Baladas de Malcom el Guerrillero

03:05

1 month ago

Cuando han pasado los años.se distingue de primero.y con unos alto y bajos siempre va de guerrillero. Salió desde allá en la sierra de los altos de masó,fue a estudiar allá en santiago y en bayamo se quedó. Ayyyyy malconsito ayyyyy señor malcom vencedor de mil batallas con su imagen siempre altos. Ayyyy guerrillero cuantas hazañas en el hospital primero y en el teatro haciendo magia. Se fue a la

male vocals Warm modern trova with male vocals nylon-string guitar and subtle percussion; verses intimate and storytelling chorus opening into anthemic singalong with crowd-style backing vocals and a gentle organ pad swelling on the last hook

Baladas de Malcom el Guerrillero

02:39

1 month ago

by [email protected]

Cuando han pasado los años.se distingue de primero.y con unos alto y bajos siempre va de guerrillero. Salió desde allá en la sierra de los altos de masó,fue a estudiar allá en santiago y en bayamo se quedó. Ayyyyy malconsito ayyyyy señor malcom vencedor de mil batallas con su imagen siempre altos. Ayyyy guerrillero cuantas hazañas en el hospital primero y en el teatro haciendo magia. Se fue a la

male vocals Warm modern trova with male vocals nylon-string guitar and subtle percussion; verses intimate and storytelling chorus opening into anthemic singalong with crowd-style backing vocals and a gentle organ pad swelling on the last hook

Midnight In My Polo

02:52

1 month ago

by Pro Kid

Amapiano

male vocals Smooth amapiano groove with log drums and shuffling percs warm male vocals laid back but playful. Verses ride a sparse piano and soft pad bed then hook blossoms with bright synth stabs and stacked call-and-response ad-libs. Keep the low-end bouncy claps tight and roomy with a gentle sax line weaving in and out on the outro.

Midnight In My Polo

02:32

1 month ago

by Pro Kid

Amapiano

male vocals Smooth amapiano groove with log drums and shuffling percs warm male vocals laid back but playful. Verses ride a sparse piano and soft pad bed then hook blossoms with bright synth stabs and stacked call-and-response ad-libs. Keep the low-end bouncy claps tight and roomy with a gentle sax line weaving in and out on the outro.

Faillat a Szívemben

03:37

1 month ago

by Dominik

Ez a dal az asztalosoknak szól

male vocals stomps Warm acoustic folk-rock with male vocals; brushed kit and woody upright bass under fingerpicked guitar and mandolin. Verses stay intimate and close-mic’d slight tape saturation; chorus lifts with gang-style shouts and claps. Bridge pulls back to near a cappella then full band returns for a hearty singalong outro.

Faillat a Szívemben

02:55

1 month ago

by Dominik

Ez a dal az asztalosoknak szól

male vocals stomps Warm acoustic folk-rock with male vocals; brushed kit and woody upright bass under fingerpicked guitar and mandolin. Verses stay intimate and close-mic’d slight tape saturation; chorus lifts with gang-style shouts and claps. Bridge pulls back to near a cappella then full band returns for a hearty singalong outro.

Fázis a szívben

03:20

1 month ago

by Dominik

Ez a dal a villany szerelőknek szól

male vocals Groovy pop-rock középtempó feszes élő dob és mély basszus ropogós ritmusgitár. Male vocals lazán sztoriznak a verzékben refrénre kinyílik a hang többszólamú háttérvokálokkal és tapsokkal. Rövid gitárlickek felelgetnek az éneknek a bridge-ben kis dinamikaesés majd nagy visszalépés az utolsó refrénre.

Fázis a szívben

03:11

1 month ago

by Dominik

Ez a dal a villany szerelőknek szól

male vocals Groovy pop-rock középtempó feszes élő dob és mély basszus ropogós ritmusgitár. Male vocals lazán sztoriznak a verzékben refrénre kinyílik a hang többszólamú háttérvokálokkal és tapsokkal. Rövid gitárlickek felelgetnek az éneknek a bridge-ben kis dinamikaesés majd nagy visszalépés az utolsó refrénre.

Toujours prêts

02:40

1 month ago

by Mao Smith Haba

Chef : Qui sommes-nous ? Tous : Les scouts ! Chef : Notre guide ? Tous : CD Mao Socrate ! Tous : Toujours prêts ! Couplet 1 : Quand le soleil se lève sur la route, Les scouts avancent sans aucun doute, Le foulard flotte dans le vent, Nous marchons tous fièrement. Dans la joie et la fraternité, Nous chantons la fidélité, Le cœur courageux et la main ouverte, Pour aider le monde qui nous entoure.

male vocals Upbeat acoustic folk with male vocals campfire claps and stomps. Verses stay intimate with close-miked guitar and soft pad; chorus explodes with gang vocals tom-driven groove and bright mandolin. Bridge drops to almost a cappella then rushes back in with stacked harmonies and a big shout-along outro.

Toujours prêts

01:56

1 month ago

by Mao Smith Haba

Chef : Qui sommes-nous ? Tous : Les scouts ! Chef : Notre guide ? Tous : CD Mao Socrate ! Tous : Toujours prêts ! Couplet 1 : Quand le soleil se lève sur la route, Les scouts avancent sans aucun doute, Le foulard flotte dans le vent, Nous marchons tous fièrement. Dans la joie et la fraternité, Nous chantons la fidélité, Le cœur courageux et la main ouverte, Pour aider le monde qui nous entoure.

male vocals Upbeat acoustic folk with male vocals campfire claps and stomps. Verses stay intimate with close-miked guitar and soft pad; chorus explodes with gang vocals tom-driven groove and bright mandolin. Bridge drops to almost a cappella then rushes back in with stacked harmonies and a big shout-along outro.

Half Light Heart

03:07

1 month ago

by Sai Nikhil Kammari

soft and sophisticated sad and happy song

male vocals happy soft upright bass Soft sad sophisticated Warm jazz-tinged pop ballad with brushed kit and close-mic male vocals; gentle piano voicings and airy electric guitar swells. Verses stay intimate and conversational; chorus blooms with stacked harmonies and a subtle string pad building to a bittersweet lift on the final hook then easing back to a hush.

Half Light Heart

02:54

1 month ago

by Sai Nikhil Kammari

soft and sophisticated sad and happy song

male vocals happy soft upright bass Soft sad sophisticated Warm jazz-tinged pop ballad with brushed kit and close-mic male vocals; gentle piano voicings and airy electric guitar swells. Verses stay intimate and conversational; chorus blooms with stacked harmonies and a subtle string pad building to a bittersweet lift on the final hook then easing back to a hush.

Vanesa de Buena Actitud

02:34

1 month ago

by Andres Oronia

Vanesa es de buena actitud proteje asu familia y es muy valiente errmosa y tiene una risa errmosa y la vos errmosa corrido que sea corrido

male vocals Regional Mexican corrido with male vocals over tight requinto and bajo sexto midtempo groove. Bass and snare push the story forward; accordion lines answer vocal phrases. Verses stay close and intimate chorus lifts with gang-style backing shouts and octave harmonies. Warm slightly gritty vocal tone; end with a stripped-back final hook and guitar flourish.

Vanesa de Buena Actitud

02:32

1 month ago

by Andres Oronia

Vanesa es de buena actitud proteje asu familia y es muy valiente errmosa y tiene una risa errmosa y la vos errmosa corrido que sea corrido

male vocals Regional Mexican corrido with male vocals over tight requinto and bajo sexto midtempo groove. Bass and snare push the story forward; accordion lines answer vocal phrases. Verses stay close and intimate chorus lifts with gang-style backing shouts and octave harmonies. Warm slightly gritty vocal tone; end with a stripped-back final hook and guitar flourish.

Artículo 637

02:57

1 month ago

by Ricardo Cruz

Artículo 637. En la imposición de las sanciones a que se refiere el artículo anterior se observarán las normas siguientes: I. El Presidente de la Junta practicará una investigación con audiencia del interesado e impondrá la sanción que corresponda a los actuarios, secretarios, auxiliares y funcionarios conciliadores; y II. Cuando se trate de los secretarios generales, secretarios auxiliares y Pr

male vocals distant vocal chops perfect for a short Moody Latin trap with male vocals mid-tempo bounce and deep sub bass under sparse detuned synths. Verses sit close and conversational almost whispered; pre-chorus adds echoing ad-libs and rising pads. Chorus hits wide with layered hooks and a tighter punchier kick. Subtle guitar plucks and filtered claps keep it eerie yet catchy looping banger.

Artículo 637

03:08

1 month ago

by Ricardo Cruz

Artículo 637. En la imposición de las sanciones a que se refiere el artículo anterior se observarán las normas siguientes: I. El Presidente de la Junta practicará una investigación con audiencia del interesado e impondrá la sanción que corresponda a los actuarios, secretarios, auxiliares y funcionarios conciliadores; y II. Cuando se trate de los secretarios generales, secretarios auxiliares y Pr

male vocals distant vocal chops perfect for a short Moody Latin trap with male vocals mid-tempo bounce and deep sub bass under sparse detuned synths. Verses sit close and conversational almost whispered; pre-chorus adds echoing ad-libs and rising pads. Chorus hits wide with layered hooks and a tighter punchier kick. Subtle guitar plucks and filtered claps keep it eerie yet catchy looping banger.

Graça No Deserto

04:00

1 month ago

by jose manuel

GOSPEL AMERICANO/ BPM 67,5/ PROGRESSAO DE ACORDES G#, B, G#, C#,/ PIANO,/ EMOCIONAL

male vocals Gospel then rise into a soaring Slow emotional gospel ballad at 67.5 BPM with warm grand piano leading subtle organ pads and soft live-sounding drums that ease in on the second section. Male vocals start intimate and close-mic’d church-choir–style chorus with stacked harmonies. Gentle bass underpins the chords with a tasteful gospel-style piano fill between phrases to lift the emotion.

Graça No Deserto

03:13

1 month ago

by jose manuel

GOSPEL AMERICANO/ BPM 67,5/ PROGRESSAO DE ACORDES G#, B, G#, C#,/ PIANO,/ EMOCIONAL

male vocals Gospel then rise into a soaring Slow emotional gospel ballad at 67.5 BPM with warm grand piano leading subtle organ pads and soft live-sounding drums that ease in on the second section. Male vocals start intimate and close-mic’d church-choir–style chorus with stacked harmonies. Gentle bass underpins the chords with a tasteful gospel-style piano fill between phrases to lift the emotion.

High As My Enemies

02:20

1 month ago

by Nathan Weiss

Hip-hop gangsta rap song about Smoking Weed and pimping hoes

male vocals hip hop rap heavy 808s sharp snares Aggressive West Coast trap bounce eerie bell loop. Male vocals low and menacing lock into a tight pocket. Hook explodes with stacked chants and call-and-response ad-libs; verses stay clipped and conversational. Occasional filtered drops on the last bar before the hook to make it slam harder when it returns.

High As My Enemies

02:30

1 month ago

by Nathan Weiss

Hip-hop gangsta rap song about Smoking Weed and pimping hoes

male vocals hip hop rap heavy 808s sharp snares Aggressive West Coast trap bounce eerie bell loop. Male vocals low and menacing lock into a tight pocket. Hook explodes with stacked chants and call-and-response ad-libs; verses stay clipped and conversational. Occasional filtered drops on the last bar before the hook to make it slam harder when it returns.

Kila banana

02:35

1 month ago

by Laura Štimac

Zasto si se napio Mojim parama pivo platio Moje srce ukrao i u podne ustao U strofama mi seres i pile sto sam ja ispekla jedes Jadne su ti fore da ti nije mene ne bi vidio more Treses se ko veš mašina stalno pitaš šta danas za ručak ima Malo mi je muke moje pa da trpim brige tvoje Ladis jaja majko mila a ono ti ispod košulje kila, kila, kila -BANANA

male vocals Sarcastic Bouncy turbo-folk club track with playful female vocals; busy acoustic guitars over snappy drum groove tuba-style bass and cheeky brass hits. Verses are half-spoken with tight rhythmic phrasing; chorus explodes with stacked chant harmonies and crowd-call responses. Short synth fills and claps drive the hook keeping it light and dancefloor-ready.

Kila banana

02:04

1 month ago

by Laura Štimac

Zasto si se napio Mojim parama pivo platio Moje srce ukrao i u podne ustao U strofama mi seres i pile sto sam ja ispekla jedes Jadne su ti fore da ti nije mene ne bi vidio more Treses se ko veš mašina stalno pitaš šta danas za ručak ima Malo mi je muke moje pa da trpim brige tvoje Ladis jaja majko mila a ono ti ispod košulje kila, kila, kila -BANANA

male vocals Sarcastic Bouncy turbo-folk club track with playful female vocals; busy acoustic guitars over snappy drum groove tuba-style bass and cheeky brass hits. Verses are half-spoken with tight rhythmic phrasing; chorus explodes with stacked chant harmonies and crowd-call responses. Short synth fills and claps drive the hook keeping it light and dancefloor-ready.

Street kings

03:23

1 month ago

by Stephen Swart

male vocals high-energy rap-rock heavy guitars heavy 808 bass Dark Rap aggressive hip-hop deep gritty male vocals raspy growling delivery intense emotional rap flow hard trap drums

Street kings

03:25

1 month ago

by Stephen Swart

male vocals high-energy rap-rock heavy guitars heavy 808 bass Dark Rap aggressive hip-hop deep gritty male vocals raspy growling delivery intense emotional rap flow hard trap drums

Male Vocals

Male Vocals Tracks

Baladas de Malcom el Guerrillero

Baladas de Malcom el Guerrillero

Midnight In My Polo

Midnight In My Polo

Faillat a Szívemben

Faillat a Szívemben

Fázis a szívben

Fázis a szívben

Toujours prêts

Toujours prêts

Half Light Heart

Half Light Heart

Vanesa de Buena Actitud

Vanesa de Buena Actitud

Artículo 637

Artículo 637

Graça No Deserto

Graça No Deserto

High As My Enemies

High As My Enemies

Kila banana

Kila banana

Street kings

Street kings

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