Vocal

by Cross Ice

Create an aggressive heavy metal song with a shocking high-pitched scream intro, followed by a tight palm-muted thrash metal guitar riff around 110 BPM. Add fast double-kick drums and intense energy. After the first heavy section, transition into a rhythmic nu-metal breakdown with deep bass groove and percussive vocal sounds similar to “boom-da-da” style rhythm (original sounds, not sampled).

by Cross Ice

Create an aggressive heavy metal song with a shocking high-pitched scream intro, followed by a tight palm-muted thrash metal guitar riff around 110 BPM. Add fast double-kick drums and intense energy. After the first heavy section, transition into a rhythmic nu-metal breakdown with deep bass groove and percussive vocal sounds similar to “boom-da-da” style rhythm (original sounds, not sampled).

by Jorge Sebastião

Emotional trap love song, 2 minutes. Male vocal, deep, emotional and vulnerable. Language: Portuguese with Angolan slang. Theme: regret, heartbreak, late-night phone calls, longing, mistakes in love, hope for return. Mood: sad, romantic, reflective, nostalgic. Tempo: slow to mid-tempo (120–135 BPM). Instrumental: soft piano, ambient pads, subtle guitar, emotional melodies, deep 808 bass, smooth tr

by Jorge Sebastião

Emotional trap love song, 2 minutes. Male vocal, deep, emotional and vulnerable. Language: Portuguese with Angolan slang. Theme: regret, heartbreak, late-night phone calls, longing, mistakes in love, hope for return. Mood: sad, romantic, reflective, nostalgic. Tempo: slow to mid-tempo (120–135 BPM). Instrumental: soft piano, ambient pads, subtle guitar, emotional melodies, deep 808 bass, smooth tr

by Chidubem Sunday

A street hustle rap song , artist name (Obele), afro beat, nijia flavour,male vocal, 10 verses , language: English & Igbo version, bridges, verse, verse, verse, bridge, 10 verses. souns: bass, drums

by Chidubem Sunday

A street hustle rap song , artist name (Obele), afro beat, nijia flavour,male vocal, 10 verses , language: English & Igbo version, bridges, verse, verse, verse, bridge, 10 verses. souns: bass, drums

by Mac Billions002

A PRAISE SONG FOR ODOGWU MY BOSS (MR ONYEBUCHI)"A.K.A ( ORUSI EGO NA SOUTH AFRICA), HE IS FROM "AMICHI" IN NNEWI SOUTH LOCAL GOVERNMENT', 10 VERSES AND CHORUSES MIXED UP TOGETHER,, MALE VOCAL, ARTIST NAME NAH MAC-BILLIONS, TITLE : ARUSI EGO NA SOUTH' YOUR GRACE TOO MUCH, TEMPO 1.1

by Mac Billions002

A PRAISE SONG FOR ODOGWU MY BOSS (MR ONYEBUCHI)"A.K.A ( ORUSI EGO NA SOUTH AFRICA), HE IS FROM "AMICHI" IN NNEWI SOUTH LOCAL GOVERNMENT', 10 VERSES AND CHORUSES MIXED UP TOGETHER,, MALE VOCAL, ARTIST NAME NAH MAC-BILLIONS, TITLE : ARUSI EGO NA SOUTH' YOUR GRACE TOO MUCH, TEMPO 1.1

by Houston 831 (YOUNG RECRUIT)

Cumbia song in Spanish that hit deep but it motivation inspirational dancy with colombiano and porto rico and mexicana style that talk about tio salomón and make it funny joking around uplifting and talk say para riba vamos or something relatable, Soulful, Joyous, Aggressive, Passionate, Violin, Bass, Cello, Guitar, Trumpet, Trombone, Saxophone, Drums, Male Vocal, Male And Female Vocal

by Houston 831 (YOUNG RECRUIT)

Cumbia song in Spanish that hit deep but it motivation inspirational dancy with colombiano and porto rico and mexicana style that talk about tio salomón and make it funny joking around uplifting and talk say para riba vamos or something relatable, Soulful, Joyous, Aggressive, Passionate, Violin, Bass, Cello, Guitar, Trumpet, Trombone, Saxophone, Drums, Male Vocal, Male And Female Vocal

by Ramiro Pacheco

Produce LA sesión continua de Deep House para bar, duración 1 hora, con energía progresiva y groove contagioso. BPM ideal 122–124 para mantener ritmo bailable sin saturar el ambiente. Bajo profundo y envolvente, kicks definidos, hi-hats brillantes, acordes cálidos y pads atmosféricos. Incorpora vocal chops sutiles y drops suaves, transiciones fluidas, mezcla profesional, vibra nocturna sofisticad0

by Ramiro Pacheco

Produce LA sesión continua de Deep House para bar, duración 1 hora, con energía progresiva y groove contagioso. BPM ideal 122–124 para mantener ritmo bailable sin saturar el ambiente. Bajo profundo y envolvente, kicks definidos, hi-hats brillantes, acordes cálidos y pads atmosféricos. Incorpora vocal chops sutiles y drops suaves, transiciones fluidas, mezcla profesional, vibra nocturna sofisticad0

by Halysson De souza

Brazilian Capoeira – São Bento Grande – Fast tempo – Male vocal – Traditional instruments (berimbau, atabaque, pandeiro) – Energetic and aggressive – Call and response – No pop, no electronic. Iêêê! Toca o gunga que eu vou jogar! Eu sou Buiuzinho pelo mundo a rodar, Capoeira é minha vida, é sem cessar. Sou jogador, sou mandingueiro, Se vier na maldade, vai se complicar. Sou aluno do mestre Buiu, A

by Halysson De souza

Brazilian Capoeira – São Bento Grande – Fast tempo – Male vocal – Traditional instruments (berimbau, atabaque, pandeiro) – Energetic and aggressive – Call and response – No pop, no electronic. Iêêê! Toca o gunga que eu vou jogar! Eu sou Buiuzinho pelo mundo a rodar, Capoeira é minha vida, é sem cessar. Sou jogador, sou mandingueiro, Se vier na maldade, vai se complicar. Sou aluno do mestre Buiu, A

by William Mora

trap latino más orquesta y vocal

by William Mora

trap latino más orquesta y vocal

by Patricio

Slow-burning R&B groove with syrupy wah-wah synth leads and lush portamento pads, female vocals. Intimate, close-mic verses over a lazy swung beat and round sub bass; chorus blooms with stacked harmonies and subtle call-and-response ad-libs. Soft rimshots, brushed hats, and a late-night Rhodes tuck under the topline, with tasteful filter sweeps and a brief synth-vocal unison lick in the bridge to

by Patricio

Slow-burning R&B groove with syrupy wah-wah synth leads and lush portamento pads, female vocals. Intimate, close-mic verses over a lazy swung beat and round sub bass; chorus blooms with stacked harmonies and subtle call-and-response ad-libs. Soft rimshots, brushed hats, and a late-night Rhodes tuck under the topline, with tasteful filter sweeps and a brief synth-vocal unison lick in the bridge to

by Khairyll Gibrail

Soft, relaxing music with a continuous wordless female lead vocal (airy ‘ahh / ooh’ humming) throughout, minimal instruments, slow tempo.

by Khairyll Gibrail

Soft, relaxing music with a continuous wordless female lead vocal (airy ‘ahh / ooh’ humming) throughout, minimal instruments, slow tempo.

by Mikael Joutsen

Turkish-themed, energetic mood, likely featuring Middle Eastern or Eastern instrumental samples blended with modern trap/hip-hop drum production, typical of the artist's style. Hip Hop Instrumental / Rap BeatOriental,slow to mid-tempo pace, minor keys, and atmospheric, emotional, or exotic melodic male vocal Beatboxing bellydance bendir doumbek darbuka Turkish-influenced oriental hip-hop bpm 115

by Mikael Joutsen

Turkish-themed, energetic mood, likely featuring Middle Eastern or Eastern instrumental samples blended with modern trap/hip-hop drum production, typical of the artist's style. Hip Hop Instrumental / Rap BeatOriental,slow to mid-tempo pace, minor keys, and atmospheric, emotional, or exotic melodic male vocal Beatboxing bellydance bendir doumbek darbuka Turkish-influenced oriental hip-hop bpm 115

by [email protected]

Sad emotional pop, slow tempo, soft piano, ambient pads, male vocal, warm and deep voice, emotional delivery, modern AI music, cinematic, night vibe

by [email protected]

Sad emotional pop, slow tempo, soft piano, ambient pads, male vocal, warm and deep voice, emotional delivery, modern AI music, cinematic, night vibe