Female Vocals

AI-Generated Music

783 Tracks

Female Vocals Tracks

قلبك وطن

Cover art for قلبك وطن by Olha Demir
03:59

3 weeks ago

by Olha Demir

cool song about love , arabic style

female vocals claps riq and stacked harmonies. Intimate Modern Arabic pop with female vocals midtempo groove built on darbuka and deep pulsing bass. Verse uses airy oud and subtle qanun fills; chorus blooms with lush string section close-mic vocal in the verses; big open hook with call-and-response ad-libs in the chorus.

قلبك وطن

Cover art for قلبك وطن by Olha Demir
03:12

3 weeks ago

by Olha Demir

cool song about love , arabic style

female vocals claps riq and stacked harmonies. Intimate Modern Arabic pop with female vocals midtempo groove built on darbuka and deep pulsing bass. Verse uses airy oud and subtle qanun fills; chorus blooms with lush string section close-mic vocal in the verses; big open hook with call-and-response ad-libs in the chorus.

Aşkın Yangını

Cover art for Aşkın Yangını by Braveheart
04:00

3 weeks ago

by Braveheart

Türkçe, 90’lar Türkçe pop esintili şarkı. Tema: Tutkulu aşk. Duygu: Romantik ve güçlü. Tempo: Orta. Güçlü vokal performansı. Canlı davul, bas gitar, analog klavye. Döneme uygun melodik yapı.

pop female vocals 90s Turkish pop ballad with female vocals; live drum kit and warm bass driving a mid-tempo groove analog synth pads and bright keys adding nostalgic sparkle. Verses stay intimate and rhythmic pre-chorus lifts with subtle string pads and the chorus explodes into a big passionate topline with stacked harmonies and powerful ad-libs toward the final repeat.

Aşkın Yangını

Cover art for Aşkın Yangını by Braveheart
03:53

3 weeks ago

by Braveheart

Türkçe, 90’lar Türkçe pop esintili şarkı. Tema: Tutkulu aşk. Duygu: Romantik ve güçlü. Tempo: Orta. Güçlü vokal performansı. Canlı davul, bas gitar, analog klavye. Döneme uygun melodik yapı.

pop female vocals 90s Turkish pop ballad with female vocals; live drum kit and warm bass driving a mid-tempo groove analog synth pads and bright keys adding nostalgic sparkle. Verses stay intimate and rhythmic pre-chorus lifts with subtle string pads and the chorus explodes into a big passionate topline with stacked harmonies and powerful ad-libs toward the final repeat.

Midnight Static in My Head

Cover art for Midnight Static in My Head by yesindridi1@gmail.com
03:19

3 weeks ago

by [email protected]

Sad emotional pop, slow tempo, soft piano, ambient pads, male vocal, warm and deep voice, emotional delivery, modern AI music, cinematic, night vibe

emotional pop slow female vocals ambient deep Soft Warm vocal sad airy harmonies Slow cinematic sad-pop ballad with soft felt piano distant ambient pads and warm layered male+female vocals trading lines. Intimate verses in a low close-mic register; choruses swell with gentle sidechain pads and subtle sub-bass swells. Sparse percussion accents in the second chorus with a late reverb-drenched wordless vocal outro that lingers in the dark.

Midnight Static in My Head

Cover art for Midnight Static in My Head by yesindridi1@gmail.com
03:33

3 weeks ago

by [email protected]

Sad emotional pop, slow tempo, soft piano, ambient pads, male vocal, warm and deep voice, emotional delivery, modern AI music, cinematic, night vibe

emotional pop slow female vocals ambient deep Soft Warm vocal sad airy harmonies Slow cinematic sad-pop ballad with soft felt piano distant ambient pads and warm layered male+female vocals trading lines. Intimate verses in a low close-mic register; choruses swell with gentle sidechain pads and subtle sub-bass swells. Sparse percussion accents in the second chorus with a late reverb-drenched wordless vocal outro that lingers in the dark.

Naše Kotvy

Cover art for Naše Kotvy by Alena
03:53

3 weeks ago

by Alena

Alča a Mirek. alkohol a drogy. láska a hádky, synové František a Mireček- naše kotvy. vzestupy a pády. milování a nenávist. navždy spolu. oporou,štítem,rodinou.

female vocals Cinematic pop ballad with female vocals warm piano and airy pads at the core. First verse intimate and close-mic’d then drums bloom in at the first chorus with deep toms and wide synths. Second verse adds low strings and soft guitar swells; final chorus lifts with stacked harmonies and a bright soaring topline over a steady pulsing groove.

Naše Kotvy

Cover art for Naše Kotvy by Alena
03:30

3 weeks ago

by Alena

Alča a Mirek. alkohol a drogy. láska a hádky, synové František a Mireček- naše kotvy. vzestupy a pády. milování a nenávist. navždy spolu. oporou,štítem,rodinou.

female vocals Cinematic pop ballad with female vocals warm piano and airy pads at the core. First verse intimate and close-mic’d then drums bloom in at the first chorus with deep toms and wide synths. Second verse adds low strings and soft guitar swells; final chorus lifts with stacked harmonies and a bright soaring topline over a steady pulsing groove.

Velvet On My Tongue

Cover art for Velvet On My Tongue by Princess Angel Maranan
03:26

3 weeks ago

by Princess Angel Maranan

Freaky lustful sassy hot confident slow

slow female vocals Sultry R&B slow-burn with female vocals; warm Rhodes and subby bass glide under a lazy pocket groove tight finger snaps and brushed drums. Verses stay intimate and close-mic’d breaths and lip noises left in; chorus blooms with stacked harmonies and a slippery synth lead shadowing the topline. Final hook rides a half-time breakdown heavy reverb throws and a teasing ad-lib outro.

Velvet On My Tongue

Cover art for Velvet On My Tongue by Princess Angel Maranan
03:27

3 weeks ago

by Princess Angel Maranan

Freaky lustful sassy hot confident slow

slow female vocals Sultry R&B slow-burn with female vocals; warm Rhodes and subby bass glide under a lazy pocket groove tight finger snaps and brushed drums. Verses stay intimate and close-mic’d breaths and lip noises left in; chorus blooms with stacked harmonies and a slippery synth lead shadowing the topline. Final hook rides a half-time breakdown heavy reverb throws and a teasing ad-lib outro.

Doi copii pe 12 august

Cover art for Doi copii pe 12 august by Ciobanu Crina
03:59

3 weeks ago

by Ciobanu Crina

Despre un băiat și o fată care s-au întâlnit ziua pe 12 august 2020 în centrul Chișinăului și de 5 ani sunt împreună, care au trecut prin multe greutăți, probleme financiare, morale și sentimentale dar au depășit totul. Eram doi copii care au crescut împreună și au învățat cu adevărat ce înseamnă dragostea. Care nu pot acum unul fără celălalt și se iubesc foarte mult.

female vocals Warm acoustic pop ballad female vocals; intimate fingerpicked guitar and soft pads in the verses kick and deep but gentle bass joining the chorus. Gradual build with airy piano doubles and subtle string swells in the last hook; close breathy lead light harmonies on the title line for a tender uplifting arc.

Doi copii pe 12 august

Cover art for Doi copii pe 12 august by Ciobanu Crina
04:00

3 weeks ago

by Ciobanu Crina

Despre un băiat și o fată care s-au întâlnit ziua pe 12 august 2020 în centrul Chișinăului și de 5 ani sunt împreună, care au trecut prin multe greutăți, probleme financiare, morale și sentimentale dar au depășit totul. Eram doi copii care au crescut împreună și au învățat cu adevărat ce înseamnă dragostea. Care nu pot acum unul fără celălalt și se iubesc foarte mult.

female vocals Warm acoustic pop ballad female vocals; intimate fingerpicked guitar and soft pads in the verses kick and deep but gentle bass joining the chorus. Gradual build with airy piano doubles and subtle string swells in the last hook; close breathy lead light harmonies on the title line for a tender uplifting arc.

Варвара, с днём рождения

Cover art for Варвара, с днём рождения by лида алексахина
02:35

3 weeks ago

by лида алексахина

хочу поздравить Варвару с девятнадцатилетием

female vocals light percussion then a wider Bright acoustic pop with female vocals; fingerpicked guitar and soft piano on the verses shimmery chorus with warm pads and stacked harmonies on the hook. Energy grows from intimate and tender to joyful sing-along with a brief dynamic dip before the final chorus for an emotional lift.

Варвара, с днём рождения

Cover art for Варвара, с днём рождения by лида алексахина
03:25

3 weeks ago

by лида алексахина

хочу поздравить Варвару с девятнадцатилетием

female vocals light percussion then a wider Bright acoustic pop with female vocals; fingerpicked guitar and soft piano on the verses shimmery chorus with warm pads and stacked harmonies on the hook. Energy grows from intimate and tender to joyful sing-along with a brief dynamic dip before the final chorus for an emotional lift.

Stay Where the Light Is

Cover art for Stay Where the Light Is by Wangila Kny
03:17

3 weeks ago

by Wangila Kny

Piano

female vocals Intimate piano ballad with female vocals; close-mic’d upright piano and soft pedal throughout. First verse starts sparse and hushed then chorus blooms with warm reverb and doubling harmonies. Subtle string pad sneaks in under second chorus with a gentle swell into the bridge. Final chorus pulls instruments back for a near–a cappella tag lingering on the last chord.

Stay Where the Light Is

Cover art for Stay Where the Light Is by Wangila Kny
03:47

3 weeks ago

by Wangila Kny

Piano

female vocals Intimate piano ballad with female vocals; close-mic’d upright piano and soft pedal throughout. First verse starts sparse and hushed then chorus blooms with warm reverb and doubling harmonies. Subtle string pad sneaks in under second chorus with a gentle swell into the bridge. Final chorus pulls instruments back for a near–a cappella tag lingering on the last chord.

Кому нужен старый дед

Cover art for Кому нужен старый дед by Denis Lupasco
05:01

3 weeks ago

by Denis Lupasco

Я копаюсь на помойках, как червяк С детства жизнь моя наперекосяк Канализационный люк — моя дверь Но я счастлив по-своему, поверь Двадцать лет назад сгорел родной мой дом Документы, деньги, всё сгорело в нём И теперь я побираюсь двадцать лет Кому нужен старый никудышный дед? Я бычок подниму — горький дым затяну Покурю и полезу домой Не жалейте меня, я прекрасно живу Только кушать охота порой

female vocals Dusty acoustic ballad with female vocals close-miked and intimate. Fingerpicked guitar and subtle upright bass set a slow sway; soft brushed snare and distant harmonica color the verses. Chorus blooms with stacked harmonies and a gentle organ pad then drops back to near a cappella for the final lines. Keep the vocal raw cracked in places letting breaths and tiny imperfections carry the story.

Кому нужен старый дед

Cover art for Кому нужен старый дед by Denis Lupasco
04:05

3 weeks ago

by Denis Lupasco

Я копаюсь на помойках, как червяк С детства жизнь моя наперекосяк Канализационный люк — моя дверь Но я счастлив по-своему, поверь Двадцать лет назад сгорел родной мой дом Документы, деньги, всё сгорело в нём И теперь я побираюсь двадцать лет Кому нужен старый никудышный дед? Я бычок подниму — горький дым затяну Покурю и полезу домой Не жалейте меня, я прекрасно живу Только кушать охота порой

female vocals Dusty acoustic ballad with female vocals close-miked and intimate. Fingerpicked guitar and subtle upright bass set a slow sway; soft brushed snare and distant harmonica color the verses. Chorus blooms with stacked harmonies and a gentle organ pad then drops back to near a cappella for the final lines. Keep the vocal raw cracked in places letting breaths and tiny imperfections carry the story.

Клин

Cover art for Клин by Элир (Элир, Защитник Дарнаса)
03:33

3 weeks ago

by Элир (Элир, Защитник Дарнаса)

В тот вечер лавка ждала зари, Алхимик — труд, герой — покой. Но тень крылатая с высоты Осквернила труд земной. Не меч — терпенье первым пал, Не кровь — очистка шла рекой. Но гнев, что в сердце Хвана встал, Сравним лишь с бурей штормовой. О-о-о, взлетел он выше облаков, Где ветер рвёт саму судьбу, И череп древних ящеров-богов Узнал геройскую стопу. Он не молил, он не дрожал — Он стал клин

female vocals Epic dark folk with female vocals low drum pulse and bowed strings. Verses stay intimate over sparse drones; chorus explodes with layered harmonies and warlike toms. Ancient-ritual mood distant choir doubles key lines final lift adds metallic percussion and a rising string cluster.

Клин

Cover art for Клин by Элир (Элир, Защитник Дарнаса)
03:25

3 weeks ago

by Элир (Элир, Защитник Дарнаса)

В тот вечер лавка ждала зари, Алхимик — труд, герой — покой. Но тень крылатая с высоты Осквернила труд земной. Не меч — терпенье первым пал, Не кровь — очистка шла рекой. Но гнев, что в сердце Хвана встал, Сравним лишь с бурей штормовой. О-о-о, взлетел он выше облаков, Где ветер рвёт саму судьбу, И череп древних ящеров-богов Узнал геройскую стопу. Он не молил, он не дрожал — Он стал клин

female vocals Epic dark folk with female vocals low drum pulse and bowed strings. Verses stay intimate over sparse drones; chorus explodes with layered harmonies and warlike toms. Ancient-ritual mood distant choir doubles key lines final lift adds metallic percussion and a rising string cluster.

Jungle of the Falling Sky

Cover art for Jungle of the Falling Sky by Joshua Astle
02:52

3 weeks ago

by Joshua Astle

Epic world drama with traditional percussion, panpipes, rattles, and high-energy cinematic beats. Feels like running through a ancient mayan jungle temple with imminent collapse. It can start slow, but needs to pick up quickly and stay high tempo. Perhaps some deeper drum beats. The pan pipes could just be at the beginning. With high tempo deeper toned chanting. Give it a metal undertone.

beats slow female vocals metal jungle world драма Hybrid cinematic world-metal; female vocals. Opens with sparse panpipe motif and distant low chants over deep frame drum and rattles then kicks into relentless high-BPM percussion toms and taiko-style hits. Gritty distorted guitars double the drum accents for a metal undercurrent; choir-style low female chanting becomes a driving rhythm. Big echoing impacts between sections; chorus explodes with stacked warrior vocals and soaring lead tempo stays urgent to the end.

Jungle of the Falling Sky

Cover art for Jungle of the Falling Sky by Joshua Astle
02:51

3 weeks ago

by Joshua Astle

Epic world drama with traditional percussion, panpipes, rattles, and high-energy cinematic beats. Feels like running through a ancient mayan jungle temple with imminent collapse. It can start slow, but needs to pick up quickly and stay high tempo. Perhaps some deeper drum beats. The pan pipes could just be at the beginning. With high tempo deeper toned chanting. Give it a metal undertone.

beats slow female vocals metal jungle world драма Hybrid cinematic world-metal; female vocals. Opens with sparse panpipe motif and distant low chants over deep frame drum and rattles then kicks into relentless high-BPM percussion toms and taiko-style hits. Gritty distorted guitars double the drum accents for a metal undercurrent; choir-style low female chanting becomes a driving rhythm. Big echoing impacts between sections; chorus explodes with stacked warrior vocals and soaring lead tempo stays urgent to the end.

Turbo Love Highway

Cover art for Turbo Love Highway by Nadeko HNT
03:19

3 weeks ago

by Nadeko HNT

Bass bossted music that uses both male and female voice, i want to be easy to learn and extremely hard to forget, i want to be something like xanadu or hideho or maybe something about love and cars

female vocals High-energy EDM-pop with bass-boosted low end and bright top synths. Call-and-response male and female vocals; tight simple topline designed for instant recall. Verses sit over sparse pulsing bass and claps; chorus explodes with wide supersaws sub drops and gang shouts on the hook word. Short bridge pullback with filtered beat then final chorus hits hardest.

Turbo Love Highway

Cover art for Turbo Love Highway by Nadeko HNT
03:06

3 weeks ago

by Nadeko HNT

Bass bossted music that uses both male and female voice, i want to be easy to learn and extremely hard to forget, i want to be something like xanadu or hideho or maybe something about love and cars

female vocals High-energy EDM-pop with bass-boosted low end and bright top synths. Call-and-response male and female vocals; tight simple topline designed for instant recall. Verses sit over sparse pulsing bass and claps; chorus explodes with wide supersaws sub drops and gang shouts on the hook word. Short bridge pullback with filtered beat then final chorus hits hardest.