Ngizohamba Nawe

03:05

il y a 1 mois

amapiano

male vocals glossy reverse swells club-close mix. shuffling shakers Amapiano with log-drum bounce airy keys and a laid-back four-on-the-floor pulse; verse stays sparse with clipped male lead and soft call phrases pre-chorus lifts with stacked harmonies and filtered piano chorus opens into a sticky chant with gang ad-libs. Vocal chops coin-like perc ticks. Warm

Ngizohamba Nawe

03:09

il y a 1 mois

de Zanzorah Brown

amapiano

male vocals glossy reverse swells club-close mix. shuffling shakers Amapiano with log-drum bounce airy keys and a laid-back four-on-the-floor pulse; verse stays sparse with clipped male lead and soft call phrases pre-chorus lifts with stacked harmonies and filtered piano chorus opens into a sticky chant with gang ad-libs. Vocal chops coin-like perc ticks. Warm

Banabeso

04:10

il y a 1 mois

de Djkhahliso

make Afro house love song for my brother and my sister using the male vocals with Sesotho language

male vocals Shakers wide and deep bass chant doubles Afro house with a driving four-on-the-floor pulse syncopated percussion and warm log drum accents; verse rides sparse kick pre-chorus lifts with filtered pads and rising vocal layers chorus opens with claps and a bright synth hook. Male vocals front and center intimate in verses and stacked with group-style ad-libs on the hook. Ear candy includes reverse sweeps into the chorus hand drum fills and short delay throws on key phrases. Mix is warm and glossy with a club-ready low end.

GWENDOLYN TAI

02:38

il y a 1 mois

de Jiei Simoi

male vocals emotional pop uplifting

GWENDOLYN TAI

02:20

il y a 1 mois

de Jiei Simoi

male vocals emotional pop uplifting

When The Dust Settle

03:55

il y a 1 mois

de Lostit Woods (LIL LOST IT)

male vocals trap r&b

When The Dust Settle

03:41

il y a 1 mois

de Lostit Woods (LIL LOST IT)

male vocals trap r&b

Morro Sencillo

03:05

il y a 1 mois

de Jose Armando Guzmán Diaz

no se que tengo que todas las mujeres les llamo la atención si soy un morro sensillo

male vocals warm sub-bass reversed swells glossy snapped claps doubled on the hook and forward in the mix. Reggaeton-pop urbano with a laid-back dembow bounce and bright guitar plucks; verse stays sparse and conversational pre-chorus lifts with filtered synth risers and stacked chants chorus drops wide with gang vocals and a catchy hook. Male vocals close-mic in verses with short delay throws on the last word of each line. Tiny percussion fills and crisp sidechain pump. Bright

Morro Sencillo

02:55

il y a 1 mois

de Jose Armando Guzmán Diaz

no se que tengo que todas las mujeres les llamo la atención si soy un morro sensillo

male vocals warm sub-bass reversed swells glossy snapped claps doubled on the hook and forward in the mix. Reggaeton-pop urbano with a laid-back dembow bounce and bright guitar plucks; verse stays sparse and conversational pre-chorus lifts with filtered synth risers and stacked chants chorus drops wide with gang vocals and a catchy hook. Male vocals close-mic in verses with short delay throws on the last word of each line. Tiny percussion fills and crisp sidechain pump. Bright

Na Minha Cola

02:35

il y a 1 mois

de Simba Samuel

x nelby haha eu vi com a wi gang dinovo para mantar Bófia na minha cola quer mi pegar mas não vai mi pegar porque estou a tamangar eu não Batoto bem da hed eu estou iloquecer

male vocals punchy Trap with dark half-time bounce rattling hi-hats and deep sub hits; verse rides sparse drums and tense bass pre-chorus tightens with filtered synth pulses chorus lands with hard unison doubles and short gang shouts. Vocal is male close-mic and rough with delay throws on the hook and ad-lib echoes in the gaps. Riser sweeps reverse crash swells and a clipped vinyl hiss bridge the sections; mix is dry and aggressive.

Na Minha Cola

02:48

il y a 1 mois

de Simba Samuel

x nelby haha eu vi com a wi gang dinovo para mantar Bófia na minha cola quer mi pegar mas não vai mi pegar porque estou a tamangar eu não Batoto bem da hed eu estou iloquecer

male vocals punchy Trap with dark half-time bounce rattling hi-hats and deep sub hits; verse rides sparse drums and tense bass pre-chorus tightens with filtered synth pulses chorus lands with hard unison doubles and short gang shouts. Vocal is male close-mic and rough with delay throws on the hook and ad-lib echoes in the gaps. Riser sweeps reverse crash swells and a clipped vinyl hiss bridge the sections; mix is dry and aggressive.

Люблю тебя, как море любит солнце Как небо любит тишину Люблю так как только можно Но не когда не разлюблю кто если не ты ? кто меня спасёт ? улетает дым она знает толк позволь растворится в объятиях ты теперь ближе слышишь ? пронекаешь в сознание это послание свыше Чем она тебе нравится ? Хул

male vocals warm sub-bass pre-chorus opens with stacked harmonies and filtered pads Alt-pop R&B with mid-tempo swung drums glassy keys and a sparse verse-to-chorus lift; verse stays intimate and close-mic chorus lands with wider doubles soft gang backing and a small rhythmic clap pattern. Add reversed swells into the pre-chorus delayed vocal throws on key phrases and a delicate top-line bell that returns between lines. Bright but emotional polished and intimate male vocals.

Хул

03:14

il y a 1 mois

de Алена Устелемова

Люблю тебя, как море любит солнце Как небо любит тишину Люблю так как только можно Но не когда не разлюблю кто если не ты ? кто меня спасёт ? улетает дым она знает толк позволь растворится в объятиях ты теперь ближе слышишь ? пронекаешь в сознание это послание свыше Чем она тебе нравится ? Хул

male vocals warm sub-bass pre-chorus opens with stacked harmonies and filtered pads Alt-pop R&B with mid-tempo swung drums glassy keys and a sparse verse-to-chorus lift; verse stays intimate and close-mic chorus lands with wider doubles soft gang backing and a small rhythmic clap pattern. Add reversed swells into the pre-chorus delayed vocal throws on key phrases and a delicate top-line bell that returns between lines. Bright but emotional polished and intimate male vocals.

Оптоволокно

01:43

il y a 1 mois

de Алексей

Тем кто хочет нашей смерти мы выносим приговор ‎ ‎Провод плотно застилает поле ‎Оптоволокно ‎ ‎ 200 метров до пасадки Взрывы музыка ‎Войны ‎ ‎Не врагу определять кто мы и на что вольны ‎ ‎Апрель Хантер за пультом держат курс ‎ мы на виражах летим на твой вкус ‎ ‎Тихо летим по краю небосвода ‎Каждый твой шаг мне виден из провода

male vocals punchy reversed impacts Trap-inflected Russian rap with militant half-time bounce tense marching snares and sharp low-end pulses; verse rides sparse with clipped delivery and double-tracked bar endings pre-chorus opens into wider harmonies and rising tension chorus lands with gang-style unison on the anchor line. Filtered noise risers and a brief sub drop before each hook. Dark close-mic mix with gritty male vocals and occasional delay throws.

Оптоволокно

01:45

il y a 1 mois

de Алексей

Тем кто хочет нашей смерти мы выносим приговор ‎ ‎Провод плотно застилает поле ‎Оптоволокно ‎ ‎ 200 метров до пасадки Взрывы музыка ‎Войны ‎ ‎Не врагу определять кто мы и на что вольны ‎ ‎Апрель Хантер за пультом держат курс ‎ мы на виражах летим на твой вкус ‎ ‎Тихо летим по краю небосвода ‎Каждый твой шаг мне виден из провода

male vocals punchy reversed impacts Trap-inflected Russian rap with militant half-time bounce tense marching snares and sharp low-end pulses; verse rides sparse with clipped delivery and double-tracked bar endings pre-chorus opens into wider harmonies and rising tension chorus lands with gang-style unison on the anchor line. Filtered noise risers and a brief sub drop before each hook. Dark close-mic mix with gritty male vocals and occasional delay throws.

Sheena Got Haters

02:35

il y a 1 mois

de Sheena Whidby

Sheena got bunch of haters be hating for no damn reason

male vocals rubbery bass punchy mix mid-tempo swung drums Pop-rap with male vocals clipped guitar stabs and a chanty hook built for call-and-response; verse stays dry and close-mic pre-chorus opens with doubled harmonies chorus hits harder with stacked gang vocals and short delay throws on the name Sheena. Filtered risers and reverse cymbals lift into each hook with a brief beat-drop bridge and bright

Sheena Got Haters

02:20

il y a 1 mois

de Sheena Whidby

Sheena got bunch of haters be hating for no damn reason

male vocals rubbery bass punchy mix mid-tempo swung drums Pop-rap with male vocals clipped guitar stabs and a chanty hook built for call-and-response; verse stays dry and close-mic pre-chorus opens with doubled harmonies chorus hits harder with stacked gang vocals and short delay throws on the name Sheena. Filtered risers and reverse cymbals lift into each hook with a brief beat-drop bridge and bright

Bwana Uhimidiwe

01:20

il y a 1 mois

de Michael John

[Intro] [clean electric guitar riff, steady drum beat, melodic bass] [Chorus] [male lead vocals with light reverb] Hallelujah Bwana uhimidiwe Sifa zako zikufikie Maombi yangu yakufikie [choir enters in harmony] (oh yakufikie) [Verse 1] [lead vocals] Umenikung'uta mavumbi na kunifanya nijue kweli yako Wewe ni kweli na haki uzima wapatikana kwako Baba [choir] (eh) Nakushukuru Jehovah [choir] (eh)

male vocals light electric steady clean harmony melodic bass clear Worship gospel with clean electric guitar arpeggios steady mid-tempo drums and warm choir pads; verse stays intimate with male lead vocals and light room reverb pre-chorus lifts through stacked harmonies chorus opens wide with call-and-response choir accents subtle handclaps and a gentle organ swell before the final refrain. Bright reverent mix with spacious vocal layers and a polished church-hall glow.

Bwana Uhimidiwe

01:04

il y a 1 mois

de Michael John

[Intro] [clean electric guitar riff, steady drum beat, melodic bass] [Chorus] [male lead vocals with light reverb] Hallelujah Bwana uhimidiwe Sifa zako zikufikie Maombi yangu yakufikie [choir enters in harmony] (oh yakufikie) [Verse 1] [lead vocals] Umenikung'uta mavumbi na kunifanya nijue kweli yako Wewe ni kweli na haki uzima wapatikana kwako Baba [choir] (eh) Nakushukuru Jehovah [choir] (eh)

male vocals light electric steady clean harmony melodic bass clear Worship gospel with clean electric guitar arpeggios steady mid-tempo drums and warm choir pads; verse stays intimate with male lead vocals and light room reverb pre-chorus lifts through stacked harmonies chorus opens wide with call-and-response choir accents subtle handclaps and a gentle organ swell before the final refrain. Bright reverent mix with spacious vocal layers and a polished church-hall glow.

Paredes Blancas

03:14

il y a 1 mois

de Antonio Martín Muñoz

Acto I: El Bautismo del Metal y las Paredes Blancas (Verso 1) En el silencio blanco donde el dolor no avisa, nació una voluntad que no conoce la sumisión ni la prisa. Un bautismo de urgencia, frío de metal y bisturí, el quirófano temblando, pero el niño dijo: "Estoy aquí". Nueve marcas en la piel, nueve pactos con la vida, mientras el mundo afuera corría sin salida, en el búnker de la mente se en

male vocals metal heavy reversed cymbal swells and claustrophobic mix. Spanish metalcore with mid-tempo stomp palm-muted verse riffing and half-time chorus hits; verse rides tense low guitars and toms pre-chorus strips to voice and floor-tom pulses chorus opens with wide gang shouts and stacked harmonies. Male vocals with gritty close-mic verses shouted doubles on hooks brief whispered lift before the drop. Metallic scrape risers and a final snare lift into the last chorus. Bright

Paredes Blancas

03:24

il y a 1 mois

de Antonio Martín Muñoz

Acto I: El Bautismo del Metal y las Paredes Blancas (Verso 1) En el silencio blanco donde el dolor no avisa, nació una voluntad que no conoce la sumisión ni la prisa. Un bautismo de urgencia, frío de metal y bisturí, el quirófano temblando, pero el niño dijo: "Estoy aquí". Nueve marcas en la piel, nueve pactos con la vida, mientras el mundo afuera corría sin salida, en el búnker de la mente se en

male vocals metal heavy reversed cymbal swells and claustrophobic mix. Spanish metalcore with mid-tempo stomp palm-muted verse riffing and half-time chorus hits; verse rides tense low guitars and toms pre-chorus strips to voice and floor-tom pulses chorus opens with wide gang shouts and stacked harmonies. Male vocals with gritty close-mic verses shouted doubles on hooks brief whispered lift before the drop. Metallic scrape risers and a final snare lift into the last chorus. Bright

Tonton Isma

03:18

il y a 1 mois

de Annaëlle Belahy

tonton isma alves bug up hio tonton naka Isma lelah maventy bé eeeh kibo Nany hio kony kizemby eehhh malahelo za mahita anao fa na dia zegny anao courage eeh fa Dariana bala ratsy mandilatra anao ooohhh zahava tsara horogno nany maventy bé igny eeeh malahelo za am Nany fa tsy haiko atoko tampoko izy niaraka am n'olo bala olo ratsy ro koa miteraka agny atohoragna tsoha tsy zaza courage Dariana yeah

male vocals polished Afro-pop ballad with mid-tempo four-on-the-floor pulse warm percussion and gentle syncopated hand drums; verse stays sparse with close-mic male vocals and soft guitar stabs pre-chorus lifts with layered harmonies and a rising pad chorus opens with stacked doubles and a chantable hook. Ear candy includes reversed swell leads into the chorus airy vocal echoes on key words and a brief percussion drop before the final lift. Bright intimate mix with a wide emotional center.

Tonton Isma

03:25

il y a 1 mois

de Annaëlle Belahy

tonton isma alves bug up hio tonton naka Isma lelah maventy bé eeeh kibo Nany hio kony kizemby eehhh malahelo za mahita anao fa na dia zegny anao courage eeh fa Dariana bala ratsy mandilatra anao ooohhh zahava tsara horogno nany maventy bé igny eeeh malahelo za am Nany fa tsy haiko atoko tampoko izy niaraka am n'olo bala olo ratsy ro koa miteraka agny atohoragna tsoha tsy zaza courage Dariana yeah

male vocals polished Afro-pop ballad with mid-tempo four-on-the-floor pulse warm percussion and gentle syncopated hand drums; verse stays sparse with close-mic male vocals and soft guitar stabs pre-chorus lifts with layered harmonies and a rising pad chorus opens with stacked doubles and a chantable hook. Ear candy includes reversed swell leads into the chorus airy vocal echoes on key words and a brief percussion drop before the final lift. Bright intimate mix with a wide emotional center.

Vamos a Bailar

03:01

il y a 1 mois

de Bruno Rojas Sanches

**Vamos a Bailar** Vamos a bailar, toda la noche sin parar, Siente el ritmo que te hace vibrar, La pista encendida, no vamos a parar, Muévelo así, déjate llevar. La música suena, se prende la fiesta, Tu cuerpo mueve con tanta destreza, Luces de colores, la noche es joven,

male vocals punchy syncopated percussion Latin dance-pop with dembow-locked drums and a bouncing bassline; verse rides lean with palm-muted synth stabs pre-chorus strips to handclaps and a rising synth sweep chorus hits with stacked gang vocals and a bright hook lead. Male vocals are close-mic in verses doubled and shouted on the hook with ad-lib panning and short delay throws. Vinyl crackle intro reverse swell into the drop and sparkle hits between phrases; mix is glossy and club-wide.

Male Vocals

Male Vocals Morceaux

Ngizohamba Nawe

Ngizohamba Nawe

Banabeso

GWENDOLYN TAI

GWENDOLYN TAI

When The Dust Settle

When The Dust Settle

Morro Sencillo

Morro Sencillo

Na Minha Cola

Na Minha Cola

Хул

Хул

Оптоволокно

Оптоволокно

Sheena Got Haters

Sheena Got Haters

Bwana Uhimidiwe

Bwana Uhimidiwe

Paredes Blancas

Paredes Blancas

Tonton Isma

Tonton Isma

Vamos a Bailar

Paroles de la Chanson

Générer des paroles

Confirmation de mise à niveau

Succès !

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