Male Vocals

KI-Generierte Musik

3310 Tracks

Male Vocals Tracks

Asado y Río

Cover-Art für Asado y Río von geniusidio
02:40

vor 3 Monaten

von geniusidio

Rock and roll alegre sobre compartir un asado y pesca con amigos, guitarras enérgicas, ritmo contagioso, clima festivo y relajado, camaradería, risas, naturaleza y buenos momentos inolvidables.

male vocals rock punchy toms Rock and roll alegre with male vocals upbeat driving backbeat and handclap swing; verse rides crunchy guitars and bass with a loose stomping pulse; pre-chorus strips to kick and shouty group responses; chorus hits with stacked gang vocals bright riffs and call-and-response hooks. Use quick snare pickups whistle-like guitar fills and a clapping break into the final chorus. Bright sunlit mix with a live-barbecue feel.

Asado y Río

Cover-Art für Asado y Río von geniusidio
03:15

vor 3 Monaten

von geniusidio

Rock and roll alegre sobre compartir un asado y pesca con amigos, guitarras enérgicas, ritmo contagioso, clima festivo y relajado, camaradería, risas, naturaleza y buenos momentos inolvidables.

male vocals rock punchy toms Rock and roll alegre with male vocals upbeat driving backbeat and handclap swing; verse rides crunchy guitars and bass with a loose stomping pulse; pre-chorus strips to kick and shouty group responses; chorus hits with stacked gang vocals bright riffs and call-and-response hooks. Use quick snare pickups whistle-like guitar fills and a clapping break into the final chorus. Bright sunlit mix with a live-barbecue feel.

ይያ ሙጥር

Cover-Art für ይያ ሙጥር von Yasin Mohammed
03:04

vor 3 Monaten

von Yasin Mohammed

ይያ ሙጥር ኧዥኝ ስርሙሽ ትትላኝ በጭ አብሮታሽ ኧወድንሽ ፈገግታሽ ኧወድንሽ መልካማንሽ የቂንም አሽቱ ብቻ አዥ የህን ቤኝ ኔሽ ትያዬ የህን ቤኝ ይያ ሙጥር ቤቢዬ አትምም ጊናት ኤነቢሽ ኧወድሽ ኤክ ኧወድሽ ውዴታኛ ስርም የቂኑ ሂነመኝ አሽትንሽ ወንበርመኛ አሽትንሽ ምሽተኛ ትኸኜ ኧሸው ገገኝ ይያ ሙጥር ኤኸን አትቤኝ የህን ቤኝ ሲመኝ አሺ ይያ ጬትንሽ አሺ ይያ ኮከበኛሽ ባኖዪ ግሬድ እንም መልካማ አሽትንሽሽ

male vocals warm bass polished Ethiopian pop with a mid-tempo swing and handclap-led groove; verse rides sparse kick and plucked keys pre-chorus lifts with stacked harmonies and rising percussion chorus opens wider with gang vocal doubles on the anchor phrase and short echo replies. Male lead vocal stays close-mic and intimate in verses then gets doubled and lifted on hooks. Ear candy: reversed swells into choruses quick drum fill turns and shimmering top-line chimes. Bright and radio-forward mix.

ይያ ሙጥር

Cover-Art für ይያ ሙጥር von Yasin Mohammed
03:00

vor 3 Monaten

von Yasin Mohammed

ይያ ሙጥር ኧዥኝ ስርሙሽ ትትላኝ በጭ አብሮታሽ ኧወድንሽ ፈገግታሽ ኧወድንሽ መልካማንሽ የቂንም አሽቱ ብቻ አዥ የህን ቤኝ ኔሽ ትያዬ የህን ቤኝ ይያ ሙጥር ቤቢዬ አትምም ጊናት ኤነቢሽ ኧወድሽ ኤክ ኧወድሽ ውዴታኛ ስርም የቂኑ ሂነመኝ አሽትንሽ ወንበርመኛ አሽትንሽ ምሽተኛ ትኸኜ ኧሸው ገገኝ ይያ ሙጥር ኤኸን አትቤኝ የህን ቤኝ ሲመኝ አሺ ይያ ጬትንሽ አሺ ይያ ኮከበኛሽ ባኖዪ ግሬድ እንም መልካማ አሽትንሽሽ

male vocals warm bass polished Ethiopian pop with a mid-tempo swing and handclap-led groove; verse rides sparse kick and plucked keys pre-chorus lifts with stacked harmonies and rising percussion chorus opens wider with gang vocal doubles on the anchor phrase and short echo replies. Male lead vocal stays close-mic and intimate in verses then gets doubled and lifted on hooks. Ear candy: reversed swells into choruses quick drum fill turns and shimmering top-line chimes. Bright and radio-forward mix.

Ritmo de Arena

Cover-Art für Ritmo de Arena von carlos mundo
02:48

vor 3 Monaten

von carlos mundo

quiero una pista tipo lofi con para bajo electrico de 6 cuerdas, para meditar, con tambores tribales

male vocals earthy Lo-fi meditation groove with swung tribal drums warm dusty electric six-string bass soft brushed percussion and slow-breathing pocket rhythm; verse stays sparse with bass hand drums and close-mic male vocals pre-chorus lifts with filtered chimes and stacked hums chorus opens into a chantable mantra with doubled vocal harmony. Reversed swells rain-texture tails low-pass sweeps between lines and a subtle tape wobble. Intimate and soft-edged in the mix.

Ritmo de Arena

Cover-Art für Ritmo de Arena von carlos mundo
02:29

vor 3 Monaten

von carlos mundo

quiero una pista tipo lofi con para bajo electrico de 6 cuerdas, para meditar, con tambores tribales

male vocals earthy Lo-fi meditation groove with swung tribal drums warm dusty electric six-string bass soft brushed percussion and slow-breathing pocket rhythm; verse stays sparse with bass hand drums and close-mic male vocals pre-chorus lifts with filtered chimes and stacked hums chorus opens into a chantable mantra with doubled vocal harmony. Reversed swells rain-texture tails low-pass sweeps between lines and a subtle tape wobble. Intimate and soft-edged in the mix.

Pulso de Acero

Cover-Art für Pulso de Acero von David Ceamanos
02:20

vor 3 Monaten

von David Ceamanos

makina 170 BPM con bombo fuerte y synths agresivos

male vocals brutal makina Makina at 170 BPM with pounding kick aggressive detuned synth leads and hard syncopated bass stabs; verse drives with clipped male vocals and sparse drum pressure pre-chorus opens into rising noise sweeps and layered chant doubles chorus slams with wide saw hooks and gang shouts on the anchor phrase. Add reverse crashes metallic ticks and short delay throws into turns. Bright high-gloss mix with a razor-edged low end and huge stereo width.

Pulso de Acero

Cover-Art für Pulso de Acero von David Ceamanos
02:08

vor 3 Monaten

von David Ceamanos

makina 170 BPM con bombo fuerte y synths agresivos

male vocals brutal makina Makina at 170 BPM with pounding kick aggressive detuned synth leads and hard syncopated bass stabs; verse drives with clipped male vocals and sparse drum pressure pre-chorus opens into rising noise sweeps and layered chant doubles chorus slams with wide saw hooks and gang shouts on the anchor phrase. Add reverse crashes metallic ticks and short delay throws into turns. Bright high-gloss mix with a razor-edged low end and huge stereo width.

Cristal De Despedida

Cover-Art für Cristal De Despedida von Titi
04:41

vor 3 Monaten

von Titi

canción donde able del último abrazo que me dio mi niño antes de salir de viaje para ir a su tratamiento médico de cáncer y ya no regreso con vida solo puede verlo atravez del cristal de su ataúd se fue mi niño sin darle su último abrazo de despedida

male vocals piano intimate and cinematic Spanish-language emotional ballad with male vocals slow 6/8 pulse and sparse acoustic guitar and soft strings; verse stays intimate and close-mic pre-chorus opens with rising harmony and a breathy lift chorus lands heavier with doubled lead and gentle gang vocal on the hook phrase. Use room-reverb swells a soft string tremolo into each chorus and a final instrumental pause before the last line. Mix is warm

Cristal De Despedida

Cover-Art für Cristal De Despedida von Titi
04:16

vor 3 Monaten

von Titi

canción donde able del último abrazo que me dio mi niño antes de salir de viaje para ir a su tratamiento médico de cáncer y ya no regreso con vida solo puede verlo atravez del cristal de su ataúd se fue mi niño sin darle su último abrazo de despedida

male vocals piano intimate and cinematic Spanish-language emotional ballad with male vocals slow 6/8 pulse and sparse acoustic guitar and soft strings; verse stays intimate and close-mic pre-chorus opens with rising harmony and a breathy lift chorus lands heavier with doubled lead and gentle gang vocal on the hook phrase. Use room-reverb swells a soft string tremolo into each chorus and a final instrumental pause before the last line. Mix is warm

Camioneta Verde

Cover-Art für Camioneta Verde von moras1020@yahoo.com.mx
02:16

vor 3 Monaten

von [email protected]

corrido estilo norteño de Erik de la sancha, buen amigo, con su herma a su hija a guerrero fue a rescatar, tumbo un portón con la camioneta Explorer cuando se enojo

male vocals and a bright Norteño corrido with brisk polka bounce accordion lead and bajo sexto drive; verse rides tight two-step with storytelling bass runs pre-chorus tightens with snare pushes and vocal grit chorus opens into gang vocals and a chantable hook. Male vocals close-mic and earthy in verses doubled on the refrain with short accordion fills reverse cymbal lifts into choruses punchy mix with dry front-and-center vocals.

Camioneta Verde

Cover-Art für Camioneta Verde von moras1020@yahoo.com.mx
02:28

vor 3 Monaten

von [email protected]

corrido estilo norteño de Erik de la sancha, buen amigo, con su herma a su hija a guerrero fue a rescatar, tumbo un portón con la camioneta Explorer cuando se enojo

male vocals and a bright Norteño corrido with brisk polka bounce accordion lead and bajo sexto drive; verse rides tight two-step with storytelling bass runs pre-chorus tightens with snare pushes and vocal grit chorus opens into gang vocals and a chantable hook. Male vocals close-mic and earthy in verses doubled on the refrain with short accordion fills reverse cymbal lifts into choruses punchy mix with dry front-and-center vocals.

Pulso de Acero

Cover-Art für Pulso de Acero von mini beto
02:27

vor 3 Monaten

von mini beto

makina 170 BPM con bombo fuerte y synths agresivos

male vocals brutal makina Makina at 170 BPM with pounding four-on-the-floor kick aggressive detuned synth riffs hard sidechain bass and sharp rave stabs; verse stays lean and driving pre-chorus lifts with filtered noise and tension risers chorus slams wider with gang shouts and chopped lead answers. Male vocals close-mic in verses doubled and shouted on hooks with delay throws on key phrases. Breaks use reverse sweeps pitch dives and clap bursts. Bright high-energy mix.

Pulso de Acero

Cover-Art für Pulso de Acero von mini beto
02:50

vor 3 Monaten

von mini beto

makina 170 BPM con bombo fuerte y synths agresivos

male vocals brutal makina Makina at 170 BPM with pounding four-on-the-floor kick aggressive detuned synth riffs hard sidechain bass and sharp rave stabs; verse stays lean and driving pre-chorus lifts with filtered noise and tension risers chorus slams wider with gang shouts and chopped lead answers. Male vocals close-mic in verses doubled and shouted on hooks with delay throws on key phrases. Breaks use reverse sweeps pitch dives and clap bursts. Bright high-energy mix.

Loua On Marche

Cover-Art für Loua On Marche von Nyankoye Haba
02:33

vor 3 Monaten

von Nyankoye Haba

Dj Mao Socrate à la place Jean Pierre Loua, le Canadien ! Numéro 1 des scouts, toujours devant ! À N’zérékoré, il nous guide avec honneur, Discipline et courage dans chaque cœur. Leader fort, respecté de tous, Toujours prêt, toujours avec nous ! Scouts debout, levons la voix : Loua, Loua, on marche avec toi ! 🥁⚜️

male vocals punchy whistle accents Marching anthem with male vocals medium-fast cadenced scout drum groove and handclap pulse; verse rides a tight call-and-response chant pre-chorus opens with stacked group voices and rising snare rolls chorus hits in bold unison with a lifted refrain. Lead vocal is chesty and proud with doubled hook lines short gang shouts on key names and a few echoed tag repeats. Add brass stabs and a final lift with crowd-sized vocal layers. Bright ceremonial mix.

Loua On Marche

Cover-Art für Loua On Marche von Nyankoye Haba
03:00

vor 3 Monaten

von Nyankoye Haba

Dj Mao Socrate à la place Jean Pierre Loua, le Canadien ! Numéro 1 des scouts, toujours devant ! À N’zérékoré, il nous guide avec honneur, Discipline et courage dans chaque cœur. Leader fort, respecté de tous, Toujours prêt, toujours avec nous ! Scouts debout, levons la voix : Loua, Loua, on marche avec toi ! 🥁⚜️

male vocals punchy whistle accents Marching anthem with male vocals medium-fast cadenced scout drum groove and handclap pulse; verse rides a tight call-and-response chant pre-chorus opens with stacked group voices and rising snare rolls chorus hits in bold unison with a lifted refrain. Lead vocal is chesty and proud with doubled hook lines short gang shouts on key names and a few echoed tag repeats. Add brass stabs and a final lift with crowd-sized vocal layers. Bright ceremonial mix.

Blackened Hunt

Cover-Art für Blackened Hunt von Yeremy Gutierres
02:35

vor 3 Monaten

von Yeremy Gutierres

“dark orchestral horror instrumental, intense chase music, fast irregular percussion, tribal drums, high pitch dissonant violins, chaotic string stabs, low frequency rumble, deep bass drones, sudden impacts, metallic scrapes, reverse effects, rising tension, panic, cinematic horror game soundtrack, no vocals, pure instrumental, terrifying, suspense, relentless chase”

male vocals orchestral deep low soundtrack tense Dark orchestral horror with male vocals frantic irregular percussion and tribal drum patterns driving a relentless chase feel; verses slash through with dissonant violins low drone and metallic scrapes pre-chorus tightens into reverse swells and sudden impacts chorus opens on brutal gang-shouted chants and stabbing strings. Close-mic baritone lead with whispered doubles distant octave shadows and short delay throws on key words; risers bowed scrapes and bass hits punctuate transitions. Wide cinematic mix abrasive and bone-cold

Blackened Hunt

Cover-Art für Blackened Hunt von Yeremy Gutierres
02:32

vor 3 Monaten

von Yeremy Gutierres

“dark orchestral horror instrumental, intense chase music, fast irregular percussion, tribal drums, high pitch dissonant violins, chaotic string stabs, low frequency rumble, deep bass drones, sudden impacts, metallic scrapes, reverse effects, rising tension, panic, cinematic horror game soundtrack, no vocals, pure instrumental, terrifying, suspense, relentless chase”

male vocals orchestral deep low soundtrack tense Dark orchestral horror with male vocals frantic irregular percussion and tribal drum patterns driving a relentless chase feel; verses slash through with dissonant violins low drone and metallic scrapes pre-chorus tightens into reverse swells and sudden impacts chorus opens on brutal gang-shouted chants and stabbing strings. Close-mic baritone lead with whispered doubles distant octave shadows and short delay throws on key words; risers bowed scrapes and bass hits punctuate transitions. Wide cinematic mix abrasive and bone-cold

Back Door Breath

Cover-Art für Back Door Breath von Gustavo Gabriel Guachalla Rocha
01:50

vor 3 Monaten

von Gustavo Gabriel Guachalla Rocha

“dark horror chase music, female choir haunting and ethereal, wailing voices, high pitch dissonant violins, fast chaotic strings, heavy drums and tribal percussion, aggressive rhythm, low frequency rumble, deep bass, panic, adrenaline, being chased by a monster, cinematic horror game soundtrack, terrifying, relentless tension, jumpscare”

male vocals deep low soundtrack short delay throws Dark horror chase score with driving tribal percussion and fast chaotic strings pulsing low drones dissonant violin scrapes and hammering frame drums; verse rides tight half-time tension pre-chorus strips to rumble and whispered pulses chorus slams with choir wails and brutal hits. Male lead vocal wide female choir doubles sudden stinger accents wet cavernous mix.

Back Door Breath

Cover-Art für Back Door Breath von Gustavo Gabriel Guachalla Rocha
03:02

vor 3 Monaten

von Gustavo Gabriel Guachalla Rocha

“dark horror chase music, female choir haunting and ethereal, wailing voices, high pitch dissonant violins, fast chaotic strings, heavy drums and tribal percussion, aggressive rhythm, low frequency rumble, deep bass, panic, adrenaline, being chased by a monster, cinematic horror game soundtrack, terrifying, relentless tension, jumpscare”

male vocals deep low soundtrack short delay throws Dark horror chase score with driving tribal percussion and fast chaotic strings pulsing low drones dissonant violin scrapes and hammering frame drums; verse rides tight half-time tension pre-chorus strips to rumble and whispered pulses chorus slams with choir wails and brutal hits. Male lead vocal wide female choir doubles sudden stinger accents wet cavernous mix.

Rito de la Sombra

Cover-Art für Rito de la Sombra von GUSTAVO GABRIEL GUACHALLA ROCHA
03:13

vor 3 Monaten

von GUSTAVO GABRIEL GUACHALLA ROCHA

“música de terror oscura, invocación de un monstruo, susurros demoníacos, whispers and breathing, ambiente ritual, coro siniestro, viento oscuro, dissonant, notas disonantes incómodas, low frequency rumble, vibración grave constante, aparición con golpe fuerte, rugido monstruoso profundo, persecución intensa, ritmo rápido e irregular, tensión constante, estilo videojuego de terror, sonido cinemato

male vocals low tense Dark horror game soundtrack with fast irregular percussion ritual drum pulses dissonant clusters low-end rumble sudden impact hits and male vocals; verse creeps with whispered breaths and half-spoken threats pre-chorus tightens with rising noise and layered chants chorus opens into sinister gang vocals and a monstrous roar bridge drops to a single pulse and demon whispers before the final chase burst. Whispered doubles deep growl accents reverse swells metal scrapes and cavernous reverb; cinematic and wide in the low end

Rito de la Sombra

Cover-Art für Rito de la Sombra von GUSTAVO GABRIEL GUACHALLA ROCHA
03:12

vor 3 Monaten

von GUSTAVO GABRIEL GUACHALLA ROCHA

“música de terror oscura, invocación de un monstruo, susurros demoníacos, whispers and breathing, ambiente ritual, coro siniestro, viento oscuro, dissonant, notas disonantes incómodas, low frequency rumble, vibración grave constante, aparición con golpe fuerte, rugido monstruoso profundo, persecución intensa, ritmo rápido e irregular, tensión constante, estilo videojuego de terror, sonido cinemato

male vocals low tense Dark horror game soundtrack with fast irregular percussion ritual drum pulses dissonant clusters low-end rumble sudden impact hits and male vocals; verse creeps with whispered breaths and half-spoken threats pre-chorus tightens with rising noise and layered chants chorus opens into sinister gang vocals and a monstrous roar bridge drops to a single pulse and demon whispers before the final chase burst. Whispered doubles deep growl accents reverse swells metal scrapes and cavernous reverb; cinematic and wide in the low end

Calle de Sal

Cover-Art für Calle de Sal von Wileyris Colon Lozada
02:30

vor 3 Monaten

von Wileyris Colon Lozada

No quiero que sea como que tenga batería que tenga abajo tenga Paz tenga piano, se escucha sobre el principio y que sea como como sentimental porque tenga todo tipo de sentimientos y que me dure de 3 minutos y medio para arriba y que que sea de 95 bpm.

male vocals warm pads muted bass Latin pop ballad at 95 bpm with a laid-back pulse soft piano arpeggios and gentle hand percussion shaping a tender groove; verse starts intimate with close-mic male vocals and sparse piano pre-chorus lifts with stacked harmonies and rising strings chorus opens wider with doubled lead and long reverb tails bridge strips back to voice and piano before the final chorus blooms. Subtle reverse swells breathy transitions and a bright-yet-warm mix with a polished emotional sheen.

Calle de Sal

Cover-Art für Calle de Sal von Wileyris Colon Lozada
02:10

vor 3 Monaten

von Wileyris Colon Lozada

No quiero que sea como que tenga batería que tenga abajo tenga Paz tenga piano, se escucha sobre el principio y que sea como como sentimental porque tenga todo tipo de sentimientos y que me dure de 3 minutos y medio para arriba y que que sea de 95 bpm.

male vocals warm pads muted bass Latin pop ballad at 95 bpm with a laid-back pulse soft piano arpeggios and gentle hand percussion shaping a tender groove; verse starts intimate with close-mic male vocals and sparse piano pre-chorus lifts with stacked harmonies and rising strings chorus opens wider with doubled lead and long reverb tails bridge strips back to voice and piano before the final chorus blooms. Subtle reverse swells breathy transitions and a bright-yet-warm mix with a polished emotional sheen.