Fuoco Nel Piede

03:37

1ヶ月前

“Brano originale funky anni ’70, groove energico, basso sincopato, fiati, vibe soul, senza riferimenti a brani esistenti”

female vocals funk funky claps Soul Vintage 70s Italian funk-soul female vocals. Slippery syncopated bass and tight drum pocket drive the groove; bright horn stabs answer the vocal phrases. Verses stay sassy and rhythmic with call-and-response backing; chorus bursts open with unison horns and stacked harmonies on the hook. Brief breakdown with talk-sung ad-libs before a final explosive chorus.

Fuoco Nel Piede

04:00

1ヶ月前

by Gabriele Gennari

“Brano originale funky anni ’70, groove energico, basso sincopato, fiati, vibe soul, senza riferimenti a brani esistenti”

female vocals funk funky claps Soul Vintage 70s Italian funk-soul female vocals. Slippery syncopated bass and tight drum pocket drive the groove; bright horn stabs answer the vocal phrases. Verses stay sassy and rhythmic with call-and-response backing; chorus bursts open with unison horns and stacked harmonies on the hook. Brief breakdown with talk-sung ad-libs before a final explosive chorus.

**Create a high-energy, traditional Arabic folk dance track suitable for a full-length song. Style: Shamri, Jubi, Zamar, and Dabke fusion. Tempo: fast and energetic (125–130 BPM) to maintain constant excitement. Duration: full song (3–4 minutes). Instruments: traditional Zamar, dabke drums, douf/riq, light qanun/oud for melody accents, optional subtle claps or crowd chants. Mood: festive, highly

male vocals raw folk light claps handclaps Explosive Levantine wedding energy at ~128 BPM male vocals. Big dabke drum line locked with duff/riq zamar front-and-center on the main riff with qanun and oud answering in short accents. Verses ride a Shamri/Jubi groove with tightly phrased call-and-response; chorus explodes Dabke-style with stomps and shouted gang vocals. Bridge drops to just drum line and crowd chants before a final all-in reprise. Keep the vocal loud and celebratory with lots of group shouts and ad-libs.

عرس الحارة

01:45

1ヶ月前

by Ghaith Alsaid

**Create a high-energy, traditional Arabic folk dance track suitable for a full-length song. Style: Shamri, Jubi, Zamar, and Dabke fusion. Tempo: fast and energetic (125–130 BPM) to maintain constant excitement. Duration: full song (3–4 minutes). Instruments: traditional Zamar, dabke drums, douf/riq, light qanun/oud for melody accents, optional subtle claps or crowd chants. Mood: festive, highly

male vocals raw folk light claps handclaps Explosive Levantine wedding energy at ~128 BPM male vocals. Big dabke drum line locked with duff/riq zamar front-and-center on the main riff with qanun and oud answering in short accents. Verses ride a Shamri/Jubi groove with tightly phrased call-and-response; chorus explodes Dabke-style with stomps and shouted gang vocals. Bridge drops to just drum line and crowd chants before a final all-in reprise. Keep the vocal loud and celebratory with lots of group shouts and ad-libs.

Virales en Tokyo

02:33

1ヶ月前

by Oliva Laurentin Perez Perez

Ultra-modern K-pop inspired track with a subtle regional Mexican influence. Clean and trendy K-pop production similar to current chart-topping girl groups. Minimalist beat, smooth electronic bass, bright synths and catchy pop melody. Very subtle accordion or brass accents only as flavor. Female vocals in Spanish with modern pop delivery. Danceable, stylish, confident, 105 BPM, fresh and viral-read

pop electronic accordion female vocals smooth fresh bright k pop clean claps stylish glossy K-pop girl-group production at 105 BPM with female vocals in Spanish; tight sidechained synth bass and crisp drums plucky top-line synth for the hook. Subtle norteño-tinged accordion and soft brass stabs accent turnarounds and pre-chorus lift never crowding the vocal. Verses stay minimal with dry vocal up front; chorus explodes with doubled leads airy harmonies and a polished dance-floor-ready bounce. Mid-song breakdown strips to bass and a filtered accordion riff before a final stacked-chant outro. regional mexican

Virales en Tokyo

03:19

1ヶ月前

by Oliva Laurentin Perez Perez

Ultra-modern K-pop inspired track with a subtle regional Mexican influence. Clean and trendy K-pop production similar to current chart-topping girl groups. Minimalist beat, smooth electronic bass, bright synths and catchy pop melody. Very subtle accordion or brass accents only as flavor. Female vocals in Spanish with modern pop delivery. Danceable, stylish, confident, 105 BPM, fresh and viral-read

pop electronic accordion female vocals smooth fresh bright k pop clean claps stylish glossy K-pop girl-group production at 105 BPM with female vocals in Spanish; tight sidechained synth bass and crisp drums plucky top-line synth for the hook. Subtle norteño-tinged accordion and soft brass stabs accent turnarounds and pre-chorus lift never crowding the vocal. Verses stay minimal with dry vocal up front; chorus explodes with doubled leads airy harmonies and a polished dance-floor-ready bounce. Mid-song breakdown strips to bass and a filtered accordion riff before a final stacked-chant outro. regional mexican

Pocket Full of Sunshine Laughs

01:27

1ヶ月前

by Van Daimler

Jolly

male vocals claps Bouncy acoustic pop with male vocals upright bass walking under a brushed snare groove. Ukulele and whistled hooks carry a goofy feel-good bounce. Verses stay tight and playful; chorus opens wide with gang shouts and stacked harmonies then a light kazoo-style lead line between repeats. Bright shiny mix with warm room reverb and big smile energy.

Where’s My Dame Bag

🎵

03:04

1ヶ月前

by Boones Wife

Help I've lost my dame bag of drugs

male vocals claps Grimy UK garage meets indie rock attitude male vocals half-sung half-spoken. Skittery shuffled percussion rubbery sub-bass and a detuned organ riff under the verses; chorus explodes with distorted guitars doubling the topline and gang vocals on the hook. Bridge strips to bass and vocal chops before a final shout-along chorus.

Where’s My Dame Bag

03:09

1ヶ月前

by Boones Wife

Help I've lost my dame bag of drugs

male vocals claps Grimy UK garage meets indie rock attitude male vocals half-sung half-spoken. Skittery shuffled percussion rubbery sub-bass and a detuned organ riff under the verses; chorus explodes with distorted guitars doubling the topline and gang vocals on the hook. Bridge strips to bass and vocal chops before a final shout-along chorus.

Tamasha Zindagi

04:00

1ヶ月前

by Saleem Balouch

Zindagi bunny Tamasha

claps Mid-tempo Hindi pop with a slight Sufi touch male vocals. Clean electric guitars and airy pads in the verses; dholak and a warm bass glide in on the hook. Choruses bloom with gang vocals and a sing-along melody. Subtle string swells in the bridge lift the emotion before a drop-to-voice-and-claps final chorus.

Tamasha Zindagi

03:09

1ヶ月前

by Saleem Balouch

Zindagi bunny Tamasha

claps Mid-tempo Hindi pop with a slight Sufi touch male vocals. Clean electric guitars and airy pads in the verses; dholak and a warm bass glide in on the hook. Choruses bloom with gang vocals and a sing-along melody. Subtle string swells in the bridge lift the emotion before a drop-to-voice-and-claps final chorus.

Avatar Squad, Let’s Go!

03:40

1ヶ月前

by Jessica Rubio

Pop music, dedicated for kids, they love avatar world musica in youtube

pop claps world Bright bubblegum pop with bouncy synths and a snappy kick. Kid-friendly female vocals stacked gang shouts on the hook. Verses stay light and playful with chiptune sparkles chorus explodes with big group “hey!”s and vocoder doubles. Short breakdown with filtered drums before final chorus for jump-and-dance energy.

Avatar Squad, Let’s Go!

02:42

1ヶ月前

by Jessica Rubio

Pop music, dedicated for kids, they love avatar world musica in youtube

pop claps world Bright bubblegum pop with bouncy synths and a snappy kick. Kid-friendly female vocals stacked gang shouts on the hook. Verses stay light and playful with chiptune sparkles chorus explodes with big group “hey!”s and vocoder doubles. Short breakdown with filtered drums before final chorus for jump-and-dance energy.

ديما راسي عالي

03:03

2ヶ月前

by Mor Mor

الحكاية بدات فـ Mexico، أوهو تورخناها في قطر، آها هادو را حڭـروا Morocco، أوهو ما عرفوناش حنا خطار، آها هلا، هلا، هلا، المغاربة سبوعة ورجالة ديروا، ديروا النيّة، ينصرنا العالي تعالى هلا، هلا، هلا، المغاربة سبوعة ورجالة ديروا، ديروا النيّة، ينصرنا العالي تعالى جيل 86، مغاربة ڭـاع فرحانين الزاكي وبو دربالة، خيري داير حالة شعب يحب الكورة، عطينا أحسن صورة مغربي وراسي عالي، بلادي ديما فبالي ويالا، لا-

claps Stadium chant energy with Moroccan Gnawa percussion and brass hits; verses ride a mid-tempo groove with crowd-response ad-libs chorus explodes into layered gang vocals and call-and-answer; breakdown opens space for drums and ululation before final big hook. Male vocals raw and anthemic.

ديما راسي عالي

03:17

2ヶ月前

by Mor Mor

الحكاية بدات فـ Mexico، أوهو تورخناها في قطر، آها هادو را حڭـروا Morocco، أوهو ما عرفوناش حنا خطار، آها هلا، هلا، هلا، المغاربة سبوعة ورجالة ديروا، ديروا النيّة، ينصرنا العالي تعالى هلا، هلا، هلا، المغاربة سبوعة ورجالة ديروا، ديروا النيّة، ينصرنا العالي تعالى جيل 86، مغاربة ڭـاع فرحانين الزاكي وبو دربالة، خيري داير حالة شعب يحب الكورة، عطينا أحسن صورة مغربي وراسي عالي، بلادي ديما فبالي ويالا، لا-

claps Stadium chant energy with Moroccan Gnawa percussion and brass hits; verses ride a mid-tempo groove with crowd-response ad-libs chorus explodes into layered gang vocals and call-and-answer; breakdown opens space for drums and ululation before final big hook. Male vocals raw and anthemic.