Fiesta en San Bernardino

03:25

vor 2 Monaten

Crear una música electrónica tipo House épico bailable con algo bass de la música San Bernardino de los hobies Paraguay

female vocals Epic festival house with female vocals in Spanish wide supersaw leads over a driving four-on-the-floor kick and pulsing bass inspired by Paraguayan party energy. Build starts minimal with filtered chords and vocal chops rising risers into a huge anthemic drop. Second half brings brighter arps crowd-call backing vocals and a hands-in-the-air final chorus.

Fiesta en San Bernardino

03:02

vor 2 Monaten

von Albert Lugo

Crear una música electrónica tipo House épico bailable con algo bass de la música San Bernardino de los hobies Paraguay

female vocals Epic festival house with female vocals in Spanish wide supersaw leads over a driving four-on-the-floor kick and pulsing bass inspired by Paraguayan party energy. Build starts minimal with filtered chords and vocal chops rising risers into a huge anthemic drop. Second half brings brighter arps crowd-call backing vocals and a hands-in-the-air final chorus.

Hey Froggy Hey

01:48

vor 2 Monaten

von Kuban Karpekov

Hey froggy hey, boing-boing 🐸 Hey froggy hey, boing-boing Jump so high, boing-boing Hop hop hop! Left right jump, tra-la-la Left right jump, tra-la-la Spin around, clap clap clap Yay! Yay!

female vocals handclaps Bouncy kids-pop playground anthem with bright acoustic guitar and cartoonish percussion; female vocals up front with a silly call-and-response energy. Verses stay simple and spacious chorus stacks group shouts and crowd vocals for maximum sing-along. Little synth bells and goofy FX accent jumps and spins with a big final “yay!” button ending.

Hey Froggy Hey

01:40

vor 2 Monaten

von Kuban Karpekov

Hey froggy hey, boing-boing 🐸 Hey froggy hey, boing-boing Jump so high, boing-boing Hop hop hop! Left right jump, tra-la-la Left right jump, tra-la-la Spin around, clap clap clap Yay! Yay!

female vocals handclaps Bouncy kids-pop playground anthem with bright acoustic guitar and cartoonish percussion; female vocals up front with a silly call-and-response energy. Verses stay simple and spacious chorus stacks group shouts and crowd vocals for maximum sing-along. Little synth bells and goofy FX accent jumps and spins with a big final “yay!” button ending.

A raw, emotional song about losing a best friend to taking their own life. Female vulnerable vocals—shaky, cracked, intimate. Lyrics with cussing, grief, guilt, and quiet anger. Heavy chorus, a long stripped-back bridge of memories and unanswered texts, ending with a soft outro repeating a final curse-filled goodbye.

emotional raw female vocals Soft breathy Sparse fingerpicked guitar close-mic’d female vocals trembling on the edge of breaking. Verses stay whisper-quiet with intimate room tone; chorus swells hard with distorted bass roomy toms and doubled ragged harmonies. Bridge drops to almost a cappella over distant pads and a single piano note letting the words sit raw. Final outro soft almost choked with a faint organ swell under the last repeated line.

Fuck You For Leaving

04:00

vor 2 Monaten

von Milkberry _via

A raw, emotional song about losing a best friend to taking their own life. Female vulnerable vocals—shaky, cracked, intimate. Lyrics with cussing, grief, guilt, and quiet anger. Heavy chorus, a long stripped-back bridge of memories and unanswered texts, ending with a soft outro repeating a final curse-filled goodbye.

emotional raw female vocals Soft breathy Sparse fingerpicked guitar close-mic’d female vocals trembling on the edge of breaking. Verses stay whisper-quiet with intimate room tone; chorus swells hard with distorted bass roomy toms and doubled ragged harmonies. Bridge drops to almost a cappella over distant pads and a single piano note letting the words sit raw. Final outro soft almost choked with a faint organ swell under the last repeated line.

Yo Quiero Fruta

03:28

vor 2 Monaten

von Liz Mendez

I want to create a children’s song in Spanish for kids aged 3 to 4 who do not speak Spanish. The main goal is to help them learn and repeat basic food expressions in Spanish such as: “yo quiero fruta”, “yo quiero verduras”, “para comer”. The song should be: Slow to moderate in tempo (not fast, not rap-like) Cheerful and warm, but calm Easy to follow and memorize

rap slow female vocals cheerful Warm mid-tempo acoustic lullaby with female vocals; gentle nylon guitar and soft shaker light claps only on choruses. Verses stay sparse and intimate chorus adds warm hummed harmonies and subtle glockenspiel sparkle. Overall calm inviting groove that gives kids space to repeat the Spanish phrases clearly and playfully.

Yo Quiero Fruta

02:28

vor 2 Monaten

von Liz Mendez

I want to create a children’s song in Spanish for kids aged 3 to 4 who do not speak Spanish. The main goal is to help them learn and repeat basic food expressions in Spanish such as: “yo quiero fruta”, “yo quiero verduras”, “para comer”. The song should be: Slow to moderate in tempo (not fast, not rap-like) Cheerful and warm, but calm Easy to follow and memorize

rap slow female vocals cheerful Warm mid-tempo acoustic lullaby with female vocals; gentle nylon guitar and soft shaker light claps only on choruses. Verses stay sparse and intimate chorus adds warm hummed harmonies and subtle glockenspiel sparkle. Overall calm inviting groove that gives kids space to repeat the Spanish phrases clearly and playfully.

Glow All Night

03:24

vor 2 Monaten

von TGO D

Hype party track with nice emotional beat theme

emotional female vocals theme subby bass Glossy pop-club banger with female vocals over a lush emotional chord bed and bright synth plucks. Intro starts spacious with filtered pads and a distant vocal chop then a tension-building riser into a big stomping kick and crisp clap groove. Chorus explodes with wide side-chained synths and stacked gang-style chants. Second half adds rhythmic vocal chops and a higher counter-melody. Bridge strips to piano and reverb-soaked lead then a snare roll slams back into the final sing-along hook.

Glow All Night

03:08

vor 2 Monaten

von TGO D

Hype party track with nice emotional beat theme

emotional female vocals theme subby bass Glossy pop-club banger with female vocals over a lush emotional chord bed and bright synth plucks. Intro starts spacious with filtered pads and a distant vocal chop then a tension-building riser into a big stomping kick and crisp clap groove. Chorus explodes with wide side-chained synths and stacked gang-style chants. Second half adds rhythmic vocal chops and a higher counter-melody. Bridge strips to piano and reverb-soaked lead then a snare roll slams back into the final sing-along hook.

Wanderer, Where Are You Going

04:00

vor 2 Monaten

von Ismail Karabila

Adapt the Algerian song “Ya Rayah Win Msafar” into English lyrics. Keep the emotional depth, themes of exile, regret, longing, and life’s hardships. The tone should be melancholic and poetic, reflecting the wisdom and warning of the original song. Do not translate word-for-word; instead, rewrite the lyrics naturally in English so they feel like an original song. Maintain a traditional folk/world m

emotional female vocals folk tone poetic world Traditional Folk Traditional North African folk with hand percussion oud and airy flute; female vocals in a low smoky register verses carried by intimate storytelling chorus swelling with call-and-response group harmonies and communal claps subtle frame drum builds tension toward the final refrain then fades to a bare vocal outro

Wanderer, Where Are You Going

04:00

vor 2 Monaten

von Ismail Karabila

Adapt the Algerian song “Ya Rayah Win Msafar” into English lyrics. Keep the emotional depth, themes of exile, regret, longing, and life’s hardships. The tone should be melancholic and poetic, reflecting the wisdom and warning of the original song. Do not translate word-for-word; instead, rewrite the lyrics naturally in English so they feel like an original song. Maintain a traditional folk/world m

emotional female vocals folk tone poetic world Traditional Folk Traditional North African folk with hand percussion oud and airy flute; female vocals in a low smoky register verses carried by intimate storytelling chorus swelling with call-and-response group harmonies and communal claps subtle frame drum builds tension toward the final refrain then fades to a bare vocal outro

Luta Sem Fim

03:07

vor 2 Monaten

von [email protected]

Semba – “Luta Sem Fim” (Dj Belmiro Controla a Pista) BPM: 106 Instrumentos: • Guitarra semba (marcação rítmica) • Percussão (conga, dikanza, tambor) • Baixo (linha pulsante típica do Semba) • Vocais: Homem / Mulher ⸻ [Intro – DJ Belmiro – falado sobre percussão] (0:00 – 0:15) Dj Belmiro, controla pista! Semba na veia, Angola no coração! 🎵 Instrumentos: Percussão leve, guitarra marcada

female vocals semba Classic Angolan semba groove at 106 BPM bright guitar comping over earthy congas and dikanza pulsating bass locked with the drums. Call-and-response male/female vocals; spoken DJ intro over stripped percussion then band drops in. Choruses open with stacked female harmonies and male shouts verses sit lighter to let the story and swing lead the dancefloor.

Luta Sem Fim

03:14

vor 2 Monaten

von [email protected]

Semba – “Luta Sem Fim” (Dj Belmiro Controla a Pista) BPM: 106 Instrumentos: • Guitarra semba (marcação rítmica) • Percussão (conga, dikanza, tambor) • Baixo (linha pulsante típica do Semba) • Vocais: Homem / Mulher ⸻ [Intro – DJ Belmiro – falado sobre percussão] (0:00 – 0:15) Dj Belmiro, controla pista! Semba na veia, Angola no coração! 🎵 Instrumentos: Percussão leve, guitarra marcada

female vocals semba Classic Angolan semba groove at 106 BPM bright guitar comping over earthy congas and dikanza pulsating bass locked with the drums. Call-and-response male/female vocals; spoken DJ intro over stripped percussion then band drops in. Choruses open with stacked female harmonies and male shouts verses sit lighter to let the story and swing lead the dancefloor.

Lily The Hug Missile

02:50

vor 2 Monaten

von Blake Switzer

“Create a 30-second upbeat, funny, and cute rap song about a girl named Lily. She is kind, hilarious, and gives the best hugs ever—sprinting to hug her friends out of nowhere. Mention her sense of humor, how she makes school days better, and include a funny exaggeration about how she apologizes for everything. Include a reference to volleyball at school in a playful way. Make the rap lively, energ

playful rap female vocals handclaps Bouncy schoolyard hip-hop with bright synth stabs and playful bass; female vocals in a quick animated flow. Tight 30-second structure: one verse into an explosive hook with giggly ad-libs and stacked group chants on the chorus to hype Lily’s hugs and humor.

Lily The Hug Missile

04:00

vor 2 Monaten

von Blake Switzer

“Create a 30-second upbeat, funny, and cute rap song about a girl named Lily. She is kind, hilarious, and gives the best hugs ever—sprinting to hug her friends out of nowhere. Mention her sense of humor, how she makes school days better, and include a funny exaggeration about how she apologizes for everything. Include a reference to volleyball at school in a playful way. Make the rap lively, energ

playful rap female vocals handclaps Bouncy schoolyard hip-hop with bright synth stabs and playful bass; female vocals in a quick animated flow. Tight 30-second structure: one verse into an explosive hook with giggly ad-libs and stacked group chants on the chorus to hype Lily’s hugs and humor.

Get Busy Or Get Gone

02:20

vor 2 Monaten

von Weylon Rovensky

female punk rock band about getting busy

female vocals rock fast Punk snarling punk rock with female vocals riding over crunchy guitars and a driving slightly overdriven bass. Verses punch with tight palm‑muted riffs; chorus explodes with gang‑shouted hooks and open chords. Short sharp drum fills kick into each section and a brief chaotic guitar break lifts the bridge before a final shout‑along chorus. Keep the vocal raw slightly over the edge with doubled lines on key phrases.

Get Busy Or Get Gone

02:52

vor 2 Monaten

von Weylon Rovensky

female punk rock band about getting busy

female vocals rock fast Punk snarling punk rock with female vocals riding over crunchy guitars and a driving slightly overdriven bass. Verses punch with tight palm‑muted riffs; chorus explodes with gang‑shouted hooks and open chords. Short sharp drum fills kick into each section and a brief chaotic guitar break lifts the bridge before a final shout‑along chorus. Keep the vocal raw slightly over the edge with doubled lines on key phrases.

Мама Евгения — суперзвезда

02:24

vor 2 Monaten

von [email protected]

Мама Евгения — суперзвезда, В клинике зубы лечит всегда. Боль уйдёт — не бойся, малыш, Она мастер! Не нужен страхиш. Припев Евгения, мама, зубы чистит, В кресле смеётся, смех нас искрит. Пломба тут, пломба там, С такой мамой зубы — кайф и драм! Куплет 2 Бормашина жужжит — но мы не боимся, Мама шутит — и сразу смеёмся. Зубная паста везде летит, А мама говорит: «О, тут сюрприз!» 😆 Припев Евгения,

female vocals Bouncy kids-pop with female vocals bright acoustic guitar and playful ukulele over a light drum groove; verses stay cheeky and intimate chorus explodes with stacked gang-vocal chants and claps; sprinkle cartoonish sound FX hits and rising synths for the dental drill moments finish on a big group sing-along tagline.

Мама Евгения — суперзвезда

02:39

vor 2 Monaten

von [email protected]

Мама Евгения — суперзвезда, В клинике зубы лечит всегда. Боль уйдёт — не бойся, малыш, Она мастер! Не нужен страхиш. Припев Евгения, мама, зубы чистит, В кресле смеётся, смех нас искрит. Пломба тут, пломба там, С такой мамой зубы — кайф и драм! Куплет 2 Бормашина жужжит — но мы не боимся, Мама шутит — и сразу смеёмся. Зубная паста везде летит, А мама говорит: «О, тут сюрприз!» 😆 Припев Евгения,

female vocals Bouncy kids-pop with female vocals bright acoustic guitar and playful ukulele over a light drum groove; verses stay cheeky and intimate chorus explodes with stacked gang-vocal chants and claps; sprinkle cartoonish sound FX hits and rising synths for the dental drill moments finish on a big group sing-along tagline.

Лето здесь, а я — герой

03:20

vor 2 Monaten

von [email protected]

Солнце светит, ветер летит, Море блестит, песок горит. Дни бегут, ночь к нам идёт, Смех звучит, сердце поёт. Припев Лето, лето — жарко, светло, Радость, смех, нам тепло-тепло. Ветер, море, пляж, костёр, Лето здесь, а я — герой. Куплет 2 Вода блестит, звёзды горят, Песни поют, и мы летят. Руки вверх, мы словно в мечте, Солнце в сердце — в этой листве. Припев Лето, лето — жарко, светло, Радость,

female vocals bigger chorus. and a wide crowd-style shouts Upbeat Russian pop with female vocals; bright acoustic guitar over a midtempo dance groove warm bass and snappy claps. Verses stay breezy and close pre-chorus adds rising synth pads and tom fills; chorus bursts with stacked harmonies sparkling top end. Brief bridge strips to vocal and pads before a final

Лето здесь, а я — герой

02:05

vor 2 Monaten

von [email protected]

Солнце светит, ветер летит, Море блестит, песок горит. Дни бегут, ночь к нам идёт, Смех звучит, сердце поёт. Припев Лето, лето — жарко, светло, Радость, смех, нам тепло-тепло. Ветер, море, пляж, костёр, Лето здесь, а я — герой. Куплет 2 Вода блестит, звёзды горят, Песни поют, и мы летят. Руки вверх, мы словно в мечте, Солнце в сердце — в этой листве. Припев Лето, лето — жарко, светло, Радость,

female vocals bigger chorus. and a wide crowd-style shouts Upbeat Russian pop with female vocals; bright acoustic guitar over a midtempo dance groove warm bass and snappy claps. Verses stay breezy and close pre-chorus adds rising synth pads and tom fills; chorus bursts with stacked harmonies sparkling top end. Brief bridge strips to vocal and pads before a final

Falling Into Daylight

03:12

vor 2 Monaten

von Daven

Genre: Electronic / Melodic Techno / EDM Style: emotional, atmospheric, inspired by Alan Walker Tempo: 95 BPM Mood: hopeful, deep, romantic, cinematic Vocal: female, airy, soft but powerful Language: English Structure: intro – verse – pre-chorus – drop – chorus – bridge – final chorus, beat, bass

emotional electronic dance romantic female vocals deep Soft Techno [EDM vocal Melodic techno bed with pulsing sidechained synths at 95 BPM wide pads and subtle piano arps. Female vocals airy in the verses growing into a confident belt on the choruses. Drop hits with a bright lead line echoing the topline warm sub and tight percussive groove. Cinematic risers lift into each section; lush reverb and delay trails keep everything spacious and emotional.

Falling Into Daylight

02:59

vor 2 Monaten

von Daven

Genre: Electronic / Melodic Techno / EDM Style: emotional, atmospheric, inspired by Alan Walker Tempo: 95 BPM Mood: hopeful, deep, romantic, cinematic Vocal: female, airy, soft but powerful Language: English Structure: intro – verse – pre-chorus – drop – chorus – bridge – final chorus, beat, bass

emotional electronic dance romantic female vocals deep Soft Techno [EDM vocal Melodic techno bed with pulsing sidechained synths at 95 BPM wide pads and subtle piano arps. Female vocals airy in the verses growing into a confident belt on the choruses. Drop hits with a bright lead line echoing the topline warm sub and tight percussive groove. Cinematic risers lift into each section; lush reverb and delay trails keep everything spacious and emotional.

Female Vocals

Female Vocals Tracks

Fiesta en San Bernardino

Fiesta en San Bernardino

Hey Froggy Hey

Hey Froggy Hey

Fuck You For Leaving

Fuck You For Leaving

Yo Quiero Fruta

Yo Quiero Fruta

Glow All Night

Glow All Night

Wanderer, Where Are You Going

Wanderer, Where Are You Going

Luta Sem Fim

Luta Sem Fim

Lily The Hug Missile

Lily The Hug Missile

Get Busy Or Get Gone

Get Busy Or Get Gone

Мама Евгения — суперзвезда

Мама Евгения — суперзвезда

Лето здесь, а я — герой

Лето здесь, а я — герой

Falling Into Daylight

Falling Into Daylight

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