Priya the Werewolf

03:10

il y a 6 jours

de Valentino Bracalentti

emotional [EDM FEMALE VOCAL sad catchy melancholy harmonic vocals clean audio harmonic music

Priya the Werewolf

04:35

il y a 6 jours

de Valentino Bracalentti

emotional [EDM FEMALE VOCAL sad catchy melancholy harmonic vocals clean audio harmonic music

Tears At The Altar

03:35

il y a 1 semaine

de Nick

Gospel God Jesus sad rap emotional

male vocals emotional rap sad Gospel emotional delivery handclaps reverent intimate mix Gospel rap with a slow half-time bounce warm organ chords and sparse kick-snare pockets; verse rides close-mic male vocals with dry pre-chorus opens into stacked choir responses chorus hits with shouted doubles and ad-libbed amens. Transition with organ swells reverse cymbal breaths and a soft tambourine lift. Wide

Tears At The Altar

03:27

il y a 1 semaine

de Nick

Gospel God Jesus sad rap emotional

male vocals emotional rap sad Gospel emotional delivery handclaps reverent intimate mix Gospel rap with a slow half-time bounce warm organ chords and sparse kick-snare pockets; verse rides close-mic male vocals with dry pre-chorus opens into stacked choir responses chorus hits with shouted doubles and ad-libbed amens. Transition with organ swells reverse cymbal breaths and a soft tambourine lift. Wide

Bent Wood

03:09

il y a 2 semaines

de Quilline Ochieng

Solo acoustic guitar, raw fingerstyle, finger plucked, B minor, 100bpm. Features a steady, staccato alternating Travis-picking. No reverb, dry production, sad and touching

acoustic raw steady sad staccato fingerstyle Acoustic folk fingerstyle in B minor at 100 bpm with steady Travis-picking and crisp staccato alternation; verse-like opening stays close and sparse then a gentle lift in the middle adds wider bass movement before settling back to a final bare-picked outro. Dry intimate solo performance with close-mic string noise subtle fret buzz and a tactile woody mix.

Bent Wood

03:05

il y a 2 semaines

de Quilline Ochieng

Solo acoustic guitar, raw fingerstyle, finger plucked, B minor, 100bpm. Features a steady, staccato alternating Travis-picking. No reverb, dry production, sad and touching

acoustic raw steady sad staccato fingerstyle Acoustic folk fingerstyle in B minor at 100 bpm with steady Travis-picking and crisp staccato alternation; verse-like opening stays close and sparse then a gentle lift in the middle adds wider bass movement before settling back to a final bare-picked outro. Dry intimate solo performance with close-mic string noise subtle fret buzz and a tactile woody mix.

Empty Hallway

03:15

il y a 3 semaines

de Sarah

about dad being there when i was small and picking me up when i was sad and had no where to go and now that hes gone I miss him

female vocals sad Country-pop ballad with a soft 92 BPM sway brushed drums and clean acoustic guitar in the verses strings and piano blooming in the pre-chorus and a bigger chorus with warm stacked harmonies; female vocals close-mic’d and intimate with breathy doubles gentle delay throws on the hook a pedal-steel cry in the turnaround and a final chorus lifted by handclaps and wide harmony pads bright and emotional mix

Empty Hallway

02:57

il y a 3 semaines

de Sarah

about dad being there when i was small and picking me up when i was sad and had no where to go and now that hes gone I miss him

female vocals sad Country-pop ballad with a soft 92 BPM sway brushed drums and clean acoustic guitar in the verses strings and piano blooming in the pre-chorus and a bigger chorus with warm stacked harmonies; female vocals close-mic’d and intimate with breathy doubles gentle delay throws on the hook a pedal-steel cry in the turnaround and a final chorus lifted by handclaps and wide harmony pads bright and emotional mix

Dad you are my hero & P; J bwoe compose

02:40

il y a 1 mois

de vigil easter

bass drums Female Voice male voice Afrobeat sad Soprano emotional beat

Dad you are my hero & P; J bwoe compose

02:55

il y a 1 mois

de vigil easter

bass drums Female Voice male voice Afrobeat sad Soprano emotional beat

Strangers Now

03:11

il y a 1 mois

de Megara Lukàcs

sad missing crying

Strangers Now

03:17

il y a 1 mois

de Megara Lukàcs

sad missing crying

Saanu kise naal milan da shoq nai, Asi apne raah de raja aa… Na kise di soch ch phasde aa, Asi khud de likhe irada aa… Jithe duniya saath chad jandi, Othe asi khud hi khad jande aa… Dhokhe vekh ke hassde aa, Dil ch dard vi sad jande aa… (Hook) Saanu kise di load nai, Asi akele hi kaafi aa… Duniya jhooti lagdi ae, Par asi sach de saathi aa… Saanu kise di load nai, Na kise da sahara chahida… Maa baa

bass sad and a bright Punjabi hip-hop with a steady mid-tempo bounce and crisp handclap swing; verse rides sparse kick and dry snare then pre-chorus opens with filtered synth lift and snare rolls; chorus hits with layered gang doubles and a chanty reply. Add reverse swells into each hook vocal delay throws on the last word punchy mix with intimate lead vocal.

Apne Raah De Raja

02:07

il y a 1 mois

de Arslan Khan

Saanu kise naal milan da shoq nai, Asi apne raah de raja aa… Na kise di soch ch phasde aa, Asi khud de likhe irada aa… Jithe duniya saath chad jandi, Othe asi khud hi khad jande aa… Dhokhe vekh ke hassde aa, Dil ch dard vi sad jande aa… (Hook) Saanu kise di load nai, Asi akele hi kaafi aa… Duniya jhooti lagdi ae, Par asi sach de saathi aa… Saanu kise di load nai, Na kise da sahara chahida… Maa baa

bass sad and a bright Punjabi hip-hop with a steady mid-tempo bounce and crisp handclap swing; verse rides sparse kick and dry snare then pre-chorus opens with filtered synth lift and snare rolls; chorus hits with layered gang doubles and a chanty reply. Add reverse swells into each hook vocal delay throws on the last word punchy mix with intimate lead vocal.

Cicatrices en tu Voz

04:09

il y a 1 mois

de Anette Barahona González

Una canción tipo rap sad, romántica con bajos, para pensar en tu ex, que sea romántico

rap sad intimate sparse percussion and punchy. Sad romantic rap with slow head-nodding bass warm sub drops and a moody late-night pulse; verse rides close-mic confessional bars pre-chorus opens with filtered pads and rising tension chorus lands with a short chantable hook and doubled ad-libs; bridge strips to bass and voice before the final chorus returns fuller with layered harmonies and echo throws. Mix is dark

Cicatrices en tu Voz

03:57

il y a 1 mois

de Anette Barahona González

Una canción tipo rap sad, romántica con bajos, para pensar en tu ex, que sea romántico

rap sad intimate sparse percussion and punchy. Sad romantic rap with slow head-nodding bass warm sub drops and a moody late-night pulse; verse rides close-mic confessional bars pre-chorus opens with filtered pads and rising tension chorus lands with a short chantable hook and doubled ad-libs; bridge strips to bass and voice before the final chorus returns fuller with layered harmonies and echo throws. Mix is dark

Quiet Steps, Strong Heart

03:21

il y a 1 mois

de [email protected]

create an instrumental music sentimental low key a bit sad, inspirational

male vocals low sad inspirational lingering outro. Soft cinematic pop ballad with intimate male vocals; warm piano leads over subtle pads and distant guitar swells brushed snare and deep gentle kick enter gradually. Verses stay hushed and close-mic’d; chorus opens with layered harmonies and a lifting string bed. Final section strips back to piano and voice for a vulnerable

Quiet Steps, Strong Heart

03:10

il y a 1 mois

de [email protected]

create an instrumental music sentimental low key a bit sad, inspirational

male vocals low sad inspirational lingering outro. Soft cinematic pop ballad with intimate male vocals; warm piano leads over subtle pads and distant guitar swells brushed snare and deep gentle kick enter gradually. Verses stay hushed and close-mic’d; chorus opens with layered harmonies and a lifting string bed. Final section strips back to piano and voice for a vulnerable

why

03:04

il y a 1 mois

de Kelly HAAS

emotional country piano sad

why

02:45

il y a 1 mois

de Kelly HAAS

emotional country piano sad

Empty Side Of The Bed

03:43

il y a 1 mois

de ant long

heart broken sad because my girlfriend left me sod slow reggae song

slow reggae sad heavy reggae groove at 68 BPM warm bass locked with a lazy rimshot shuffle skanking guitar on the offbeat. Male vocals husky and close with soft dub-style delays on key phrases. Sparse organ bubbles in the verse; chorus swells with stacked harmonies and a distant melodica hook. Reverb-drenched drops between sections let the heartbreak hang before the band slides back in.

Empty Side Of The Bed

02:43

il y a 1 mois

de ant long

heart broken sad because my girlfriend left me sod slow reggae song

slow reggae sad heavy reggae groove at 68 BPM warm bass locked with a lazy rimshot shuffle skanking guitar on the offbeat. Male vocals husky and close with soft dub-style delays on key phrases. Sparse organ bubbles in the verse; chorus swells with stacked harmonies and a distant melodica hook. Reverb-drenched drops between sections let the heartbreak hang before the band slides back in.

Stuck Back In Time

03:18

il y a 1 mois

de Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Stuck Back In Time

03:17

il y a 1 mois

de Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Sad

Sad Morceaux

Priya the Werewolf

Priya the Werewolf

Tears At The Altar

Tears At The Altar

Bent Wood

Bent Wood

Empty Hallway

Empty Hallway

Dad you are my hero & P; J bwoe compose

Dad you are my hero & P; J bwoe compose

Strangers Now

Strangers Now

Apne Raah De Raja

Apne Raah De Raja

Cicatrices en tu Voz

Cicatrices en tu Voz

Quiet Steps, Strong Heart

Quiet Steps, Strong Heart

why

why

Empty Side Of The Bed

Empty Side Of The Bed

Stuck Back In Time

Stuck Back In Time

Paroles de la Chanson

Générer des paroles

Confirmation de mise à niveau

Succès !

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