Male Vocals

KI-Generierte Musik

3310 Tracks

Male Vocals Tracks

Lectroblade Never Fades

Cover-Art für Lectroblade Never Fades von Lectro Blade
03:22

vor 4 Monaten

von Lectro Blade

Lectroblade Never Fades

male vocals High-octane electro-rock banger: distorted synth riff locked to a pounding four-on-the-floor kick crisp trap-influenced hats gritty bass. Male vocals punchy and rhythmic in the verses huge anthemic topline in the chorus with doubled leads and gang shouts on key lines. Pre-chorus strips to toms and sub then chorus explodes with bright sidechained pads and arena claps. Short bridge with vocoder layers before the final hook.

Sangkuriang: Getasan Batu

Cover-Art für Sangkuriang: Getasan Batu von Aman Suryaman
04:25

vor 4 Monaten

von Aman Suryaman

"SANGKURIANG: GETASAN BATU" Genre: Dark Metal x Full Bass EDM   DETAIL KOMPOSISI - Intro: Drop bass berat dengan riff gitar metal gelap yang mengerikan, diselingi suara gemuruh gunung dan ombak laut ​ - Verse: Vokal growl metal bergantian dengan synth EDM yang menggelegar ​ - Chorus: Drop bass full power dengan melodi yang menggambarkan kegagalan dan dendam ​ - Bridge: Interlud gitar melan

male vocals metal [EDM then slams into a final Dark hybrid of downtuned djent guitars and cavernous festival EDM drops; male vocals switch between deep growls and soaring melodic hooks. Intro rumbles in with sub-heavy drones thunder layers and filtered guitar chugs then explodes into a stomping kick-bass engine. Verses ride syncopated riffs with sidechained synth stabs; chorus widens into tragic chantable top-line over stacked chords and screaming leads. Bridge pulls back into mournful guitar and reverb-wet clean vocal brutal drop.

Sangkuriang: Getasan Batu

Cover-Art für Sangkuriang: Getasan Batu von Aman Suryaman
05:44

vor 4 Monaten

von Aman Suryaman

"SANGKURIANG: GETASAN BATU" Genre: Dark Metal x Full Bass EDM   DETAIL KOMPOSISI - Intro: Drop bass berat dengan riff gitar metal gelap yang mengerikan, diselingi suara gemuruh gunung dan ombak laut ​ - Verse: Vokal growl metal bergantian dengan synth EDM yang menggelegar ​ - Chorus: Drop bass full power dengan melodi yang menggambarkan kegagalan dan dendam ​ - Bridge: Interlud gitar melan

male vocals metal [EDM then slams into a final Dark hybrid of downtuned djent guitars and cavernous festival EDM drops; male vocals switch between deep growls and soaring melodic hooks. Intro rumbles in with sub-heavy drones thunder layers and filtered guitar chugs then explodes into a stomping kick-bass engine. Verses ride syncopated riffs with sidechained synth stabs; chorus widens into tragic chantable top-line over stacked chords and screaming leads. Bridge pulls back into mournful guitar and reverb-wet clean vocal brutal drop.

Notre Ti Baba

Cover-Art für Notre Ti Baba von Bryan Michel
03:29

vor 4 Monaten

von Bryan Michel

Matteo mama et papa pou content toi Toujours. Meme si ene jour Tone grandit, to pou reste nous ti baba. Meme dans nous vieux jours nous non

male vocals tone light piano doubles Warm acoustic ballad with male vocals gentle nylon guitar arpeggios and soft upright bass. Verses stay intimate and close-miked; chorus blooms with soft pads and subtle backing harmonies. Tempo mid-slow swung slightly for a lullaby feel. Final chorus adds a small lift with stacked vocals and a tender guitar countermelody.

Notre Ti Baba

Cover-Art für Notre Ti Baba von Bryan Michel
03:30

vor 4 Monaten

von Bryan Michel

Matteo mama et papa pou content toi Toujours. Meme si ene jour Tone grandit, to pou reste nous ti baba. Meme dans nous vieux jours nous non

male vocals tone light piano doubles Warm acoustic ballad with male vocals gentle nylon guitar arpeggios and soft upright bass. Verses stay intimate and close-miked; chorus blooms with soft pads and subtle backing harmonies. Tempo mid-slow swung slightly for a lullaby feel. Final chorus adds a small lift with stacked vocals and a tender guitar countermelody.

From Orange Jumpsuit to Red Tie

Cover-Art für From Orange Jumpsuit to Red Tie von cobb.devin049@gmail.com
04:03

vor 4 Monaten

von [email protected]

a song about climbing the ranks in the scp foundation from class d to o5 council.

male vocals stacked harmonies then explodes into a final anthemic hook. Crisp industrial rock with male vocals: palm-muted guitars over a stalking mid-tempo groove metallic percussion and pulsing synth bass. Verses stay tense and low close-mic vocal almost whispered; chorus slams wide with distorted power chords and a pounding kick. Bridge strips to ticking hi-hats and drones

From Orange Jumpsuit to Red Tie

Cover-Art für From Orange Jumpsuit to Red Tie von cobb.devin049@gmail.com
03:44

vor 4 Monaten

von [email protected]

a song about climbing the ranks in the scp foundation from class d to o5 council.

male vocals stacked harmonies then explodes into a final anthemic hook. Crisp industrial rock with male vocals: palm-muted guitars over a stalking mid-tempo groove metallic percussion and pulsing synth bass. Verses stay tense and low close-mic vocal almost whispered; chorus slams wide with distorted power chords and a pounding kick. Bridge strips to ticking hi-hats and drones

Lejos Pero Aquí

Cover-Art für Lejos Pero Aquí von Maikel Rodríguez
03:45

vor 4 Monaten

von Maikel Rodríguez

Verso 1 Desde aquí donde el tiempo pasa lento, guardo risas que dejé al partir, cada abrazo vive en mi pensamiento, aunque el mundo nos quiera dividir. Las paredes repiten sus nombres, y en silencio los vuelvo a llamar, Sara Luna ilumina mis noches, Learsi me enseña a soñar. Coro Aunque estén lejos, los siento aquí, en cada latido viven dentro de mí, no hay distancia que pueda borrar el amor que l

male vocals subtle piano Warm Latin pop ballad with male vocals nylon-string guitar leading a gentle groove over soft percussion and rounded bass. Verses stay intimate and close-mic’d; chorus swells with airy pads and stacked harmonies on the title line. Bridge lifts with a key change and tambourine shimmer then drops to a near a cappella final hook before a soft band re-entry.

Lejos Pero Aquí

Cover-Art für Lejos Pero Aquí von Maikel Rodríguez
03:36

vor 4 Monaten

von Maikel Rodríguez

Verso 1 Desde aquí donde el tiempo pasa lento, guardo risas que dejé al partir, cada abrazo vive en mi pensamiento, aunque el mundo nos quiera dividir. Las paredes repiten sus nombres, y en silencio los vuelvo a llamar, Sara Luna ilumina mis noches, Learsi me enseña a soñar. Coro Aunque estén lejos, los siento aquí, en cada latido viven dentro de mí, no hay distancia que pueda borrar el amor que l

male vocals subtle piano Warm Latin pop ballad with male vocals nylon-string guitar leading a gentle groove over soft percussion and rounded bass. Verses stay intimate and close-mic’d; chorus swells with airy pads and stacked harmonies on the title line. Bridge lifts with a key change and tambourine shimmer then drops to a near a cappella final hook before a soft band re-entry.

Pause On The Start Screen

Cover-Art für Pause On The Start Screen von Ian Chimm
01:55

vor 4 Monaten

von Ian Chimm

8-bit chiptune, calm menu music, soft and relaxing melody, minecraft style, slow tempo, minimal, nostalgic, loopable, gentle square waves

male vocals slow nostalgic Soft relaxing gentle chiptune minimal almost whispered Soft 8-bit chiptune bed at slow tempo; gentle square-wave lead carrying a simple nostalgic motif. Minimal pulse-wave bass and light noise-hat ticks. Male vocals close and intimate with subtle doubled harmony in the chorus. Arrangement stays sparse and loop-friendly verses gliding into the same calming hook for seamless repetition.

Pause On The Start Screen

Cover-Art für Pause On The Start Screen von Ian Chimm
02:26

vor 4 Monaten

von Ian Chimm

8-bit chiptune, calm menu music, soft and relaxing melody, minecraft style, slow tempo, minimal, nostalgic, loopable, gentle square waves

male vocals slow nostalgic Soft relaxing gentle chiptune minimal almost whispered Soft 8-bit chiptune bed at slow tempo; gentle square-wave lead carrying a simple nostalgic motif. Minimal pulse-wave bass and light noise-hat ticks. Male vocals close and intimate with subtle doubled harmony in the chorus. Arrangement stays sparse and loop-friendly verses gliding into the same calming hook for seamless repetition.

Gravity in the Strobe

Cover-Art für Gravity in the Strobe von Labrinth Play
03:37

vor 4 Monaten

von Labrinth Play

House with dubstep drops fast tempo nice high sounds

male vocals Dubstep High-energy festival house meets aggressive dubstep drops; bright detuned leads and airy plucks over a fast four-on-the-floor that mutates into growling bass hits and chopped vocals on the drops. Male vocals urgent and hooky swimming in reverb on the pre then dry and punchy on the chorus. Big risers and snare builds before each drop with a wide shiny top end and crowd-chant backing layers.

Gravity in the Strobe

Cover-Art für Gravity in the Strobe von Labrinth Play
03:32

vor 4 Monaten

von Labrinth Play

House with dubstep drops fast tempo nice high sounds

male vocals Dubstep High-energy festival house meets aggressive dubstep drops; bright detuned leads and airy plucks over a fast four-on-the-floor that mutates into growling bass hits and chopped vocals on the drops. Male vocals urgent and hooky swimming in reverb on the pre then dry and punchy on the chorus. Big risers and snare builds before each drop with a wide shiny top end and crowd-chant backing layers.

Grin of the Abyss

Cover-Art für Grin of the Abyss von Sicilian Guy
04:10

vor 4 Monaten

von Sicilian Guy

an extremely hard hitting super deep and powerful resonating Bass eerie creepy dark Gothic hip hop EDM classical beat with extra powerful bass lines with tech nine style male rap vocals about being a demon on a killing spree extremely explicit cussing lyrics song length of 5 minutes or more

male vocals hip hop rap deep [EDM classical Hybrid gothic trap-metal with orchestral swells and sub-shaking bass male vocals. Intro opens with distant choir pipe organ stabs and a slow riser into a stomping halftime beat. Verses ride rapid-fire Tech N9ne–inspired triplet flows over distorted 808s and glitchy hi-hats. Chorus explodes with layered male chants choir hits and a growling synth bass. Bridge strips to strings and whispered ad-libs then slams back with a massive final drop and ad-lib heavy outro.

Grin of the Abyss

Cover-Art für Grin of the Abyss von Sicilian Guy
03:10

vor 4 Monaten

von Sicilian Guy

an extremely hard hitting super deep and powerful resonating Bass eerie creepy dark Gothic hip hop EDM classical beat with extra powerful bass lines with tech nine style male rap vocals about being a demon on a killing spree extremely explicit cussing lyrics song length of 5 minutes or more

male vocals hip hop rap deep [EDM classical Hybrid gothic trap-metal with orchestral swells and sub-shaking bass male vocals. Intro opens with distant choir pipe organ stabs and a slow riser into a stomping halftime beat. Verses ride rapid-fire Tech N9ne–inspired triplet flows over distorted 808s and glitchy hi-hats. Chorus explodes with layered male chants choir hits and a growling synth bass. Bridge strips to strings and whispered ad-libs then slams back with a massive final drop and ad-lib heavy outro.

RD Televisión, la señal que nos une

Cover-Art für RD Televisión, la señal que nos une von Carlos Antonio Paniagua Alcántara
00:36

vor 4 Monaten

von Carlos Antonio Paniagua Alcántara

crear el 🆔 del canal RD televisión con el locutor diciendo RD televisión la señal qué nos une

male vocals Big cinematic broadcast ident. Deep male voiceover front and center framed by bright orchestral brass hits and airy synth pads. Short riser into a bold logo sting with low choirs and a subby impact under the final tagline. Reverb-tail on the last word so “une” blooms and hangs in the stereo field.

RD Televisión, la señal que nos une

Cover-Art für RD Televisión, la señal que nos une von Carlos Antonio Paniagua Alcántara
00:49

vor 4 Monaten

von Carlos Antonio Paniagua Alcántara

crear el 🆔 del canal RD televisión con el locutor diciendo RD televisión la señal qué nos une

male vocals Big cinematic broadcast ident. Deep male voiceover front and center framed by bright orchestral brass hits and airy synth pads. Short riser into a bold logo sting with low choirs and a subby impact under the final tagline. Reverb-tail on the last word so “une” blooms and hangs in the stereo field.

Dom aus Stahl

Cover-Art für Dom aus Stahl von Tobias Jahn
04:21

vor 4 Monaten

von Tobias Jahn

Ein deutscher power Bluesrock song über köln mit Gitarrensolo

male vocals Gritty German power blues rock overdriven guitars locked with a stomping drum groove smoky Hammond pads under the verses. Chorus explodes with gang shouts and octave double-tracked lead; mid-song extended guitar solo section that climbs from raw bent-note wails into fiery runs then drops back to a half-time headbang outro.

Dom aus Stahl

Cover-Art für Dom aus Stahl von Tobias Jahn
04:22

vor 4 Monaten

von Tobias Jahn

Ein deutscher power Bluesrock song über köln mit Gitarrensolo

male vocals Gritty German power blues rock overdriven guitars locked with a stomping drum groove smoky Hammond pads under the verses. Chorus explodes with gang shouts and octave double-tracked lead; mid-song extended guitar solo section that climbs from raw bent-note wails into fiery runs then drops back to a half-time headbang outro.

Bruder, ich dank dir

Cover-Art für Bruder, ich dank dir von Nico Reinert
02:55

vor 4 Monaten

von Nico Reinert

Ich möcht Danke an meinen Bruder sagen was er alles für mich macht das er so nett ist zu mir und das er immer zu mir hält

male vocals subtle bass Warm acoustic pop ballad male vocals. Gentle picked guitar and soft piano; intimate close-mic verses that feel like a quiet talk. Chorus blooms with wider chords and light percussion. Second chorus adds airy backing harmonies and a simple melodic hook on glockenspiel ending on a held vocal note that slowly fades with the guitar.

Bruder, ich dank dir

Cover-Art für Bruder, ich dank dir von Nico Reinert
02:46

vor 4 Monaten

von Nico Reinert

Ich möcht Danke an meinen Bruder sagen was er alles für mich macht das er so nett ist zu mir und das er immer zu mir hält

male vocals subtle bass Warm acoustic pop ballad male vocals. Gentle picked guitar and soft piano; intimate close-mic verses that feel like a quiet talk. Chorus blooms with wider chords and light percussion. Second chorus adds airy backing harmonies and a simple melodic hook on glockenspiel ending on a held vocal note that slowly fades with the guitar.

Épée de lumière

Cover-Art für Épée de lumière von ju21lie1@gmail.com
03:27

vor 4 Monaten

von [email protected]

chanson anime style epic

male vocals anime chanson High-energy anime opening male vocals; double-time rock drums with bright distorted guitars and soaring string lines. Intro starts sparse with tremolo strings and toms then launches into full-band power. Verses punch with chugging rhythm guitar and pulsing bass; chorus explodes with stacked gang shouts synth brass accents and octave lead vocal. Bridge drops to half-time with choirs and taiko-style hits before a final key-lift chorus.

Épée de lumière

Cover-Art für Épée de lumière von ju21lie1@gmail.com
03:31

vor 4 Monaten

von [email protected]

chanson anime style epic

male vocals anime chanson High-energy anime opening male vocals; double-time rock drums with bright distorted guitars and soaring string lines. Intro starts sparse with tremolo strings and toms then launches into full-band power. Verses punch with chugging rhythm guitar and pulsing bass; chorus explodes with stacked gang shouts synth brass accents and octave lead vocal. Bridge drops to half-time with choirs and taiko-style hits before a final key-lift chorus.

Midnight Like a Meteor

Cover-Art für Midnight Like a Meteor von vincent3e.vans.51.2.5@gmail.com
03:46

vor 4 Monaten

von [email protected]

High-energy dance pop song, heavy bass, punchy drums, catchy hook, energetic male vocals, festival EDM vibe, powerful drop

male vocals dance dance pop [EDM Peak-hour festival EDM heavy sidechained bass and punchy four-on-the-floor kick bright supersaw chords driving the pre-drop male vocals riding the build with stacked gang shouts on the hook; huge filtered risers into an explosive chopped-vocal drop with sub-shaking low end and crisp top-end percussion.