Торт для Саши

02:27

il y a 18 heures

С днем рождения. Саша.

female vocals close-mic in verses handclaps on the backbeat doubled on the hook pre-chorus lifts with stacked harmonies and a rising snare roll Upbeat pop ballad with a swaying mid-tempo groove and warm piano leading the arrangement; verse stays intimate with light guitar and soft kick chorus opens wide with bright synth pads and singalong gang vocals. Female vocals with short delay throws on the name. Sparkly bell accents celebratory risers and a final chorus lift. Clean glossy mix with a warm center and crisp high end.

Торт для Саши

02:25

il y a 18 heures

de Галя Филипович

С днем рождения. Саша.

female vocals close-mic in verses handclaps on the backbeat doubled on the hook pre-chorus lifts with stacked harmonies and a rising snare roll Upbeat pop ballad with a swaying mid-tempo groove and warm piano leading the arrangement; verse stays intimate with light guitar and soft kick chorus opens wide with bright synth pads and singalong gang vocals. Female vocals with short delay throws on the name. Sparkly bell accents celebratory risers and a final chorus lift. Clean glossy mix with a warm center and crisp high end.

mírame a los ojos mí amor que no puedo evitar mirarte cuando te miro todo es perfecto tus ojos brillan como estrellas que enciende me roba el Alma y me envuelve en tus abrazos y cada pasó firme cada pasó es calor amor mirame a los ojos que no puede más evitar amor amor amor amor no me ignores amor amor amor siempre será marzo de mí vida

male vocals glossy doubled on the hook Latin pop ballad with male vocals mid-tempo swayed groove and tender guitar-led pulse; verse stays intimate with fingerpicked nylon guitar and soft kick pre-chorus lifts with swelling pads and brushed percussion chorus opens with stacked harmonies and a held melody on the anchor phrase. Vocal is close-mic and breathy in verses with short delay throws on key words. Ear candy includes a reversed swell into the chorus delicate chime accents between lines and a final lift with wider harmony stacks. Warm emotional mix with a bright top end and soft low-end bloom.

Mírame a los ojos

03:30

il y a 1 jour

de Cristian Ibarra

mírame a los ojos mí amor que no puedo evitar mirarte cuando te miro todo es perfecto tus ojos brillan como estrellas que enciende me roba el Alma y me envuelve en tus abrazos y cada pasó firme cada pasó es calor amor mirame a los ojos que no puede más evitar amor amor amor amor no me ignores amor amor amor siempre será marzo de mí vida

male vocals glossy doubled on the hook Latin pop ballad with male vocals mid-tempo swayed groove and tender guitar-led pulse; verse stays intimate with fingerpicked nylon guitar and soft kick pre-chorus lifts with swelling pads and brushed percussion chorus opens with stacked harmonies and a held melody on the anchor phrase. Vocal is close-mic and breathy in verses with short delay throws on key words. Ear candy includes a reversed swell into the chorus delicate chime accents between lines and a final lift with wider harmony stacks. Warm emotional mix with a bright top end and soft low-end bloom.

Sonia de Isadela

03:18

il y a 1 semaine

de Sony Sánchez

quiero una canción para mi abuela por el día de las madres quiero que la canción diga esta canción va para mi abuela Sonia de su nieta Isadela quiero qué esas palabras aparezcan al principio de la canción y quiero que también diga felicidades abuelita nona que Dios te bendiga y te dé muchos años más para que puedas estar conmigo siempre,

female vocals polished doubled on the hook and emotionally direct. Latin pop ballad with gentle 6/8 sway soft guitar arpeggios and warm piano; verse stays intimate with sparse percussion and tender phrasing pre-chorus rises with stacked harmonies and a light snare lift chorus opens wider with sentimental strings and a singable handclap pulse. Female vocals close-mic in verses with a few airy ad-libs and delay throws on key lines. Add a subtle bell sparkle into the chorus turn and a soft string swell before the final lift. Bright

Sonia de Isadela

03:35

il y a 1 semaine

de Sony Sánchez

quiero una canción para mi abuela por el día de las madres quiero que la canción diga esta canción va para mi abuela Sonia de su nieta Isadela quiero qué esas palabras aparezcan al principio de la canción y quiero que también diga felicidades abuelita nona que Dios te bendiga y te dé muchos años más para que puedas estar conmigo siempre,

female vocals polished doubled on the hook and emotionally direct. Latin pop ballad with gentle 6/8 sway soft guitar arpeggios and warm piano; verse stays intimate with sparse percussion and tender phrasing pre-chorus rises with stacked harmonies and a light snare lift chorus opens wider with sentimental strings and a singable handclap pulse. Female vocals close-mic in verses with a few airy ad-libs and delay throws on key lines. Add a subtle bell sparkle into the chorus turn and a soft string swell before the final lift. Bright

Șofer de România

03:32

il y a 1 semaine

de Ionut Coman

Pasiunea și mândria Sunt șofer de România! Peste munți și peste văi, Facem legea pe căi.

male vocals punchy doubled on the hook Romanian pop-folk with turbo-folk swagger driving mid-tempo swing and stomping offbeat claps; verse rides gritty accordion riffs and tight bass pulses pre-chorus strips to hand drums and a rising chant chorus hits with stacked gang vocals and a blaring brass stab. Male vocals close-mic in verses with delay throws on the last word. Tire-screech risers engine rev textures and a short trumpet lift into the final chorus. Bright road-dust mix.

Șofer de România

03:22

il y a 1 semaine

de Ionut Coman

Pasiunea și mândria Sunt șofer de România! Peste munți și peste văi, Facem legea pe căi.

male vocals punchy doubled on the hook Romanian pop-folk with turbo-folk swagger driving mid-tempo swing and stomping offbeat claps; verse rides gritty accordion riffs and tight bass pulses pre-chorus strips to hand drums and a rising chant chorus hits with stacked gang vocals and a blaring brass stab. Male vocals close-mic in verses with delay throws on the last word. Tire-screech risers engine rev textures and a short trumpet lift into the final chorus. Bright road-dust mix.

Paper Cup Parade

01:40

il y a 1 semaine

de Christopher Mondaca

joyful

joyful bright playful bassline and punchy. doubled on the hook Pop with brisk four-on-the-floor bounce clapping percussion and bright synth stabs; verse keeps it stripped with handclaps and skippy guitar pre-chorus opens into rising harmonies and snare lift chorus hits wide with stacked gang vocals and a singback hook. Vocal is close-mic and smiley in verses with short delay throws on the last word. Ear candy: shaker pickup into choruses bell chimes between lines tape-stop flick into the bridge. Mix is glossy

Paper Cup Parade

02:00

il y a 1 semaine

de Christopher Mondaca

joyful

joyful bright playful bassline and punchy. doubled on the hook Pop with brisk four-on-the-floor bounce clapping percussion and bright synth stabs; verse keeps it stripped with handclaps and skippy guitar pre-chorus opens into rising harmonies and snare lift chorus hits wide with stacked gang vocals and a singback hook. Vocal is close-mic and smiley in verses with short delay throws on the last word. Ear candy: shaker pickup into choruses bell chimes between lines tape-stop flick into the bridge. Mix is glossy

عید آگی نی

02:17

il y a 2 semaines

de Gojri Music Official

او ہوو… عید آگی نی سجنا ❤️ تیری یاداں دل چ وسدی رہن… Verse 1 چاندری رات تے تیرا خیال آیا دل میرا سجن تیرے نال لگایا مہندی والے ہتھ تے نام لکھایا عید آگی تے عشق جگایا ✨ Chorus او میری جانا، عید مبارک تیری ہنسی لگدی نور مبارک گوجری گیتاں وچ تیرا ذکر اے دل دا پیار قبول مبارک ❤️ Verse 2 پہاڑاں تھلے چن روشن ہویا تیرے بنا دل اداس ہویا ڈھول وجن تے نچدی دنیا ساڈا عشق خاص ہویا 🌙 Bridge راباب وجے تے ہواواں

male vocals short delay throws doubled on the hook Punjabi folk-pop with a buoyant dhol groove swung claps and light rabab motifs; verse stays intimate with sparse percussion and soft harmonium bed pre-chorus lifts with handclaps and a rising drone chorus opens wide with stacked harmonies and chanty group responses. Male vocals close-mic and warm in verses with rabab fills and a bright festive mix.

عید آگی نی

01:58

il y a 2 semaines

de Gojri Music Official

او ہوو… عید آگی نی سجنا ❤️ تیری یاداں دل چ وسدی رہن… Verse 1 چاندری رات تے تیرا خیال آیا دل میرا سجن تیرے نال لگایا مہندی والے ہتھ تے نام لکھایا عید آگی تے عشق جگایا ✨ Chorus او میری جانا، عید مبارک تیری ہنسی لگدی نور مبارک گوجری گیتاں وچ تیرا ذکر اے دل دا پیار قبول مبارک ❤️ Verse 2 پہاڑاں تھلے چن روشن ہویا تیرے بنا دل اداس ہویا ڈھول وجن تے نچدی دنیا ساڈا عشق خاص ہویا 🌙 Bridge راباب وجے تے ہواواں

male vocals short delay throws doubled on the hook Punjabi folk-pop with a buoyant dhol groove swung claps and light rabab motifs; verse stays intimate with sparse percussion and soft harmonium bed pre-chorus lifts with handclaps and a rising drone chorus opens wide with stacked harmonies and chanty group responses. Male vocals close-mic and warm in verses with rabab fills and a bright festive mix.

Hermanito Roerlandy

03:07

il y a 2 semaines

de Isadela Lastres Sánchez

quiero una canción para mi hermano quiero que la canción salga que aunque no es mi hermano de sangré lo quiero mucho y que también salga la palabra hermanito y quiero que también salga su nombre su nombre es Roerlandy quiero que la canción sea en español

and a bright Latin pop ballad with mid-tempo 6/8 sway doubled on the hook gentle acoustic guitar and soft piano in the verses string lift in the pre-chorus and a bigger singable chorus with handclaps and warm harmony stacks; intimate close-mic lead vocal with light delay throws on the name Roerlandy subtle risers into each chorus emotional mix that feels close and uplifting

Hermanito Roerlandy

03:04

il y a 2 semaines

de Isadela Lastres Sánchez

quiero una canción para mi hermano quiero que la canción salga que aunque no es mi hermano de sangré lo quiero mucho y que también salga la palabra hermanito y quiero que también salga su nombre su nombre es Roerlandy quiero que la canción sea en español

and a bright Latin pop ballad with mid-tempo 6/8 sway doubled on the hook gentle acoustic guitar and soft piano in the verses string lift in the pre-chorus and a bigger singable chorus with handclaps and warm harmony stacks; intimate close-mic lead vocal with light delay throws on the name Roerlandy subtle risers into each chorus emotional mix that feels close and uplifting

Show You More

02:37

il y a 2 semaines

de [email protected]

Baby, I just wanna show you things Girl, I'll be different Baby, I could buy you wedding rings Don't care about the distance Baby, I just wanna show you things Girl, I'll be different Baby, I could buy you wedding rings Give a fuck about the distance Oou-ohh, oou-oh, oou-oh, oou-oh Oou-ohh-oh, oou-oh, oou-oh, oou-oh Oou-ohh-oh, oou-oh, oou-oh, oou-oh-oh Oou-ohh-oh, oou-oh, oou-oh, oou-oh-oh Leave

swung drums glossy doubled on the hook Pop R&B with mid-tempo bounce plush sub-bass and sparkling guitar flicks; verse stays intimate with sparse keys and clipped ad-libs pre-chorus lifts with layered harmonies and a filtered rise chorus opens wide with stacked vocals and a chantable ooh hook. Breathy close-mic lead with delay throws on the last word of each line. Ear candy: reversed vocal swells into the pre tiny chime accents between phrases and a final chorus lift with crowd-style backing. Bright and emotionally direct.

El Panzitas

01:30

il y a 2 semaines

de Yareli Perez

[Verse 1] No voy a decir su nombre mucho menos su apellido sé que le dicen el panzitas por la gente muy querido de Petacalco es el amigo en la vergiza por la playa desde que estaba morrillo respetuoso y decidido [Pre-Chorus] Pescador de profesión siempre me miran sencillo el mar fue mi escuela no conocí los libros chingándole desde morro la vida ha cambiado [Chorus] El Panzitas, el Panzitas por

male vocals doubled on the hook Regional Mexican corrido with a steady bouncing groove and driving bajo sexto pulse; verse stays restrained and story-heavy pre-chorus lifts with held harmonies and a snare pickup chorus opens wider with gang-style responses and a shouted name hook. Male vocals close-mic and rugged in the verses with brief trumpet swells and a handclap lift into each chorus. Bright punchy mix with a dusty coastal edge.

El Panzitas

01:25

il y a 2 semaines

de Yareli Perez

[Verse 1] No voy a decir su nombre mucho menos su apellido sé que le dicen el panzitas por la gente muy querido de Petacalco es el amigo en la vergiza por la playa desde que estaba morrillo respetuoso y decidido [Pre-Chorus] Pescador de profesión siempre me miran sencillo el mar fue mi escuela no conocí los libros chingándole desde morro la vida ha cambiado [Chorus] El Panzitas, el Panzitas por

male vocals doubled on the hook Regional Mexican corrido with a steady bouncing groove and driving bajo sexto pulse; verse stays restrained and story-heavy pre-chorus lifts with held harmonies and a snare pickup chorus opens wider with gang-style responses and a shouted name hook. Male vocals close-mic and rugged in the verses with brief trumpet swells and a handclap lift into each chorus. Bright punchy mix with a dusty coastal edge.

Mamá Viejita

03:55

il y a 3 semaines

de aurelio sandoval

hola mamá , viejita extraño esos días juntos a mis hermanos , dónde juntos pasábamos el tiempo , dónde yo siempre tenía mis cuentos y mis hermanos los tuyos , mamá viejita cuánto te extraño cada día , me doy cuenta que igual tenías días tristes y melancólico, cuántos tiempo pasabas tristes como esos inviernos dónde sentís tu miedo al viento que pegaba en nuestra casa , extraño tus comidas

brushed percussion doubled on the hook pre-chorus opens with rising harmony stacks a reverse swell into each chorus Latin pop ballad with gentle swung acoustic guitar and warm bass; verse stays intimate and conversational chorus lands on a short aching chant with group doubles. Add soft piano fills between lines and a final lift with strings under the last refrain. Close-mic Spanish lead vocal tender and cracked in verses with subtle echo throws on key phrases; bright but emotional polished and close.

Mamá Viejita

03:15

il y a 3 semaines

de aurelio sandoval

hola mamá , viejita extraño esos días juntos a mis hermanos , dónde juntos pasábamos el tiempo , dónde yo siempre tenía mis cuentos y mis hermanos los tuyos , mamá viejita cuánto te extraño cada día , me doy cuenta que igual tenías días tristes y melancólico, cuántos tiempo pasabas tristes como esos inviernos dónde sentís tu miedo al viento que pegaba en nuestra casa , extraño tus comidas

brushed percussion doubled on the hook pre-chorus opens with rising harmony stacks a reverse swell into each chorus Latin pop ballad with gentle swung acoustic guitar and warm bass; verse stays intimate and conversational chorus lands on a short aching chant with group doubles. Add soft piano fills between lines and a final lift with strings under the last refrain. Close-mic Spanish lead vocal tender and cracked in verses with subtle echo throws on key phrases; bright but emotional polished and close.

Corazón Vuela Alto

03:20

il y a 3 semaines

de agustina milione

amor mío es tre tanto corazones mi alma se desvanece el viento sopla más fuerte i la brida se nota cuando me mira mi corazón se me acelera corazón vuela más altos en cada escena te pienso corazón corazón vuela más altos no dejo de pensar en ti amor mío

female vocals polished a breathy lift before each chorus Latin pop ballad with a slow pulsing groove and soft percussion; verse stays intimate with sparse piano and finger snaps pre-chorus lifts with rising pads and a brief tom build chorus opens with warm strings and stacked harmonies. Female vocals in close-mic lead doubled on the hook with airy ad-libs and gentle delay throws on key phrases. Ear candy includes reversed swells into the pre-chorus and a final string rise. Bright emotional mix with a glossy radio sheen.

Corazón Vuela Alto

03:17

il y a 3 semaines

de agustina milione

amor mío es tre tanto corazones mi alma se desvanece el viento sopla más fuerte i la brida se nota cuando me mira mi corazón se me acelera corazón vuela más altos en cada escena te pienso corazón corazón vuela más altos no dejo de pensar en ti amor mío

female vocals polished a breathy lift before each chorus Latin pop ballad with a slow pulsing groove and soft percussion; verse stays intimate with sparse piano and finger snaps pre-chorus lifts with rising pads and a brief tom build chorus opens with warm strings and stacked harmonies. Female vocals in close-mic lead doubled on the hook with airy ad-libs and gentle delay throws on key phrases. Ear candy includes reversed swells into the pre-chorus and a final string rise. Bright emotional mix with a glossy radio sheen.

Doubled On The Hook