and rising synth blur chorus opens wide with punchy drums and chant-like repeats. Lead male vocals with tight doubles and small delay throws on the hook word. Ear candy: reversed cymbal swells into each chorus quick vocal chops between lines and a tambourine lift on the final hook. Bright and percussive mix.

Anak Kasdi

Muhammad TirtaのAnak Kasdiのカバーアート
02:57

2ヶ月前

by Muhammad Tirta

anak Kasdi koyok hitam

male vocals playful ad-libs. glossy Pop dangdut with bouncy dembow groove midtempo and danceable; verse stays light with handclaps and bass skanks pre-chorus pulls down to a thin percussion loop and rising synth blur chorus opens wide with punchy drums and chant-like repeats. Lead male vocals with tight doubles and small delay throws on the hook word. Ear candy: reversed cymbal swells into each chorus quick vocal chops between lines and a tambourine lift on the final hook. Bright and percussive mix.

Highland Path

ricardoygloria003@gmail.comのHighland Pathのカバーアート
02:35

2ヶ月前

by [email protected]

create a track that is instrumental, inspirational, with guitars and some hispanic andino instrument, inspirational but calm.

male vocals inspirational Inspirational acoustic folk-pop with calm midtempo sway fingerpicked guitars and Andean quena-charango colors; verse stays intimate with soft percussion and roomy male vocal pre-chorus lifts with stacked harmonies and rising flute phrases chorus opens wider with warm strums and gentle gang responses. Add breathy reverse swells into transitions hand percussion pickups and a glossy yet natural mix

Highland Path

ricardoygloria003@gmail.comのHighland Pathのカバーアート
02:46

2ヶ月前

by [email protected]

create a track that is instrumental, inspirational, with guitars and some hispanic andino instrument, inspirational but calm.

male vocals inspirational Inspirational acoustic folk-pop with calm midtempo sway fingerpicked guitars and Andean quena-charango colors; verse stays intimate with soft percussion and roomy male vocal pre-chorus lifts with stacked harmonies and rising flute phrases chorus opens wider with warm strums and gentle gang responses. Add breathy reverse swells into transitions hand percussion pickups and a glossy yet natural mix

Lacey on the Longboat

danのLacey on the Longboatのカバーアート
03:02

2ヶ月前

by dan

Viking song about Lisa lacey

male vocals Viking folk-metal with driving toms stomping handclaps and a сурging chorus in half-time; verse rides low chant and frame drum pre-chorus tightens with gang shouts and rising fiddles chorus opens wide with stacked male doubles and rough gang vocals. Use horn blasts boat-creak accents and a wind-swept vocal delay on the hook. Bright rugged and cinematic with a cold iron edge; male vocals

Lacey on the Longboat

danのLacey on the Longboatのカバーアート
02:40

2ヶ月前

by dan

Viking song about Lisa lacey

male vocals Viking folk-metal with driving toms stomping handclaps and a сурging chorus in half-time; verse rides low chant and frame drum pre-chorus tightens with gang shouts and rising fiddles chorus opens wide with stacked male doubles and rough gang vocals. Use horn blasts boat-creak accents and a wind-swept vocal delay on the hook. Bright rugged and cinematic with a cold iron edge; male vocals

Dos Tequilas Más

Cristian Ochoa FloresのDos Tequilas Másのカバーアート
03:04

2ヶ月前

by Cristian Ochoa Flores

un duelo amistoso de dos amigos borrachos, 2 different Male Vocals, Banda Mexicana, Grosera, Chistosa, estilo borracho de un bar

male vocals banda and a bright Mexican banda with bouncy brass tuba-driven swing and a rowdy drunk-bar groove; verses alternate between two male vocals in call-and-response pre-chorus tightens with snare rolls and shouted pickup lines chorus slams with full horns and gang-style doubles. Add sloppy laughter ad-libs accordion fills between lines a fake-stop before each hook punchy mix with sweaty live-room energy. male vocals

Dos Tequilas Más

Cristian Ochoa FloresのDos Tequilas Másのカバーアート
03:05

2ヶ月前

by Cristian Ochoa Flores

un duelo amistoso de dos amigos borrachos, 2 different Male Vocals, Banda Mexicana, Grosera, Chistosa, estilo borracho de un bar

male vocals banda and a bright Mexican banda with bouncy brass tuba-driven swing and a rowdy drunk-bar groove; verses alternate between two male vocals in call-and-response pre-chorus tightens with snare rolls and shouted pickup lines chorus slams with full horns and gang-style doubles. Add sloppy laughter ad-libs accordion fills between lines a fake-stop before each hook punchy mix with sweaty live-room energy. male vocals

No Puede Más

Yaxon Carrasco toctoのNo Puede Másのカバーアート
01:10

2ヶ月前

by Yaxon Carrasco tocto

(Intro) ¡Suavecito…! ¡Ya tú sabes! ¡Eso! (Coro - entra directo) Pero él no puede dar más, dar más, dar más, pero él no puede dar más, no puede más, pero él no puede dar más, dar más, dar más, una sola es la que debe cuidar. (Verso corto) Mucho floro, poco na’, pura bulla, nada más, dice “mía”, dice “ya”, pero nunca cumple na’. (Coro) Pero él no puede da

male vocals bass and handclaps reversed swells Reggaeton dembow with a perreo bounce and tight syncopated percussion; intro drops straight into the hook verse stays stripped to kick pre-chorus tightens with filtered sweeps chorus opens with stacked gang doubles and short delay throws on the anchor phrase. Male vocals close-mic and teasing in verses more forceful on the hook with rim-click fills and a glossy punchy mix.

No Puede Más

Yaxon Carrasco toctoのNo Puede Másのカバーアート
01:50

2ヶ月前

by Yaxon Carrasco tocto

(Intro) ¡Suavecito…! ¡Ya tú sabes! ¡Eso! (Coro - entra directo) Pero él no puede dar más, dar más, dar más, pero él no puede dar más, no puede más, pero él no puede dar más, dar más, dar más, una sola es la que debe cuidar. (Verso corto) Mucho floro, poco na’, pura bulla, nada más, dice “mía”, dice “ya”, pero nunca cumple na’. (Coro) Pero él no puede da

male vocals bass and handclaps reversed swells Reggaeton dembow with a perreo bounce and tight syncopated percussion; intro drops straight into the hook verse stays stripped to kick pre-chorus tightens with filtered sweeps chorus opens with stacked gang doubles and short delay throws on the anchor phrase. Male vocals close-mic and teasing in verses more forceful on the hook with rim-click fills and a glossy punchy mix.

Bloco do Minecraft

Miguel LuisのBloco do Minecraftのカバーアート
02:45

3ヶ月前

by Miguel Luis

Uma música de rap sobre um grupo de amigos chamado Miguel, Gabriel e Enzo jogando Minecraft

male vocals rap clean close-mic and warm with doubled hook lines Portuguese rap with male vocals bouncy mid-tempo boom-bap groove head-nod drums and rubbery bass; verse rides sparse with chopped game-like percussion and tight rhythmic flows pre-chorus strips to clap and bass chorus hits with group chants on the names and a catchy repeated hook. Vocal delivery is dry ad-lib punches and short delay throws on key words. Ear candy includes blocky wood knocks reversed swells into the hook and a tiny sparkle fill before each chorus. Mix is punchy

Bloco do Minecraft

Miguel LuisのBloco do Minecraftのカバーアート
02:30

3ヶ月前

by Miguel Luis

Uma música de rap sobre um grupo de amigos chamado Miguel, Gabriel e Enzo jogando Minecraft

male vocals rap clean close-mic and warm with doubled hook lines Portuguese rap with male vocals bouncy mid-tempo boom-bap groove head-nod drums and rubbery bass; verse rides sparse with chopped game-like percussion and tight rhythmic flows pre-chorus strips to clap and bass chorus hits with group chants on the names and a catchy repeated hook. Vocal delivery is dry ad-lib punches and short delay throws on key words. Ear candy includes blocky wood knocks reversed swells into the hook and a tiny sparkle fill before each chorus. Mix is punchy

Calle Nayarit

Eduardo MirandaのCalle Nayaritのカバーアート
02:47

3ヶ月前

by Eduardo Miranda

Soy Amon Hidler. En cuautitlan Izcalli Echeverría calle Nayarit 532 luzco mi SS de papel; niños huyen de mi, restaurare el tercer Reich Mexicano. Tomo Kosako azul con mi gorda morena Mestly Braun cada fin de semana, Entreno Phonk cargando un sillón que me aplasta la moyera. Mi mansión de obra negra tiene baches lunares y perros, odio las piedras voladoras que me hacen sangrar la cabeza

male vocals Phonk oscuro con dembow lento golpe seco y bajo grave; verso tenso con percusión espaciada y bajos saturados pre-coro levanta con coros filtrados y risers rasposos coro entra más amplio con mantra cortante y dobles ásperos. Puentes con corte de batería susurros tratados y golpes de sala; detalles de reversa chasquidos metálicos y un sub que late. Mezcla cruda frontal y polvorienta; male vocals

Calle Nayarit

Eduardo MirandaのCalle Nayaritのカバーアート
02:39

3ヶ月前

by Eduardo Miranda

Soy Amon Hidler. En cuautitlan Izcalli Echeverría calle Nayarit 532 luzco mi SS de papel; niños huyen de mi, restaurare el tercer Reich Mexicano. Tomo Kosako azul con mi gorda morena Mestly Braun cada fin de semana, Entreno Phonk cargando un sillón que me aplasta la moyera. Mi mansión de obra negra tiene baches lunares y perros, odio las piedras voladoras que me hacen sangrar la cabeza

male vocals Phonk oscuro con dembow lento golpe seco y bajo grave; verso tenso con percusión espaciada y bajos saturados pre-coro levanta con coros filtrados y risers rasposos coro entra más amplio con mantra cortante y dobles ásperos. Puentes con corte de batería susurros tratados y golpes de sala; detalles de reversa chasquidos metálicos y un sub que late. Mezcla cruda frontal y polvorienta; male vocals

Roubou Meu Coração

TitoのRoubou Meu Coraçãoのカバーアート
03:22

3ヶ月前

by Tito

eu era um cara que procurava um amor,e que acreditava que seria feliz com a pessoa certa. E de repente numa questão de segundos eu vi você, roubando a cena e também meu coração. não consegui me segurar,meu coração não estava preparado e cai na sua ilusão. juro que tentei me segurar mais não consegui. não sabia eu que seria a mais louca paixão que eu viveria. nossa cama hoje está vazia,já não tem m

male vocals polished Pop romântico mid-tempo with a pulsing syncopated groove and soft acoustic guitar under glossy synth pads; verse stays close and intimate pre-chorus lifts with stacked harmonies and a filtered riser chorus opens wide with doubled male vocals and chant-like backing repeats. Quick reverse swells handclap fills and delay throws on the hook. Bright emotionally upfront mix with a warm low end.

Roubou Meu Coração

TitoのRoubou Meu Coraçãoのカバーアート
03:45

3ヶ月前

by Tito

eu era um cara que procurava um amor,e que acreditava que seria feliz com a pessoa certa. E de repente numa questão de segundos eu vi você, roubando a cena e também meu coração. não consegui me segurar,meu coração não estava preparado e cai na sua ilusão. juro que tentei me segurar mais não consegui. não sabia eu que seria a mais louca paixão que eu viveria. nossa cama hoje está vazia,já não tem m

male vocals polished Pop romântico mid-tempo with a pulsing syncopated groove and soft acoustic guitar under glossy synth pads; verse stays close and intimate pre-chorus lifts with stacked harmonies and a filtered riser chorus opens wide with doubled male vocals and chant-like backing repeats. Quick reverse swells handclap fills and delay throws on the hook. Bright emotionally upfront mix with a warm low end.

Olsen Naidon

Sonuy MaxのOlsen Naidonのカバーアート
02:30

3ヶ月前

by Sonuy Max

Mi stap long house bilong mi na yu bin tok mi Olsen yu displa mangi ya bilong w, okay kabwum Naidon Nanang bye mi stop Mama, papa bilong mi you stap long distance Wa

male vocals and a bright Tok Pisin pop with a mid-tempo swaying groove hand percussion and warm guitar figures; verse stays intimate and conversational pre-chorus opens up with stacked harmonies chorus lands on a chantable call-and-response. Male vocals with close-mic lead soft doubles and short ad-lib echoes on the hook. Airy risers into the chorus a brief drum pullback before the bridge clean mix with a heartfelt open center.

Olsen Naidon

Sonuy MaxのOlsen Naidonのカバーアート
02:05

3ヶ月前

by Sonuy Max

Mi stap long house bilong mi na yu bin tok mi Olsen yu displa mangi ya bilong w, okay kabwum Naidon Nanang bye mi stop Mama, papa bilong mi you stap long distance Wa

male vocals and a bright Tok Pisin pop with a mid-tempo swaying groove hand percussion and warm guitar figures; verse stays intimate and conversational pre-chorus opens up with stacked harmonies chorus lands on a chantable call-and-response. Male vocals with close-mic lead soft doubles and short ad-lib echoes on the hook. Airy risers into the chorus a brief drum pullback before the bridge clean mix with a heartfelt open center.