Male Vocals

KI-Generierte Musik

2095 Tracks

Male Vocals Tracks

Tesouro Lá no Mar

Cover-Art für Tesouro Lá no Mar von Aline Orella
03:08

vor 1 Monat

von Aline Orella

Musica animada para comercial de passeio de barco pirata

male vocals Upbeat Latin-pop with Caribbean flair; acoustic guitars and bright brass hits over a bouncy groove playful male vocals front and center. Big gang shouts on title line kids claps on the backbeat and a call-and-response hook that feels like a theme song. Short breakdown with whistles and tom fills before the final chorus for an extra lift.

Saudade na Varanda

Cover-Art für Saudade na Varanda von Sanielson Freire Veras De Aquino Freire
03:43

vor 1 Monat

von Sanielson Freire Veras De Aquino Freire

Sertanejo

male vocals Sertanejo close-mic vocal in the verses Modern sertanejo ballad with male vocals nylon-string guitar leading and light accordion pads. Tight verse groove with brushed snare and warm bass; chorus lifts with stacked harmonies brighter acoustic strums and subtle crowd claps. Intimate opening into anthemic sing-along energy on the hook.

Saudade na Varanda

Cover-Art für Saudade na Varanda von Sanielson Freire Veras De Aquino Freire
03:32

vor 1 Monat

von Sanielson Freire Veras De Aquino Freire

Sertanejo

male vocals Sertanejo close-mic vocal in the verses Modern sertanejo ballad with male vocals nylon-string guitar leading and light accordion pads. Tight verse groove with brushed snare and warm bass; chorus lifts with stacked harmonies brighter acoustic strums and subtle crowd claps. Intimate opening into anthemic sing-along energy on the hook.

Paz Sobre Mí

Cover-Art für Paz Sobre Mí von fredlin.una@gmail.com
03:59

vor 1 Monat

von [email protected]

Musica suave , relajante y espiritual para fondos de salmos con sonido de piano

male vocals Soft spiritual ballad with intimate male vocals over warm reverbed piano; slow build from sparse single-note figures to fuller chords and gentle arpeggios. Subtle pad swells and airy choir textures enter on the second chorus to lift the spirit. Dynamics rise from whispery verses to a flowing prayerful chorus leaving long tails of reverb and space between phrases so scripture can sit comfortably over the music.

Paz Sobre Mí

Cover-Art für Paz Sobre Mí von fredlin.una@gmail.com
01:53

vor 1 Monat

von [email protected]

Musica suave , relajante y espiritual para fondos de salmos con sonido de piano

male vocals Soft spiritual ballad with intimate male vocals over warm reverbed piano; slow build from sparse single-note figures to fuller chords and gentle arpeggios. Subtle pad swells and airy choir textures enter on the second chorus to lift the spirit. Dynamics rise from whispery verses to a flowing prayerful chorus leaving long tails of reverb and space between phrases so scripture can sit comfortably over the music.

Por Que Te Abates, Ó Minha Alma

Cover-Art für Por Que Te Abates, Ó Minha Alma von Daniel Perote
04:00

vor 1 Monat

von Daniel Perote

Se tu minh'alma, a Deus suplicas E não recebes, confiando fica Em suas promessas que são mui ricas E infalíveis pra te valer Por que te abates, ó minha alma? E te comoves perdendo a calma? Não tenhas medo, em Deus espera Porque bem cedo Jesus virá Ele intercede por ti minh'alma Espera nele com fé e calma Jesus de todos os teus males salva E te abençoa dos altos céus Por que te abates, ó minha alma

male vocals Warm congregational worship with male vocals; gentle acoustic guitar and soft piano leading subtle pad underneath. Verses start intimate and low then chorus lifts with harmony stack and light toms. Final chorus rises a step with tambourine and sustained organ ending in a held unison note fading into reverb.

Por Que Te Abates, Ó Minha Alma

Cover-Art für Por Que Te Abates, Ó Minha Alma von Daniel Perote
02:44

vor 1 Monat

von Daniel Perote

Se tu minh'alma, a Deus suplicas E não recebes, confiando fica Em suas promessas que são mui ricas E infalíveis pra te valer Por que te abates, ó minha alma? E te comoves perdendo a calma? Não tenhas medo, em Deus espera Porque bem cedo Jesus virá Ele intercede por ti minh'alma Espera nele com fé e calma Jesus de todos os teus males salva E te abençoa dos altos céus Por que te abates, ó minha alma

male vocals Warm congregational worship with male vocals; gentle acoustic guitar and soft piano leading subtle pad underneath. Verses start intimate and low then chorus lifts with harmony stack and light toms. Final chorus rises a step with tambourine and sustained organ ending in a held unison note fading into reverb.

Drogba Your Blessings No Go Finish

Cover-Art für Drogba Your Blessings No Go Finish von Mac- Billion
04:00

vor 1 Monat

von Mac- Billion

an afro beat, nijia flavor song, tempo 1.1, male vocal, 7 VERSES AND CHORUSES, (artist : mac-billions), amapiano , title :( DROGBA YOUR BLESSINGS NO GO FINISH).. USE IT TO GENERATE A NICE NIGERIAN AFRO BEAT SONG WITH A LITTLE FAST BEAT,

male vocals vocal Bouncy Nigerian afrobeats meets amapiano log-drum bounce at a brisk tempo male vocals riding the groove with catchy call-and-response hooks. Bright shakers percussive synth stabs and warm pads in the verses; chorus lifts with stacked gang vocals whistle accents and extra keys for a celebratory street-party feel.

Drogba Your Blessings No Go Finish

Cover-Art für Drogba Your Blessings No Go Finish von Mac- Billion
04:00

vor 1 Monat

von Mac- Billion

an afro beat, nijia flavor song, tempo 1.1, male vocal, 7 VERSES AND CHORUSES, (artist : mac-billions), amapiano , title :( DROGBA YOUR BLESSINGS NO GO FINISH).. USE IT TO GENERATE A NICE NIGERIAN AFRO BEAT SONG WITH A LITTLE FAST BEAT,

male vocals vocal Bouncy Nigerian afrobeats meets amapiano log-drum bounce at a brisk tempo male vocals riding the groove with catchy call-and-response hooks. Bright shakers percussive synth stabs and warm pads in the verses; chorus lifts with stacked gang vocals whistle accents and extra keys for a celebratory street-party feel.

O Criador

Cover-Art für O Criador von João Amorim
01:58

vor 1 Monat

von João Amorim

Uma música tema de um vilão poderosos chamado O Criador,esse vilão é poderoso o bastante para criar um universo,e assim ele fez,e nesse universo,ele é o soberano

male vocals Cinematic dark orchestral trap male vocals; low piano and brooding strings under whispered verses then huge chorus with choirs distorted bass hits and pounding drums. Verse 2 adds stuttering hi-hats and distant choirs; bridge drops to almost a capella before a final explosive hook with stacked vocal harmonies.

O Criador

Cover-Art für O Criador von João Amorim
02:29

vor 1 Monat

von João Amorim

Uma música tema de um vilão poderosos chamado O Criador,esse vilão é poderoso o bastante para criar um universo,e assim ele fez,e nesse universo,ele é o soberano

male vocals Cinematic dark orchestral trap male vocals; low piano and brooding strings under whispered verses then huge chorus with choirs distorted bass hits and pounding drums. Verse 2 adds stuttering hi-hats and distant choirs; bridge drops to almost a capella before a final explosive hook with stacked vocal harmonies.

Tiger Bhai 123

Cover-Art für Tiger Bhai 123 von MUHAMMAD MUBASHIR KING
02:28

vor 1 Monat

von MUHAMMAD MUBASHIR KING

Tiger Bhai 123, scene pura tight hai Jo saamne aaye bole, bhai ka alag vibe hai Na copy, na fake, apna hi style hai Mehnat meri pehchaan, yehi meri file hai Log jalte rehte hain, hum chalte rehte hain Naam nahi poochte, kaam bolte rehte hain Sher ka rawaiya, dil mein aag hai Jo bhi takraya, seedha khaak hai Attitude high, lekin ghuroor nahi Apni hadd mein rehte, mashhoor sahi Tiger Bhai 123, game

male vocals call-and-response sharp hi-hats fake High-energy Hindi rap banger with male vocals over dark drill-inspired trap: sliding 808s and a menacing flute lead. First verse stays tight and percussive; hook explodes with chant-style gang vocals and crowd shouts. Second section adds thicker ad-libs and a short drop before the final hook spotlighting the vocal swagger.

Tiger Bhai 123

Cover-Art für Tiger Bhai 123 von MUHAMMAD MUBASHIR KING
02:34

vor 1 Monat

von MUHAMMAD MUBASHIR KING

Tiger Bhai 123, scene pura tight hai Jo saamne aaye bole, bhai ka alag vibe hai Na copy, na fake, apna hi style hai Mehnat meri pehchaan, yehi meri file hai Log jalte rehte hain, hum chalte rehte hain Naam nahi poochte, kaam bolte rehte hain Sher ka rawaiya, dil mein aag hai Jo bhi takraya, seedha khaak hai Attitude high, lekin ghuroor nahi Apni hadd mein rehte, mashhoor sahi Tiger Bhai 123, game

male vocals call-and-response sharp hi-hats fake High-energy Hindi rap banger with male vocals over dark drill-inspired trap: sliding 808s and a menacing flute lead. First verse stays tight and percussive; hook explodes with chant-style gang vocals and crowd shouts. Second section adds thicker ad-libs and a short drop before the final hook spotlighting the vocal swagger.

Luces Que No Son Dios

Cover-Art für Luces Que No Son Dios von Ruben Bastias
04:00

vor 1 Monat

von Ruben Bastias

Deathcore en español, tempo rápido, guitarras muy graves y breakdowns pesados. Voz gutural agresiva en versos y partes pesadas. Coros y puentes con voz limpia oscura y melódica. Letra sobre aliens, abducciones, luces en el cielo, parálisis, experimentos y miedo existencial. Atmósfera sci-fi, oscura y opresiva

male vocals Hyperfast deathcore with ultra-low guitars and dissonant sci‑fi chords male vocals. Verses blast with relentless double‑kick and gutturals; sudden gravity‑drop into catastrophic breakdowns with syncopated chugs and glitchy synth swells. Choruses open into dark melodic clean vocals over half‑time grooves and haunting pads then plunge back into chaos. Bridge stretches into an oppressive space-horror drone before a final all‑out slam.

Luces Que No Son Dios

Cover-Art für Luces Que No Son Dios von Ruben Bastias
04:00

vor 1 Monat

von Ruben Bastias

Deathcore en español, tempo rápido, guitarras muy graves y breakdowns pesados. Voz gutural agresiva en versos y partes pesadas. Coros y puentes con voz limpia oscura y melódica. Letra sobre aliens, abducciones, luces en el cielo, parálisis, experimentos y miedo existencial. Atmósfera sci-fi, oscura y opresiva

male vocals Hyperfast deathcore with ultra-low guitars and dissonant sci‑fi chords male vocals. Verses blast with relentless double‑kick and gutturals; sudden gravity‑drop into catastrophic breakdowns with syncopated chugs and glitchy synth swells. Choruses open into dark melodic clean vocals over half‑time grooves and haunting pads then plunge back into chaos. Bridge stretches into an oppressive space-horror drone before a final all‑out slam.

DROGBA IN OSUMENYI YOUR BLESSINGS NEVER FINISH

Cover-Art für DROGBA IN OSUMENYI YOUR BLESSINGS NEVER FINISH von Billion Mac
03:24

vor 1 Monat

von Billion Mac

afro beat, nijia flavor, 4 verses and CHORUSES mixed up together, male vocal, my name nah mac-billions, title: DROGBA IN OSUMENYI YOUR BLESSINGS NEVER FINISH..

male vocals vocal Mid-tempo Afrobeat groove with elastic log drums bright rhythm guitar chops and shuffling percussion; male vocals front and dry in the verses choruses open with stacked call-and-response gang vocals and airy synth chords; subtle brass lines answer key phrases with a short percussive break before the final hook to lift crowd energy and invite sing-alongs.

DROGBA IN OSUMENYI YOUR BLESSINGS NEVER FINISH

Cover-Art für DROGBA IN OSUMENYI YOUR BLESSINGS NEVER FINISH von Billion Mac
04:00

vor 1 Monat

von Billion Mac

afro beat, nijia flavor, 4 verses and CHORUSES mixed up together, male vocal, my name nah mac-billions, title: DROGBA IN OSUMENYI YOUR BLESSINGS NEVER FINISH..

male vocals vocal Mid-tempo Afrobeat groove with elastic log drums bright rhythm guitar chops and shuffling percussion; male vocals front and dry in the verses choruses open with stacked call-and-response gang vocals and airy synth chords; subtle brass lines answer key phrases with a short percussive break before the final hook to lift crowd energy and invite sing-alongs.

Corona de Ceniza

Cover-Art für Corona de Ceniza von Impure Raven
04:00

vor 1 Monat

von Impure Raven

Género: Deathcore moderno Idioma: Español Tempo: Rápido (180–220 BPM) Afinación: Muy grave, guitarras downtuned Instrumentos: Guitarras distorsionadas pesadas, breakdowns agresivos, batería con blast beats y dobles bombos, bajo profundo Voces: Versos y breakdowns con voces guturales profundas y screams Coros y puentes con voces limpias melódicas, atmósfera oscura y épica Letra / temática: Canción

male vocals beats Modern deathcore with male vocals; ultra-downtuned guitars in unison riffs relentless blast beats at high BPM. Verses crush with cavernous growls and dissonant tremolo runs; choruses open into epic minor-key clean vocals over half-time drums and wide reverb. Breakdowns hit as syncopated chugs with bass drops and layered screams; bridge blooms into cinematic ambience under soaring melody before a final violent slam.

Corona de Ceniza

Cover-Art für Corona de Ceniza von Impure Raven
04:00

vor 1 Monat

von Impure Raven

Género: Deathcore moderno Idioma: Español Tempo: Rápido (180–220 BPM) Afinación: Muy grave, guitarras downtuned Instrumentos: Guitarras distorsionadas pesadas, breakdowns agresivos, batería con blast beats y dobles bombos, bajo profundo Voces: Versos y breakdowns con voces guturales profundas y screams Coros y puentes con voces limpias melódicas, atmósfera oscura y épica Letra / temática: Canción

male vocals beats Modern deathcore with male vocals; ultra-downtuned guitars in unison riffs relentless blast beats at high BPM. Verses crush with cavernous growls and dissonant tremolo runs; choruses open into epic minor-key clean vocals over half-time drums and wide reverb. Breakdowns hit as syncopated chugs with bass drops and layered screams; bridge blooms into cinematic ambience under soaring melody before a final violent slam.

Old Things Don Pass

Cover-Art für Old Things Don Pass von Alexandra Mac (Mac)
04:00

vor 1 Monat

von Alexandra Mac (Mac)

Everybody in this world nah the same,, make we no dey avioding people's because of olden days nonsense traditions. Use it to generate a nice Nigerian afro beat song. Title: old things are passed away,, nijia flavor, Afro and,male vocal, Artist name nah mac-billions, 10 verses and CHORUSES mixed up together..

male vocals vocal world airy pads Mid‑tempo Nigerian afrobeats groove bright log drums and bouncing bassline shimmery guitars skanking off the snare. Male vocals catchy call‑and‑response hooks subtle highlife horns in the chorus. Verses stay percussive and conversational; choruses open with stacked harmonies and crowd-style backing chants. Energy grows each section with ad‑libs and short melodic riffs for maximum dancefloor pull.

Old Things Don Pass

Cover-Art für Old Things Don Pass von Alexandra Mac (Mac)
04:00

vor 1 Monat

von Alexandra Mac (Mac)

Everybody in this world nah the same,, make we no dey avioding people's because of olden days nonsense traditions. Use it to generate a nice Nigerian afro beat song. Title: old things are passed away,, nijia flavor, Afro and,male vocal, Artist name nah mac-billions, 10 verses and CHORUSES mixed up together..

male vocals vocal world airy pads Mid‑tempo Nigerian afrobeats groove bright log drums and bouncing bassline shimmery guitars skanking off the snare. Male vocals catchy call‑and‑response hooks subtle highlife horns in the chorus. Verses stay percussive and conversational; choruses open with stacked harmonies and crowd-style backing chants. Energy grows each section with ad‑libs and short melodic riffs for maximum dancefloor pull.

Run It Hot

Cover-Art für Run It Hot von Timo Tervamäki
02:53

vor 1 Monat

von Timo Tervamäki

Energy pop song, 4,2 minutes long. 125BPM. No vocals!

male vocals pop High-gloss energy pop at 125 BPM male vocals front and center. Tight four-on-the-floor kick and bright side-chained synths buzzy bass and snappy claps. Verses ride a lean pulsing groove with syncopated plucks; chorus explodes with stacked gang vocals wide supersaw chords and rising noise sweeps. Short bridge strips to toms and bass before a final hands-in-the-air chorus. Clean radio-ready mix with a crisp top end and a chesty midrange on the lead.

Run It Hot

Cover-Art für Run It Hot von Timo Tervamäki
01:42

vor 1 Monat

von Timo Tervamäki

Energy pop song, 4,2 minutes long. 125BPM. No vocals!

male vocals pop High-gloss energy pop at 125 BPM male vocals front and center. Tight four-on-the-floor kick and bright side-chained synths buzzy bass and snappy claps. Verses ride a lean pulsing groove with syncopated plucks; chorus explodes with stacked gang vocals wide supersaw chords and rising noise sweeps. Short bridge strips to toms and bass before a final hands-in-the-air chorus. Clean radio-ready mix with a crisp top end and a chesty midrange on the lead.

हर धड़कन में तू ही शंकर

Cover-Art für हर धड़कन में तू ही शंकर von nasop24660@taimanin.com
03:30

vor 1 Monat

von [email protected]

मैं ॐ का सुमिरन करूँ शंकर, मैं निर्भय होकर जियूँ शंकर। असुरों से अब क्या भय होना, जब संग मेरे तू शंकर। मैंने न माँगा फिर भी पाया, कृपा का अमृत तूने दिया। कैसे विसरूँ नाम तेरा, हर धड़कन में तू ही शंकर ।

male vocals Devotional Hindi bhajan with male vocals; gentle acoustic guitar and tanpura drone under a steady kartal groove soft tabla entering at the first chorus. Verses stay intimate and low chorus blooms with stacked harmonies and sustained pads. Mid-song lift with subtle strings and a higher octave backing vocal then a calm reverent outro on the title line.