Male Vocals

KI-Generierte Musik

2655 Tracks

Male Vocals Tracks

Amor à Distância de Um Ecrã

Cover-Art für Amor à Distância de Um Ecrã von isabel moura
03:35

vor 1 Woche

von isabel moura

através de uma tela recebi mensagens tuas, coração acelera cada vez que recebo uma notificação é amor é paixao? eu não sei, amor separado por uma tela, arrepio e borboletas na barriga, pop balada romântico em português de portugal

male vocals pop Soft pop ballad with male vocals gentle electric piano and warm pads light fingerpicked guitar in the verses. Subtle kick and snapped snare build into a wider sing-along chorus with airy backing harmonies and a simple rising synth hook mirroring the main melody. Dynamics bloom from intimate close-mic confessional to an anthemic arms-open final chorus then taper off on a held vocal note and fading delays.

Way Out of Me

Cover-Art für Way Out of Me von Michael Thompson
03:16

vor 1 Woche

von Michael Thompson

R&B, please create lyrics with the following prompts: Life, Unstable, Insecurities, Way out

male vocals r&b Slow-burn R&B ballad with male vocals; warm electric piano and round bass carry the verses rimshot groove and soft snaps. Chorus swells with stacked harmonies and airy pads lead vocal up-close and confessional. Second half adds gentle guitar fills and subtle vocal runs ending with a stripped final hook and lingering reverb.

Way Out of Me

Cover-Art für Way Out of Me von Michael Thompson
03:00

vor 1 Woche

von Michael Thompson

R&B, please create lyrics with the following prompts: Life, Unstable, Insecurities, Way out

male vocals r&b Slow-burn R&B ballad with male vocals; warm electric piano and round bass carry the verses rimshot groove and soft snaps. Chorus swells with stacked harmonies and airy pads lead vocal up-close and confessional. Second half adds gentle guitar fills and subtle vocal runs ending with a stripped final hook and lingering reverb.

Eterna Compañía

Cover-Art für Eterna Compañía von david jenry pari aguilar
03:00

vor 1 Woche

von david jenry pari aguilar

En el silencio de mi espera, el alma grita, que te extraño más de lo que alcanzo a decir, eres mi luz, mi dulce Yamisita, la única razón por la que quiero vivir. ​Anhelo estar a tu lado, cada hora y cada día, envolverme en tu risa y en tu paz, que seas tú, Yami, mi eterna compañía, y no soltar tu mano nunca, nunca más. ​Cuando me miras, el mundo se detiene, tus ojos son huellas imborrables en mi

male vocals Romantic Latin pop ballad with male vocals warm nylon-string guitars and soft piano subtle percussion building into a lush emotional chorus; intimate verses close to the mic then a soaring hook with stacked harmonies and a gentle string pad lifting the final repeat

Eterna Compañía

Cover-Art für Eterna Compañía von david jenry pari aguilar
03:37

vor 1 Woche

von david jenry pari aguilar

En el silencio de mi espera, el alma grita, que te extraño más de lo que alcanzo a decir, eres mi luz, mi dulce Yamisita, la única razón por la que quiero vivir. ​Anhelo estar a tu lado, cada hora y cada día, envolverme en tu risa y en tu paz, que seas tú, Yami, mi eterna compañía, y no soltar tu mano nunca, nunca más. ​Cuando me miras, el mundo se detiene, tus ojos son huellas imborrables en mi

male vocals Romantic Latin pop ballad with male vocals warm nylon-string guitars and soft piano subtle percussion building into a lush emotional chorus; intimate verses close to the mic then a soaring hook with stacked harmonies and a gentle string pad lifting the final repeat

left him standing alone

Cover-Art für left him standing alone von Michael Woodcock
02:17

vor 1 Woche

von Michael Woodcock

a boy who left alone

male vocals and a soft lingering close. Intimate indie ballad with male vocals fingerpicked acoustic guitar and mellow upright bass. First verse almost whispered close-mic breathy tone; chorus blooms with warm pads light piano chords steady kick. Subtle harmony doubles on the hook final chorus strips back to just voice and guitar for a fragile

Left him standing alone

Cover-Art für Left him standing alone von Michael Woodcock
02:30

vor 1 Woche

von Michael Woodcock

a boy who left alone

male vocals and a soft lingering close. Intimate indie ballad with male vocals fingerpicked acoustic guitar and mellow upright bass. First verse almost whispered close-mic breathy tone; chorus blooms with warm pads light piano chords steady kick. Subtle harmony doubles on the hook final chorus strips back to just voice and guitar for a fragile

DJ Gongo

Cover-Art für DJ Gongo von antoniofranciscodasilva franciscodasilva
03:05

vor 1 Woche

von antoniofranciscodasilva franciscodasilva

DJ gongo DJ gongo DJ gongo. você está dividida eu posso entender mas eu sei que esse outro não ama você pois aqui faz chorar só te faz sofrer e o DJ gongo vem de longe para que isso correr não chore mais meu bem não chore mais meu bem não chore não basta você pedir eu fico para sempre prometo te amar eternamente quero viver a vida inteira ao seu lado você é amante amigo eternos namorado Jacqueline

male vocals Romantic Brazilian funk-pop groove mid-tempo beat with warm synth stabs and round bass. Male vocals upfront and intimate; verses almost spoken-sung with subtle reverb chorus soaring with stacked harmonies on the hook. Light percussion loops and shakers keep it danceable; bridge strips back to vocal and pads before final chorus explodes with call-and-response ad-libs and extra claps.

DJ Gongo

Cover-Art für DJ Gongo von antoniofranciscodasilva franciscodasilva
03:15

vor 1 Woche

von antoniofranciscodasilva franciscodasilva

DJ gongo DJ gongo DJ gongo. você está dividida eu posso entender mas eu sei que esse outro não ama você pois aqui faz chorar só te faz sofrer e o DJ gongo vem de longe para que isso correr não chore mais meu bem não chore mais meu bem não chore não basta você pedir eu fico para sempre prometo te amar eternamente quero viver a vida inteira ao seu lado você é amante amigo eternos namorado Jacqueline

male vocals Romantic Brazilian funk-pop groove mid-tempo beat with warm synth stabs and round bass. Male vocals upfront and intimate; verses almost spoken-sung with subtle reverb chorus soaring with stacked harmonies on the hook. Light percussion loops and shakers keep it danceable; bridge strips back to vocal and pads before final chorus explodes with call-and-response ad-libs and extra claps.

Skyline Drift

Cover-Art für Skyline Drift von Paola Muñoz
03:43

vor 1 Woche

von Paola Muñoz

Create something chill, instrumental and inspiring.

male vocals inspiring Lush downtempo groove at 82 BPM warm Rhodes and soft electric guitar over deep rounded bass. Gentle sidechain pump on airy pads light percussion with brushed snares and rim clicks. Occasional vocal “ahh” stacks as wordless male harmonies rising in the hooks for an inspiring sunrise-lift feeling. Reverb-tailed piano motifs drift in and out with a subtle filter-sweep bridge that blooms back into the main theme.

Silent Compass

Cover-Art für Silent Compass von Paola Muñoz
02:36

vor 1 Woche

von Paola Muñoz

Create something chill, instrumental and inspiring.

male vocals inspiring warm Rhodes chords Chill inspiring instrumental bed with male vocal textures hand-played percussion soft sub pulse wide ambient guitar swells and a slow lift into a hopeful final refrain; intimate close-mic phrasing airy choir-like pads and a polished cinematic glow

Djalo

Cover-Art für Djalo von Félix Mdjalo
02:53

vor 1 Woche

von Félix Mdjalo

Laisse les gens courir après ce qu’ils n'ont pas, Moi je pose mon sac, je ne compte plus mes pas. La paix c'est pas le compte en banque ou les dossiers, C'est juste savoir que Dieu est là, sans forcer. Faut rester humble quand le vent tourne en ta faveur, Et garder le cap quand le ciel perd ses couleurs. Djalo... Pas de boucan, juste du vrai, 🤫 La vérité se chuchote pas

male vocals French spoken-word gospel-rap with male vocals sparse handclaps warm organ swells subby kick patterns and a slow-burn lift into a choir-backed refrain; intimate front-of-mic verses then a bigger resilient hook with room for breath and testimony

Djalo, pas de boucan

Cover-Art für Djalo, pas de boucan von Félix Mdjalo
03:35

vor 1 Woche

von Félix Mdjalo

Laisse les gens courir après ce qu’ils n'ont pas, Moi je pose mon sac, je ne compte plus mes pas. La paix c'est pas le compte en banque ou les dossiers, C'est juste savoir que Dieu est là, sans forcer. Faut rester humble quand le vent tourne en ta faveur, Et garder le cap quand le ciel perd ses couleurs. Djalo... Pas de boucan, juste du vrai, 🤫 La vérité se chuchote pas

male vocals Smoky Francophone boom-bap with male vocals; dry upfront rap verses over warm Rhodes and dusty drums subtle bass glide. Hook blooms with airy vocal stacks and soft pads tempo cruising mid-speed. Energy rises on each turnaround with crisp rimshots and muted guitar then drops back to an intimate almost whispered delivery on the last hook.

FC Maghreb, On Écrit Notre Histoire

Cover-Art für FC Maghreb, On Écrit Notre Histoire von Ilyas Tabia
02:30

vor 1 Woche

von Ilyas Tabia

yeah yeah fc maghreb sur le terrain on arrive chaud le public crie on joue pour l’espoir les couleurs brillent comme la lumière on donne tous on vise le haut nael contrôle il fait la diff ayoube accélère est décisif ilyas frappe,ca par en lucarne nahil défend personne le passe Fc Maghreb on joue pour la victoire on écrit notre histoire

male vocals High-energy stadium anthem with male vocals bouncing afro-trap groove and tight drums crowd chants doubled by gang vocals on the hook bright brass stabs and plucky synths on the verses big tom fills into the chorus claps and call-and-response sections to make it easy for supporters to sing along maghreb

FC Maghreb, On Écrit Notre Histoire

Cover-Art für FC Maghreb, On Écrit Notre Histoire von Ilyas Tabia
02:41

vor 1 Woche

von Ilyas Tabia

yeah yeah fc maghreb sur le terrain on arrive chaud le public crie on joue pour l’espoir les couleurs brillent comme la lumière on donne tous on vise le haut nael contrôle il fait la diff ayoube accélère est décisif ilyas frappe,ca par en lucarne nahil défend personne le passe Fc Maghreb on joue pour la victoire on écrit notre histoire

male vocals High-energy stadium anthem with male vocals bouncing afro-trap groove and tight drums crowd chants doubled by gang vocals on the hook bright brass stabs and plucky synths on the verses big tom fills into the chorus claps and call-and-response sections to make it easy for supporters to sing along maghreb

Stuck Back In Time

Cover-Art für Stuck Back In Time von Harley Parker
03:18

vor 1 Woche

von Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Stuck Back In Time

Cover-Art für Stuck Back In Time von Harley Parker
03:17

vor 1 Woche

von Harley Parker

Sad pop song with male vocals in the style of Dean Lewis about finding the woman God made 5 me & falling in ❤️ with her but I ended up losing her due 2 mistakes & bad decisions.Now Im sitting here with a 💔 feeling lost & its like time stood still & Im still stuck back in time when she walked away.I want her 2 realize that Ive changed & I just want her back in my life cuz shes my life,my ❤️ & soul.

male vocals pop warm bass sad Soul Melancholic pop ballad with male vocals; intimate piano and soft acoustic guitar in the verses subtle pads underneath. Chorus blooms with wide reverb and roomy drums that stay gentle but driving. Vocal sits upfront and vulnerable with double-tracked hooks and faint high harmonies on the title line. Final chorus lifts with added harmonies and a slightly bigger snare for emotional payoff then strips back to piano and voice on the last phrase.

Рақам Не

Cover-Art für Рақам Не von Imron Imronov
02:50

vor 1 Woche

von Imron Imronov

Эййй!!! 🔥 Гӯш кунед ҳама — ин овози мост! Себи Сур!!! 89 — ба саҳна мебарояд!!! Бадурӯф — ту шер мардӣ, ба пеш ҳаракат кун! 🦁 Гуруҳро бардор, бародар, ҳеҷ гоҳ ақиб нанигар кун! Ин роҳ — роҳи мост, бо қуввату номус, Мо сисолагием — дар дил дорем оташ ва ор! Аз Себи Сур баромадем бо нияти калон, Имрӯз истодаем — мисли кӯҳ, мисли замон! 89 — ин рақам не

male vocals Hard-hitting Tajik rap banger male vocals; skittering hi-hats and heavy kick under a dark trap bass. Hook explodes with gang vocals and crowd chants verses ride a swaggering mid-tempo pocket. Occasional riser sweeps and chopped vocal shouts to hype transitions ending on a bold a cappella group chant.

Рақам Не

Cover-Art für Рақам Не von Imron Imronov
02:35

vor 1 Woche

von Imron Imronov

Эййй!!! 🔥 Гӯш кунед ҳама — ин овози мост! Себи Сур!!! 89 — ба саҳна мебарояд!!! Бадурӯф — ту шер мардӣ, ба пеш ҳаракат кун! 🦁 Гуруҳро бардор, бародар, ҳеҷ гоҳ ақиб нанигар кун! Ин роҳ — роҳи мост, бо қуввату номус, Мо сисолагием — дар дил дорем оташ ва ор! Аз Себи Сур баромадем бо нияти калон, Имрӯз истодаем — мисли кӯҳ, мисли замон! 89 — ин рақам не

male vocals Hard-hitting Tajik rap banger male vocals; skittering hi-hats and heavy kick under a dark trap bass. Hook explodes with gang vocals and crowd chants verses ride a swaggering mid-tempo pocket. Occasional riser sweeps and chopped vocal shouts to hype transitions ending on a bold a cappella group chant.

Eliboss_Memories

Cover-Art für Eliboss_Memories von Elias Banda
03:25

vor 1 Woche

von Elias Banda

🎵 Title: Memories By Eliboss ft. Xaga Boss10 [Intro – Eliboss] Yeah… Rest easy my brother… Nshimba Peter Mambwe… This one is for you… [Verse 1 – Eliboss] I still remember those days at the farm, Sun going down but we pushing so hard, One to two years, side by side we stood, Through the pain and the struggle, yeah we understood. You told me “bro, one day we gon’ shine,” Now I’m here alone still hea

male vocals emotional chorus Warm Afro-fusion ballad with male vocals; gentle guitar and keys over a soft steady groove. Intimate close-mic verse then chorus blooms with stacked harmonies and airy pads. Subtle bass and percussion lift the hook; bridge strips back to vocal and guitar before a final

Maman Georgette Asmaritha

Cover-Art für Maman Georgette Asmaritha von Peter Baziota
02:50

vor 1 Woche

von Peter Baziota

MAMAN GEORGETTE ASMARITHA, AUJOURD'HUI NOUS RÉUNIS NOUS TES ENFANTS POUR VOUS MERCI INFINIMENT NOTRE AMOUR POUR TOI ET ÉTERNELLE, NDOMBA MWADI ASMARITHA SI AUJOURD'HUI LES MONDE ET À REFAIRE ON CHOISIREZ TOUJOURS QUE TU SOIT NOTRE MAMAN, GEORGETTE ASMARITHA NDOMBA MWADI TA FAMILLE BAZIOTA T'AIME NOUS SOMMES RECONNAISSANT, NOUS TES ENFANTS, PETER ET MICHELINE, MIRIAM ET LE JUMELLES, JASON ET DONAT

male vocals Warm acoustic ballad with male vocals gentle nylon guitar and soft piano chords; verses intimate and spoken-like chorus opens with wider harmonies from a small family choir subtle bass and brushed percussion entering on second chorus for a tender lift ending on an a cappella tag of the title line

Maman Georgette Asmaritha

Cover-Art für Maman Georgette Asmaritha von Peter Baziota
03:29

vor 1 Woche

von Peter Baziota

MAMAN GEORGETTE ASMARITHA, AUJOURD'HUI NOUS RÉUNIS NOUS TES ENFANTS POUR VOUS MERCI INFINIMENT NOTRE AMOUR POUR TOI ET ÉTERNELLE, NDOMBA MWADI ASMARITHA SI AUJOURD'HUI LES MONDE ET À REFAIRE ON CHOISIREZ TOUJOURS QUE TU SOIT NOTRE MAMAN, GEORGETTE ASMARITHA NDOMBA MWADI TA FAMILLE BAZIOTA T'AIME NOUS SOMMES RECONNAISSANT, NOUS TES ENFANTS, PETER ET MICHELINE, MIRIAM ET LE JUMELLES, JASON ET DONAT

male vocals Warm acoustic ballad with male vocals gentle nylon guitar and soft piano chords; verses intimate and spoken-like chorus opens with wider harmonies from a small family choir subtle bass and brushed percussion entering on second chorus for a tender lift ending on an a cappella tag of the title line

Lindemans Red at Three

Cover-Art für Lindemans Red at Three von grantghutchinson@gmail.com
04:20

vor 1 Woche

von [email protected]

mom usually drinks at Peggy’s Corral and also drinks at Roy Roger’s saloon and the famous song and mom’s favourite song is ride a cowboy save a horse Harley’s to cowboys euchre to bridge is the card game and happy hour starts at 3 and the drink is lindemans red

male vocals happy brighter acoustic strums Laid-back country-rock barroom jam twangy Telecaster riffs over a steady mid-tempo groove. Verses keep it close and conversational with brushed snare and warm bass; chorus opens with stacked singalong harmonies and a simple shout-along hook. Subtle organ pads in the background guitar fill answering the vocal between lines big final chorus with ad-libbed barroom energy.

Lindemans Red at Three

Cover-Art für Lindemans Red at Three von grantghutchinson@gmail.com
03:49

vor 1 Woche

von [email protected]

mom usually drinks at Peggy’s Corral and also drinks at Roy Roger’s saloon and the famous song and mom’s favourite song is ride a cowboy save a horse Harley’s to cowboys euchre to bridge is the card game and happy hour starts at 3 and the drink is lindemans red

male vocals happy brighter acoustic strums Laid-back country-rock barroom jam twangy Telecaster riffs over a steady mid-tempo groove. Verses keep it close and conversational with brushed snare and warm bass; chorus opens with stacked singalong harmonies and a simple shout-along hook. Subtle organ pads in the background guitar fill answering the vocal between lines big final chorus with ad-libbed barroom energy.