Male Vocals

KI-Generierte Musik

3310 Tracks

Male Vocals Tracks

Entre Deux Marées

Cover-Art für Entre Deux Marées von David Shikunda
01:27

vor 5 Monaten

von David Shikunda

Style Ocean Eyes. Mood triste, intime, minimaliste. 85 BPM, 4/4, durée ~3 min. Accords en boucle : Am – F – Dm – Em (pad/piano doux). Batterie soft : kick 1&3, snare 2&4, closed hi-hat discret. Lead continu, simple et triste (G4–D5). Sub/808 douce avec glide. Beaucoup d’espace et reverb.

male vocals simple Soft Airy bedroom-pop ballad at 85 BPM male vocals. Gentle felt piano and warm pad loop the Am–F–Dm–Em progression soft sidechained sub gliding under a sparse intimate drum groove. Lead synth holds a fragile G4–D5 motif drenched in reverb. Verses stay whisper-close and dry; chorus blooms with long tails stacked falsetto harmonies and subtle wideners leaving plenty of space between phrases.

Entre Deux Marées

Cover-Art für Entre Deux Marées von David Shikunda
02:49

vor 5 Monaten

von David Shikunda

Style Ocean Eyes. Mood triste, intime, minimaliste. 85 BPM, 4/4, durée ~3 min. Accords en boucle : Am – F – Dm – Em (pad/piano doux). Batterie soft : kick 1&3, snare 2&4, closed hi-hat discret. Lead continu, simple et triste (G4–D5). Sub/808 douce avec glide. Beaucoup d’espace et reverb.

male vocals simple Soft Airy bedroom-pop ballad at 85 BPM male vocals. Gentle felt piano and warm pad loop the Am–F–Dm–Em progression soft sidechained sub gliding under a sparse intimate drum groove. Lead synth holds a fragile G4–D5 motif drenched in reverb. Verses stay whisper-close and dry; chorus blooms with long tails stacked falsetto harmonies and subtle wideners leaving plenty of space between phrases.

Egyik párt, a másik

Cover-Art für Egyik párt, a másik von Beast Dream
04:00

vor 5 Monaten

von Beast Dream

"Egyik párt a másik." "Most mit mondjak magának?" #oldschool #gangsterrap

male vocals Dusty oldschool boombap beat crunchy drums and warm bassline male vocals with a laid-back yet menacing delivery. Verses ride the pocket with tight internal rhymes and occasional double-time bursts; hook opens up with stacked gang vocals and call-and-response shouts. Subtle vinyl crackle chopped horn stabs and short scratch fills in the turnarounds mix keeps the voice raw and upfront.

Brass Attack Tonight

Cover-Art für Brass Attack Tonight von Byo **
01:24

vor 5 Monaten

von Byo **

A sick punchy jazzy funky disco intro with a lot of brass (like big band) with a pentatonic scale approach

male vocals disco jazzy funky Hyper-punchy jazz-funk-disco opener: blaring big-band brass stabs walking bass glued to a tight four-on-the-floor pentatonic horn riffs circling the vocal. Male vocals with swagger close-mic’d; gang shouts on key phrases. Short explosive intro that slams into a chanty hook then hard cut for the verse to enter. big band

Brass Attack Tonight

Cover-Art für Brass Attack Tonight von Byo **
01:37

vor 5 Monaten

von Byo **

A sick punchy jazzy funky disco intro with a lot of brass (like big band) with a pentatonic scale approach

male vocals disco jazzy funky Hyper-punchy jazz-funk-disco opener: blaring big-band brass stabs walking bass glued to a tight four-on-the-floor pentatonic horn riffs circling the vocal. Male vocals with swagger close-mic’d; gang shouts on key phrases. Short explosive intro that slams into a chanty hook then hard cut for the verse to enter. big band

Strange Little World

Cover-Art für Strange Little World von Omar El Sheriff
03:09

vor 5 Monaten

von Omar El Sheriff

Surreal art-house cinematic intro music inspired by Poor Things (2023). Awkward innocent melody with a slightly unsettling tone. Toy piano and detuned piano lead, soft strings, minimal rhythm, no drums. Feels like a strange child discovering the world. Slow build, looping, European art-film mood, strange beauty and uncomfortable elegance.

male vocals slow Soft tone world minimal Toy piano and detuned upright piano trade the lead in a waltz-like lilt; male vocals fragile and close almost whispered. Soft sighing strings swell in and out like an uneasy lullaby with minimal plucked bass pulses for rhythm. Slow looping build: verses feel small and curious chorus widens with uneasy harmonies and stretched chords keeping a European art-film elegance and gently unsettling charm.

Strange Little World

Cover-Art für Strange Little World von Omar El Sheriff
02:50

vor 5 Monaten

von Omar El Sheriff

Surreal art-house cinematic intro music inspired by Poor Things (2023). Awkward innocent melody with a slightly unsettling tone. Toy piano and detuned piano lead, soft strings, minimal rhythm, no drums. Feels like a strange child discovering the world. Slow build, looping, European art-film mood, strange beauty and uncomfortable elegance.

male vocals slow Soft tone world minimal Toy piano and detuned upright piano trade the lead in a waltz-like lilt; male vocals fragile and close almost whispered. Soft sighing strings swell in and out like an uneasy lullaby with minimal plucked bass pulses for rhythm. Slow looping build: verses feel small and curious chorus widens with uneasy harmonies and stretched chords keeping a European art-film elegance and gently unsettling charm.

On s’est perdus, on se retrouve

Cover-Art für On s’est perdus, on se retrouve von Vivien
03:40

vor 5 Monaten

von Vivien

une histoire amoureuses puis la rupture et ensuite les retrouvailles

male vocals subtle bass Warm acoustic pop with male vocals close-mic intimate tone. First verse sparse with soft guitar and light piano; chorus brings steady kick and wide backing harmonies. Second verse adds rhythmic strums and brushed snare bridge strips back to vocal and pads then final chorus blooms with stacked ad-libs and a bright hopeful lift.

On s’est perdus, on se retrouve

Cover-Art für On s’est perdus, on se retrouve von Vivien
03:02

vor 5 Monaten

von Vivien

une histoire amoureuses puis la rupture et ensuite les retrouvailles

male vocals subtle bass Warm acoustic pop with male vocals close-mic intimate tone. First verse sparse with soft guitar and light piano; chorus brings steady kick and wide backing harmonies. Second verse adds rhythmic strums and brushed snare bridge strips back to vocal and pads then final chorus blooms with stacked ad-libs and a bright hopeful lift.

Numb by Twenty-One

Cover-Art für Numb by Twenty-One von John Mankevich
02:57

vor 5 Monaten

von John Mankevich

Emotional underground rage rap with melodic autotuned vocals. Youthful, slightly raspy male voice with heavy pitch correction, casual delivery, and slurred phrasing. Dark but nostalgic vibe, mixing flexing and vulnerability. Minimalistic trap beat with airy synths, distorted 808s, soft plucky melodies, and loose hi-hats. Lyrics about growing up fast, feeling numb, fake friends, late nights

male vocals emotional rap nostalgic Soft fake Moody underground trap with filtered distorted 808s and airy pads. Sparse pluck loop carries a melancholic motif; loose hi-hats and lazy snare rolls leave pockets for a slurred heavily tuned male vocal. Verses stay intimate and confessional; hook widens with stacked harmonies and a subtle octave double pushing the emotion while keeping it hazy and detached.

Numb by Twenty-One

Cover-Art für Numb by Twenty-One von John Mankevich
02:48

vor 5 Monaten

von John Mankevich

Emotional underground rage rap with melodic autotuned vocals. Youthful, slightly raspy male voice with heavy pitch correction, casual delivery, and slurred phrasing. Dark but nostalgic vibe, mixing flexing and vulnerability. Minimalistic trap beat with airy synths, distorted 808s, soft plucky melodies, and loose hi-hats. Lyrics about growing up fast, feeling numb, fake friends, late nights

male vocals emotional rap nostalgic Soft fake Moody underground trap with filtered distorted 808s and airy pads. Sparse pluck loop carries a melancholic motif; loose hi-hats and lazy snare rolls leave pockets for a slurred heavily tuned male vocal. Verses stay intimate and confessional; hook widens with stacked harmonies and a subtle octave double pushing the emotion while keeping it hazy and detached.

Graveyard of Chances

Cover-Art für Graveyard of Chances von onal dio
04:00

vor 5 Monaten

von onal dio

Drill hip-hop, creepy, harmony orchestra, hook riff Arabic violin, hopeless vibes, 94 BPM. Intro with harmony riff and hook Begin with verse 1 for 16 bar First chorus after verse 1 for 8 bar Second verse after first chorus for 16 bar Next chorus after verse 2 for 8 bar, more dramatically beat Third verse after second chorus for 16 bar The last chorus with climax and hook, then outro

male vocals hip hop rap violin drill harmony Dark UK drill at 94 BPM male vocals. Cold swallowed kick pattern with sliding bass; eerie orchestral harmonies stack under a reverb-soaked Arabic violin hook riff that opens the track and keeps returning. Verses sit tight and close almost whispered at first then grow into sharper more aggressive deliveries. First two choruses ride a minimal drum pattern and tense strings; third verse adds choral pads and heavier low-end. Final chorus explodes with stacked ad-libs octave-doubled lead and the violin riff screaming on top before a long haunted fade-out.

Graveyard of Chances

Cover-Art für Graveyard of Chances von onal dio
04:00

vor 5 Monaten

von onal dio

Drill hip-hop, creepy, harmony orchestra, hook riff Arabic violin, hopeless vibes, 94 BPM. Intro with harmony riff and hook Begin with verse 1 for 16 bar First chorus after verse 1 for 8 bar Second verse after first chorus for 16 bar Next chorus after verse 2 for 8 bar, more dramatically beat Third verse after second chorus for 16 bar The last chorus with climax and hook, then outro

male vocals hip hop rap violin drill harmony Dark UK drill at 94 BPM male vocals. Cold swallowed kick pattern with sliding bass; eerie orchestral harmonies stack under a reverb-soaked Arabic violin hook riff that opens the track and keeps returning. Verses sit tight and close almost whispered at first then grow into sharper more aggressive deliveries. First two choruses ride a minimal drum pattern and tense strings; third verse adds choral pads and heavier low-end. Final chorus explodes with stacked ad-libs octave-doubled lead and the violin riff screaming on top before a long haunted fade-out.

Midnight Mirrorball

Cover-Art für Midnight Mirrorball von mojsony13a
01:43

vor 5 Monaten

von mojsony13a

italo disco,euro disco

male vocals disco Shimmering Italo/euro disco with male vocals; elastic synth bass and arpeggiated keys driving a four-on-the-floor groove. Tight drum machine pulse and gated reverb snares with glossy pads underneath. Verse stays lean and talky pre-chorus adds octave jumps and claps chorus blooms into stacked octave vocals and bright synth leads for a euphoric dancefloor-ready hook.

Midnight Mirrorball

Cover-Art für Midnight Mirrorball von mojsony13a
04:00

vor 5 Monaten

von mojsony13a

italo disco,euro disco

male vocals disco Shimmering Italo/euro disco with male vocals; elastic synth bass and arpeggiated keys driving a four-on-the-floor groove. Tight drum machine pulse and gated reverb snares with glossy pads underneath. Verse stays lean and talky pre-chorus adds octave jumps and claps chorus blooms into stacked octave vocals and bright synth leads for a euphoric dancefloor-ready hook.

Endless Little Taps

Cover-Art für Endless Little Taps von Ian
02:50

vor 5 Monaten

von Ian

A clicker game background music

male vocals soft sidechained pads and a tight Bubbly chiptune pop with male vocals bright plucky synths dry kick. Verses stay minimal with bitcrushed arps and light bass; chorus blooms with stacked harmonies clap layers and a simple singalong top line. Keep the groove loop-friendly for a clicker game with gentle builds and resets so it can cycle for hours.

Endless Little Taps

Cover-Art für Endless Little Taps von Ian
04:00

vor 5 Monaten

von Ian

A clicker game background music

male vocals soft sidechained pads and a tight Bubbly chiptune pop with male vocals bright plucky synths dry kick. Verses stay minimal with bitcrushed arps and light bass; chorus blooms with stacked harmonies clap layers and a simple singalong top line. Keep the groove loop-friendly for a clicker game with gentle builds and resets so it can cycle for hours.

カクガリボウヤの破滅ロンド

Cover-Art für カクガリボウヤの破滅ロンド von モジャー
02:55

vor 5 Monaten

von モジャー

ロックなので頼む。youtuberエクスタシーについての曲を作って。彼の特徴は虚言癖（陽キャと噓をつく陰キャ、実在しない恋人、せXでバズった話）、ニート、84kg、スマブラで対戦相手がレバガチャ速いと陰キャやんと言う、煽り成敗、エクスタシーっていう名前なのに視聴者たちにカクガリボウヤという名前に変えられた。猪突猛進、霹靂一千、破滅への輪舞曲、煉獄（キンクルの上bで殺す技）、そのコース一番得意なんだを使う、データスマブラー。

male vocals gang shouts High-energy Japanese rock with male vocals sharp distorted guitars double-time drum fills. Verses stay tight and clipped over chugging power chords; chorus explodes with open chords and octave leads. Brief half-time breakdown before the final hook bass follows the kick for a driving aggressive feel. Vocals spit with punk attitude slight grit on the top end backing yells on key phrases.

Cell Block Confessions

Cover-Art für Cell Block Confessions von Sahel Nazari
03:03

vor 5 Monaten

von Sahel Nazari

rap song and talk about why you went to prison

male vocals rap Gritty East Coast boom-bap with male vocals dusty drum loop detuned piano stabs and a tense bassline. Verses stay close and confessional almost whispered; chorus widens with stacked vocals subtle choir pad and harder-hitting snare. Final hook drags a half-time feel echo throws on key words leaving a raw cinematic aftertaste.

Cell Block Confessions

Cover-Art für Cell Block Confessions von Sahel Nazari
03:08

vor 5 Monaten

von Sahel Nazari

rap song and talk about why you went to prison

male vocals rap Gritty East Coast boom-bap with male vocals dusty drum loop detuned piano stabs and a tense bassline. Verses stay close and confessional almost whispered; chorus widens with stacked vocals subtle choir pad and harder-hitting snare. Final hook drags a half-time feel echo throws on key words leaving a raw cinematic aftertaste.

Sa Tamang Panahon

Cover-Art für Sa Tamang Panahon von John Row Haboc
04:00

vor 6 Monaten

von John Row Haboc

PAGMAMAHAL NILA BOSS J & TISAY SA TAMANG PANAHON AT PAGKAKATAON NA MAY MABUTING INTENSYON SA ISAT ISA HINDI SUSUSKO SA KAHIT ANONG HAMON NG BUHAY, MAGKASAMA SA HIRAP AT SAYA. KUNTENTO

male vocals Warm Pinoy R&B with male vocals over smooth keys and round bass; verses stay intimate and conversational pre-chorus lifts with subtle harmonies chorus blooms with layered ad-libs and a gentle beat that sways like a slow dance

Sa Tamang Panahon

Cover-Art für Sa Tamang Panahon von John Row Haboc
04:00

vor 6 Monaten

von John Row Haboc

PAGMAMAHAL NILA BOSS J & TISAY SA TAMANG PANAHON AT PAGKAKATAON NA MAY MABUTING INTENSYON SA ISAT ISA HINDI SUSUSKO SA KAHIT ANONG HAMON NG BUHAY, MAGKASAMA SA HIRAP AT SAYA. KUNTENTO

male vocals Warm Pinoy R&B with male vocals over smooth keys and round bass; verses stay intimate and conversational pre-chorus lifts with subtle harmonies chorus blooms with layered ad-libs and a gentle beat that sways like a slow dance

Crown of Ember

Cover-Art für Crown of Ember von Yann Berger
03:40

vor 6 Monaten

von Yann Berger

Epic melodic metal with long guitar solo

male vocals metal Epic melodic metal with galloping double-kick wide rhythm guitars and soaring male vocals. Verses start in a tense half-time stomp then surge into a heroic chant-ready chorus. Long emotional guitar solo builds from lyrical bends to rapid-fire runs over modulating chords then returns to a towering final hook with gang shouts and cymbal showers.

Crown of Ember

Cover-Art für Crown of Ember von Yann Berger
04:00

vor 6 Monaten

von Yann Berger

Epic melodic metal with long guitar solo

male vocals metal Epic melodic metal with galloping double-kick wide rhythm guitars and soaring male vocals. Verses start in a tense half-time stomp then surge into a heroic chant-ready chorus. Long emotional guitar solo builds from lyrical bends to rapid-fire runs over modulating chords then returns to a towering final hook with gang shouts and cymbal showers.