Male Vocals

KI-Generierte Musik

3310 Tracks

Male Vocals Tracks

Oulaï Ange Kalou

Cover-Art für Oulaï Ange Kalou von oulaï Fiédi Ferdinand
03:04

vor 1 Monat

von oulaï Fiédi Ferdinand

une chanson afrobeat douce et agréable pour célébrer l'anniversaire de mariage entre monsieur Oulaï et Madame Oulaï Ange Kalou qui s'aiment éperdument

male vocals Afrobeat chanson Afrobeat doux et lumineux tempo moyen avec percussions légères guitare mi-muting en boucle et basse ronde dansante; couplets souples et intimes pré-refrain qui resserre le groove refrain plus ouvert avec chœurs discrets et doubles masculins. Petits fills de shakers claquements de mains sur les transitions montée de percu avant le dernier refrain. Mix chaud brillant et propre voix masculine proche et affectueuse.

Oulaï Ange Kalou

Cover-Art für Oulaï Ange Kalou von oulaï Fiédi Ferdinand
03:15

vor 1 Monat

von oulaï Fiédi Ferdinand

une chanson afrobeat douce et agréable pour célébrer l'anniversaire de mariage entre monsieur Oulaï et Madame Oulaï Ange Kalou qui s'aiment éperdument

male vocals Afrobeat chanson Afrobeat doux et lumineux tempo moyen avec percussions légères guitare mi-muting en boucle et basse ronde dansante; couplets souples et intimes pré-refrain qui resserre le groove refrain plus ouvert avec chœurs discrets et doubles masculins. Petits fills de shakers claquements de mains sur les transitions montée de percu avant le dernier refrain. Mix chaud brillant et propre voix masculine proche et affectueuse.

Μπάλς Αθίν

Cover-Art für Μπάλς Αθίν von Roe Xhemalaj
02:19

vor 1 Monat

von Roe Xhemalaj

ballsh Athin drog pa pushim Με το bro, στο σκοτάδι λάμπουμε Μέσα φυλακή, ψάχνουμε φως να βρούμε Ballsh-athin drog pa pushim, δεν χάνουμε το δρόμο Πάμε μαζί, κάθε μέρα πιο ψηλά, χωρίς φόβο, Hip-Hop, Hip-Hop, Hip-Hop, Hip-Hop, Hip-Hop

male vocals hip hop snare short delay throws on key words with doubled hook lines punchy mix Hip-hop with a hard boom-bap foundation and swung drums; verse rides sparse kick and a grimy bass pulse pre-chorus tightens with filtered chops and rising tension chorus lands with stacked gang vocals and a chesty lead. Male vocals close-mic and gritty reverse swells into the drops and crisp

Romeo Rising

Cover-Art für Romeo Rising von Itseng Romeo
03:35

vor 1 Monat

von Itseng Romeo

“Romeo Rising” (Verse 1) Started from a small town road, Dreams heavy but I still hold, Every night I hear that beat, Future calling out to me. People talking, people doubt, But I know what I’m about, I got fire in my soul, Music is the final goal. (Pre-Chorus) I don’t stop when ti

male vocals bold Soul Pop-rock anthem with driving mid-tempo drums punchy electric guitars and a soaring bass line; verse stays tight and forward-moving pre-chorus opens with tom lifts and rising harmony stacks chorus lands big with gang vocals on the title phrase. Male vocals front and center double-tracked on key lines with delay throws on the hook. Ear candy: reverse cymbal swells into the pre-chorus clapping lift on chorus one and a final guitar harmony tag. Bright radio-ready mix with a wide glossy chorus

Romeo Rising

Cover-Art für Romeo Rising von Itseng Romeo
03:35

vor 1 Monat

von Itseng Romeo

“Romeo Rising” (Verse 1) Started from a small town road, Dreams heavy but I still hold, Every night I hear that beat, Future calling out to me. People talking, people doubt, But I know what I’m about, I got fire in my soul, Music is the final goal. (Pre-Chorus) I don’t stop when ti

male vocals bold Soul Pop-rock anthem with driving mid-tempo drums punchy electric guitars and a soaring bass line; verse stays tight and forward-moving pre-chorus opens with tom lifts and rising harmony stacks chorus lands big with gang vocals on the title phrase. Male vocals front and center double-tracked on key lines with delay throws on the hook. Ear candy: reverse cymbal swells into the pre-chorus clapping lift on chorus one and a final guitar harmony tag. Bright radio-ready mix with a wide glossy chorus

Bonsuwana Africa

Cover-Art für Bonsuwana Africa von Mukesha Kabatesi
02:37

vor 1 Monat

von Mukesha Kabatesi

Africa bonsuwana Kenya Zimbabwe Zambia Malawi Mozambique south Africa bonsuwana Namibia Kenya Tanzania Uganda bekiruka uurwanda

male vocals syncopated percussion doubled on hooks Afro-pop chant with mid-tempo four-on-the-floor drums and a buoyant bass pulse; verse rides sparse drums and handclaps pre-chorus lifts with stacked call-and-response chorus hits with wide gang vocals and a bright guitar riff. Male vocals up front with short delay throws and crowd shouts. Palm-shaker fills reverse swell into chorus crisp punchy mix.

Bonsuwana Africa

Cover-Art für Bonsuwana Africa von Mukesha Kabatesi
02:37

vor 1 Monat

von Mukesha Kabatesi

Africa bonsuwana Kenya Zimbabwe Zambia Malawi Mozambique south Africa bonsuwana Namibia Kenya Tanzania Uganda bekiruka uurwanda

male vocals syncopated percussion doubled on hooks Afro-pop chant with mid-tempo four-on-the-floor drums and a buoyant bass pulse; verse rides sparse drums and handclaps pre-chorus lifts with stacked call-and-response chorus hits with wide gang vocals and a bright guitar riff. Male vocals up front with short delay throws and crowd shouts. Palm-shaker fills reverse swell into chorus crisp punchy mix.

Julia Verso Antigo

Cover-Art für Julia Verso Antigo von Nelson Dos santos
04:32

vor 2 Monaten

von Nelson Dos santos

*Julia* Julia, teu nome é verso antigo Que o tempo esqueceu de apagar, É luz que encontra abrigo No escuro de quem sabe amar. Tens o passo de quem dança Sem ouvir música no chão, E a calma de quem alcança O silêncio dentro do coração. Quando falas, o mundo abranda, Cada palavra é nascer do sol,

male vocals Portuguese pop ballad with a gentle half-time pulse and tender acoustic guitar arpeggios; verse stays intimate and sparse pre-chorus opens with soft strings and a breathy lift chorus blooms with stacked harmonies and a singable refrain. Male vocals front and center close-mic and warm with delay throws on the name "Julia " reversed swells into the pre-chorus and a final chorus widened with subtle hand percussion. Crisp emotional mix with a bright polished sheen.

Julia Verso Antigo

Cover-Art für Julia Verso Antigo von Nelson Dos santos
04:20

vor 2 Monaten

von Nelson Dos santos

*Julia* Julia, teu nome é verso antigo Que o tempo esqueceu de apagar, É luz que encontra abrigo No escuro de quem sabe amar. Tens o passo de quem dança Sem ouvir música no chão, E a calma de quem alcança O silêncio dentro do coração. Quando falas, o mundo abranda, Cada palavra é nascer do sol,

male vocals Portuguese pop ballad with a gentle half-time pulse and tender acoustic guitar arpeggios; verse stays intimate and sparse pre-chorus opens with soft strings and a breathy lift chorus blooms with stacked harmonies and a singable refrain. Male vocals front and center close-mic and warm with delay throws on the name "Julia " reversed swells into the pre-chorus and a final chorus widened with subtle hand percussion. Crisp emotional mix with a bright polished sheen.

Mírame a los ojos

Cover-Art für Mírame a los ojos von Cristian Ibarra
03:14

vor 2 Monaten

von Cristian Ibarra

mírame a los ojos mí amor que no puedo evitar mirarte cuando te miro todo es perfecto tus ojos brillan como estrellas que enciende me roba el Alma y me envuelve en tus abrazos y cada pasó firme cada pasó es calor amor mirame a los ojos que no puede más evitar amor amor amor amor no me ignores amor amor amor siempre será marzo de mí vida

male vocals glossy doubled on the hook Latin pop ballad with male vocals mid-tempo swayed groove and tender guitar-led pulse; verse stays intimate with fingerpicked nylon guitar and soft kick pre-chorus lifts with swelling pads and brushed percussion chorus opens with stacked harmonies and a held melody on the anchor phrase. Vocal is close-mic and breathy in verses with short delay throws on key words. Ear candy includes a reversed swell into the chorus delicate chime accents between lines and a final lift with wider harmony stacks. Warm emotional mix with a bright top end and soft low-end bloom.

Mírame a los ojos

Cover-Art für Mírame a los ojos von Cristian Ibarra
03:30

vor 2 Monaten

von Cristian Ibarra

mírame a los ojos mí amor que no puedo evitar mirarte cuando te miro todo es perfecto tus ojos brillan como estrellas que enciende me roba el Alma y me envuelve en tus abrazos y cada pasó firme cada pasó es calor amor mirame a los ojos que no puede más evitar amor amor amor amor no me ignores amor amor amor siempre será marzo de mí vida

male vocals glossy doubled on the hook Latin pop ballad with male vocals mid-tempo swayed groove and tender guitar-led pulse; verse stays intimate with fingerpicked nylon guitar and soft kick pre-chorus lifts with swelling pads and brushed percussion chorus opens with stacked harmonies and a held melody on the anchor phrase. Vocal is close-mic and breathy in verses with short delay throws on key words. Ear candy includes a reversed swell into the chorus delicate chime accents between lines and a final lift with wider harmony stacks. Warm emotional mix with a bright top end and soft low-end bloom.

Pour Over Moon

Cover-Art für Pour Over Moon von Darcklor_D
03:02

vor 2 Monaten

von Darcklor_D

Warm cinematic instrumental, 85-90 BPM, D minor. Opens with a subtle deep cinematic impact and slow string swell, then settles into a downtempo neo-soul groove — Rhodes electric piano, brushed drums, upright bass, soft analog pad. Melancholic but confident mood, like a premium coffee brand ad. No vocals, no EDM, no heavy bass drops. Ends with a gentle piano note and pad fade-out. 60-70 seconds.

male vocals slow electric deep Soft Warm [EDM gentle Soul downtempo polished string swell Neo-soul cinematic downtempo at 88 BPM in D minor with brushed swing and a tender late-night pulse; intro opens on a deep impact and filtered pad verse rides close-mic male vocals over Rhodes and upright bass pre-chorus lifts with harmony stacks and a soft riser chorus lands on a warmer groove with doubled lead and airy ad-libs outro thins to solo piano and pad fade. Rich intimate mix with subtle tape glow and gentle transitions.

Pour Over Moon

Cover-Art für Pour Over Moon von Darcklor_D
02:45

vor 2 Monaten

von Darcklor_D

Warm cinematic instrumental, 85-90 BPM, D minor. Opens with a subtle deep cinematic impact and slow string swell, then settles into a downtempo neo-soul groove — Rhodes electric piano, brushed drums, upright bass, soft analog pad. Melancholic but confident mood, like a premium coffee brand ad. No vocals, no EDM, no heavy bass drops. Ends with a gentle piano note and pad fade-out. 60-70 seconds.

male vocals slow electric deep Soft Warm [EDM gentle Soul downtempo polished string swell Neo-soul cinematic downtempo at 88 BPM in D minor with brushed swing and a tender late-night pulse; intro opens on a deep impact and filtered pad verse rides close-mic male vocals over Rhodes and upright bass pre-chorus lifts with harmony stacks and a soft riser chorus lands on a warmer groove with doubled lead and airy ad-libs outro thins to solo piano and pad fade. Rich intimate mix with subtle tape glow and gentle transitions.

Σπασμένα Ποτήρια

Cover-Art für Σπασμένα Ποτήρια von salofi4959@okcpress.com
03:04

vor 2 Monaten

von [email protected]

Modern Greek laiko power ballad, intense 6/8 rhythm, bouzouki lead, crying violin, clarinet fills, heavy laiko drums, deep bass, minor key, cinematic nightclub production. Raspy emotional male vocals, explosive chorus, powerful delivery, dynamic arrangement. Greek lyrics with 2 verses and 2 choruses, no rumba or latin.

male vocals emotional clarinet violin Latin dynamic deep ballad Rumba crying violin clarinet fills laiko cinematic nightclub mix Modern Greek laiko power ballad in intense 6/8 with bouzouki lead heavy laiko drums and deep bass in a minor key; verse stays tense and close pre-chorus lifts with violin runs chorus opens wide with explosive bouzouki stabs and stacked gang responses. Raspy male vocal big dynamic jumps bright and punchy.

Ataque Ash

Cover-Art für Ataque Ash von Breno gabriel Da silva de carvalho
03:02

vor 2 Monaten

von Breno gabriel Da silva de carvalho

rap do anime conta ataque Ash poder da criação ele é o líder Goh poder 🔥 Chloe poder ❄️ Sombra poder Sombra Vilão Black Ash futuro poder sombra ele quer o poder criação do Ash Robô animal Robô Cascavel Robô king Cobra Robô 🐝 Robô tatu Robô louva-a-deus Robô 🦏

male vocals rap anime Rap anime em português com male vocals flow acelerado e pulsos sincopados; verso entra seco com ênfase nas vozes e nos nomes dos poderes pré-refrão sobe com frases curtas e tensão de rivalidade refrão explode em coro cantável com repetição de “Ataque Ash”; ad-libs em camadas respostas em parênteses cortes de bateria e efeitos de energia entre blocos; mix brilhante e agressivo com graves firmes e brilho de batalha

Ataque Ash

Cover-Art für Ataque Ash von Breno gabriel Da silva de carvalho
03:02

vor 2 Monaten

von Breno gabriel Da silva de carvalho

rap do anime conta ataque Ash poder da criação ele é o líder Goh poder 🔥 Chloe poder ❄️ Sombra poder Sombra Vilão Black Ash futuro poder sombra ele quer o poder criação do Ash Robô animal Robô Cascavel Robô king Cobra Robô 🐝 Robô tatu Robô louva-a-deus Robô 🦏

male vocals rap anime Rap anime em português com male vocals flow acelerado e pulsos sincopados; verso entra seco com ênfase nas vozes e nos nomes dos poderes pré-refrão sobe com frases curtas e tensão de rivalidade refrão explode em coro cantável com repetição de “Ataque Ash”; ad-libs em camadas respostas em parênteses cortes de bateria e efeitos de energia entre blocos; mix brilhante e agressivo com graves firmes e brilho de batalha

SPPA Abidjan

Cover-Art für SPPA Abidjan von Yobou Berenger Akoma
02:55

vor 2 Monaten

von Yobou Berenger Akoma

Les agents du Service de Prévention du Péril Animalier (SPPA) de l'Aéroport International Félix Houphouët-Boigny d'Abidjan se distinguent par leur haut niveau de spécialisation technique et leur rigueur opérationnelle. Rattachés directement à la Direction de l'Exploitation d'AERIA, ces professionnels sont les garants de la sécurité des pistes dans un environnement tropical particulièrement exposé

male vocals punchy syncopated percussion tropical mid-tempo groove bouncing bass Afrobeats pop with male vocals and crisp handclap drive; verse stays tight and conversational pre-chorus strips to kick and vocal chant tension chorus opens with layered group doubles and a short call-and-response hook. Use brief risers bird-call textures and a small horn stab into the chorus. Bright polished mix with an energetic tropical edge.

SPPA Abidjan

Cover-Art für SPPA Abidjan von Yobou Berenger Akoma
02:42

vor 2 Monaten

von Yobou Berenger Akoma

Les agents du Service de Prévention du Péril Animalier (SPPA) de l'Aéroport International Félix Houphouët-Boigny d'Abidjan se distinguent par leur haut niveau de spécialisation technique et leur rigueur opérationnelle. Rattachés directement à la Direction de l'Exploitation d'AERIA, ces professionnels sont les garants de la sécurité des pistes dans un environnement tropical particulièrement exposé

male vocals punchy syncopated percussion tropical mid-tempo groove bouncing bass Afrobeats pop with male vocals and crisp handclap drive; verse stays tight and conversational pre-chorus strips to kick and vocal chant tension chorus opens with layered group doubles and a short call-and-response hook. Use brief risers bird-call textures and a small horn stab into the chorus. Bright polished mix with an energetic tropical edge.

Back in 2013

Cover-Art für Back in 2013 von Alvin Nigel
02:26

vor 2 Monaten

von Alvin Nigel

make a song about back in 2013 I was born with struggles

male vocals reversed swells into transitions pre-chorus lifts with rising harmonies with delay throws on key words warm piano loop Pop-rap with moody half-time drums and a steady pulse that opens into bigger layered synths by the chorus; verse stays close and sparse chorus hits with stacked doubles and a chantable anchor. Male vocals intimate and gritty in verses stronger doubled lead on hooks and a bright punchy mix with a little room grit.

Back in 2013

Cover-Art für Back in 2013 von Alvin Nigel
02:51

vor 2 Monaten

von Alvin Nigel

make a song about back in 2013 I was born with struggles

male vocals reversed swells into transitions pre-chorus lifts with rising harmonies with delay throws on key words warm piano loop Pop-rap with moody half-time drums and a steady pulse that opens into bigger layered synths by the chorus; verse stays close and sparse chorus hits with stacked doubles and a chantable anchor. Male vocals intimate and gritty in verses stronger doubled lead on hooks and a bright punchy mix with a little room grit.

Red Tail Market

Cover-Art für Red Tail Market von Raygan Gawi
01:00

vor 2 Monaten

von Raygan Gawi

Oooooooo Reeeed taaaaaaiiiiiiiiil yehiiiiiiiiyeeee First time Cruz ati yat borel markeeeet yehyeh na giaman spin igo lo keeeeendoooool street Rep: Awe tut papa ati vunatutana na itim borel market ma gon ra kar red taiiiiiil braaaaa bra Chorus: Red tail kiiiiiraaaap na boss mahn nevz endelim na TohJhay setelim lo up sait (2x paragraph) The next day comes na Barata jhay endelim j

male vocals syncopated percussion reversed swells Afro-fusion pop with a bouncy mid-tempo groove rolling sub bass and bright log-drum accents; verse stays lean with hand drums and call-and-response phrasing pre-chorus lifts with stacked chant doubles chorus hits wider with gang vocal shouts and short delay throws on key words. Male vocals close-mic and playful in verses fuller harmonies on the hook; risers and a brief break before the final chorus. Clean punchy mix with a warm low end.

Red Tail Market

Cover-Art für Red Tail Market von Raygan Gawi
01:12

vor 2 Monaten

von Raygan Gawi

Oooooooo Reeeed taaaaaaiiiiiiiiil yehiiiiiiiiyeeee First time Cruz ati yat borel markeeeet yehyeh na giaman spin igo lo keeeeendoooool street Rep: Awe tut papa ati vunatutana na itim borel market ma gon ra kar red taiiiiiil braaaaa bra Chorus: Red tail kiiiiiraaaap na boss mahn nevz endelim na TohJhay setelim lo up sait (2x paragraph) The next day comes na Barata jhay endelim j

male vocals syncopated percussion reversed swells Afro-fusion pop with a bouncy mid-tempo groove rolling sub bass and bright log-drum accents; verse stays lean with hand drums and call-and-response phrasing pre-chorus lifts with stacked chant doubles chorus hits wider with gang vocal shouts and short delay throws on key words. Male vocals close-mic and playful in verses fuller harmonies on the hook; risers and a brief break before the final chorus. Clean punchy mix with a warm low end.

Tira Que Eu Vou Cagar

Cover-Art für Tira Que Eu Vou Cagar von Daniel homem
02:27

vor 2 Monaten

von Daniel homem

calebe, e o Eduardo juntos em um quarto, tira que eu vou cagar, calebe gritava, bota mais pro fundo dudu, bota mas pro fundo dudu.

male vocals Funk carioca de andamento médio com batida seca e sincopada grave de sub pulsando repiques curtos e palmas espaçadas; verso com voz masculina quase falada e ad-libs de coro pré-refrão apertando com filtros e risers curtos refrão explode em resposta de grupo com chamada e repetição ponte reduz tudo a percussão e grito final com mais energia e doubles rasgados. Male vocals close-mic and gritty in the verses shouted hook doubles punchy bright mix with dirty low end bathroom-reverb ear candy and tape-stop transitions.

Tira Que Eu Vou Cagar

Cover-Art für Tira Que Eu Vou Cagar von Daniel homem
02:58

vor 2 Monaten

von Daniel homem

calebe, e o Eduardo juntos em um quarto, tira que eu vou cagar, calebe gritava, bota mais pro fundo dudu, bota mas pro fundo dudu.

male vocals Funk carioca de andamento médio com batida seca e sincopada grave de sub pulsando repiques curtos e palmas espaçadas; verso com voz masculina quase falada e ad-libs de coro pré-refrão apertando com filtros e risers curtos refrão explode em resposta de grupo com chamada e repetição ponte reduz tudo a percussão e grito final com mais energia e doubles rasgados. Male vocals close-mic and gritty in the verses shouted hook doubles punchy bright mix with dirty low end bathroom-reverb ear candy and tape-stop transitions.